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A HANDBOOK OF 
ATTIC RED-FIGURED VASES 


SIGNED BY OR ATTRIBUTED TO 
THE VARIOUS MASTERS OF THE SIXTH 
AND FIFTH CENTURIES B.C. 


BY 
JOSEPH CLARK HOPPIN, Pu.D., F.R.G.S. 


PROFESSOR OF CLASSICAL ARCHAEOLOGY IN BRYN MAWR COLLEGE 


VOLUME I 


CAMBRIDGE 


HARVARD UNIVERSITY PRESS 
LONDON: HUMPHREY MILFORD 


OxForD UNIVERSITY PRESS 


IQIQ 


pe ese 
tA: 
= ’ ‘ 


COPYRIGHT, 1919 


HARVARD UNIVERSITY PRESS 


‘% 


~ 
? 
com 


TO THE HAPPY MEMORY OF 


HERBERT FLETCHER DE COU 


AND 


RICHARD NORTON 


THIS BOOK IS AFFECTIONATELY 
DEDICATED 


PREFACE 


LL students of Greek ceramics have felt for many years 

the need of a work like the present, and it is a matter 

of surprise that during all this time no such work has been 

attempted. I could wish that its preparation might have 

found a more able workman than I, but the fact that the gaily 

painted Attic vases have absorbed me more than any other 

branch of archaeology ever since I first began the study, and 

that I have enjoyed far more leisure of late years than has 

fallen to the lot of my less fortunate confréres, may perhaps 
excuse the self-appointed undertaking. 

I began the book for my own convenience but I question 
whether I should ever have done so had I realized at the out- 
set the magnitude of my task. With a few brief interruptions 
I have devoted my entire time to it for nearly two years. 
The compilation of the unpublished material has been a 
matter of extreme difficulty owing to the European war. 
Requests were made to the directors of all the important 
European museums for photographs and data through vari- 
ous official channels which ensured their safe arrival, but in 
many cases these requests were fruitless. In consequence 
I am unable to include photographs of the following vases: 
Brygos 2*, Douris 14*, and Hermonax 2*; photographs of 
these could not be obtained from the museum in Florence. 
Nikosthenes 5* and Pamphaios 19* bis; photographs of these 
could not be obtained from the Villa Giulia, Rome. Euergides 
4*, in Leipzig; Euergides 6*, Hischylos 2* and Pamphaios 14* 
in Munich; Hischylos 5* and Pamphaios 20* in Wiirzburg; 
Epiktetos 23*, Pamphaios 18* and 19* in Petrograd; Epikte- 


lave] 


tos 1*, Kallis 1*, Mys 1*, Myson 1* in Athens; Pistoxenos 1* 
in Brussels; requests for photographs of these as well as for 
data of other unsigned vases were either (as is most probably 
the case) eure ignored or else the replies have failed to 
reach me.’ 

Dr. Friedrich Hauser of Stuttgart, the owner of Euphro- 
nios 15* had died before my letter reached him. Pamphaios 
15* is not in Palermo and I have been unable to trace it. - 

It must also be remembered that in many of the European 
museums, especially those in Italy, the conditions, owing to 
the war, changes in the directorate, renumbering the collec- 
tions and the adoption of modern methods, are extremely 
chaotic, and it is often extremely difficult to locate a given 
vase. For these reasons a number of vases must perforce 
appear in these pages with very insufficient data. Further- 
more, barring a few stray publications, very little material 
of a German or Austrian source has been accessible to us in 
America since 1915. Much as I regret these lacunae in the 
book they seem inevitable in view of present conditions and 
as there is little prospect of any amelioration in the near 
future I have decided, albeit reluctantly, to let ete work 
appear in an incomplete form. 

It has not been easy to decide on a AIS which would 
satisfy every one. My chief ambition has been to produce 
a book which could be used by students with the mini- 
mum amount of labor, and hence it has seemed the simplest 
plan to adopt throughout the alphabetical order for the vari- 
ous painters and potters and to arrange the works of each, 
whether signed or attributed, alphabetically by museums in 
a numerical order. I am aware that this will not appeal to 
those who prefer their material classified by subject-matter 
or shapes. To avoid this difficulty a list of both subjects and 

1 Dr. Oskar Waldhauer of the Hermitage Museum in Petrograd wrote to 
me very courteously expressing his regret that the unsettled condition of 


affairs in the museum made it impossible to furnish me with the desired 
photographs. 
[ vi J 


shapes employed by each master has been introduced at the 
end of the section dealing with him, together with a third list 
of vases attributed to his hand by various scholars but which 
are cited under the name of another artist in this book. 

For the benefit of those who propose to work along cor- 
responding lines I may say that the card-catalogue system 
has been employed throughout; the only practical way to 
handle such a voluminous material. No less than five sep- 
arate catalogues have been used in the preparation of this 
book: (1) The main catalogue, consisting of cards 5 X 8 
inches specially printed with spaces for the necessary data; 
(2) the museum index; (3) the index of publications; (4) 
the inscriptional index; and (5) the general index. Each 
catalogue has acted as a check on the others and thus made 
it almost impossible for any vase to be listed twice. The 
only instances where such a thing is possible have been in the 
case of vases usually reckoned as disappeared and then dis- 
covered in some museum. Several such cases did occur in 
the course of the work but they have been detected and I do 
not think that any vase here cited has been catalogued twice. 

The question of how far to go in listing attributions has 
been a very vexed one.! Mere mention in a catalogue of 
“style of Douris” or “style of Hieron” does not, to my 
mind, constitute a legitimate attribution, and therefore, 
except in a few instances, no attributions have been included 
unless some scholar has definitely assigned a given vase to a 
certain hand. J have endeavored to eliminate my own 
individuality in this matter by refraining from all attribu- 
tions except those which are based on my own published 
work. But I have not been able to sink my identity entirely. 

1 All the various attributions made by Beazley in his different articles as 
well as those in his Vases in America have been here included as long as such 
attributions have been assigned to an artist to whom a definite name is 
attached. Occasionally, however, in his Vases in America a number of vases 
have been grouped together as belonging to the same hand without identifi- 


cation of the artist by a definite name. Such attributions have not been 
included here. 
[ vii ] 


The same vase is very often assigned to several different 
artists by different scholars, and as it is obviously incon- 
venient to catalogue the same vase more than once in the 
Handbook I have adopted the principle, where a difference 
of opinion occurs, of listing such a vase among the works of 
the artist to whom, in my opinion, it belongs, but in every 
case the various attributions are mentioned. Frequently I 
have been obliged to include vases among the works of a 
painter, who, I feel sure, had nothing whatsoever to do with 
their manufacture, for the simple reason that only one scholar 
has attempted to identify them. Probably no one today can 
be found who believes that the amphorae in Berlin and 
Munich (Makron 44 and 75) were ever painted by Makron as 
asserted by Furtwiéngler; yet no other scholar has attempted 
to identify them and until some one else gives them their 
rightful status I have no course but to include them under 
the Makron attributions. 

To be ideal, such a volume as the present ought to include 
a plate of every vase mentioned in it. This is of course im- 
possible, for aside from the tremendous expense involved, the 
work would be far too cumbersome for students’ use. Klein’s 
monumental work on the “‘ Meistersignaturen ”’ is thoroughly 
out of date, and the recent attempt of Nicole in the Revue 
Archéologique for 1916 to bring it up to date has not been alto- 
gether successful. Reinach’s Répertoire, certainly one of the 
most useful books the archaeologist possesses, is of little value 
for the study of stylistic details owing to the sketchy char- 
acter of the illustrations; it is only fair, however, to state that 
the work was never intended for such a purpose. My inten- 
tion, therefore, has been to publish a book which should prove 
a combination of both Klein and Reinach — complete in its 
list of artists and the material signed by them, with plates 
large enough to reproduce their work in a form sufficient to 
permit the analysis of stylistic details. It is not intended, 
however, to relieve the student of the task of using the 


[ viii J 


larger publications when it is a question of discussing the 
peculiarities of any painter’s work. 

The question of references also presents some difficulty. 
That the bibliography attached to each vase is complete in 
the sense that every mention of it throughout the whole of the 
very voluminous literature no matter how slight, is included, 
is, I fear, distinctly not the case. Much of the literature 
of a hundred years ago is comparatively worthless and 
has generally been ignored. Also references have frequently 
been omitted which merely mention a given vase without 
drawing any conclusions from it. I have endeavored to 
include all references which seemed to me vital, in short to 
use my common-sense, and I hope that the number of those 
which have been omitted through oversight or inadvertence 
will not be found very great. One valuable lesson I have 
learned. Until I began my task I had never realized how 
general is the habit of quoting references without verification. 
Time after time I have detected the same error repeated in 
one work after another. Consequently every reference in 
this book (except in the case of some of the older publications 
which have been inaccessible to me) has been verified either 
in manuscript or proof. That I have succeeded in eliminat- 
ing all errors is too much to hope for, but I think in the main 
they have been materially reduced. Needless to say I shall 
welcome any corrections or additions which may be sent to 
me. . 

Vases signed by a potter alone have been catalogued under 
his name entirely regardless of their authorship though such 
authorship has been indicated whenever possible. Vases 
signed by both potter and painter have been listed under the 
name of the painter. All signed vases are denoted by an 
asterisk after the number. Since the actual catalogue was 
finished some time ago and the numerical system adopted, I 
have been unable to avoid the use of bis, ter, etc., after some 
numbers as only in that way could new vases be inserted or 


[ ix ] 


old ones changed.! Some potters have been very difficult to 
treat owing to the general uncertainty about them. Meidias 
is a case in point, for not only is there the greatest divergence 
of opinion as to his date but no two scholars seem to agree as 
to what vases are really Meidian and what are not. I have not 
attempted to bring order out of this chaos and have simply 
included in the list of his works all vases which have been 
attributed to him by different scholars from time to time. 
For the correctness of such attributions I beg that I be not 
held responsible. 

The title of the work is a sufficient excuse for the omission 
of certain artists or potters. No black-figure vases have been 
included except in the case of vessels of the dual technique; 
nor any non-Attic masters unless it was probable that their 
activity lay in Athens. The potters Charinos, Kleomenes, 
Kriton, Lysiades, Lysias, Lykinos, Platon, Teisias and The- 
rinos have been omitted since their signatures are attached 
only to vases in plastic form or those which possess no 
figured decoration whatsoever. Only those vases on a white 
ground which bear a signature or which can safely be - 
attributed to a definite named artist have been included.” 

I should like at this point to enter a protest against the 
indiscriminate habit of attributing vases. Probably no one has 
struck a more important note in the study of Greek ceram- 
ics than Beazley and whether one accepts his attributions 


1 A further difficulty has been encountered since all the Beazley attribu- 
tions have been listed on the basis of his various articles and the first proof 
of his Vases in America. Numerous changes, however, were made by him 
before the final appearance of his book (for instance the majority of the vases 
originally assigned by him to the Painter of the Berlin Amphora as ‘ school- 
pieces ’ have since been definitely included among the actual works of that 
master, and a few attributions to other painters definitely discarded) and it 
has occasionally proved impossible to make a change in the numerical system 
which was adopted before the present work went to press. Wherever such 
changes have occurred they have been duly noted. 

* For this reason I have not included Beazley’s attributions of a number 
of white lekythoi to the Achilles Painter though I agree absolutely with him 
as to the correctness of these attributions. 


[x] 


or not, one must recognize that their author has made a very 
exhaustive study of the subject and possesses a wonderful 
eye for stylistic details. But all students are not Beazleys 
and unless they possess similar characteristics they had best 
walk warily in his footsteps. 

This book could never have been produced without the 
intelligent and generous codperation of a multitude of schol- 
ars to whom my very warmest thanks are due. Foremost 
among them is my very dear friend Mr. C. Densmore Curtis 
of the American Academy in Rome who at my request made 
a tour through all the museums of Italy and Sicily to obtain 
for me the desired data and photographs. Mr. Curtis met 
everywhere the most courteous and kindly assistance during 
his wanderings through the museums, and. for the services 
rendered me through him I wish to express my most grateful 
thanks to the following: in Rome, Dr. Nogara at the Vatican, 
Professor Colini and Signorina Morpurgo at the Villa Giulia, 
and Signor Castellani; in Florence, Professor Pernier; in 
Naples, Professor Spinazzola and Signorina Levi; in Corneto, 
Professor Cultrera; in Orvieto, Signor Faina; in Syracuse, 
Professor Orsi; in Palermo, Professor Gabrici; in Girgenti, 
Baron Giudice. 

For photographs, data, suggestions and assistance in many 
ways I wish to express my gratitude to the following: Dr. 
Arthur Fairbanks the Director and Dr. L. D. Caskey, Cura- 
tor of Classical Antiquities of the Boston Museum of Fine 
Arts; Miss Gisela M. A. Richter, Assistant Curator of 
Classical Antiquities and Mr. William Clifford, Librarian 
of the Metropolitan Museum in New York; Dr. Stephen B. 
Luce, Jr., Curator of the Classical Antiquities in the Phila- 
delphia Museum; Professor George H. Chase of Harvard 
University, and the staff of the Harvard Library; Professor . 
J. R. Wheeler * of Columbia University; Professor Paul Baur 


1 Since the above was written, the study of Archaeology and the Classics 
in this country has suffered an irreparable loss by the death of Professor 


[xi] 


of Yale University; Professor William N. Bates of the Uni- 
versity of Pennsylvania; Professor David M. Robinson of 
Johns Hopkins University; Professor Henry Johnson of 
Bowdoin College; Miss Mary H. Swindler of Bryn Mawr 
College; Mr. Arthur Hamilton Smith, Keeper of Greek and 
Roman Antiquities in the British Museum, and Sir Cecil 
Smith, Director of the Victoria and Albert Museum; Mr. 
Edward Warren of Lewes and the directors of the museums 
of Birmingham, Canterbury, Edinburgh, Glasgow, Liverpool, 
and Norwich; M. Babelon, Director of the Cabinet des 
Médailles in Paris; M. Salomon Reinach, Director of the 
Museum of St. Germain-en-Laye; Dr. Robert Zahn, Direc- 
tor of the Antiquarium in Berlin; and Professor Georges 
Nicole of Geneva. 

To M. Edmond Pottier, Conservateur of the Louvre are 
due more than mere thanks. The material required from the 
Louvre, photographic as well as notes, was extremely vol- 
uminous and the labor involved to collect it by no means 
small. M. Pottier, in spite of ill-health, and war conditions 
in the Louvre, has spared no pains to place in my hands 
photographs of more than twenty vases and data relating to 
more than two hundred and did so in the kindly and helpful 
spirit which all Americans who have ever worked in the 
Louvre have learned to love and admire; had he been the 
author himself he could not have taken more interest. _ 

Mr. J. N. McClure, Harvard ’18, acted as secretary for me 
during the completion of the book and gave me invaluable 
assistance; Mr. C. Chester Lane and Mrs. M. S. Heller of 
the Harvard University Press have been more than kind 
during the onerous period of its preparation, Also, it would 
have been absolutely impossible to have published the work 
at the present time had it not been for the generous assist- 


Wheeler. In view of my own affection for him after a friendship of more 
than twenty years, I can only express the deep regret I feel in common with 
all his friends. 


[ xii ] 


ance of Mr. J. D. Beazley, who in addition to allowing me 
the free use of the proofs of his great work on the Vases in 
America, has given me countless suggestions and to whom I 
feel that I owe an especial debt of gratitude. 

Lastly this book is a tribute to the memory of two devoted 
friends. DeCou was killed at Cyrene on March 11, 1911, 
and his name must be added to the glorious roll of those who 
have become martyrs in the cause of science. Norton died 
in Paris on August 2, 1918, worn out by his untiring efforts 
as head of the Norton-Harjes Ambulance Corps during the 
darkest days of the Great War. Both died as they had lived, 
true and gallant gentlemen. I count it as a privilege that 
for more years than I care to number we three had been the 
closest of friends, fellow-students and workers in school and 
field, with never a cloud to mar a friendship which will 
always be among my most precious memories. 


[ xiii J 


CONTENTS 


Numbers followed by an asterisk refer to signed vases. 


Only signed vases are illustrated in this book. 


INTRODUCTION . 
THE ACHILLES PAINTER 
AGATHON . 


1*, Jahrbuch des kais. deut. arch. Inst., 1895, p. 38, figs. 12, 13. 


THE AISCHINES PAINTER . 
AISON 


Attributed Vases 


THE ALKIMACHOS PAINTER . 


THE ALTAMURA PAINTER 
THE AMBROSIOS PAINTER 
ANDOKIDES . 


1*, Antike Denkmédiler II, pl. 1. 


1*, Furtwangler-Reichhold, Die griechische Vasenmaleret, III, pl. 133. 
2*, Jahreshefte des oester. arch. Inst., 1900, pp. 70, 71, figs. 8, 9. 

3*, Jahrbuch des kais. deut. arch. Inst., 1889, pl. 4. 

4*, from photographs. 

5*, F.R., Die griechische Vasenmaleret, II, pl. 111. 


Attributed Vases 
APOLLODOROS . 


1*, Hartwig, Die griechischen Meisterschalen, pl. 69, no. I. 
2*, Hartwig, Die griechischen Meisterschalen, pl. 69, no. 2a—d. 


Attributed Vases 
ARISTOPHANES 


1*, F. R., Die griechische Vasenmaleret, III, pl. 127. 
2*, F.R., Die griechische Vasenmaleret, III, pl. 128. 


Attributed Vases 
THE BALD-HEAD PAINTER 


THE PAINTER OF THE BERLIN AMPHORA. 


School Pieces . 


[xv ] 


42 
45 


76 


THE PAINTER OF THE BERLIN NIKE HyYDRIA 2381 
THE PAINTER OF THE BOLOGNA AEGISTHUS 78 
THE PAINTER OF THE BOLOGNA BOREAS 80 
THE PAINTER OF THE BOSTON PHIALE 83 
THE PAINTER OF THE BOSTON TITHONOS AMPHORA . go 
THE PAINTER OF THE BOWDOIN EvE KYLIx . 92 
THE PAINTER OF THE BOWDOIN PyxIs 94 
THE BRISEIS PAINTER . ea ee IOI 
THE PAINTER OF THE BRUSSELS OINOCHOE 104 
BryGOS relay lel peaaee 106 

1*, fragment with signature only. 

2*, unpublishable. 

3*, Wiener Vorlegeblatter, VIII, pl. 2. 

4*, F.R., Die griechische Vasenmalerei, I, pl. 47, and cut on p. 239 

of the Text. 

5*, Journal of Hellenic Studies, 1914, pl. 9. 

6*, Wiener Vorlegeblatter, C, pl. 7, 2. 

7*, Wiener Vorlegeblatter, VIII, pl. 3. 

8*, F. R., Die griechische Vasenmaleret, I, pl. 25. 

o*, F. R., Die griechische Vasenmalerei, I, pl. 50. 

9* bis, no reproduction obtainable. 

Attributed Vases RE ica 122 
THE PAINTER OF THE CERBERUS PLATE . 144 
CHACHRYLION . 146 


1*, Schéne, Museo Bocchi di Adria, pl. 2, no. 4. 
2*, fragment too slight for reproduction. 


3*, Hartwig, Die griechischen Meisterschalen, pl. 2, no. I. 
4*, Hartwig, Die griechischen Meisterschalen, fig. 4. 
5*, Hartwig, Die griechischen Meisterschalen, pl. 2, no. 3. 
6*, Harrison and MacColl, Greek Vase-paintings, pl. 10. 
7*, Wiener Vorlegeblitter, D, pl. 7 (right-hand section). 
8*, Wiener Vorlegeblitter, D, pl. 7 (left-hand section). 
9*, Hartwig, Die griechischen Meisterschalen, pl. 1. 
10°, Hartwig, Die griechischen Meisterschalen, pl. 2, no. 2. 
11*, Louvre Album, II, pl. 91 G 36. 
12*, from a photograph. 
13*, Hartwig, Die griechischen Meisterschalen, figs. 2a-c. 
14*, from a photograph. 
15*, Perrot-Chipiez, Histoire de l’art dans Vantiquité, X, fig. 230. 


[ xvi ] 


16*, Noél des Vergers, Etrurie, III, pl. 37. 

17*, Monumenti Antichi Lincet, 1907, p. 458, fig. 328. 

18*, Hartwig, Die griechischen Meisterschalen, figs. 3, 3a, 3b. 
19*, fragment too slight for reproduction. 

19* bis, no reproduction obtainable. 


eee e ew 178 
DREMMePEORMUUDES PAINTER 2 dec cy eee we es) «199 
ee hd ee ey, v & W183 


1*, fragment with signature only. 

2*, F. R., Die griechische Vasenmalerei, I, pl. 43. 
3*, from photographs. 

4*, from photographs. 

5*, from photographs. 


ewer AINTER OF THE CHICAGO STAMNOS .... 3.5: 2... 193 
PieetinNreR OF THE CHRYSIS HYDRIA ..:...°.. .-% 196 
Sere ATINIRR Ge IDF 
THE PAINTER OF THE COPENHAGEN AMPHORA ..... .. 200 
THE PAINTER OF THE DEEPDENE TROPHY PELIKE .... . 203 
NT ee Sd ny ee 205 
Tue DIocENES AMPHORA PAINTER ............ 206 
Dovuris 5... GR ee PS c's, tk DOO 


1*, fragment too slight for reproduction. 
2*, Archaeologische Zeitung, 1883, pl. 1. 
3*, Archaeologische Zeitung, 1883, pl. 2. 
4*, F. R., Die griechische Vasenmalerei, III, pl. 136; p. 87, fig. 43. 
5*, Archaeologische Zeitung, 1883, pl. 4. 
6*, Archaeologische Zeitung, 1883, pl. 3. 
7*, Ephemeris Archaeologike, 1907, p. 222, fig. 1. 
8*, Wiener Vorlegeblitter, VII, pl. 5. 
g*, Hartwig, Die griechischen Meisterschalen, pl. 22, no. I. 
10*, from photographs. 
11*, Hartwig, Die griechischen Meisterschalen, pl. 21. 
12*, American Journal of Archaeology, 1900, pp. 185-189, figs. 1-3. 
13*, F. R., Die griechische Vasenmalerei, II, pl. 74. 
14*, no reproduction obtainable. 
15*, Wiener Vorlegeblitter, VIII, pl. 1. 
16*, Wiener Vorlegeblitter, VI, pl. 3, 1a, 1c, and Murray, Designs from 
Greek Vases, pl. 8, no. 29. 
17*, Wiener Vorlegeblatter, VI, pl. ro. 


[ xvii] 


18*, F. R., Die griechische Vasenmalerei, I, pl. 48. 
19*, from photographs. 
20*, Wiener Vorlegeblétter, VII, pl. 2. 
21*, Wiener Vorlegeblitter, VII, pl. 3. 
22*, Wiener Vorlegeblatter, VI, pl. 9. 
23*, Wiener Vorlegeblatter, VII, pl. 4, no. 2. 
24*, from a photograph. 
25*, Wiener Vorlegeblatter, V1, pl. 8a—b. 
26*, from photographs. 
27*, Hartwig, Die griechischen Metsterschalen, pl. 67, no. 3a-b. 
28*, Revue Archéologique, 1913, i, pp. 31-40, figs. 1-3. 
29*, Hartwig, Die griechischen Meisterschalen, fig. 66. 
30*, F. R., Die griechische Vasenmalerei, I, pl. 53. 
31*, F. R., Die griechische Vasenmalerei, I, pl. 54. 
32*, Ephemeris Archaeologike, 1886, pl. 4. 
33*, 34%, Ephemeris Archaeologike, 1907, pl. 10. 
35*, Perrot-Chipiez, Histoire de l’art dans lantiquité, X, hig. 2093. 
36*, Wiener Vorlegeblatter, VI, pl. 5. 
No reproduction obtainable of 37*, 38*, 39*. 


Attributed Vases .° 2 5. 0. 
THE PAINTER OF THE DUTUIT OINOCHOE |. > 29 2 eee 
Tue PAINTER OF THE DWARF PELIKE (>) 7 
THE EPELEIOS PAINTER 5 2) 2. f . 0) 4 
EPIGENDS <=. 5 eRe ta OS ee 


1*, Wiener Vorlegeblitter, B, pl. 9, no. 2a—-b. 
EPIKTETOS . 2.0.0.0. 4. GR 

1*, fragment too slight for reproduction. 
2*, Jahrbuch des kais. deut. arch. Inst., 1891, pl. 5, no. 1. 
3*, Gerhard, Auserlesene Vasenbilder, pl. 299. 
4*, from photographs. 
5*, Burlington Fine Arts Club Cat., 1888, pl. 10. 
6*, Bolletino d’Arte, 1911, p. 342, fig. 1. 
7*, from photographs. 
8*, from a photograph. 

9*, from photographs. 

10%, F. R., Die griechische Vasenmaleret, II, pl. 73. 

11*, from a photograph. 

12*, from a photograph. 

13*, from a photograph. 

14*, from photographs. 


[ xviii ] 


15*, Wiener Vorlegeblitter, 1890-91, pl. 7, no. 3. 
16*, from photographs. 

17*, from a photograph. 

18*, from a photograph. 


19*, Perrot-Chipiez, Histoire de l’art dans l’antiquité, X, fig. 205-207. 


20*, from photographs. 
21*, Perrot-Chipiez, ibid., fig. 208. 
22*, fragment too slight for reproduction. 
23*, no reproduction obtainable. 
24*, Jahrbuch des kais. deut. arch. Inst., 1891, pl. 5, no. 2. 
25*, Arch.-epigraph. Mitt. aus Oesterreich-Ungarn, V, pl. 4. 
26*, Archaeologische Zeitung, 1885, pl. 16. 
27*, 27* bis, 28*, 30*, no reproduction obtainable. 
29*, Klein, Euphronios, p. 14. 
Attributed Vases . 
EPILYKOS . ate 
1*, from a photograph. 
2*, Monuments Piot, XX, p. 123, fig. 5. 
THE PAINTER OF THE EPINETRON FROM ERETRIA IN ATHENS 
ERGINOS ; 
THE PAINTER OF THE ETHIOP PELIKE 
THE PAINTER OF THE EUAION KYLIX IN THE LOUVRE 
THE EUCHARIDES PAINTER . 


EUERGIDES . 5 eRe one oe 
1*, Ephemeris Archaeologike, 1885, pl. 3, no. 2. 
2*, fragment too slight for reproduction. 
3*, Journal of Hellenic Studies, 1913, p. 347, fig. 1. 
4*, no reproduction obtainable. 
5*, Annali dell’ Inst., 1849, pl. B. 
6*, no reproduction obtainable. 

Attributed Vases . 


EUPHRONIOS Pe et ae Ta he sm hag eRe 
1*, Jahrbuch des kais. deut. arch. Inst., 1888, pl. 2. 
2*, Journal of Hellenic Studies, 1888, pl. 6. 
3*, Archaeologische Zeitung, 1882, pl. 3. 
4*, Hartwig, Die griechischen Meisterschalen, pls. 51, 52. 
5*, Hartwig, Die griechischen Meisterschalen, pls. 47, 48. 
6*, F. R., Die griechische Vasenmalerei, I, pl. 23. 
7* F.R., Die griechische Vasenmaleret, I, pl. 22. 


[xix J] 


339 
342 


345 
348 
349 
351 
350 
362 


369 
376 


8*, American Journal of Archaeology, 1916, pls. 2-6. 
9*, Monumenti dell’ Instituto, II, pl. ro. 
10*, F. R., Die griechische Vasenmalerei, II, pls. 92, 93. 
11*, F. R., I, pl. 5, and Per.-Chip., figs. 246-247. 
12*, Hartwig, Die griechischen Meisterschalen, pl. 53. 
13*, Hartwig, Die griechischen Meisterschalen, pls. 58 and 59 no. It. 
14*, F. R., Die griechische Vasenmaleret, II, pl. 63. 
15*, no reproduction obtainable. 
Attributed Vases . 
ONESIMOS fea Me 
Attributed Vases. . 
THE PANAITIOS PAINTER . 
EUTHYMIDES ide Meee 
1*, Archaeologische Zeitung, 1873, pl. 9. 
2* F.R., Die griechische Vasenmalerei, I, pl. 14. 
3*, F. R., Die griechische Vasenmaleret, II, pl. 81. 
4*, from drawings by Baglione, and photograph. 
5*, Schéne, Mus. Bocchi, pl. 4, 2. 
Attributed Vases . 
EUXITHEOS . at eee 
1*, Beazley, VA. fig. 4. 
2*, Louvre Album, II, pl. 91 G 33. 
Attributed Vases . 
THE FLYING-ANGEL PAINTER 
THE FOUNDRY PAINTER 
THE ‘ Frau MEISTERIN ’ 
GALES aah ate 
1*, from photographs. 
2*, Monumenti Antichi Lincei, 1900, pl. 3 and figs. 9, 10. 
THE GERAS PAINTER 5 ge ee 
THE PAINTER OF THE GIRGENTI KALYX KRATER . 


eo 


406 
413 
413 
421 
430° 


439 
447 


451 
452 
454 
461 
462 


466 
409 


INTRODUCTION 


OR close on to a century the study of Greek vases has been 
one of the most fascinating fields of the many which are 
included in the science of classical archaeology. And this with 
reason, for of all the records which the Hellenic world has left 
behind, vases are perhaps the most complete and satisfactory. 
Most of the greater works of art in marble or bronze have long 
since disappeared in the lime-kiln or melting-pot; inscriptions are 
usually wofully fragmentary and can seldom be read without 
extensive emendations and the mighty monuments of architecture 
with very few exceptions are little more than shapeless ruins or 
foundations. But the little vessels of painted clay are practically 
imperishable and emerge from the soil after a sleep of over two 
thousand years as fresh and bright as the day they left their 
maker’s hands. No other objects of an age which knew not the 
photographic camera give us as complete a record of the actual 
daily life of the Greeks nor so varied a portrayal of their wonder- 
ful mythology and tradition which in spite of Homer and the 
poets would be lifeless without the complement of vase-paintings. 
Small wonder that countless scholars have found delight in the 
study of objects which best serve to breathe the breath of life 
into an age now dead to us! 3 
Since the discovery early in the nineteenth century of the vari- 
ous Etruscan cemeteries, veritable gold-mines for Attic vases 
(one need waste no time in refuting the theory of their Etruscan 
origin now entirely obsolete) collectors like Sir William Hamilton 
(the husband, by the way, of the fair and frail Emma, Lady 
Hamilton), Prince Lucien Bonaparte, the Duc de Luynes, and 
scholars like Gerhard, Welcker, and Jahn, the pioneers in the 
field, found their delight in the study of these new and fascinating 
documents. The presence of the masters’ signatures on many of 
the vases added a fillip to the pursuit and laid the foundation for 


[ xxi ] 


the identification of unsigned vases now so prominent a division 
of the science of ceramics. Owing, however, to the lack of accur- 
ate reproductions, photographic or otherwise, as well as collec- 
tions easily accessible, interest in the subject was necessarily 
confined to the favored few. In passing it may be remarked that 
of all the scientists who have occupied themselves during the last 
century in the study of Greek antiquities not one has possessed a 
better eye, nicer taste or more intelligent discrimination than the 
famous French savant, the Duc de Luynes, and the student of 
today finds his criticism still fresh and accurate largely because 
his method was based on correct principles. 

The history of Greek pottery has been written too frequently 
elsewhere for this book to touch at all upon the subject. Only a 
brief résumé of the progress of the study may here be included. 

Perhaps the first really scientific treatment of the subject was 
contained in the Introduction of Otto Jahn’s catalogue of the 
Munich vase collection. More and more as the nineteenth cen- 
tury advanced did the various private collections find their way 
into museums and consequently the museum vase catalogues ~ 
began to assume a new importance. Reproduction on a wider 
scale also was made possible by the appearance of such works as 
the Auserlesene Vasenbilder, and the Trinkschalen und Gefasse of 
the German archaeologist Gerhard and the Elite Céramographique 
of the French scholars Lenormant and De Witte, the last entitled 
to the distinction of containing almost the worst and most 
inaccurate plates ever published. The various archaeological 
journals were filled with articles on new and interesting vases 
and by the seventies the study of Greek ceramics may be said to 
have been in full swing. The era of modern scientific criticism 
in vases may be dated from the publication of Adolf Furtwangler’s 
catalogue of the Berlin collection, one of the greatest works that 
extraordinary German scholar has left us. Before the end of the 
century fairly complete catalogues of the collections in the Louvre 
and the British Museum had been added, not to speak of a 
number of minor collections. 

Meanwhile the identification of vases with and without signa- 
tures was occupying the scholars, and in 1886 when the second 
edition of Klein’s Meistersignaturen made its appearance the 


[ xxii ] 


number of signed vases was fairly extensive. As the identity of 
such artists as Euphronios, Douris, Hieron, and Brygos became 
sharply emphasized through the study of their signed work, the 
-fashion prevailed of setting up the ‘ Big Four’ so to speak, as a 
veritable Procrustean bedstead to which every red-figured vase 
was fitted willy-nilly. One has only to glance hastily over the 
articles written before the end of the century to see how common 
it was to speak of a vase as ‘ style of Brygos’ or ‘ style of Hieron.’ 
Even Paul Hartwig’s monumental work on the Greek ‘ Meister- 
schalen’ which appeared in 1893 is still tarred with that brush, 
and though original and daring in its treatment did not materially 
emancipate the study of Greek vases from the conventional view. 
The true distinction between the formulae used by potter and 
‘painter was not as yet thoroughly understood and for that reason 
-Klein’s Euphronios, valuable though it be, has not stood the test 
of time. Likewise the study of the names followed by the xanés 
formula occurring so frequently on vases was still bound by 
‘the old idea that such names represented favorites of the vase- 
painters in the erastic sense and some strange and fantastic 
theories as to their importance in the dating of vases prevailed. 
By the publication of Reinach’s Répertoire in 1900 access to 
rare and out of print publications became possible to the general 
student. 

With the new century began the most valuable publication of 
Greek vases yet attempted, that of Furtwangler and Reichhold, 
containing more accurate drawings of most of the best-known 
vases than had heretofore been produced. Furtwidngler’s untimely 
death a few years later did not serve to interrupt its publication, 
his part having been entrusted to the able hands of Friedrich 
Hauser. As yet we do not know who has been selected to replace 
Hauser, whose death leaves a great gap in the archaeological 
world. 

In this publication an attempt was made for almost the first 
time to break away from the ‘ Big Four ’ fetish and to differentiate 
the work of the unnamed masters. It is to Furtwangler’s credit 
that he was the first to reduce Klein’s imaginary Euphronios to 
his true proportions and to distinguish between the vases which 
were rightfully his and those which belonged to different hands 


[ xxiii ] 


though the product of his atelier, and to identify two masters of 
the first rank, the Panaitios and Penthesilea Painters. 

Where Furtwiangler has led the way many have followed, but 
the credit for having done more than any one else to revolution- 
ize the study of Greek ceramics belongs to an English student, 
J. D. Beazley of Oxford, who in eight years has created almost a 
new science. His theory developed to its logical conclusion is 
briefly that every Attic r.f. vase can be identified as belonging to 
a certain hand. This of course has not been done and probably 
never will be, since considering the inferiority of so many of the 
Greek vases to do it would be useless labor. But Beazley has 
been responsible for the identification of more than fifty nameless 
painters, many of them like the Achilles, Pan, and Berlin Am- 
phora Painters, masters of the very first rank. While his method 
has not met with universal acceptance at the hands of the older 
archaeologists it is hard to see how that can be long delayed. The 
best proof perhaps of its accuracy is that in several cases practi- 
cally the same results have been reached by him and by other 
scholars working independently, like the simultaneous discovery 
of the planet Neptune by Adams and Leverrier. I am unable to 
agree with him on some of his attributions but having tested his 
method with considerable care as I have had to do in the prepara- 
tion of this work, I am obliged to declare my unqualified support 
of his theories. 

Much has been gained during the last hundred years and many 
of the problems which vexed our grandfathers in the scholastic 
field have been solved. It is my earnest hope that the publication 
of this work, which for the first time makes every well known vase 
practically accessible to the student as has never been the case 
before, will by its convenience spread the study of those artificers 
of a bygone age among a greater body of scholars and that before 
another quarter-century is past the problems which now vex us 
may be as clear as the day. 


[ xxiv ] 


< 


BOOK OF 


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The classification of subjects which follows the list of 
attributed vases is based on the following principles. 

Mythological: All gods or their attendants and all 

legends in which they figure which are not classified 
elsewhere. 

Heroic: All scenes representing heroes like Herakles, 

Theseus, etc. 

Epic: All scenes taken from the Epic Cycle. 

Bacchic: All scenes relating to Dionysos and his 

following. 

Military: Arming scenes or combats not otherwise 

classified. 

Komastic: Scenes of revelry. 

Symposia: Banqueting scenes. 

Athletic: Athletic sports of any kind. 

Sacrifice: Scenes of ritual or sacrificial ceremonies. 

Genre: All scenes from daily life not otherwise classi- 

fied. 

All vases bearing the potter’s or painter’s signature are 
indicated by an asterisk after the number. As far as pos- 
sible in the bibliography of each vase all references which 
give an illustration have been placed first and in their 
chronological order. 


HANDBOOK OF 
mei RED-FIGURED VASES 


THE ACHILLES PAINTER 


Beazley, JHS. 1914, pp. 179-226: idem, VA. pp. 163-165. 


The Achilles Painter is the name given by Beazley to the name- 


less artist who painted the amphora in the Vatican representing 
Achilles on one side and a woman, Briseis perhaps, on the other. 


This artist was a master of distinct individuality and belongs 


to the early period of the Fine Style; Beazley considers him a 
pupil of Hermonax. 


On p. 219 of Beazley’s JHS. article he gives a list of forty-three 


white lekythoi which he attributes to this painter, but these, for 
obvious reasons, have not been included in the list below. 


ibe 


ATHENS CC. 1392 (1639). Lekythos. From Eretria: h. 0.38. 
Cat. (CC.) p. 453: Beazley, no. 25, pl. 14, 2. 
Man and woman at stele. 


. ATHENS CC. 1408, (5885) (1293). Lekythos. From Eretria: 


h. 0.41. 
Cat. (CC.) p. 458: Beazley, no. 32. 
Youth riding to grave-stele. 


. ATHENS N. 1087 (12480). Lekythos: h. 0.32. 


Nicole, Cat. Suppl. p. 238: Beazley, no. 23, pl. 14, I. 
Woman bringing a bird to another woman seated on a rock. 


. ATHENS 12123. Lekythos. 


AJA. 1906, pp. 410-11, pl. 17 (MacMahon): Beazley, 


no. 33. 
Youth leading horse to stele. 


. BERLIN 2332. Nolan amphora (triple handles). From Nola: 


Heo:2). 
Ga aeo20. Klein, Llp. 158: CIG,. 77007) Beazley, 
no. 7, fig. 5 n (B). Panofka, Higennam. p. 14: Com- 
paretti, Mus. Ital. ii, p. 57: Wernicke, p. 56. For graffito 


brat 


Io. 


II. 


see Cat. pl. ili, no. 2332. This is the only instance of the 
name Alkaios as a kados name. Munich 753 has the name 
Alkaios given to a figure on the vase. 

A. Young warrior running. AVKAIOS (retr.). Four stroke 
sigma, not three stroke as in Beazley. 

B. Bearded man with stick. KAAO8S. 

Graffito on foot KP. 


BERLIN 2346. Nolan amphora (ridged handles). From Nola: 
h. 0.34. an 
Cat. p. 635: Beazley, no. 17, fig. 5 b (B): Genick, Griech. 
Ker. pl. xiv—-xv, no. 2. 
A. Peleus and Thetis ? 
B. Man with stick. 


. BERLIN 2347. Nolan amphora (ridged handles). From Nola: 


h. 0.345. 
Cat. p. 636: Jahn, Entfiihrung der Europa, p. 8, pl. ib: 
Beazley, no. 18, fig. 5h (B): Overbeck, KM. (Zeus) i, 
P. 433, NO. 14 ¢. 
A. Europa on bull. 
B. Man with stick. 


BERLIN 2355. Pelike: hooi2s: 
Cat. p. 640: Overbeck, HG. p. 34, no. 36, pl. 2, 1: Panofka, 
Mus. Bart. p. 117: Beazley, no. 4, fig. 12a (A), fig. 12b 
(B): Roscher, iii, p. 721, no. 8: Winter, JAV. p. 60, 14. 

A. Oidipous and the Sphinx. 

B. Man with spear. 


BERLIN. Aryballos (squat lekythos). 
Beazley, no. 34 bis (‘a very slight work’). 
Head of Selene. 


BosTON 01.8077. Lekythos: h. 0.415. 
Beazley, no. 28, fig. 31. 
Zeus pursuing woman. 
BOSTON 03.817. Kalyx krater. From Campania: h. 0.244, 
Ce 2a 
Ann. Rep. Mus. F. A. 1903, p. 65, no. 13 (misnames it a 
bell krater): Beazley, no. 36, fig. 25 (A), fig. 5 0 (B). 


[4] 


EZ. 


13; 


14. 


ae 


16. 


17. 


18. 


IQ. 


A. Zeus pursuing woman. 
B. Man with stick. 


BosTon 06.2447. Nolan amphora (ridged handles): h. 0.332. 
Ann. Rep. Mus. Fine Arts, 1906, p. 59, no. 3: AJA. 1911, p. 
383 (Goldmann): Beazley, no. 12, fig. 7 (A), fig. 5 q (B). 

A. Ojidipous and the Sphinx. 

B. Youth with stick. 


BrusseEts A 1378. Lekythos. 
Beazley, no. 24, pl. 13: Sale Cat. Somzée Coll. pl..7, no. 49. 
Man and woman at stele. 


DEEPDENE 92.4.1 Aryballos (squat lekythos). 
Grp. 17,n0. 92: Beazley, no. 34. 
Woman and warrior. 


DRESDEN 308. Nolan amphora (ridged handles). 
Beazley, no. 16, fig. 19 (A). 

A. Zeus pursuing a woman. 

B. Man with stick. 


DRESDEN 315. Nolan amphora (ridged handles). 
Beazley, no. 19, fig. 5 p (B). 

A. Youth with spears and old man. 

B. Woman with tainia. 


LEYDEN 24.41. Nolan amphora (triple handles). From Italy: 
hee:3s- 
Cat. no. 41, p. 108: Beazley, no. 6. 
A. Eos. 
B. Youth with stick. 


Lonpon, Brit. Mus. E 320 (868). Nolan amphora. (ridged 
handles). Formerly in Payne Knight Coll.: h. 0.336. 
Cat. iii, p. 225: Beazley, no. 14, fig. 17 (part of A), fig. 
5 e (B). 
A. Eos and Kephalos. 
B. Man with stick. 


Brit. Mus. E329. Formerly in Temple Coll. Nolan 
amphora (ridged handles). From Nola: h. 0.33. 
Cat. iii, p. 228: Beazley, no. 8, fig. 4 (A), fig. 5, x (B). 


1 Acquired at the recent sale, by the Metropolitan Museum, New York. 


Pagel 


20. 


Pa 


a2 


222 


24. 


25. 


26. 


a7. 


A. Youth and woman with armor (Thetis and Achilles ?). 
B. Man with stick. 


Brit. Mus. E 331 (869). Formerly Durand Coll. 233. Nolan 
amphora (ridged handles). From Nola: h. 0.342. 
Cat. ili, p. 229 ( by same hand as Brit. Mus. E 320’): 
Beazley, no. 13, fig. 16 (A), fig. 5 d (B): Hackl, p. 45, 406. 
A. Eos and Kephalos. 
B. Man with stick. 
Graffito =KO. 


Brit. Mus. E 385. Pelike. Formerly in Temple Coll.: h. 0.26. 
Cat. iii, p. 248: Beazley, no. 5, fig. 8a (A), fig. 5 c (B). 

A. Nike and young warrior. 

B. Man with stick. 


Brit. Mus. E448 (802). Formerly Canino Coll. 7. Stamnos. 
From Vulci: h. 0.377. 
Cat. ili, p. 275: Beazley, no. 35; figs 24, pieeaeeee, 
Jacobsthal, Gott. Vas. p. 21. 
A. Warrior’s departure. 
B. Youthful warrior’s departure. 


Municu 2329. Nolan amphora (ridged handles). 
Beazley, no. 11, fig. 15 (A), fig. 5 m (B). 

A. Youth giving lyre to boy. 

B. Man with stick. 

OXFORD 324. Lekythos: h. 0.31. 
Cat. pp. 32-33, fig. 36: Beazley, no. 26, es) ae ee 
ISOl Date ieee 

Aphrodite riding on a swan. 

OXFORD, Inv. 1914. 730. Kalyx krater. 
Beazley, no. 36 ter, fig. 29 (A), fig. 30 (B). 

A. Artemis and Apollo. 

B. Woman. 


OxForRD (in possession of Dr. F. C. Conybeare). Lekythos. 
Beazley, no. 27, figs. 2 and 22. 
Youth shaking hands with woman. 


Paris, CaB. D. MED. 357. Amphora (pointed foot): h. 0.61. 
Cat. p. 259: De Witte, Anzeiger, p. 213, 8: Heydemann, 


[6] 


Paris Ant. p. 76, 41: De Ridder, Mon. Piot, 1900, pp. 13- 
pl. 77, 1 (group of two maenads): Roscher, i, pp. 1106, 
1109-10: Beazley, no. 3, fig. 11: Saglio, i, pp. 629, fig. 712; 
681-2, fig. 805; ili, pp. 1485-6, fig..4767; 1956, fig. 5100: 
Beazley, VA. p. 163: Buschor, p. 194, fig. 141: Stephani, 
CR. 1863, p. 220, 2: Pottier, Louvre Cat. iii, p. 1098 (attr. 
to Euaion P.): Jacobsthal, Gétt. Vas. p. 5. 

Continuous frieze. Dionysos, maenads, and silens. Especi- 
ally remarkable is the group of the two maenads and the 
single maenad seen from behind. The vase is one of the 
masterpieces of ancient art. 


28. Cas. D, MEp. 372. Neck amphora (twisted handles). For- 
merly in Beugnot Coll. From Vulci (?): h. 0.495. 
Cat. p. 272: Milliet-Giraudon ii, pls. 79-80: Panofka, 
Ann. d. Inst. 1835, p. 78: Mon. d. Inst. ii, pl. 14 = Rei- 
nach, i, p. 92, 1: Inghirami, Vas. Fitt. iv, pp. 93-4, pl. 365: 
De Witte, Cat. Beugnot, pp. 38-9, no. 38: WV. 1889, pl. 8, 
no. 9: Overbeck, HG. p. 11, pl. i, 3: Baumeister, p. 1040, 
feet oog Winter, J/AV.p. 50, c, 1: Kretschmer, pp. 171, 
190-1: Roscher, s. v. “Oidipous’, pp. 709-10, fig. 2 (Héfer): 
Beazley, no. 2, fig. 10 (A), fig. 6 (B): Six, Jhb. 1915, p. 92, 
fig. 13 (figs. of Euphorbos and Oidipous): CIG. 7704. 
A. Euphorbos carrying the infant Oidipous. The scene is 
unique. EV@OPBOS OIAIFOAAS. 
B. Bearded man with stick. Hair outline is reserved, not 
incised as stated by De Ridder. 


29, Paris, LouvrE G 444. Lekythos. 
Cat. iii, p. 1110: Beazley, no. 21, fig. 9. 
Nike with phiale, and warrior. ‘Traces of a second picture 
on the shoulder, which, with the neck and mouth, is lost. 


30. Paris, Petir Patats 325. Nolan amphora (ridged handles). 
Beazley, no. 9. 
A. Diskobolos. 
B. Youth with strigil. 
31. PETROGRAD 710 (St. 1688). Nolan amphora (ridged handles) : 
HaOG3. ae 
Ee 


32. 


Soh 


34. 


35: 


30: 


Cat. ii, p. 267 (W. p. 91): Beazley, no. 18 bis, fig. 13 (A), 
fig. 5 f (B). 
A. Youth and boy with lyre. 
B. Youth. , 
PETROGRAD 767 (St. 1535). Kalyx krater: h. 0.25. 
Cat. ii, p. 200 (W. p. 90): Beazley, no. 36 bis, fig. 5 k 
(part of B): Overbeck, KM. (Poseidon), p. 371, no. 6. 
A. Poseidon and Amymone. 
B. Woman running to man. 


PETROGRAD 713 (St. 1536). Nolan amphora (triple handles) : 
h. 0.33. 

Cat. ii, p. 200 (W. p. ney CR. 1865, p. 41, 45 (A) = Rei- 
nach, p. 54, no. 2: Beazley, no. 5 bis, fig. 28 (A), fig. 5a (B). 

A. Nereid riding on dolphin, holding a helmet in her l. 
(Thetis ?). 

B. Youth with stick. 

RICHMOND, COLL. StR FREDERICK Cook. Lekythos. 
Beazley, VA. p. 164. 

Two women. 


RoME, VATICAN 487 (81). Amphora: h. 0.60. 
Mus. Greg. ii, 58, 3 (ii, 62): Helbig-Reisch, Fiihrer, i, p. 
307: Overbeck, HG. p. 387, no. 11, pl. 16, 2: Gerhard, Aus. 
Vas. pl. 184 = Reinach, ii, p. 91, 7 (bad reproduction): 
JHS. 1880, pl. vi (bad reproduction): Klein, Euphr. p. 
246: Winter, JAV. pp. 20, 28, 58, B, 2: Beazley, no. 1, 
fig. r (A): Roscher, i, p. 14 (A): JHS. 1916, -p. 394, 
fig. 12 a (head of Achilles): Saglio, i, p. 28, fig. 54 (A): 
iii, p. 36, fig. 3723 (A): p. 1307, fig. 4528 (detail of A): 
Luckenbach, p. 552: CIG. 7650. 

A. Youthful warrior, Achilles. A+ IAAEV8. 

B. Woman with oinochoé and phiale (Briseis ?). 

Graffito on base JV. 

SYRACUSE... 21133... Lekythos. From Gela. Shoulder and 

neck missing. 

Orsi, Mon. Ant. Linc. xvii (1907), pp. 395, 397, an 290: 
Beazley, no. 31. 

Young warrior pursuing woman. 


[8] 


37 a-b. SyRAcUSE. Two lekythoi. 


a. 19894, Beazley, no. 30, fig. 23. 
b. Beazley, no. 209, fig. 3. 


Nike and youth. 
Two women. 


38. SYRACUSE 19859. Nolan amphora (ridged handles): h. 0.33. 
Beazley, no. 10, fig. 14 (A). 


A. Nike and youth. 
B. Man with stick. 


39. SYRACUSE 21186. 


Lekythos. 


From Gela: h. 0.42. 


Mon. Ant. Linc. 1907 (xvii), p. 321, pl. 8: Beazley, no. 22, 


fig. 20. 


For the name Kleinias cf. Klein, LI. pp. 162 ff.: 


Pollak, Rom. Mitt. 1898, p. 88. 


Artemis with torch and woman tying her girdle. 


KAAOS PHAIOXS. 


40. ? Formerly in Collection Paravey, Paris. 


(ridged handles). 


KAENIAS 


Nolan amphora 


El. Cér. iii, pl. 20: Beazley, no. 15, fig. 18 (A), fig. 5 g (B). 


A. Zeus pursuing a woman. 


B. Man with stick. 


41. ? Formerly in Canessa Coll., Paris. 


handles). 


Sale Cat. Canessa Coll. 1910, no. 171, 


no. 20. 


Nolan amphora (ridged 


pl. 20: Beazley, 


A. Ojidipous and the Sphinx. 


B. ‘ Figure drapée.’ 
SUBJECTS 
Bacchic, 27. 
pepuichral; 1,2, 4, 13. 
Mythological, 6, 7,9, 10, 11, 15, 
17, 18, 20, 21-27, 29, 32, 33, 
37 a, 38, 39, 40. 
Heroic, 8, 12, 15, 19, 28, 35, 41. 
rene 720, 23, 25, 26, 28, 31, 
34, 37b. 
Military, 5, 14, 16, 22, 24, 36. 
Athletic, 30. 


SHAPES 

B.f. form, 35. 

Nolan, 5-7; 12, 15- 
20, 23, 39, 31, 33) 


Amphora sons 
Neck, 28. 
Pointed foot, 27. 
Pelike, 8, 21. 


Stamnos, 22. 

Krater, Kalyx ri 26-32; 

Lekythoss1—3;.4;-10, 13, 24, 20, 
29, 34, 36, 37 a-b, 39. 

Aryballos, 9, 14. 


Lo] 


AGATHON 


The potter Agathon is known to us only by a small pyxis in 
Berlin. His painter seems to have been a contemporary of 
Megakles and a good example of the ‘ miniaturist ’ style. 


t*, BERLIN Inv. 3308. Pyxis. From Attica: h. 0,165, d. 0.13. 

Furtwangler, Arch. Anz. 1895, p. 38, no. 30, figs. 12, 13. 
F.R. 1, p. 290. 
Ducati, Midia, p. 37. 
Nicole, Corpus, no. 67. 

Gods. Zeus, Iris, Ares, and Nike. , 

JEVSs (r.) [IJ]PIS ATAOQN APH NIKH (z.) 

EPOIHSEN. 


SUBJECTS SHAPES 
Mythological, 1*. Pyxis, 1%, 


[ 10 ] 


<li 


wy) 


/4 


ry 
a 


Se 


bags) 


THE AISCHINES PAINTER 
Beazley, VA. p. 74. 


A minor painter of the middle archaic period has been given 
the name of the Aischines Painter, by Beazley, from the alabas- 
tron in Boston which bears that name. 


I. 


BosTon 01.8122. Alabastron: h. 0.169. 
Beazley, VA. p. 74. 

Blindfold game. Woman with pyxis and blindfolded youth. 
AIS+INES KAA/O8. 


. OXFORD 327. Alabastron: h. 0.18. 


Caion.33: Beazley, VA. p- 74. 


A. Woman with spindle. KAVE. 


B. Youth. K[A]\[OS}. 


. OXFORD 536. Lekythos. From Gela: h. 0.317. 


Garcner, JUS. 1005, p- 72, pi. ii: Beazley, VA. p. 74. 
Woman with phiale and youth with spit and cake. (The 
description in JH'S. calls the cake an inverted tripod.) 


. PETROGRAD 750 (St. 1597). Kalpis: h. 0.22. 


Cat. ii, p. 219 (W. p. 93): Beazley, VA. p. 74. 
Three women. 


SYRACUSE 19880. Lekythos. From Camarina: h. 0.41. 
Orsi, Mon. Linc. xiv (1904), p. 826, fig. 41, sep. a (156): 
Beazley, VA. p. 74. 

Nike and maenad. 


_ SUBJECTS SHAPES 
Genre, 1, 2, 3, 4. Hydria (Kalpis), 4. 
Mythological, 5. Lekythos, 3, 5. 


Alabastron, 1, 2. 


[13] 


AISON 


The signature of the artist Aison is preserved only on a single 
kylix in Madrid. A kylix in the British Museum (E 384) is 
obviously by the same hand, and of this a smaller replica is in 
the Harrow School museum, so that both these vases may safely 
be attributed to him. 

From his style he seems to have been the immediate predeces- 
sor of Aristophanes and Meidias, the former, according to Hauser, — 
being probably a pupil of his. There are some grounds for 
regarding him as identical with the painter of the Kodros kylix, 
but in view of certain differences in style it is perhaps safer to 
regard him as a separate artist. 


1*, Maprip 106, Inv. 11.265. Kylix: h. 0.13, d. 0.36. 
Cat. p. 110, pls. 25-28. 
Ossorio, Vasos Griegos, p. 76, pl. 33. 
Ant. Denk. ii, pl. 1. 
Arch. Anz. 1893, p. 6. 
Wolters, Miinch. Sitz. Ber. 1907, p. 120, fig. 1 (J). 
Elderkin, AJA. 1910, p. 185. 
Hauser, F.R. iil, pp. 48, fig. 21; 50. 
Arndt-Amelung, Einzelaufnahmen 1730 a Ns 
Nicole, Corpus, no. 66. 
Saglio, v, p. 227. 
Riezler, Weissgr. Ait. Lek. p. 75, fig. 47 (J). 
I. Theseus, Athena, and Minotaur. 
A. Labors of Theseus: Marathonian bull, Probes and 
Kerkyon. 
B. The same: Skiron, sow of Krommyon, and Sinis. 
I. AOHNAA OHZEY= MINQ AISQN: EF PAYEN. 
A. --3EY= OHZEYS TPOKPOSTHE OHSEY= KEPYQN. 
B. OHZEYS SKIPQN KPOMYQ OHSEYS SINI&. 


L314] 


ATTRIBUTED VASES 
2. BERLIN 2538.! Kylix. From Vulci: h. 0.125, d. 0.32. 


Cat. p. 719: Nicole, Corpus, no. 66: Duruy, Hist. i, p. 72 
(I): Gerhard, Aus. Vas. pls. 327-328, p. 102 = Reinach, 
ii, p. 162: Roscher, iii, p. 1843, 4 (B): Hauser, F.R. iii, 
pp. 110-112, pl. 140: WV., A, pl. 11, 2 (2): Miiller-Wies. ii, 
p- 947, pl. 74 (7): Harrison, Myth. Introd. fig. 19 2): Rapp. 


Volc. note 432: Res. étr. coupes, 13: Mus. étr. 591: 


hard, Orakel der Themis, pl. I: Arch. Anz. 1854, 427: 
Winter, JAV. 52, 24: Behn, Ficoron. Cista, p. 72: Saglio, 
iii, p. 777, fig. 4245 (J): Graef, Jhb. 1808, p. 66 (attr. to 


master of the Kodros cup): CIG. 7718 b. 
I. Aegeus and Priestess of Apollo. OEMI& AIFEYS. 
A. Meleager and Caledonian boar. MEAEA*PO8. 
B. Deer hunt. "EAEY8&. 


3. Harrow 52. Kylix: h.0.066,d.0.177. The vase is a smaller 


replica of Brit. Mus. E 84. 


Cat. p. 18, no. 52: Burl. Cat. 1904, p. 114, no. 60, pl. 97 
(2): Wolters, Miinch. Sitz. Ber. 1907, pl. i, pp. 113 ff: 


Hauser, F.R. iii, p. 51. 
I. Theseus and Minotaur. 
A. Labors of Theseus: Sow, Kerkyon, and Prokrustes. 
B. The same: Skiron, Bull, and Sinis. 


4. Lonpon, Brit. Mus. E 84 (824*). Kylix. From Vulci: 


hso.1222 007327; 


Cat. ii, p. 111: graffito in old Cat. pl. B: JHS. ii, pl. x 
(I), p. 57 = Harrison, Myth. p. cxv, fig. 25: Reinach and 
d’Eichthal, Bacchylides, p. 45: Hauser, F.R. ili, pp. 51, 
49, fig. 22 (1), (considered an older replica of the Madrid 
kylix): Winter, JAV. p. 52, 22: Milani, Mus. Ital. iii, 
Pp. 135, t, p. 237, note 7: Nicole, Corpus, no. 66: Wulff, 
p. 48, t: Miiller, Theseusmetopen, p. 18, no. 86: Hartwig, 


1 Mr. Beazley informs me by letter that he regards the following cups as by 
the same hand and calls the artist the Painter of the Themis cup. Berlin 2538 
(Aison 2), 2537 (Kodros P. 1), British Museum E 81, E 82, (Kodros P. 3), E83, E84 
(Aison 4), E 94, Harrow 52 (Aison 3), Louvre G 458, and a cup in Florence (Hart- 


wig, Pp. 138). 
Hauser considers the vase an Me work of Aison or by his master. 


[16] 


p. 585 note: Roscher, ii, p. 1451, s.v. Krommyon: Saglio, 
ili, p. 883, fig. 4315 (1): Loeschcke, Dorpat. Progr. 1887, 
pp. 2, 3: Gardiner, Greek Ath. Sp. p. 382, fig. 112: Wolters, 
Miinch. Sitz. Ber. 1907, p. 121, fig. 2 (J). 

I. Theseus and Minotaur. Around central medallion the 
Labors, Sow, Kerkyon, Prokrustes, Skiron, Bull, and Sinis. 
Identically the same groups on exterior. 

Graffito on base Al*. 


5. NAPLEs 86496 (RC 239). Aryballos. From Cumae: h. 0.23. 
Cat. p. 884: CIG. iv, praef. p. xviii: Ray. and Coll. p. 243, 
fig. 91: Gabrici, Mon. Ant. Linc. 1913, pp. 537-542, pls. 
86-87 (attr. to Aison): Baumeister, iii, p. 200, fig. 2151: 
Girard, Peinture, pp. 186-187, figs. 104-105: Minervini, 
Bull. Nap. n.s. iv, pl. 8 = Reinach, i, p. 482: Nicolini, 
Princ. Mon. Naples Mus. pl. 60: Fiorelli, Not. Vas. Dip. 
pl.8: Mus. Borbon. xvi, pl. 18: Panofka, Arch. Anz. 1856, 
p. 181*: Michaelis, Bull. d. Inst. 1858, p. 142: Jahn, Ann. 
d. Inst. 1864, p. 246: Sittl, Man. of Arch. pl. 12, 1: Pelle- 
grini, Vas. Amaz. pp. 26, 35: Furtwangler, Samm. Sab. 
i, Int. to Vases, p. 4, text to pl. 55: Pottier, Rev. de art 
anc. et mod. 1901, p. 13, fig. 6: Hoeber, Griech. Vas. fig. 
62: Dumont-Chaplain, ii, p. 59: Stephani, CR. 1866, pp. 
170 ff.: Winter, JAV. p. 57 B 1*: Ducati, Oesterr. Jhres- 
heft. 1907, p. 253: Saglio, v, p. 232, fig. 6880. 

Amazonomachy. 

OHs-Ys -NTIANE AAOAOKH #AAHPOS KAYMENE 
MONI+0Os APISSTOMA.-.-.- KPEOSA PYAAKOS 
QKYA[A]JH ASTYO+0s TEIOPAS. 


SUBJECTS SHAPES 
Epic, 5. Kylix) 129027577; 
Heroic, 1*, 2, 3, 4. Alabastron, 5. 
Genre, 2. 


[x7] 


THE ALKIMACHOS PAINTER 
Beazley, VA. pp. 134-138. 


Beazley has given the name the Alkimachos Painter to an 
artist of the late archaic period whose style is very much akin 
to that of the Pan Painter. He uses the name Alkimachos on 
several of his works. 


1. BERLIN Inv. 30035. Lekythos. From Taranto: h. 0.425. 
Koster, Bericht. Kunsts. 1912, pp. 219-222, pls. 93-95: 
Beazley, no. 11, fig. 85. 

Theseus and Herakles in Hades. Senseless inscriptions. 


2. BosTON 95.39. Lekythos: h. 0.429. 
Ann. Rep. Mus. Fine Aris 1895, p. 20, no. 27: Beazley, 
no. 10, fig. 83. 
Birth of Dionysos. Senseless inscriptions. 


3. CAMBRIDGE, HARVARD 1641.95. Nolan amphora: h. 0.32. 
Beazley, no. 2. 
A. Theseus and Sinis. 
B. Youth. 


4. Lonpon, Brit. Mus. E 306. Nolan amphora. Formerly in 
Blacas Coll.: h. 0.327. : 
Cai, ili, p. 220: Beazley, nog 3% 
A. Young warrior. 
B. Youth: 


5. Brit. Mus. E318. Formerly in Blacas Coll. Small neck 
amphora (ridged handles). From Nola: h. 0.321. 

Cat. i, p. 225: CIG. 8397: Stephani, CR. 1868, p. 46, no. 
63: Mon. d. Inst.i, pl. 9, 3 = Reinach, i, p. 65, 6: Panofka, 
Ann. d. Inst. 1830, p. 205, no. 3: EHigenn. pl. 1, no. 6, p. 48: 
Gerhard, Aus. Vas. li, p. 147, note 17d: Overbeck, KM. 
(Apollon) p. 403, 15: Klein, Euphr. p. 203, note 1: LI. 
p. 165, 2: Wernicke, p. 56, 2: Kretschmer, p. 107: Beazley, 
no. 5. 


[ 18 ] 


A. Apollo and Herakles. The struggle for the tripod. AAKI- 
MA+23 KAVQC EFI+APO8. 
B. Old bald-headed man. 


6. Brit. Mus. E 404. Pelike. From Cameiros, Tomb F 205: 
Ds. 33: 
Cat. iil, p. 254: Beazley, no. 9. 
A. Two women, one seated on chair. 
B. Bald-headed man and woman. 


7. Lonpon, Mrs. HAtv’s Cottection. Nolan amphora: h. 0.35. 
Burlington Cat. 1904, p. 97, pl. 89, Gio: Beazley, no. 1. 
A. Hermes and Athena. 
B. Youth. 


8. MuNicH 2325 (Jahn 227). Small neck amphora (ridged 
handles). 

Jahn, Cat. p. 67: CIG, 8442: Millingen-Reinach, PVG. 
pl. ix: Baumeister, i, p. 312, fig. 327 (A): Welcker, Alt. 
Denk. 11, p. 351: Panofka, Eigennam. pl.i, no. 2: Guigniaut, 
Relig. pl. 198, 698 a: Wernicke, p. 56: Schréder, Jahrbuch, 
1914, p. 130, fig. 5 (A): Klein, LI. p. 165, 1: Welcker, 
Bull. d. Inst. 1833, p. 151: Milani, Mus. Ital. ili, p. 265: 
Beazley, no. 4. 

A. Theseus and Prokrustes. AAKIMAXO8! KAAO8, 

B, Woman running. 


9. MuNIcH 2343 (Jahn 1181). Neck amphora (triple handles), 
Jahn, Cat. p. 336: Beazley, no. 7. 
A. Dionysos and maenad. 
B. Dionysos and silen. 


10. Naples 81487 (H 3125). Neck amphora (ridged handles). 
From Nola: h. 0.32. 
Cat.2 p. 474: CIG. 7835: Welcker, Alt. Denk. ii, p. 164, 6: 
Stephani, Boreas u. Boreaden, p. 9, no. 20: Panofka, Bull. 
d. Inst. 1829, p. 21: Heydemann, ibid. 1869, p. 28, 4: 
Beazley, no. 6: Rega-Patroni, Vas. Vivenzio, pl. 9. 
! Uncertain whether the penultimate letter in the name is O or ©: v. Jahn, Cat. 
pl. v. 


2 Heydemann fails to mention the reverse in his catalogue so that Beazley is 
right in his assumption that the vase is that in Rega-Patroni. 


[19] 


A. Boreas and Oreithyia. KAENIAS. 
B. Woman running. KAAQS. 


11. PETROGRAD 611. Neck amphora (twisted handles). 
Cat. (W.) p. 89, fig. 8 (B): Waldhauer, Ant. Rasp. Vazi, 
fig. 14: Beazley, no. 8. 
A. Hermes pursuing Ganymede. 
B. Hermes and Ganymede. 


12. SCHWERIN 1308. Oinochoé. 
Beazley, no. 12. 
Apollo and Artemis. 


SUBJECES wo" SHAPES 
Myth., 5, 7, 10, 11, 12. | Nolan, 3, 4, 7: 
Heroic 3, o: spn: Neck, 5, 8, 9-11. 
Bacchic, 2, 9. Pelike, 6. — 
Genre;..35*4,°5; Oy 75 0; 10, Lekythos, 1, 2. 
Military, 4. Oinochoé, 12. 


[ 20 ] 


THE ALTAMURA PAINTER 
Beazley, VA. pp. 143-145. 


At the beginning of the Free Style stands the painter whom 
Beazley has christened the Altamura Painter, from the London 
volute krater found at Altamura. He seems to have been an 
elder colleague of the Niobid Painter and one of the most notable 
artists of the time. 


1. BoLoGna VF. 312. Bell krater with lugs: h. 0.35. 
Cat. VF. p. 155, fig. 88 (A): Beazley, no. 13. 
A. Dionysos and maenad. 
B. Same. 


2. Botocna VF. 338. Oinochoé: h. 0.33. 

Cat. VF. p. 171, fig. 102, p. 169: Brizio, Mus. Ital. ii, p. 29, 
no. 6: Beazley, no. 26. 
Dionysos arming. 

3. BOSTON 97.370. Oinochoé: h. 0.348. 

Ann. Rep. Mus. Fine Arts 1897, p. 27, no. 13: Beazley, 
no. 24. 
Apollo and Artemis. 

4. BOSTON 00.342. Stamnos: h. 0.381. 

Ann. Rep. Mus. Fine Aris 1900, p. 44, no. 14: Beazley, 
no. 18, fig. 87 (B). 

A. Dionysos and giant. 

B. Silen driving a pair of silens. 

5. COPENHAGEN. Bell krater (fragments). From Locri. 
Tischbein, v, pl. 111, 1-2 = Reinach, ui, p. 364: Tisch- 
bein, Homer nach Antiken, pp. 7, 32: El. Cér. i, pl. 29 
(head of Athena): Saglio, art. ‘Inaures’, p. 444, fig. 4006 
(head of Athena): Beazley, no. 14. 

Heads of Poseidon, Aphrodite, Athena, and a third goddess. 


6. DEEPDENE. Volute krater?: h. 0.585. 
mde Cae. De 11, no. 51: Beazley, no. 2. 


1 Acquired at the recent sale, by Miss Decon, London. The catalogue calls this 
vase an amphora with volute handles. 


[2x J 


IO. 


ash 


A. Dionysos and maenads. B. Silen and maenads. 


FLORENCE 4016. Oinochoé. 
Beazley, no. 27. 
Dionysos and two maenads, 


THE HacuE. Cori. Mr. C. W. LUNSINGH SCHEULEER, 404. 
Bell krater (fragments). 
Cat. eener Verzameling Oudheden, pl. 40, 2, p. 199: Beazley, 
no. 15. 
Dionysos with the half of a kid. 


Lonpon, Brit. Mus. E177 (741). Kalpis. From Vulci: 
h. 0.405. 
Cat. ill, p. 157: Cat. Cantino, no: 614; Beazley, moma: 
fig. 86. 
Artemis, Apollo, and Leto. 


Brit. Mus. E 263 (807). Neck amphora, Formerly Canino 
Coll “-rs50:h: 0.554, 

Cat. iii, p. 198: Gerhard, Aus. Vas. pl. 169, 3-4 = Reinach, 
ii, pp. 85, 86, 5-6 (A), Gerhard wrongly places the vase 
in the Vatican: Overbeck, HG. p. 630, pl. 26, 4: Panofka, 
Griech,. u. Griechinnen, p. 26, pl. i, 23: Heydemann, I/u- 
persis, p. 30, note 5 B: Beazley, no. 19. 

A. Menelaos pursuing Helen. | 

B. Three maenads. 

Graffito on foot XXII:1. 


Brit. Mus. E 469. Volute krater. Formerly Castellani 
Coll. 1873. From Altamura: h. 0.699. 

, Gat. iii; py 298: ‘Winter, JAV,, p.- 61, 2 Dae ee 
Giganten, p. 302, b; 311, a; 323, 8; 328, f; 333, 3: Hey- 
demann, Gigantomach. (vi Hall. Winck. Progr.) pl. (A): 
Heydemann, Bull. d. Inst. 1869, pp. 245-248: Beazley, 
no. 1: Hauser, F.R. ii, p. 308, note 1, 1 (attr. to the ‘Frau 
Meisterin’): Furtwangler, F.R. i, p. 133: Schréder, Jhb. 
1914, Pp. 133, figs. 7-8 (detail). 

On neck: A. Triptelemos in chariot, and women; B. Ci- 
tharode, boy, Nikai, and man. 


[ 22 ] 


On body: Continuous frieze. Gigantomachia. Dionysos, 
Zeus, Athena, Hera, Apollo, Artemis, and giants. 


12. MUNICH 2383 (Jahn 299). Kalyx krater. 
Jahn, Cat. p. 87: Lau, pl. 31, 1: Overbeck, KM. (Demeter), 
P- 535, no. 15: Beazley, no. 9: Stephani, CR. 18509, p. 84, 
no. 23: Gerhard and Strube, e 2. 
A. Triptolemos and Demeter. 
B, Woman and man. 


NAPLES 81333 (H 2638). Lekanis. From Locri: h. 0.15, 
d. 0.40. 

Cat. p. 359: Mon. d. Inst. i, pl. 37 = Reinach, i, p. 78, 1: 
De Witte, Ann. d. Inst. 1832, p. 115: Panofka, Recherches 
sur les noms des vases, p. 39, 2: Overbeck, HG. p. 187, 36, 
pl. 8, 4: Jahrb. 1886, p. 203, no. 75 (Graef): Winter, 
JAV. p. 53, il, 2: Beazley, no. 28. 

Decoration on cover. Peleus, Thetis, Nereids, Chiron, 
Nereus, and Zeus. 


13 


e 


14. Napies S.A. 28. Neck amphora (twisted handles). From 
Nola: h. 0.47. 

Cat. p. 639 (graffito on pl. 19, no. 28): El. Cér. ii, pl. 32 (A): 
Panofka, Vas. d. Premio, p. 13, pl. 5: Panofka, AZ. 1848, 
p. 219, 9: Welcker, Alt. Denk. ii, p. 66: Vinet, Rev. Arch. 
li, p. 477: Beazley, no. 21. 

A. Apollo and Artemis before burning altar. 

B. Man and woman before burning altar: libation. 

Graffito on foot (h le 


15. Naples S.A. 197. Kalpis: h. 0.39. 
Cat. p. 681: Beazley, no. 23: Overbeck, KM. (Apollon), 
P. 322, no. 10. 
Youth in biga (Hephaistos ?), Apollo and woman at altar. 


‘16. Napies S.A. 701. Kalyx krater: h. 0.38. 
Cat. p. 807: Panofka, AZ. 1848, p. 220, 10: Beazley, no. 8: 
Wantig, X: Eldridge, AJA. 1917, p. 43, no. 14. 
A. Return of Hephaistos. 
B, Silens and maenads. 


[ 23 ] 


17 


18. 


IQ. 


20. 


Pa) 


22° 


ORVIETO, FAINA COLL. 67. Stamnos: h. 0.385. 
Cat. p. 70: Beazley, no. 16. 3 

A. Athena and giant. 

B. Warrior’s departure. 


PALERMO 164. Bell krater with lugs. From Gela: h. 0.41, 
70.120; , 
Heydemann, AZ. 1870, pl. 33, p. 43, no. 24 = Reinach, 
i, p. 408, 3: Forster, Bull. d. Inst. 1870, p. 70 (erroneously 
assigns the pictures to different vases): Beazley, no. 10. 
A. Herakles in Olympos. 
B. Zeus pursuing woman (Semele ?). 


Paris, LouvrE G 342. Kalyx krater. From Girgenti: h. 
0.62, d.o.57. The vase is badly mutilated and restored. 
Side B is practically entirely new. | 
Cat. iii, p. 1086: AZ. 1845, pl. 36 = Reinach, 1, p. 358, 
5-10: Millingen-Reinach, PVG. p. 117, pl. 49-50: Winter, 
JAV. p. 68, xiv, 3: Beazley, no. 3: Overbeck, HG. p. 
524, no. 62 Ges B): 324; no. 1 (for A), pl22) cen eeaeeers 
F.R. ii, p. 308, note 1, no. 8 (attr. to the ‘Frau ‘Meisteca 
A. Combat of Achilles and Memnon in presence of Athena. 
A+IWEVS. 
B. Philoktetes. 


Louvre Inv. CA 159. Oinochoé: h. 0.34. 
Beazley, no. 25. 
Apollo and woman. 


Paris, Petit Patats. Bell krater with lugs. 
Sale Cat. Coll. Lambros-Dattari, pl. xi: Beazley, no. 11. 
A. Zeus and giant Porphyrion. 


_ B. Poseidon and giant. 


PETROGRAD 638 (St. 1600). Kalyx krater: h.o.52. 
Cat. ii, p. 221 (W. p. 90): Campana Coll. iv, 868: CR. 
1867, pp. 161-181, pls. iv, v = Reinach 1, p. 25: Beazley, 
no. 5. 

Continuous frieze. Armed Dionysos attended by maenads. 


[ 24 ] 


23: 


24. 


25. 


20. 


Pk 


28. 


PETROGRAD 639 (St. 1207). Kalyx krater: h. 0.535. 
Cat. i, p. 69 (W. p. 88): Campana Coll. iv, 794: Stephani, 
Gi 1862, pp. 31-34, pl. ii = Reinach, i, p. 10, no. 11-12: 
Beazley, no. 4: Overbeck, KM. (Demeter), p. 542, no. 43, 
Diets. 24. 

A. Triptolemos in car, and female figures. 

B. Men and women. 


PETROGRAD 765 (St. 1274). Kalyx krater: h. 0.46. | 
Cat. ii, p. 106 (W. p. 92): Stephani, CR. 1867, p. 187 
(older literature in note 3), pl. vi = Reinach, i, p. 26: 
Winter, JAV. p. 68, xiv, 4: Inghirami, Vas. Fit. pl. 117: 
Millin, Gall. Myth. pl. 88, no. 236: Beazley, no. 6. 

A. Dionysos and giant. KAVOsS KA\VOS. 

B. Silen and woman, between them a stand with greaves. 


PETROGRAD 807. Stamnos. 

Cat. (W.) p. 90: Beazley, no. 17. 
A. Herakles and Amazons. 
B. Amazons. 


PHILADELPHIA MS 5466. Formerly in Paris market (Ca- 
nessa). Neck amphora (twisted handles). From Capua. 
Le Musée, iii, p. 432, pl. 43, 1: Beazley, no. 20. 
A. Artemis and Apollo. 
B. Maenad and Dionysos. 


VIENNA, HOFMUSEUM 415. Kalyx krater: h. 0.38, d. 0.361. 
Sacken u. Kenner, Cat. p. 223 (122): Laborde, i, pls. 49- 
Popeeheimach, ii, p. 193, 1-2: El. Cér. 1, p. 144, pl. 48: 
Wantig, U: Wieseler, Theatergeb. pl. vi, 5: Beazley, no. 7: 
Eldridge, AJA. 1917, p. 43, no. 13. 

A. Return of Hephaistos. 

B. Silen threatening maenad with two torches. 


VIENNA, HOFMUSEUM 535. Bell krater with lugs: h. 0.30. 
Millingen-Reinach, PVG. p. 98, pl. x: Sacken u. Kenner, 
p. 173: Gerhard, Arch. Anz. 1854, p. 495: Stephani, The- 
seus u. Minotauros, pp. 51, 53 and 54: Beazley, no. 12. 

A. Theseus and Prokrustes. : 

B. Two men. 


[25] 


SUBJECTS 

Myth 525354) 5) Ors ea 
15):16, 27) 18, 20,:21923;524- 
205127. 

Heroic, 25, 28. 

Epic, 10, 13, 10. 

Bacchic;.1, 4, 677; 8, 20,010; 22; 
PPR EAT 

Military, 17. 

Sacrificial, 14. 


Krater 


SHAPES 
Amphora, Neck, 10, 14, 26. 
Stamnos, 4, 17, 25. 


_ Hydria (Kalpis), 9, 15. 


Bell; 1,45 716008, oa 
28. 

Kalyx, 12, 16, 19, 22, 
23, , 24278 

Volute;Go17; 

Oinochoé, 2, 3, 7, 20. 

Lekanis, 13. 


[ 26 ] 


THE AMBROSIOS PAINTER 
Beazley, VA. pp. 19-20. 


An unknown painter of the Epiktetan cycle has been called 
the Ambrosios Painter, by Beazley, from the name used by him. 
His work is very inferior technically, but he seems to have pos- 
sessed a certain sense of humor. 


1 a-b. ATHENS A 30, A116. Kylix (fragments). From the 
Acropolis. 
t a (A 30) Beazley no. 16. Int. Head of man. 
t b (A116) Beazley no. 15. Int. Head of man: ext. warriors. 


2. BERLIN 2273. Kylix. From Vulci: h. 0.075, d. 0.109. 
C@eepers4o- Gerhard, Aus, Vas. i, p. 186, pl. 57, 1-2 
= Reinach il, p. 38, 8-9: Rapp. Volc. no. 236: Mus. étr. 
Meese ir. 7415° Klein, LJ. p. 86, 1: El. Cér. i, p. 
105, pl. 38: Panofka, Ezgennam. p. 23, pl. ii, 11: Miiller, 
Gott. Gel. Anz. 1831, p. 1331: Wernicke, p. 71: Malten, 
Jhb. 1912, p. 257, fig. 11 (figure regarded as that of He- 
phaistos): Beazley, no. 14 (same assertion). 

I. Triptolemos or Hephaistos in chariot. KE¢I-. TOs 
KA- OS. 


3. BosToN 01.8024. Formerly in Bourguignon Coll., Naples. 
Kylix. From Orvieto: h. 0.105, d. 0.29. 
Ann. Rep. Mus. Fine Aris 1901, p. 33, no. 8: Hartwig, 
p. 54, pl. v (attr. to Chachrylion): Beazley, no. 1. 
I. Boy fishing. PA S. 7 
A and B. Silens. KPATES EV | O-- PAKEA SSE, 


4. Boston. Kylix. From Orvieto: d. 0.122. 
Hartwig, p. 347, fig. 47: Beazley, no. 2. 
I. Obscene action. HO PAIls:KAVOS. 


5. FLORENCE 73127. Kylix: d. 0.31. 
Beazley, no. 12. 
I. Archer. EV[OQ]VBOVO. 
A. Herakles, Hermes, and goat. 
B. Poseidon and Apollo. 


[a7 J 


6. Lonpon, Brit. Mus. E 42 (932). Kylix (fragments) !: h 
0.041, d. 0.008. 
Cat. ill, p. 67: D’Hancarville, iv, pl. 31: Inghirami, VF. 
ii, pl. r19: Millin, Gall. Myth. ii, pl. 118, no. 456: Guig- 
niaut, Religions, pl. 185, no. 674: Kretschmer, p. 77: 
CIG.. 7604: Beazley, no. 13) ie, 
I. Nessos and Deianeira. AAINANEPA NISOs. 
7. Brit. Mus. E 134!. Kylix (fragments). From Naukratis. 
Cat. iii, p. 134 (‘perhaps by Epilykos’): Beazley, no. 17. 
On exterior, Hermes. 
8. Brit. Mus. E 817. Kylix. From Pourtalés Coll.: h. 0.071, 
d. 0.19. 
Cat. iii, p. 386 (‘style of Epiktetos’): Beazley, no. 18, 
fig. 12 bes. 
Silen with bowl. HO PAIS: KA\VOs. 
9. Brit. MuS. 1900, 2-14, 11. Kylix (fragments). From Nau- 
kratis. 
Beazley, no. 9. 
Komast. 
10. MunicH 2614 (Jahn 1096). Kylix. 
Jahn, Cat. p. 320, no, 1096: idem, Dichter auf Vasenb. pl. 
iv, 1-2: Philolog. 1867, p. 228: Gerhard, AZ. 1855, p. 111: 
CIG. 8325: Wernicke, p. 36, no. 3: Beazley, no. 2 
I. Hermes running. HEPMES. 
A. Komos. KVAI.- QOEOKVES KAVVIAS. 
B. Under handle MAN.|I- EOS. 


II. ORVIETO, FAINA COLL. 62. Kylix (fragment). From Or- 
vieto. The fragment is a kylix cut down to the form 
of a plate. 

Cat. p. 45: Korte, Ann. d. Inst. 1877, p. 141: Klem, LF. 
Pp. 90, no. 2 (omits the exterior pictures): Wernicke, p. 58, 
no. 2: Beazley, no. 8. | 

I. Youthful komast with stick and kylix. ANBPOSIOs. 

A. Warriors. 

B. Athletes. 


1 Broken from interior of kylix and formerly restored as a pinax. Inscriptions 
incised by restorer and second name altered to read Nenisos. 


[ 28 ] 


1 gfe 


OXFORD 1911.616. Kylix. 
Beazley, no. 5. 

I. Rider. +SAN[O]ES KAVOS. 

A and B. Komos. 


12 bis. OxForD. Kylix (fragment). 


13. 


I4. 


ee 


16. 


17. 


Beazley, no. 10, fig. 12 ¢er. 
I. Dionysos. 


Paris, LouvRE G72. Kylix (fragment). 
Cat. ili, p. 923: Album ii, p. 151, pl. 97: Beazley, no. 7: 
iice, 47 A. 1090106, p. 472, 2 A. 

I. Traces of a foot. 

A or B. Herakles and the Nemean lion. [HEP]AK\V[ES]. 


Louvre G 83. Kylix (fragment). 
are. 024; Album i, p. 152, pl. 98: Beazley, 
no. 6. 

I. Youth with flutes. 


RomE, AuG. CASTELLANI COLL. 95. Kylix. From Caere: 
Heot05,-d. 0.275. 

Cat. Castellant 1867, no. 21: Klein, LJ. pp. 67-69, figs. 
®-10: Beazley, no. 3. 

I. Youthful komast with stick and kylix. AN.......- 
- -VOS. 

A and B. Symposium. ANTIMA+Os ---NOAOPOSs KVI- 
NIAS KOMAP+0s. KVEONVMOs EPMOAOPOS [VOO- 
AEVOs. 


Rome, AuGc. CASTELLANI COLL. 172. Kylix. From Caere: 
0.00, d: 0.225. 
Beazley, no. Io. 
I. Youth with hare. 
A. Athletes. KAVO.; under handle HO PAIS. 
B. Deer hunt. HO TAl= KA.O.. 


WurRzBurG 87. Kylix: h. 0.115, d. 0.31. 
Cat. p. 50: Brunn, Bull. d. Inst. 1860, p. 35: Heydemann, 
Satyr- u. Bakchennamen, p. 26, 0: Klein, LI. (1st ed.), 
p. 38: Wernicke, p. 36, no. 4: Beazley, no. 11. 


[29 ] 


I. Warrior in ambush. On shield $-FAXE:KAYV.- S. 

A. Dionysos on mule with silens. AIONVSOS SATVPOSs 
EVKPATES. 

B. Sacrifice. AM--OQEOS -VSISTPATOS KAVIAS. 


SUBJECTS SHAPES 
Myth eos. ye toe Kylix, 1-17. 
Heroic, 6, 13. 
Bacchic, 376.173 
Ritual, 17. 
Military, 1b, 5, 11, 17. 
Athletic, 11, 16. 
Komastic, 9-12, I5. 
Genre, 3,4, 11, 14,15, 16, 
Symposium, 15. 


[30] 


ANDOKIDES 


Norton, AJA. 1896, pp. I-41. 

Klein, pp. 188-101. 

iaueer i, Ki, pp. 207-271: iil, pp. 73-76. 
Robert in Pauly-Wissowa, s.v. ‘ Andokides.’ 
Sauer in Thiemes Lexikon s.v. ‘ Andokides.’ 
Perrot and Chipiez, x, pp. 273-278. 
Beazley, VA. pp. 3-5. 

Nicole, Corpus 58. 


Six vases bear the signature of Andokides as potter. As one 
is entirely in the b.f. technique only five remain to be considered 
here. 

Of these, two are r.f., two mixed technique, and the fifth has 
figures in applied white on a black ground so that it is a matter 
of choice whether it should be included in a work dealing only 
with r.f. vases. Four of the five are amphorae and have the 
signature incised on the foot in each case using the form érdecev 
instead of éxoinoev. The fifth, a mixed technique eye kylix, has 
the signature painted and as several letters are missing it is 
difficult to be sure whether it was ézl[oilec or ém|dle. 

Who the painter of the Andokides vases was has not yet been 
definitely established. The Philadelphia amphora (Menon 1”*) 
which, until cleaning revealed the signature, has usually been 
attributed to Andokides, is probably the work of the same artist 
who painted the Andokides Madrid amphora (2*), according to 
Beazley, since there is a distinct difference in style between 2* 
and the other four. 

Whoever the painters were, the position of this atelier is impor- 
tant in the development of the r.f. style, for its origin 1s probably 
to be traced to it, though certainty on this point is impossible. 


[31] 


1*, BERLIN 2159. Amphora. From Vulci: h. 0.575 (Cat. gives 
0.582). 
Cat. p. 481. 
Gerhard, TG. pls. 19, 20; Rapp. Volc. 700. 
CIG. 8131. 
Archaeologia, xxiii, p. 208. 
Res. étr. 41: Mus. étr. 1181. 
Overbeck, KM. (Apollon), p. 400, no. 1, pl. 24, 2 
Panofka, Vasenbild. pl. 3, 1-2. 
Ann. d. Inst. 1830, Pp: 207. 
Norton; p: 75 Pp. 11, nesepcic. 
Nicole, Corpus, p. 386, no. 58, C, 4. 
Klein, no. 4. 
Stephani, CR. 1875, p. 80. 
Brunn, KG. 1, p. 658. 
Schneider, Jhb. 1889, p. 201. 
Walters, 1, p. 386. 
F.R. ili, pp. 73-76, pl. 133 (Hauser), (graffito on fig. 38). 
Beazley, no. 9. 
Hackl, p. 35, no. 331. 
Gardiner, Greek Ath. Sp. p. 386, fig. 116; idem, JH.S. 
1905, p. 270, fig. 8 (B). 
A. Contest for the tripod. Herakles and Apollo. 
B. Wrestlers. 
Under each handle a hare. 
Signature incised on foot. ANAOKIAEs ETOESEN. 
Graffito on foot M. 


[32] 


ARO 


COOKIDANOD OOOO 


wy, é ; y % : 2 \ 
oS IOOCOCOR0CS 
AN, Ae "my Sede 


pas) 


@ 
ve Pike 


a2%eas 
sosee 


202 0blse 


ve 
LJ 
1 
> 
0 
8 
s 
{J 
(1 
eo 6 
e ¢ 
s 
a' 
as 
v 


’ 
‘iy 


inom eemaee 
aa ra 


L 34 J 


2*. MADRID 63 (Inv. 11.008). Amphora. Formerly in Salamanca 


Collis h. 0.612. 
Paap, pls.s, 6. 
ClGs 8135. 


Ossorio, Vas. Grieg. pp. 18, 70, 108, pl. 29. 
Bull. d. Inst. 1845, p. 25. 
Brunn, KG. ii, p. 658. 
Klein, no. 3: Euphronios, p. 36, note 1, e. 
Bienkowski, Oesterr. Jahresheft. 1900, pp. 70-71, figs. 8 
and 9. 
Schneider, Jahrb. 1889, p. 196, note 15, A. 
Walters, i, p. 386. 
Norton, pp. 5-7, figs. 3-4. 
Arch. Anz. 1893, p. 7. 
Buschor, p. 152. 
Hall! Mus. Journ. Univ. Penna. v, pp. 32-36. 
Beazley, VA. p. 6. 
Nicole, Corpus, 58, b, 2. 
Per. and Chip. x, p. 797. 
A.r.f. Apollo, Artemis, Leto, and Ares. 
B.b.f. Dionysos, maenads, and silens. 
Signature incised on foot ANAOKIAES EfOESEN (not 
ErOIESEN as in Klein, MS.). 


1 Hall and Beazley assign the vase to the Menon Painter. 


Pease] 


[36] 


3*. PALERMO. Eye kylix. From Chiusi: h. 0.20, d. 0.44. 
Braun, Bull. d. Inst. 1838, pp. 83 ff. 
Schneider, Jhb. 1889, 195-207, pl. 4. 
CIG. 8134. 
Klein, no. 6. 
Brunn, KG. ii, p. 659. 
Nichols, AJA. 1902, pp. 330 ff. 
Norton, p. 7, no. 6. 
Walters, i, p. 386. 
Per. and Chip. x, p. 275, fig. 180. 
Beazley, no. 12. 
Nicole, Corpus, p. 386, 58, b, 3. 
Panofka, Abhand. Berl. Akad. 1848, p. 173, note 89. 
R. Rochette, Letire a M. Schorn, p. 33. 
Interior lost. The two techniques are sharply separated by 
a straight line passing through the center of each handle. 
A.r.f. Trumpeter (between eyes) and warriors in combat 
with 
B.b.f. Warriors. ‘Two archers between the eyes. 
Signature painted above eye. 13°°4 SAAIMOA’*** 


ber 


4*.. Paris, LOUVRE F 203. Amphora. From Etruria: h. 0.41. 
Strictly speaking, the vase should belong to the Df. 
style as the figures are in Pe white on a black 
ground. 

Cat. 1, pp. 778-781, 
Album ii, p. 115, pl. 78. 
Brunn, KG. ul, p. 659. 
Kochel, Kunstgewerb. Vorbild. pl. 19, 
Schreiber, Bilderatlas, pl. 57, fig. 5. 
Saglio, i, p. 650, fig.-747 (B). 
Norton, pp. 2, 3, figs. 1-2: 22. 
Klein, no. 2. 
Walters, i, p. 386. 
Hartwig, Jhb. 1900, p. 158, note 12. 
Corey, p. 50. 
Hackl, p. 35; 332. 
Beazley, no. 11. 
Nicole, Corpus, 58, d, 6. 
A. Amazons. 
B. Women bathing. 
Signature incised on foot ANAOKIAES EPOESEN. 
Graffito on foot Ae Ag. 


[38 ] 


[39 


s*, LouvrRE G1. Amphora. From Vulci: h. 0.58. 
Cat. ili, p. 880. 
Cleans. 
Album il, p. 135. 
Res. éir. 40. 
Mus, étr. p. 119, no. aa 
Dubois, Notice, no. 79. | 
De Witte, Rev. Phil. ii, p. 398. 
Klein, no. 5. 
Norton, pp. 8-9, figs. 5-6. 
Saglio, i, p. 641, fig. 727 (fig. on B). 
Nicole, Corpus, no. 58,c, 5. 
F.R. ii, pp. 267-271, pl. 111 (Hauser). 
Beazley, no. 8. 
Walters, i, p. 386. 
A. Combat. 
B. Concert. 
Signature incised on foot ANAOKIAEs EPOLsEN. 
Graffito on base +. 


[40] 


JS US de 


ATTRIBUTED VASES 


6. Botocna VF. 151. Amphora: h. 0.53. 
Cat, VF, pp. 44-46, figs. 25-27: Brizio, p. 44: Norton, 
pp. 17, no. 3; 18-19, figs, 13-14: Schneider, Jhb, 1880, 
p. 196, note 15, G: Beazley, no. 6: Hackl, p, 36, 348. 
A.r.f. Dionysos, maenad, and silen, 
B.b.f. Herakles and the Nemean lion, 
Graffito AD, 


7, BOSTON 99.538. Amphora: h. 0.532, 

Forman Sale Cat., p. 54,n0,. 305, pl.: Ann. Rep. Mus, Fine 
Aris 1899, p. 81, no. 36: Bull. d. Inst. 1842, p. 187: Jahn, 
Munich Cat. Int. p. lxxiil, note 494: Klein, Euphronios, 
p. 36, note 1,d: Schneider, Jhb. 1880, p. 196, note 15, K: 
Norton, p. 39: Nicole, Corpus, 58, 2, no. 2: F.R.1, Lb D 16, 
note 2: Beazley, no. 2, fig. 1 (A). 

A. r.f. Herakles driving an ox. 

B.b.f. The same. 


8. Boston 01.8037. Amphora. Formerly in Bourguignon Col- 
lection, Naples: h. 0.555. 

Ann. Rep. Mus. Fine Aris tgo1, p. 33, no. 6: Norton, 
pp. 40-41, figs. 15-16: Schneider, Jhb. 1889, p. 196, note 
15, F:. F.R. i, p. 16: Beazley, noors Hac Spa 
(graffito on pl. I). 

A.r.f. Achilles and Ajax playing dice. 

B b.t, The same. 

Graffito AD. 


9. BOsTON 03.790. Amphora: h. 0.135. Only the body of the 
vase is preserved. 
Ann. Rep. Mus. Fine Arts 1903, p. 70, no. 50: Hartwig, 
Rém. Mitt. 1901, pp. 117-122, pl. v (A) and fig. (B) on 
p. 119 (attr. to Andokides): Beazley, VA. p. 6 (denies 
the attribution). 
A. Dionysos and silen. 
B. Two female figures. 


C42] 


Io. 


Sia OF 


1 fe) 


Lee 


14. 


Lerpzic. Amphora (fragments). From Orvieto. 
Hauser, Jhb. 1893, p. 100, note 15; 1896, p. 182, figs. 22 
mee eNOLtOn, Pp. 30, no. 0; p.39: Beazley, no. 7: Luce, 
AJA. 1916, p. 468 I E. 

A. Herakles and the Nemean lion. 

B. Rider and companions. 


Lonpon, Brit. Mus. B 193 (608). Amphora: h. 0.546. 
Cat. li, p. 128: Overbeck, HG. p. 312, no. 8: Athen. Mitt. 
Iv, p. 290: Klein, Euphrontos, p. 36, note 1, g: Schneider, 
wi too9, p. 196, note 15, C: Norton, p. 7, no. 1; p. fo, 
figs. 7-8: Walters, 1, p. 386, pls. 31-32: Beazley, no. 5: 
Hackl, p. 36, 346: Nicole, Corpus, 58, 2, no. 3. 

A.r.f. Herakles and the Nemean lion. 

B.b.f. Achilles and Ajax playing dice. 

Graffito A. 


MuNnIcH 2301 (Jahn 388). Amphora. From Vulci. 
Jahn, Cat. p.129: Norton, no. 5: Klein, Euphronios, p. 36, 
Note tc) schneider, Jb. 1880, p. 196, note 15, D: F-.R. 
iaple 4,,pp. 15, 206: Buschor, p. 147, fig..104: Hoeber, 
Griech. Vas. fig. 42 (A): Beazley, no. 3: Hackl, p. 36, 344: 
Jacobsthal, Gott. Vas. p. 47, fig. 70: Nicole, Corpus, 58, 
2, no. 4. 

A.r.f. Athena visiting Herakles who reclines on a couch. 

B.b.f. The same. 

Graffito /D. 


ORVIETO, FAINA COLLECTION 64. Amphora. From Or- 
vieto: h. 0.595. 
C@eepeoo. Ann. d. Inst. 1877, p. 133: Norton, p. 23: 
Hadaczek, Ohrschmuck, p. 19 (detail of A): Beazley, no. ro. 
A. Herakles and Amazons. 
B. Dionysos, maenad, and silens. 


Paris, Louvre F 204. Amphora: h. 0.595. 
Cai. ili, pp. 781-783: Album ii, p. 116, pl. 78: Klein, 
p. 189; Euphronios, p. 36, note 1, f: Schneider, Jhb. 1880, 
petoo.note 15, fi: Norton; pp. 13, no. 2; 14, figs. 11-12: 


43] 


Hartwig, Jhb. 1893, p. 158: Roscher, i, p. 2205: Per. and 
Chip. x, p. 277, pls. 6-7: Hackl, p. 36, 345 Beazievenoeas 
Nicole, Corpus, 58, 2, no. I. 

A.r.f. Herakles and Cerberus. 

B.b.f. Dionysos, maenads, and silens. 

Graffito on foot SD. 


SUBJECTS 3 SHAPES 
Myth. a 4.2" ere: Amphora, b.f. form, 1*, 2*, 4*, 
Heroic, 4) 6,7 Gata sar 5*, 6-14. 
Epic, 8, 11. Kylix, 3*. 


Bacchic, 2*, 6, 9, 13, 14. 
Athletic, 1*, 5*. 
Military, 3*. 

Genre, 4*, 5*, 10. 


[44] 


APOLLODOROS 


Hartwig, pp. 628-640. 

Klein, p. 218 (the name restored as ‘ Theodoros’). 
Nicole, Corpus, 68. 

Tonks, Brygos. 

The name of the painter Apollodoros depends upon the restora- 
tion of the inscription on the Castle Ashby fragment; the Louvre 
fragment contains only the first part of the name and the addi- 
tion of the verb is conjectural. 

Hartwig has attributed six vases to this painter, who, judging 
from his style, was a contemporary of Brygos. 


1* a-b. CasTLE AsHBy. - Kylix (fragments). Hartwig separates 
the two fragments and assigns them to different vases, 
giving the signed fragment to Apollodoros, and the 
other to Brygos (pp. 314 ff). 

Furtwangler, AZ. 1881, p. 302. 
Conze, ibid. 1864, p. 237%. 
Gerhard, ibid. 1846, p. 342, no. 11. 
Hartwig, p. 628, pl. 69, 1 (fragment b with signature); 
pl. 33, 2 (fragment a). 
Klein, p. 218, no. 8. 
Tonks, no. 25 (attr. to Brygos). 
Nicole, Corpus, 68. 
a. Dionysos, silen, and maenads. MAI. 
b. Combat. ---OAOROS EARA®SEN. 


C45] 


2*, Paris, Louvre G 139, G 140, CA 1868. Kylix (fragments). 
The fragment CA 1868 was subsequently discovered 
to fit on to the two other fragments. 

Cat. ili, p. 974. 

Hartwig, pp. 630 ff., pl. 69, 2 a-d.! 
Nicole, Corpus, no. 68. 

Arch. Anz. 1911, p. 446. | 

Klein, LI. p. 105. 

Jacobsthal, Gott. Vas. p. 52. 

I. Symposium. Youth on couch. 

A and B. Thesame. ‘Traces of five similar figures. 

I. On one cup KAV[E], on the other KAVOs. ‘Traces of 
6 mats xados/ on the tainia. In field [EV]PVPTOVEM[ Os 
KA]VOS. 

A. On cup KAVE. In field [EJVPOPTOVEM[OS KAVOS]. 

B. On cup KAVE. On kotyle KAVE. In field APOWO- 
A[LOPOsS EAPAQOSEN]. 


1 It is not certain that the fragments b and c in Hartwig’s plate actually belong 
to the vase and they have therefore been omitted from our plate. 


L 46 ] 


ATTRIBUTED VASES 


3. CorneETO, Mus. TARQUINIENSE 1123. Kylix. From Corneto: 
h0:078,,d, 0:107; 
Reisch, Rom. Mitt. 1890, p. 343, fig. 10: Hartwig, p. 634 
(attr. to Apollodoros). 
I. Young warrior drawing sword: in field a snake. HO 
PAIS KAVOS. 
4. FLORENCE 4211. Kylix (cut down to a plate). 
Hartwig, pp. 638 ff. (attr. to Apollodoros). 
I. Silen with kantharos. KA\VOs: on the kantharos KA\VOS. 


5. FLORENCE. Kylix (fragments). Formerly in Campana Coll. 
Hartwig, pp. 633 ff. (attr. to Apollodoros: Klein, LI. 
p. 105, no. 2 (‘style of Douris’). 
I. Warrior adjusting greaves. 
A and B. Traces of a deer hunt. . [A +IV]VEVs [EV]- 
PIPFTOVEMOS KAVOS. 


6. ORVIETO, FAINA COLL. to1. Kylix. From Orvieto. Foot 
missing: d. 0.19. 
Cardella, Mus. Faina, p. 46, no. tor (inaccurate descrip- 
tion): Hartwig, pp. 639 ff. (attr. to Apollodoros). 
I. Silen with lyre and cup. 
A and B. Komos. 
7. RoME, VATICAN. Kylix. From Vulci: d. 0.19. 
Mus. Greg. ii, 69, 2 (73, 2): Klein, Euphronios, p. 289 (J), 
304, no. 3: Hartwig, pp. 276, note 1, no. 6, 635 ff. (attr. 
to Apollodoros). 
I. Armed Amazon blowing trumpet. HO TAI< [K]AVOS. 
8. 2 Kylixshwoo7g doc 
Known only from a drawing in the German Inst. in Rome: 
Hartwig, pp. 636, 637, fig. 69 (attr. to Apollodoros). 
Silen with spear and panther skin. 


SUBJECTS SHAPES 
Bacchicyise47o,e: Kylix, 1*, 2*, 3-8. 
Military. 3a5e7 
Komos, 6. 

Hunting, 5. 


Symposium, 2™. 


[ 48 J 


ARISTOPHANES 


Klein, p. 184. 

Robinson, Ann. Rep. Mus. Fine Arts 1900, pp. 56 fi. 

Furtwangler, F.R. ii, pp. 98, 196: Hauser, ibid., iii, pp. 
46 ff. 

Robert in Pauly-Wissowa s.v. Aristophanes. 

Sauer in Thiemes Lexikon s.v. Aristophanes. 

Buschor, p. 204. 

Nicole, Corpus, 69. 

Beazley, VA. p. 180. 


Concerning the date of the painter Aristophanes the greatest 
amount of uncertainty prevails. Furtwangler, basing his argu- 
ment on the ground that the excavations at Delos show no frag- 
ments of the Meidian style, places him later than 425 B.c. 
Robinson dates him 440-430 B.c. which is too early. Hauser 
places him in the last decade of the fifth century and Nicole in 
the first quarter of the fourth. 

The two kylixes which bear his signature also bear that of the 
potter Erginos. Hauser considers that he was the painter for 
the potter Meidias and assigns the Populonia hydriae to him 
(Meidias 17 and 18). Most of the other works attributed to 
him by Hauser have been assigned by Beazley to the painter of 
the New York Centauromachy fragments (v. 2-4 of that master). 


C49] 


&y D: ce wei 


res 


VJ, 
Ls, 


AIS) 7 


Pee OeRLIN 2537, Kylix. From Vulci:h. 0.13,. d. 0.35. 
Cat. p. 709 (for finding-place; cf. Hauser, F.R. iii, p. 38, 
note r). 
Gerhard, 7G. p. 3, pls. 2, 3. 
Overbeck, KM. (Zeus), p. 363, pl. 5. 
Hauser, F.R. ili, pp. 38-41, pl. 127. 
Baumeister, i, p. 595, fig. 637 (J). 
Roscher, i, p. 1580 (fig. of Ge); ili, p. 2868, 6 (Z). 
CIG. 8182. 
Schulz, Bull. d. Inst. 1840, p. 49. 
Feuerbach, ibid., pp. 123, 126. 
Braun, Bull. d. Inst. 1843, p. 97. 
Jahn, Ann. d. Inst. 1869, p. 178. 
K. O. Miiller, Handbuch, 396. 
Brunn, KG. ii, p. 674. 
De Witte, Rev. d. Philologie, ii, p. 395. 
Panofka, Vasenb. pl. I, 3 (J). 
Klein, p. 184, I. 
Mayer, Giganien u. Titanen, p. 348. 
Saglio, il, p. 1560, fig. 3561. 
Duruy, Hist. i, p. 205. 
Furtwangler, in F.R. ii, p. 196. 
Ducati, Oesterr. Jhresheft. 1910, p. 253. 
Walters, i, p. 444; li, p. 14, fig. r12 (J). 
Nicole, Corpus, no. 60, I. 
Buschor, p. 204. 
WV ilies. 
Kretschmer, p. 124. 
Beazley, VA. p. 189. 
I. Poseidon, Polybotes, and Ge. 
A and B. Gigantomachy. 
Peewee Oe lIAIN POAVBOTES: - -Invexergue -ER/INOS 
ErTOIESN APISTOPANES: EA PAGE. 
A. MIMQN APES E@IAATES ATOAAQN HEPA ¢OITOS. 
B. PAIQN APTEMIS TEV POPOVPIQN A--NAA EKE- 
AAAO8. 


fests] 


[52] 


2*, BOSTON 00.344. Kylix. From Corneto. Formerly in Bruschi 
Coll. From same grave as companion-piece, 00.345 
(no. 5, below): d. 0.348. 
Ann. Rep. 1900, pp. 49-52, no. 17. 
Korte, AZ. 1878, p. 114. 
Klein, p. 185, no. 2. 
Nicole, Corpus, no. 69, 2. 
Hauser, F.R. i, pp. 42-45, pl.- 128: idem, O6esierr. 
Jhresheft. 1909, p. 92, fig. 54 (detail head). 
Beazley, VA. p. 180. : 
Fowler and Wheeler, p. 502, fig. 396. 
I. Deianeira, Nessos, and Herakles. 
A and B. Centaurs and Lapiths. 
I. [N]JES20= AEIANEIPA HPAKAES. In exergue EP/|I- 


NOS: EPC. .<EN. A- <TOO....: EAPACLI. 
A. $KIPOE AIOALO]E PEPIOOS VYIPFVAOS OHSEVS 
NVK[T]EVS. 


B. EAPETOS ASMETO® ANTIBATES EVPVP[V]AOS 
MAINEVES ANTIOF. 


[53 


ATTRIBUTED VASES 


3. BERLIN 2373. Loutrophoros. From Sounion, Attica: h. 
0.345. 
Cat. p. 647: Herzog, AZ. 1882, pp. Pei. 270, pl. 5 = 
Reinach, i, p. 440, 1: F tirewieetee Coll. Sabouroff, text 
to pl. 58: Hauser, F.R. iii, pp. 38, fig. 17, 47 (attr. to 
Aristophanes): Saglio, iii, p. 1652, th 4865. 
Wedding procession. 


4. BERLIN 2706. Lekythos. From Athens: h. 0.20. The base 
of the vase is in the form of an acorn. 
Cat. p. 775: Liiders, AZ. 1873, p- 40, pl lv = Reimach, 
i, p. 414, 2-3: Furtwangler, Eros in der Vasenmaleret, 
p. 46: Hauser, Oesterr. Jhresheft. xii (1909), p. 93: 
Klein, Ann. d. Inst. 1876, p. 142: Korte, AZ. 1879, p. 95: 
Milchhofer, Jhb. 1894, p. 61, no. 21-a: Hauser, F.R. iii, 
pp. 41, fig. 18, 46 (attr. to Aristophanes): Nicole, Meidias, 
p. 86, no. 15 (attr. to Meidias: ‘school piece’). 
Eros, youth, and two maidens. 


5. BostToN 00.345. Kylix. From Corneto. Formerly in Bruschi 
Coll.: d.0.35 5 pene and found in the same 
grave as no. 2” 

For literature v. 2*: Nicole, Corpus, no.69: F. KS il on 120. 
I. Nessos, Deianeira, and Herakles. 
A and B. Centaurs and Lapiths. 
IT. NES2O02 AEIANEIPA HPAKAES. 
A. EVPVBATOS KPE[OJEVS PEPIO[O]S OHSEV[S)- 
NEQN. 
B. ANTINOMOS ASMETOS AIOQN FOAVAINO? TEAES 
NESEVS. 


6. PETROGRAD. Kylix (fragment). Replica of Boston 00.344; 
interior without the figure of Herakles. 
Stephani, CR. 1860, p. 187, pl. iv, 13 ="Remache ines 
15: Hauser, F.R. iii, pp. 47, fig. 20, 50 (attr. to Aristo- 
phanes): Nicole, Meidias, p. 58, fig. 2 (attr. to Meidias): 
Ducati, Ausonia i (1906), p. 41, fig. 5; Muidia, p. ro: 
Beazley, VA. p. 180. 
I. Deianeira and Nessos. 


[54] 


OTHER ATTRIBUTIONS 


Meidias, 5, 17, 18. _ N.Y. Centauromachy P. 2, 3, 4. 
SUBJECTS SHAPES 
Myth., 1*. Lekythos, 4. 
Heroic, 2*, 5, 6. Peylixet, 2 22,.5,;.0. 
Genre, 3, 4: Loutrophoros, 3. 


[551 


THE BALD-HEAD PAINTER 
Hartwig, pp. 421-423. 


Certain vases on which the figure of an old bald-headed man 
occurs were classed together by Hartwig and assigned to an un- 
known painter. Owing to differences in style, Hartwig’s attri- 
butions have not been generally accepted and are better included 
in the work of several different painters. Hartwig’s master is to 
all intents and purposes the same as Beazley’s Briseis Painter. 

The artist belongs to the middle archaic period and is a con- 
temporary of Brygos. 


1. Lonpon, Brit. Mus. E 363. Pelike. From Cameiros, Tomb 
Fes6: hao 7262: 

Cat. iii, p. 239 (in manner of Brygos’): Hartwig, p. 441: 
Mon. d. Inst. xi, pl. 8 = Reinach, i, pp. 219-220: Engel- 
mann, Ann. d. Inst. 1879, pp. 237 ffi.: Heydemann, Nerez- 
den mit d. Waffen d. Achill. pp. 8, 19: Heydemann, ii, 
Hall. Winckel. Pr. p. 113, note 303: Robert, Bald u. Lied, 
p. 141: Rev. Arch. 1808, il, p. 173. 

A. Thetis and Nereid bringing arms to Achilles. 

B. Nereids with arms, and a Greek. KAVO8&. 


2. ORVIETO, FatInA Cott. 45. Kylix. From Orvieto: d. 0.258. 
Foot missing. 

Cardella, Cat. p. 42, no. 45: Hartwig, pp. 421-426, pls. 
38, 39, 1: Korte, Ann. d. Inst. 1877, p. 142, no. 43: Hau- 
ser, Athen. Mitt. 1891, p. 150 (cf. Hartwig, p. 422). 

I. Two Scythians. HO PAls KAVOS. 

A. Herakles, Hermes, and Dionysos. Traces of an inscrip- 
tion, probably 6 wats xaos. 

B. Scythians. 


3. ? Formerly in collection of Prince Napoleon. Kylix. From 
St. Maria d. Capua: h. 0.12, d. 0.23. 
Frohner, Choix, pl. v: Mus. d. France, pl. vi: Cat. dune 
coll. d’antig. no. 76: Mayer, Giganten u. Titanen, p. 323: 
Hartwig, p. 433. 


[56 ] 


I. No picture. 
A. Dionysos and giant. 
B, Silen in cart drawn by silens. 


OTHER ATTRIBUTIONS 


Briseis P., 5: Brygos, 60: Hieron, 6*: Makron, 40, 100, 101: 
Kleophrades, 4o. 


SUBJECTS SHAPES 
Myth., r. Pelike, 1. 
Heroic, 2. Kylix, 2, 3. 
Epic, 1. 
accnic, 2,3; 


57 


MASTER OF THE BERLIN AMPHORA 


This is the name applied by Beazley (JHS. 1911, pp. 277 ff.) 
to the unknown painter of the Berlin amphora 2160, who was a 
contemporary of the Kleophrades painter. His style is exces- 
sively individual and on the basis of the characteristics found on 
this vase Beazley has been able to assign a number of other vases 
to his hand. It will be noted, however, that a number which are 
marked ‘school piece’! are not, in Beazley’s opinion, quite good 
enough to be from the master’s hand, though they undoubtedly 
come from his factory. 


or. ATHENS G139a. Panathenaic amphora (fragment). From 
Acropolis. 
Beazley, VA. p. 37. 
Youth in himation. 


1. BERLIN 2160. Amphora (Form Furt. 35). From Viulci: 
h. 0.69. 
Cat. p. 484 (attr. to Brygos): CIG. 7463: Furtwiangler, 
BPW. 1804, p. 114 (attr. to Kleophrades): Gerhard, 
ECV. p. 10, pls. 8-9: Miiller-Wies., ii, pl. 41, 486 (A): 
Braun, Bull. d. Inst. 1835, p. 181: Panofka, AZ. 1840, 
p. 128: Jahn, Vasenb. p. 24: Per. and Chip. x, p. 630, note 
1, pl. 17: Heydemann, Satyr- u. Bakchennamen, p. 24,1: 
Saglio, iii, p. 1813, fig. 4949 (A): Winter, Oesterr. Jahres- 
heft. iii, p. 128, pls. 3-5 (attr. to Euphronios): Kretschmer, 
p. 174: Beazley, no. 1, pls. 15, 16, p. 276, fig. 1. 
A. Silen with lyre, Hermes and doe. OPEIMA ++05S (retr.) 
HEPMES. 
B. Silen, kantharos in r., lyreinl. OPO+AP+4Es. 


1 The following list was compiled on the basis of Beazley’s article in the JHS. 
Since then (VA. pp. 35-40) he has assigned most of the vases he called ‘school 
pieces’ directly to the master’s hand, and the following only are reckoned as ‘school 
pieces’: 14bis, 62, 64, 65, 65 bis, 72bis, 74, 75 bis, 75 ter, 82bis, 83 bis, g1, 94, 95 bis, 
95ter, 97. The numerical system of this book was unfortunately set up when 
this change was made by him and it was too late to adopt a fresh one. 


L 58] 


TO, 


BERLIN 2187. Stamnos (fragment). From near Tréves. 
Cat. p. 509: Beazley, VA. p. 4o. 
Dionysos and silen. 


BOULOGNE 443. Kalpis. Formerly in Panckoucke Coll. 
Beazley, no. 26: M. Mayer, Arch. Anz. 1889, p. 187. 
Shoulder only. Dionysos, maenad, and a small lion. 


BRUSSELS R 307. Nolan amphora. From Nola. 
Cat. p. 94: Beazley, VA. p. 38. 

A. Woman and warrior. 

B. Old man. 


Bryn Mawr R1087. Amphora (fragment), Panathen. shape. 
Beazley, no. 9, pl. x, 1: idem, VA. p. 40: Swindler, AJA. 
fet, p-244, fig..15- 

A. Head of Athena. 

CAMBRIDGE, HARVARD 1643.95. Neck amphora: h. 0.305. 
Beazley, VA. p. 309, fig. 22. 

A. Triton holding sceptre and fish. 

B. Nereid. 


HARVARD 4.08. Lekythos: h. 0.243. 
Beazley, VA. p. 38. 
Flying Nike with oinochoé and phiale. 


CASTLE ASHBY 25. Stamnos. 
Furtwangler, AZ. 1881, p. 304: Burlington Mag. xxviii 
(1916), p. 139, b, pl. ii G (central fig. of B): Beazley, 
fae. Ao. Hackl, p. 36, no, 358. 

A. Athena pouring libation, Zeus and Hera. 

B. Libation: youth’s departure. 

Graffito on base /R. 


. CASTLE ASHBY. Stamnos. 


Beazley, VA. p. 40. 
A and B. Dionysos, maenad, and silens. 


CorneETO. Bell krater. From Corneto. 
Beazley, no. 22, pl. x, 2. 7 

A. Europa on bull. 

B. Woman running. 


[50] 


Eds 


I2. 


Te 


14. 


DEEPDENE 87.! Nolan amphora. 
Tischbein, iii, pl. 7 =-Reinach, ii, p. 310, 43 2. Cér. 1, 
p. 313, pl. 99: Roscher, iii, p. 329: Beazley, VA. p. 38. 
A. Nike with kithara. 
B. Young poet. 


FLORENCE 3989. Amphora (Panathenaic shape): h. 0.545. 
Beazley, no. 10. 

A. Amazon. 

B. The same. 


GIRGENTI, CoLL. BARON GrupIcE 7. Nolan amphora: h. 
Oe 2. 
Beazley, VA. p. 38. 
A. Nike flying with hydria. 
B. Youth. 
GIRGENTI, CoLL. BARON GiupIcE.? Lekythos. 


Beazley, VA. p. 38. 
Maenad. 


14bis. GIRGENTI, COLL. BARON GiupDIcE 6. Lekythos: h. 0.34. 


TS, 


10: 


1% 


Beazley, VA. p. 4o (‘school piece’). 
Woman running. 


LEYDEN 23.34. Amphora (Panathenaic shape): h. 0.445. 
Cat. p. 106: Beazley, no-a1, pir: 

A. Hoplitodromos. 

B. The same. 


Lonpon, Brit. Mus. E 266 (798). Neck amphora (twisted 
handles). From Vulci: h. 0.492. 
Cai. i, p. 200: Beazley, no. 13, pls. fig, ee 
A. Bearded komast with lyre. 
B. Young komast. 


Brit. Mus. E 313. Nolan amphora. Formerly in Blacas 
Coll. From Nola: h. 0.35. 
Cat. iii, p. 222: Mus. Campana, cl. i, ser. iv—vii, no. 58: 
Overbeck, KM. (Zeus), p. 401, a: Beazley, VA. p. 38. 


1 Acquired at the recent sale by the Hon. Marshall Brooke. 
2 Mr. Curtis could not find this vase in the collection. 


[ 60 ] 


13. 


Q. 


20. 


21. 


22. 


A. Zeus hurling thunderbolt. B. Semele ? 
Graffito on base B . 


Brit. Mus. E 468 (786). - Volute krater. From Caere: 
bo, 045) 

Cat. ili, p. 287 (attr. to Douris): Luckenbach, p. 515, 2 6: 
Overbeck, HG. p. 452, pl. 19, 4 (A), 22, 13 (B): Gerhard, 
Aus. Vas. ili, pl. 204, p. 112 = Reinach, li, p. 103: Bau- 
meister, i, p. 734, fig. 788 (A); li, p. 920, fig. 993 (B): 
Roscher, i, 1271 (B): Beazley, no. 21, fig. 5, pl. xiv: 
Beazley, BSA. xvill,.p. 226, note 1: Hackl, p. 37, 361: 
Robert, Scenen d. Ilias, p. 9, figs. 11-12: Duruy, Hist. i, 
Dp. 127 (4): C/G. 7667. 
Design on neck only, the rest of the vase being covered 
with black glaze. 

A. Combat. Achilles, Hector, Athena, and Apollo. AQOE- 
NAIA A+IVWEVS HEKTOP (retr.) APOWON (retr.). 

B. Same. Achilles; Memnon, Thetis, and Eos. OETIs 
A +IWEVS MEMNON (retr.) HEOS (retr.). 

Graffito ARI. 


MaAprip 160. Hydria: h. 0.38. 
Cat. p. 86: Beazley, Burlington Magazine, 1916, p. 137, 
pl. ii (B): Ossorio, Vasos griegos, pl. 35, 3, p. 83. 
Two women at fountain. On shoulder, flying Eros. 
Graffito H:=1X. 


MANNHEIM. Nolan amphora. 
Beazley, no. 32. 

A. Man offering a lyre to a youth, dog between. 

Be Youth. 

Mounicu 2310 (Jahn 1). Amphora (Panathenaic shape). 
Cat. (Jahn), p. 1: Beazley, no. 5; VA. p. 35, fig. 19 (A). 

A. Diskobolos (owl painted on diskos). 

B. Athlete with halteres. 

Mounicu 2311 (Jahn 52). Amphora ean shape: 

Furtw. 36). 

- Cat. (Jahn) p. 12: Beazley, no. 12, fig. 2; VA. p. 36, fig. 
20 (A). 

A. Silen. B. The same. 


[ 61 | 


23, 


24. 


25. 


26. 


27: 


28. 


Mounicu 2312 (Jahn 54). Amphora (Panathenaic shape). 
From Vulci: h. 0.545. 
Cat. (Jahn) p. 13: Micali, Mon. Ined. p. 274, pl. 44,3: 
F.R. iii, pp. 77-80, pl. 134, 1 (Hauser): Roscher, iii, 2037: 
Beazley, no. 3: Knautz, p. 20, no. 15. 
A. Perseus. B. Medusa. 


MonicH 2313 (Jahn 9). Amphora (Panathenaic shape). 
Cat. (Jahn), p. 5: Beazley, no. 6, pl. viii, 2: Klein, LI. p. 
124: CIG. 7879: drawing in Berlin A pparatus, 16.6: Ger- 
hard, Rapp. Volc. 816: AZ. 1852, p. 247%; ibid. 1855, 
p. 1r1™:. Wernicke,"p. 82. 

A. Diskobolos. SOKPATES KAVOS (r.). 

B. Youth. 


MunicH 2406 (Jahn 421). Stamnos. From Vulci: h. 0.34. 
F.R. ii, pp. 234-236, fig. 81 (B), pl. 106, 2: Gerhard, Aus. 
Vas. 201 = Reinach, ii, p. 101, 1-2: Furtwangler, Aegina, 
i, p. 344: Beazley, no. 15: Hackl, p..37, 359: Overbeck, 
HG. p. 452, no. 104: Robert, Scen. d. Ilias, p. 8, fig. 8 (A): 
Luckenbach, p. 515, no. 1. 

A. Athena between two warriors in combat. 

B. Two warriors, one arming, and an old man. 

Graffito on foot Py. 

NAPLES 81543 (H 3129). Nolan amphora. From Nola: h. 

Ons: | 
Cat. p. 476: Mus. Vivenzio, no. 6: Beazley, VA. p. 38: 
Rega-Patroni, Vas. Vivenzio, p. 2, pl. vii (A). 

A. Menelaos pursuing Helen. 

B. Youth with wreath. 


NaPLEs Inv. 1361 (H 3137). Nolan amphora. From Nola: 
hog 3 

Cat. p. 479: Beazley, no. 30. 

A. Young warrior. B. Woman running. 

NaPLeEs Inv. 1328 (H 3192). Nolan amphora: h. 0.31. 
Cat. p. 492: Beazley, no. 34: Merimée, Rev. Arch. n.s. 
ll, pp. 210 ff. 

A. Athlete with akontion. B. Youth. 


[ 62 J 


29. 


30. 


2%; 


32. 


33: 


34. 


NAPLES 86094 (RC 163). Amphora (Panathenaic shape). 
From Cumae: h. 0.42. 
Cat. p. 862: Beazley, no. 8: Gabrici, Mon. Ant. Linc. 
RxUMtOn2), p, 516, pl. 82. 
A. Eros flying with lyre turning his head to 
B. Youth with stick. 


NEw HAVEN, YALE UNIVERSITY 133. Neck amphora (triple 
handles): h. 0.33. 
Beazley, VA. p. 38. 
A. Athena. B. Hermes. 
NEw YorRK 07.286.69. Nolan amphora. From Sta. Maria 
de Capua: h.-0/323; 
Beazley, VA. p. 37, fig. 21 (A). 
A. Fat silen with wine-skin and horn. 
B. Same with horn. 


NEw YorK 10.210.19. Kalpis. From Civita Castellana: 
h. 0.365. 
Beazley, no. 25 ds, fig. 7, pl. 9: Bull. Metropolitan Mu- 
seum, IQII, p. 34, fig. 14 (attr. to Onesimos). 
Shoulder only. Combat, Greek and Amazon. 


OXFORD 1912.1165. Formerly in Warren Coll., Lewes. 
Stamnos. Only about half of the vase is preserved. 
Beazley, no. 20, pl. 17: idem, Burlington Mag. 1916, p. 
ioe a iat) Die eek Oi 
Continuous frieze. Maenads with the limbs of Pentheus. 
PALERMO 1503. Stamnos. Formerly in Blacas Coll. From 
Chiusi: h. 0.34. 
muse Crus. pis. 40-47: Beazley, no..17: CIG: 7400: 
Inghirami, Vasz Fitt. i, pls. 77-78, pp. 118-120: Hartwig, 
p. 578 (attr. to Laches Master): Graef, Jhb. 1886, p. 204, 
ieseroaeet)verbeck, HG. pl. vin, 6: Klein, £7. p: 126; 3: 
Wernicke, p. 49: Gerhard, Bull. d. Inst. 1831, p. 143: De 
Witte, Ann. d. Inst. 1832, p. 123: Panofka, Ezgennam. p. 
Ao: 
A. Visit to Chiron. NIKOSTPATOS KAVOs TEVEVs 
Obie oKiPOs. 
B. Nereus and Nereids. 


L 63 J 


35a. PALERMO g. Lekythos. 


Beazley, no. 28. 
Bearded komast. 


35b. PALERMO 2569. Lekythos: h. 0.215. 


36. 


37: 


36. 


39: 


Beazley, no. 29. 
Young warrior. 


PALERMO. Lekythos. 
Beazley, VA. p. 38. 
Nike flying frontal. 


Paris, Cas. Dp. MED. 386. Amphora (fragments). 
Cat. p. 280, fig. 57: Hauser, F.R. iii, p. 79 (attr. to Berlin 
Amph. P.): Beazley, VA. p. 37 (same attribution). 

A. Woman with oinochoé and phiale (Iris ?). 


Paris, LouvrE G56. Stamnos. From Etruria: h. 0.37. 
Cat. iii, p. 919: Album ii, p. 148, pl. 95 (A): Beazley, no. 
16. Drawing in the Apparat of the German Institute, 
Rome, Mappe 24, 4. 

A. Athena mounting chariot. 

B. Warriors arming. 


Louvre G 166. Volute krater: h. 0.81, d. 0.45. 
Cat. iii, p. 1016 (compares vase with the Arezzo krater of 
Euphronios): Gaspar, Mon. Piot, ix, p. 39, fig. 10 (attr. 
to Smikros): Beazley, VA. p. 40: idem, BSA. 18, p. 226, 
note I. 
The foot is modern. Decoration on neck only.in two rows. 
Upper. A. Herakles and Amazons. 
B. Nereids fleeing to Nereus and Doris. 
Lower. A. Four kneeling silens (entirely modern). 
B. Two youths and two teachers. 


40. LouvrE G174. Bell krater: h. 0.325, d. 0.34. 


Cat. iii, p. 1017 (‘digne d’un éléve d’Euphronios ’): 
Beazley, no. 23. 

A. Herakles resting on a mattress served by a 

B. Silen, oinochoé in r., kantharos inl. Side B very much 
restored. , 


[ 64 ] 


4I. 


42. 


43. 


44. 


45. 


46. 
47- 


Louvre G175. Bell krater: h. 0.33, d. 0.39. 
Cai-m, p. 1017: Ann. d. Inst. 1876, pl. C = Reinach, i, 
Das beaziey, no. 24, fig. 6. 

A. Zeus pursuing 

B. Ganymede who holds a tee in his r., a cock in his 1. 


LouvrE G 185. Stamnos: h. 0.365, d. 0.18. 
Cat. ili, p. 1018: Mon. d. Inst. vi-vii, pl. 67 = Reinach, 
Pret 50°47n. ad. Inst. 1862, p. 121: Beazley; no. 10: 
Jacobsthal, Gott. Vas. p. 51. 

A. Dionysos on a goat between two silens. 

B. Hermes on a ram between two silens. On wine-skin 
KAVOS. 


Louvre G 186. Stamnos: h. 0.345, d. 0.19. 
Cai. mi, p. 1019: Fréhner, ‘Cat. Coll. Barre, pl. v (A): 
Beazley, no. 18. 

A. Achilles brought to Chiron. 


LouvreE G 201. Nolan amphora: h. 0.30, d. 0.13. 
Cat. ili, p. 1024 (not described): Beazley, no. 31. 

A. Dionysos lying down, and silen. 

B. Silen before a bell krater. 


Louvre G 204. Nolan amphora. From Etruria: h. 0.32. 
Cat. ili, p. 1025: Dubois, Descr. Cab. Pourtalés, p. 27: 
Jahn, Ann. d. Inst. 1869, p. 181: Overbeck, KM. i, p. 
365, no. 18: Miiller-Wieseler4, pl. 1, 9: Max. Mayer, 
Giganten u. Titanen, pp. 302 ff.: Beazley, VA. e 38. 

A. Zeus hurling thunderbolt. 

B. Giant as hoplite. 

Graffito on foot X. 


Louvre G 214.! 


PETROGRAD 628 (St. 1588). Kalpis. From Vulci: h. 0.37. 
Cat. ii, p. 214 (W. p. 109): Beazley, Burlington Magazine, 
fe ie 37, pl.1A;, un D-F. 

On shoulder, Polyxena at fountain on which a raven. is 
perched and behind which Achilles lies in wait. 


1 This attribution, contained in Beazley’s original VA. MS, has since been dis- 
carded by him. The vase had not previously been ascribed to any artist. 


[ 65 | 


48. PETROGRAD 697 (St. 1628). Nolan amphora: h. 0.35. 
Cat. ii, p. 236 (W. p. 90): Beazley, VA. p. 38. 
A. Athena running. 8B. Woman running. 


48 bis. PETROGRAD 612 (St. 1638). Neck amphora (twisted 
handles): h. 0.55. 
Cat. ii, p. 242 (W. p. 88): Stephani, CR. 1875, pp. 111, 
66 with fig. (A) = Reinach i, p. 60. 2: Beazley, VA. p. 4o. 
A. Citharode. B. Man. 


49. Rome, Mus. Barracco 231. Nolan amphora: h. 0.325. 
Beazley, VA. p. 38. , 
A. Nike flying with kithara. 
B. Citharode. 


50. RoME, VATICAN 488 (83). Amphora (Panathenaic shape). 
Mus. Greg. ii, 58, 1 (ii, 62): Helbig-Reisch, Fuhrer, i, p. 
308: Beazley, no. 4, pl. 8, 1 (A). 
A. Diskobolos. B. Man. 


51. VATICAN 497 (97). Hydria. From Vulci: h. 0.52. 

Mus. Greg. ii, 15, 1; (ii, 21): Micali, Storia, pl. 94: Mon. 
d. Inst. i, pl. 46 = Reinach, i, p. 79, 4: Helbig-Reisch, 
Fiihrer, i, p. 311: Baumeister, i, p. 102, fig. 108: Beazley, 
no. 25: El. Cér. ii, pl. 6: Overbeck, KM. (Apollon), p. 360, 
pl. 20, 12: Gerhard, Akad. Abh. pl. 5, 3: Flasch, Poly- 
chromite auf Vasenb. p. 21: Folzer, p. 116, no. 189: Roscher, 
i, pp. 2806, 2839: Saglio, i, p. 315, fig. 370: Duruy, Hist. i. 
Daves 

Picture extends over the body and shoulder. Apollo ona 
winged tripod with dolphins. Below, a band of marine 
objects, fishes, polyps, etc. 


52. VATICAN. Amphora (Panathenaic shape): h. 0.48. 
Mus. Greg. ii, 58, 2 (ii, 62): Beazley, no. 2. 
A. Hermes. 8B. Athena. 
53. SYRACUSE. Kalyx krater. 
Beazley, VA. p. 40. 


A. Dionysos and silen. 
B. Maenad. 


[ 66 ] 


54. 


55: 


56. 


ae 


58. 


59: 


VIENNA, HormusEuM. Nolan amphora. 
Beazley, no. 33. 

A. Young warrior. 

B. Youth with spear. 


WutrzBurc 319. Amphora (Panathenaic shape):. h. 0.52. 
Cat. iii, p. 72: Overbeck, KM. (Apollon), p. 401, 8, pl. 
24, 6: F.R. iii, pp. 77-80, pl. 134, 2 (Hauser): Beazley, no. 
7: Per. and Chip. x, pp. 632-633, figs. 351 (A), 352 (B). 

A. Apollo. B. Herakles. 


? Formerly in Panckoucke Coll., Boulogne. Nolan amphora. 
El. Cér. iv, pl. 49 (A): Beazley, no. 35. 
A. Eros. B. Youth. 


? Formerly in Castellani Coll., Rome. Pelike. 
Beazley, no. 14. Drawing in the Apparat of the German 
Archaeological Institute, Rome, 1867, no. 22. 

A. Rape of the tripod. Herakles, Athena, and Apollo. 

B. Boy between youth and man. 


? Formerly in Depoletti Coll., Rome. Bell krater. 
Beazley, no. 24 bts. Drawing in Apparat of Berlin Mu- 
Scum, xxi, $3, 2. , 

A. Ganymede. 8B. Youth. 


? Once in Guarducci Coll., Florence. Kalpis. 
Beazley, no. 25 fer: Inghirami, Vasz Fiit. i, pl. 63: Luce, 
AJA. 1916, p. 468, I, A. 

Shoulder only. Herakles and Nemean lion. 


SCHOOL PIECES 


60 a-d. ATHENS. Kalyx krater (fragments). From Acropolis. 


Beazley, VA. p. 4o. 
a, Hermes with kerykeion; b, woman with torch; c, young 
god; d, B 9 (fragment of plate) male foot. 


61. ATHENS. Kalpis (fragment). 


Beazley, JHS. 1911, p. 280, note 10; VA. p. 4o. 
Phallos growing from a man’s nose and another from his 
forehead. 


[ 67 | 


62, 


63. 


64. 


65. 


BERLIN 2186. Stamnos. From Chiusi: h. 0.037. 
Cat. p. 508 (‘style of Hermonax’): Stark, Ann. d. Inst. 
1860, p. 325, pl. LM = Reinach, i, p. 305: Roscher, i, 
p. 809 (A): Beazley, VA. p. 4o. 

A. Boreas (double-faced) pursuing Oreithyia. 

B. Nymphs. 

BERLIN 2339. Neck amphora. From Vulci: h. 0.605. 
Beazley, no. 13 b. 

A. Youthful citharode. 

B. Man. 


BOSTON 91.226. Stamnos: h. 0.295. 
Ann. Rep. Mus. F. A. 1891, p. 11: Beazley, VA. p. 39 
(‘same hand as Louvre G 371’). 

Continuous frieze: Dionysos, maenads, and silens. 

BosTON 91.227 A. Stamnos (fragmentary). 
Cat. p. 15r (no. 419): Hauser, Jhb. 1914, p. 30, fig. 3: 
Beazley, VA. p. 39. 
The vase presents an interesting Pesca ith of two pes 
the deaths of Orpheus and Aegisthus. 

Continuous frieze: death of Aegisthus. 


65 bis. COMPIEGNE. Lekythos. 


66. 


67. 


68. 


Beazley, VA. p. 40, note. 
Woman running with torch. 
DRESDEN 289. Nolan amphora. 

Beazley, no. 35 g. 

A. Triptolemos in winged car. 

B. Persephone or Demeter. 

FRANKFURT, STADTISCHES Hist. Mus. Nolan amphora. 

Execution careless. 

Beazley, no. 35 b. 

A. Old komast. 

B. Young komast with lyre. 

KARLSRUHE 203. Nolan amphora. From Nola: h. 0.335. 
Cat. p. 47: Beazley, no. 35 f.: Gerhard, Arch. Anz. 1851, 
Pp. 34, no. 13. 

A. Zeus and Athena. 

B. Nike flying. 

[ 68 J 


69. LEYDEN 23.33. Formerly in Canino Coll. Neck amphora 
(twisted handles): h. 0.60. 
. Cat. p.106: Beazley, no. 13.c: El. Cér.i, pl. 76 A: Roscher, 
Ul) 3330. 
A. Athena. 
B. Nike. 


70. Lonpon, Brit. Mus. E 267 (794). Formerly Canino: Coll. 
1671. Neck amphora (twisted handles). From Vulci: 
R75 71. 
Cat. iii, p. 200 (probably by same hand as E 266: ». 
no. 16): Archaeologia, xxxi, p. 259, pl. iv: Beazley, no. 
Ee. 
A. Bearded komast playing lyre, with dog. 
~B. Youth carrying pointed amphora. 


71. Brit. Mus. E 268 (795). Formerly Canino Coll. 7. Neck 
amphora (twisted handles). From Nola: h. 0.597. 
Cat. ill, p. 201: El. Cér.i, p. 249, pl. 76: Beazley, no. 13 a. 
A. Hermes. 
B, Athena. 


72. Brit. Mus. E 269 (883). Formerly Durand Coll. 224. Neck 
amphora (twisted handles). From Nola: h. 0.562. 
Cat. iii, p. 201 (attr. to Douris): Beazley, no. 13 k. 
A. Young warrior. 
B. Woman in front of altar. 


“2 bis. Brit. Mus. E 287 (871). Panathenaic amphora. For- 
merly Durand Coll. 223. From Nola: h. 0.343. 
Carin, p. 211: Beazley, V-A. p. 4o. 
A. Nike pouring libation. 
B. Youth. 
Graffito on base III:: =|IIIM. 


73. Brit. Mus. E 310. Nolan amphora. Formerly Dennis Coll. 
1863. From Gela: h. 0.342. 
Gar ui, p. 221: Beazley, no. 35k. 
A. Young warrior pursuing woman. 
B. Old man. 


[ 69 J 


74. Brit. Mus. E 444 (783). Formerly Durand Coll. 17. Stam- 
nos. From Vulci: h. 0.324. 
Cai: iil, p..272? Beazley, Ap. ae: Roscoe ili, Dp. 325: 
Knapp, Nzke, pp. 43 ff. 
Continuous frieze: scene in Olympos. Zeus, Hera? Apollo, 
Nike, Hebe, Hermes, Hestia, Dionysos. 
Graffito on base <E. 


75. Brit. Mus. E 513. Oinochoé (Furtw. 205). Formerly Herz 
Coll. 1859 (Cat. no. 819): h. 0.384. 
Cat. ili, p. 3117 #l.-Cér1, plo 933) beactey nee pe 
Roscher, iil, p. 329, fig. 6. 
Nike flying frontal. 


75 bis. Brit. Mus. E514 (855). Formerly Durand Coll. 6. 
Oinochoé. From Vulci: h. 0.384. 
Cat. il, p. 312: El. Cér. ii, p. 31, pl. Bae? Overbecku as. 
salon p. 322, no. 3: Beazley, VA. p. 4o. 
Apollo and Artemis. 
Graffito on base FL. 


75 ter. Brit. Mus. E 574 (751). Lekythos. Formerly Durand 
Coll. 218. From Sicily: h. 0.395. 
Cat. 11, p. 325: Beazley, VA. p. 40: Walters, i, pl. 36, 2. 
Nike at altar. 
Graffito on base N B. 


76. MunicH 2319 (Jahn 3). Neck amphora (twisted handles). 
Beazley, no. 13 d. 
A. Young citharode. 
B. Youth. 


77. MUNICH 2453 (Jahn 789). Oinochoé (belly type). 
Beazley, no. 35 m. 
Youths and dog. 


78. NAPLES 81490 (H 3087). Nolan amphora. From Ruvo: 
h. 0.30. 
Cat. p. 464: Beazley, no. 35 c. 
A. Youthful citharode. 
B. Man. 


[70] 


79. Napies H 3150 (1359). Nolan amphora. From Nola: h. 0.33. 
Cat. p. 482: Beazley, no. 35 d. 
A. Young warrior. 


B. Old man. 
79 bis. OxFoRD 274. Neck amphora (twisted handles). From 
ean. 0:37. 


(Gf 24, pl. 11: Beazley, VA. p. 4o. 

A. Nike flying with lyre. 

B. Citharode. 

80. OXFORD 275. Nolan amphora. Formerly Castellani Coll. 52: 
hs 0.30. 

Cat. p. 24: P. Gardner, JHS. 1893, p. 137: Beazley, VA. 
p. 38. 

A. Eos. 

B. Old man (Tithonos ?). 

Graffito on base E. 


81. OXFORD 291. Kalyx krater: h. 0.38. 
(ap. 27. Beazley, no. 21 a. 
A. Nike flying with tripod and phiale (face restored). 
B. Youth (face restored).! 


82. OxFoRD, BiscoE Cott. Nolan amphora. 
Beazley, no. 35 a. 
A. Herakles and Centaur. 
B. Centaur. 


82 bis. PALERMO. Kalpis. 
Beazley, VA. p. 4o.. 
Poseidon running. 


83. Paris, Cas. D. MED. 439. Hydria: h. 0.514. 
Cat. p. 331: Milliet-Giraudon, ii, 75: Beazley, no. 25 a. 
Main picture: Zeus pursuing a woman (Aethra?) and 
Semele. On shoulder: Charioteer in quadriga. 


83 bis. Paris, CAB. D. MED. 441. Kalpis: h. 0.38. 
Oi 01432, uc. 73: Beazley, VA. p..4o. 
Apollo and Artemis. 


1 So Beazley; Catalogue mentions only the face of Nike. 


L7z] 


84. 


85. 


86. 


87. 


88. 


89. 


Paris, LouvRE Gi1g2. Formerly Durand Coll. 264. Stam- 
nos. From Capua: h. 0.51, d. 0.20. 

Cat. iii, p. 1020: Mon. d. Inst. xi, pl. 42, 2, 2a = Reinach, 
i, p. 229, 3-4: Lenormant, Gaz. Arch. 1875, plswi4—-15, 
p- 63: Roscher, i, p. 2222: Ann. d. Inst. 1882, Pp. 200; 
Beazley, no. 20 a: ‘Hackl, p. 25, no,1ig 

A. Youthful Herakles strangling the serpents. Athena, 
Iphikles, Alkmena, and Amphitryon. 

B. Zeus, Hermes, and Iris. 


Graffito qu : 


Louvre G198. Neck amphora (twisted handles): h. 0.565. 
Neck and handle restored. 
Cal. lil, p.1023: Beazley.nomee. 
A. Nike. 
B. Youth. 


Louvre G 199. Neck amphora (twisted handles): h. 0.48. 
Neck, foot, and handle restored. 
Cat.ll, p. 1023; Beazley. nor ose 
A. Nike flying, frontal head. 
B. Only toes of a foot and fragment of a pattern preserved. 


Louvre G 218. Neck amphora (triple handles). From 
Italy hes: 
Cat. ili, mentioned but not described: Beazley, no. 35k. 
A. Youthful komast with lyre. 
B. Bearded komast. 


Louvre G 219. Formerly in Durand Coll. Neck amphora: 
beowen: 
Not cited in Catalogue. Beazley, no. 35 1. 
A. Youth with phiale. 
B. Youth in himation. 


LouvrE G 371. Stamnos. Formerly in Campana Coll. 
Cat. Campana, ser. iv, 56: Cat. iii, p. 1093 (by same hand 
possibly and certainly same style as G370): Strube, 
Bilderkreis v. Eleusis suppl. pl. i, £: Overbeck, KM. 
(Demeter), p. 542, no. 45, pl. 15, no. 20: Beazley, VA. p.39. 

Continuous frieze: Triptolemos and Eleusinian divinities. 


727] 


go. 


QI. 


Q2. 


93: 


94. 


95: 


PETROGRAD 635 (St. 1528). Column krater: h. 0.40. 
Cat. ii, p. 196 (W. p. 86): CR. 1873, pp. 22 (A), 187 = 
Reinach, 1, p. 57, no. 5: Klein, LJ. p. 124: Beazley, no. 
24 b: Hackl, p. 41, 432: Wernicke, p. 82. 

A. Nike flying, a prochous in her r. and three phialai in her 1. 
SOKPATES KA\[OS]. 

B. Youth. 

Grafhito £m. 


PHILADELPHIA. Stamnos. From Orvieto: h. 0.365, d. 0.214. 
Hall, Mus. Journ. Penn. Univ. 1913, p. 157, fig. 135 (A): 
Beazley, VA. p. 39 (‘school piece but by a different hand’). 

A. Athletes and trainer. 

B. Same. 


RomME, CASTELLANI Cott. Column krater. Surface dam- 
aged but the drawing is good enough to be by the 
master. 

Beazley, no. 24 a: Drawing in the Apparat of the German 
Arch. Institute in Rome, Mappe 17, 309. 

A. Nike flying. 

Dp oowouth: 

RoME, VATICAN 490 (85). Neck amphora (twisted handles). 
Mus. Greg. ii, 59, 3 (ii, 63): Helbig-Reisch, Fiihrer, i, p. 308: 
Beazley, no. 13 h. 

A. Young warrior. 

B. Old man, kylix in r. sceptre in 1]. (Beazley erroneously 
calls this figure female). 


Rome, VATICAN. Stamnos: h. 0.34. 
Mus. Greg. ii, pl. 21, 1 (24, 1): Beazley, VA. p. 40: Ros- 
cher, iil, p. 324. . 

A. Man on couch with phiale, Nike and woman. 

B. Two men and two women. 


Syracuse. Lekythos. From Gela: h. 0.37. 
Orsi, Mon. Ant. Linc. 17 (1907), p. 3209, pl. 19: Beazley,} 
no. 29 a. 

Triptolemos in winged chariot. 


1 According to Beazley, the vase is almost good enough for the master’s hand. 


p74 


95 bis. SyRACUSE. Lekythos. From Gela: h. 0.41. 
Orsi, Mon. Ant. Linc. 1907, p. 367, pl. 15, 2: Beazley, VA. 
p. 40. 
Poseidon with trident. On shoulder, Pegasos. 
95 ter. TARANTO. Lekanis. 
Beazley, VA. p. 4o. 
Poseidon and Amymone. 


96. VIENNA, OESTERR. MUS. 334. Pelike: h. 0.38. 
Cat. p. 50, pl. vi (A): Brunn, Bull. d. Inst. 1865, p. 216: 
Beazley, no. 14 4. 
A. Triptolemos in winged car. 
B. Demeter with torch in each hand: so described in Cata- 
logue; Beazley calls the figure Persephone. 


96 bis. WINCHESTER. Kalyx krater (fragment). 
Beazley, VA. p. 4o. 
A. Head of Nike. 


97. ? Formerly in Bassegio’s possession. Stamnos. 
Gerhard, Aus. Vas. pl. 156 = Remach, ii, p) 30, 4-0; 
Ducati, Rom. Mitt. 1906, p. 114 (attr. to Hermonax): 
Beazley, VA. p. 30. 
Continuous frieze: Orpheus and maenads. 


98. ? Formerly in Castellani Coll., Rome. Nolan amphora. 
Beazley, no. 35 e. Drawing in the Apparat of the German 
Institute in Rome, Mappe 17, 40. 

A. Akontist. 
B. Same. 


99. ? Formerly in Rollin Coll., Paris. Amphora (Panathenaic 
shape). 
El. Cér. ii, pl. 16: Baumeister, iii, p. 1540, fig. 1604 
(detail of A): Beazley, no. 12 a. 
A. Man playing kithara. 
B. Man. 


7a 


OTHER ATTRIBUTIONS 


Douris, 43: Frau Meisterin, 1. 


SUBJECTS 

Myth., 5) 6, 7) 8, 10, II, 13, 17, 
IQ, 29, 30, 36, 41,45, 48, 49, 
51, 52; 56, 58, 60 a, 62, 66, 
68, 69, Vt, 72 bis, 74, 75; 
75 bis, 75 ter, 79 bis, 80, 81, 
82 bis, 83, 83 bis, 85, 86, 80, 
go, 92, 95; 95 bis, 95 ler, 90, 
96 bis. 

iter i215, 23, 25, 32,34, 
38, 39, 43, 55) 57) 59, 82, 84. 

Epic,26, 47, 65. 

Bacchic, 1, 2, 3, 9, 14, 22, 31, 
33; 40, 42, 44, 53) 64, Q7- 
Miiiitged, 8, 15, 27,.35 b, 54, 

725 73) 79) 93- 

Pieces, 124.28, 50, Ot, 
98. 

Genre, or, 14 01s, 19, 20, 37, 
48 bis, 61, 63, 65 bts, 79, 77) 
78, 88, 94, 99. 

Komastic, 16, 35 a, 67, 70, 87. 


SHAPES 


INO ra ae et 3 ot 7 
BOF 0200031. 44; 
45, 48, 49, 54, 56, 
66-68, 73; 78; 79; 
80, 82, 98. 

INECientE Ors 20.03 7. 
48 bis, 63, 69, 70- 
72, 70, 79 bis, 85- 

88, 93. 

Panathenaic shape, 
Opcval Peete 21; 
22, 23, 24, 29, 50, 

523155507 2.025, 00- 

iPelikes5 7.00. 

Stamnos, 2, 8, 9, 25, 33, 34; 38, 
42, 43, 62, 64, 65, 74, 84, 89, 
OI, 94; 97- | 

ib tetorm. 16,051, 03. 

Hydria \ Kalpis, 3, 32, 47, 59, 
61, 82 bis, 83 bis. 

Belo.40,40, 50. 

Nalyxee54,.00 4-C).01, 
96 drs. 

Column, go, 92. 

Volute, 18, 39. 

Lekythos;-7; 14) 14'bts, 35, 30, 
65 bis, 75 ter, 95, 95 Dts. 

Plate, 60d. 

Oinochoé, 75, 75 bts, 77. 

Lekanis, 95 /er. 


Amphora } 


Krater 


[7s J 


THE PAINTER OF THE BERLIN NIKE HYDRIA (2381) 
Beazley, VA. pp. 150-152. 


The third of the group of artists who belong to the first period 
of the Free Style is called by Beazley the Berlin Nike Hydria 
Painter. He was probably a pupil of the Niobid Painter but his 
work is rather finer in character. 


1. BERLIN 2381. Kalpis. From Nola: h. 0.395. 
Cat. p. 653: Gerhard, Ant. Bildw. p. 295, pl. 49: Prodro- 
mus, Pp. 295:-El. Cér. ili, p. 155, 107, ply 40-8 tepuam 
CR. 1873, p. 188, 7: Roscher; i) ps 320. steneeees 
Jahrb, 1911, p. 160, fig. 7o: Winter AV ee oes 
Beazley, no. 9. 
Nike between two seated women. 


2. BosTON 00.347. Volute krater: h. 0.517. 
Ann. Rep. Mus. F. A. 1900, p. 47, no. 16: Beazley, no. 1, 
fig. go (detail of A). 
A. Apollo, Artemis, and Leto. 
B. Three women at an altar. 


3. Lonpon, Brit. Mus. E 275 (old no. 800). Formerly Canino 
Coll. 2002. Neck amphora (twisted handles). From 
Vulci: h. 0.467. 
Cat. 11, p. 205: Miss Abrahams, Greek Dress, p. 46: Knapp, 
Ntke in d. Vasenmaleret, pp. 17, 55: Beazley, no. 6, fig. gt. 
A. Young warrior and Nike. 
B, Nike and woman. 


4. PETROGRAD 766 (St. 1271). Formerly in Campana Coll. 
Kalyx krater: h. 0.51. 
Cat. ii, p. 103 (W. p. 91): CR. 1874, p. 174, pls. 5-6 = 
Reinach, i, pp. 44, 3; 45, 1-2: Beazley, no. 2: Winter, 
JAV ..p. 68, xiv,,6. 
A. Warrior’s departure. 
B. Youth’s departure. 


[76] 


5. PETROGRAD, STROGANOFF Cott. Neck amphora (twisted 
handles). 
Cat. (W.) p. o1: CR. 1874, p. 203, pl. 7 = Reinach, i, p. 
45!: Beazley, no. 5. 
A. Two youths. 
B. Woman and youths. 


6. Rome, Vatican H.R. 494 (91). Neck amphora (twisted 
handles). From Vulci: h. 0.46. 

Helbig-Reisch, Fiihrer, i, p. 309: Mus. Greg. ii, 60, 1 (64, 
1): Winter, JAV. p. 59, c, 6: Gerhard, 7G. pl. J, 1-2: 
Flasch, Aun. d. Inst. 1871, p. 126: Heydemann, AZ. 1868, 
p: 3: Harrison, J/HS. 1888, pp. 143 ff.: idem, Prolegomena, 
p. 464, fig. 144 (A): Furtwdngler, 50 Berl. Winck. Progr. 
1890, p. 159: Beazley, no. 7: Roscher, iii, p. 1184, 8 (A). 

A. The death of Orpheus. 

B. Thracian and woman. 


7. Rome, VaticAN. Amphora. From Vulci: h. 0.48. ~ 
Mus. Greg. ii, 56, 2 (60, 2): Beazley, no. 3: Winter, JAV. 
Pass. b, 6, 
A. Warrior’s departure. 
B. Youth’s departure. 


8. ? Formerly in Jekyll Coll. Amphora.. 
Beazley, no. 4. 
A. Youth’s departure. 
B. The same. 


g. ? Formerly in Politi Coll., Girgenti. Neck amphora. 
__R: Rochette, Mon. inéd. pl. 57 A: Beazley, no. 8. 
A. Aethra and her sons. 


B. ? 
SUBJECTS : : _ SHAPES 
it den tat. 2, 0,9. . -Amphora, Neck, 3, 5-9. 
Military, 4, 7, 8. Hydria, Kalpis, 1. 
Genre, 5. Kalyx, 4. 
eat eae 2 


_ 1 In Reinach the vase has been confused with another vase in the Stroganoff 
collection in the style of Douris. 


E97] 


THE PAINTER OF THE BOLOGNA AEGISTHUS 
Beazley, AJA. 1916, p. 147, note I. 


Beazley, in his Kleophrades article, mentioned a number of 
vases which were probably from the hand of the painter of the 
Berlin amphora. In a subsequent article he has detached these 
and assigned them to a contemporary painter of the ripe archaic 
style who painted the Bologna column krater with the death of 
Aegisthus. 


1. BOLOGNA 230 VF. Column krater. From Certosa: h. 0.53. 
Cat. VF. p. 90: Zannoni, Scavi della Certosa, pl. 79, 1-3: 
F.R. ii, p. 78, fig. 42 (A): Hauser, Jhb. 1914, p. 32, fig. 5 
(A). 

A. Death of Aegisthus. 

B. Komos. 


2. FLORENCE 3994. Stamnos: h. 0.37. 
A. Nike flying to altar between two boys. 
B, Woman. 


3. Lonpon, Brit. Mus. E197. Kalpis. From Cameiros, 
Tomb F, 11: h. 0.274. 
Cat, iii, p. 165. 
Youth pursuing woman. 


4. Brit. Mus. E 375 (old no. 725). Pelike. Formerly Canino 
Coll. and Durand 199: h. 0.419. ; 
Cat. iii, p. 243 (‘style of Douris’): El. Cér. i, pl. 50, 
p. 152: Saglio v, p. 536, fig. 7162 (detail of A). 
A. Zeus pursuing woman. KAV\OS. 
B. Woman and youth. 
Graffito on one handle ANNAII III. 


5. MUNICH 2449 (Jahn 262). Oinochoé. 
Cat. (Jahn) p. 76. 
Man and boy with leg of meat. 


1 The same tomb contained three other vases also in the British Museum: 
B 352, B 355, and E 26. 


[78] 


Io. 


tre 


Napies. Neck amphora (convex handles). 

A. Two youths, one with stick. 3B. Youth. 

Paris, LouvRE G 164. Kalyx krater. Formerly in Campana 

Ogle. 0.505,-d. 0.51, 

_ Cat. iii, p. 1014: Mon. d. Inst. 1856, pl. xi = Reinach, i, 
beens ereller, Ann. d. Inst. 1856, p. 44, 3: Overbeck, 
KM. (Apollon), p. 63, 388, pl. 23, 6: Dum. and Chap. i, p. 
325, note 6: F.R. i, p. 277: Springer-Michaelis, Handb.” 
p. 168, fig. 312 (A). 

A. Apollo, Tityos, and Ge. ATOWON KA\OS. 

B. Woman and man. 

Rome, VATICAN. Stamnos. From Vulci: h. 0.34. 

Mus. Greg. ii, 19, 1 (24, 1). 
A. Nike running to resting man. 
B. Man and woman. 


. VIENNA, HOFMUSEUM 619. Kalyx krater: h. 0.325, d. 0.30. 


Hoernes, AZ. 1877, p. 133, pl. xiv; 1 = Reinach, i, p. 420: 
Sacken u. Kenner, p. 327 (238). 

A. Man giving meat to boy. 3B. Youth. 

Senseless inscriptions. 

VIENNA, UNIVERSITY CoLL. Column krater: h. 0.24. 
Patsch, Arch. Anz. 1891, p. 179, no. 2. 

A. Man and nude hetaira. 

B. Komast. 

? Formerly in a Munich collection. Pelike. 
Kunstbesitz eines bekannten Norddeuischen Sammlers, 4 
Abt. Helbing, 22 Feb. 1gto, pl. 121, no. 816. 

A. Three women, one seated. 

B. Woman and two youths. 


SUBJECTS SHAPES 
Niven, A, 7, 8. Amphora, Neck, 6. 
Epic, 1. Pelike, 4, 11. 

Genre, 5, 6, 9; 11. Stamnos, 2,.8. % 
Komastic, I, Io. Hydria, Kalpis, 3. 
| Column, 1. 
Krater 
Kalyx, 7, 9, Io. 


Oinochoé, 5. 


L 79] 


THE PAINTER OF THE BOLOGNA BOREAS 
Beazley, VA. p. 133. 


A nameless, uninteresting artist of the late archaic period is 
identified by Beazley and called after the column krater in 
Bologna. 


Te 


BotocGna 204 VF. Column krater: h. 0.475, d. 0.30. 
Cat. VF. p. 79, fig. 49: Beazley, no. 9. 

A. Eos and Kephalos. 

B. Youths and women. 


BoLocna 206 VF. Column krater: h. 0.47, d. 0.29. 
Cat. VF. p. 81: Mus. Ital. ii, p. 5, no. 16, pl. i, 2°= Rei- 
nach, 1, p. 521: Beazley, no. 11. 

A. Woman and old man at herm. 

B. Woman and two youths. 


BOLOGNA 273. Volute krater: h. 0.65, d. 0.39. 
Cat. VF. pp. 115, 116, fig. 69 (A): Beazley, no. tr. 
A and B. Boreas and Oreithyia. 


Botocna 274 VF. Volute krater: h. 0.58, d. 0.365. 
Cat. VF. p. 117, fig. 70: Beazley, no. 2. 
A and B. Warriors arming. 


GIRGENTI, CoLL. BARon Grupice. Column krater: h. 0.45, 
d. 0.35. 
Beazley, no. 8. 
Frieze of b.f. animals on rim (five on each side). 
A. Two young riders. 
B. Four youths. 


LEccE 4. Column krater. 
Beazley, no. 5. 
A. Nike, men, and youths. 
B. Youths. 
Lonpon, Brit. Mus. E 282 (old no. 810). Amphora (Pana- 
_ thenaic shape, triple handles). Formerly Canino Coll. 
1002. From Vulci: h. 0.483. 


[ 80 ] 


Cat. ili, p. 209: Mus. étr. 1002: Gerhard, Rapp. Volc. p. 
153, no. 399: Overbeck, HG. p. 404, no. 26: P. Gardner, 
JHS. 1888, pp. 11 ff., pl. 3: Heydemann, Jhb. 1880, p. 
260: Brunn, Troisch. Misc. 1, p. 74: Beazley, no. 12. 

A. Warrior (Hector ?). 

B. Woman and child (Andromache and Astyanax ?). 


8. Brit. Mus. E475. Column krater. From Gela: h. 0.455, 
d. 0.382. 
Cat. ili, p. 293: Beazley, no. 4. 
A. Komos. 
B. Three youths. 


8 bts.1 NEw York GR. 1244. Column krater: h.0.545,d.0.343. 
Beazley, no. 3. 
A. Zeus in pursuit of a woman (Aegina?). AIA. 
B. Three women and a man. 


9. RIcHMOND, COLL. Sir F. Coox. Column krater. 
Beazley, no. 7. | 
A. Riders. 
B. Youths. 


10. Rome, VILLA GIULIA 3574. Column krater. From Civita 
Castellana: h. 0.45. 
Beazley, no. Io. 
A. Silens and maenad. 
B,. Silen with wine-skin. 


II. SYRACUSE 2408. Column krater. From Chileri: h. 0.44. 
Franz Miiller, Dze antike Odysee-Illustrationen, p. 93: 
Beazley, no. 6: Petersen, Rém. Mitt. 1892, p. 181. 

A. Penelope and her suitors. 
B. Two youths and a man. 


1 Through an oversight 8b7s was originally wrongly numbered as Boston Phiale 
27- 


[ 8 ] 


SUBJECTS 
Myth., 1, 3, 6, 8 bes. . 
Epic, 7, II. 
Bacchic, Io. 
Military, 4, 9. 
Gente;<2 a5; 
Komastic, 8. 


THE PAINTER OF THE BOSTON PHIALE 
Beazley, VA. pp. 167-170. 


The painter of the charming phiale in Boston has been named 
by Beazley after the vase, and called a pupil though hardly an 
imitator of the Achilles master. He thus belongs to the latter 
part of the early Fine Style. 


1. BERLIN 2342. Nolan amphora. From Nola: h. 0.335. 
Cat. p. 634: Korte, AZ. 1876, p. 189, pl. 14 (A) = Reinach 
i, p. 418: Panofka, Ann. d. Inst. 1847, p. 213: R. Rochette, 
Wianecedsp. 201: Jahn, AZ. 1865, p. 19; Scholl, AZ. 
1865, p. 48, 6: Heydemann, Bull. d. Inst. 1869, p. 147, 7: 
Beazley, no. 9: Winter, JAV. p. 57, x, 2. 
A. Circe turning one of Odysseus’ companions into a pig. 
B. Youth. 
2. BERLIN 2358. Pelike. From Nola: h. o.19. 
Cat. p. 641: Beazley, no. 23. 
A. Youth pursuing woman. 
B. Woman running. 
3. BERLIN 2385.! 
4. BERLIN 2416. Oinochoé. From Corneto: h. 0.245. 
Cat. p. 672: Klein, Aun. d. Inst. 1876, p. 141, pl. M = 
eemincne i, p. 327, 1, 2: Beazley, no. 38. 
Woman and boy: kottabos. 
5. BOSTON 97.371. Phiale: d. 0.248. 
Ann. Rep. Mus. F. A. 1897, p. 27, no. 14: Beazley, no. 1, 
fig. 103. 
A. Visit to ladies with dancing: on boss Nike with cake and 
jug. 
6. BosToNn 98.883. Pelike: h. 0.241. 
Ann. Rep. Mus. F. A. 1898, p. 73, no. 50: Beazley, no. 21, 
fig. 104. 
A. Actors dressing as women. B. Man. 


1 This attribution, contained in Beazley’s original VA. MS, has since been 
discarded by him. The vase had never previously been assigned to any artist. 


[ 83 ] 


Io. 


1G 


I2. 


Ea 


Boston 01.16. Nolan amphora: h. 0.332. 
Beazley, no. 6. 

A. Woman with oinochoé and king with phiale at altar. 

B. Woman. 

BRUNSWICK, MAINE, BOowDOIN Cott. Lekythos. From Gela: 

hvtor2 78. 

Beazley, no. 33, fig. 105. 

Girl dancing and woman. 

CoMPIEGNE 968. Nolan amphora. 
Beazley, no. 12. 

A. Silen and maenad. 

B. Woman. 

GoLucHOW, CZARTORYSKI CoLL.! Stamnos: h. 0.41. 
De Witte, Hétel Lambert, p. 42, pls. 11-12: Frickenhaus, 
Lenaeenvas. pp. 13, 39, no. 28: Heydemann, Dionysos 
Geburt, p. 85: Riezler, Weissgr. Ait. Lek. p. 57, fig. 37 (A): 
Beazley, no. 42. 

A. The baby Dionysos and his nurses. 

B. Maenads. 

HamsBurc. Nolan amphora. 
Hartwig, Oesterr. Jhresheft. 1902, p. 169, fig. 44 (A): 
Beazley; no 17.2 

A. Two hoplitodromoi (A on shields). 


Bo Same. 
Lonpon, Brit. Mus. E185: Kalpis. Formerly in Castellani 
Colle Door 


Cat. iii, p. 161: Beazley, no. 43. 

Dancing lesson: two girls, instructress, and ephebos. 
KAAH KAAH KAAO8. 

Brit. Mus. E 276. Formerly Castellani Coll. 1873. Neck 

amphora (twisted handles). From Capua: h. 0.56. 

Cat. ili, p. 205: Beazley, no. 20. 

A. Youth’s departure. 

B. Bearded man and two women. 


1 T have been unable to discover whether the Czartoryski collection is entirely 


in Cracow or whether part of it is in Castle Goluchow in Silesia. The vase is here 
placed by Beazley. 


L 84] 


14. 


I5. 


16. 


17: 


18. 


IQ. 


PA® = 


Brit. Mus. E 277 (old no. 874). Formerly Durand Coll. 
673. Neck amphora (twisted handles). From Nola: 
hy 8.270; 
Cat. iii, p. 206: Genick, Griech. Keram. pl. 4a (foot 
false): Beazley, no. ro. 
A. Two warriors running. 
B. Old man. 


Brit. Mus. E 334. Formerly Temple Coll. Nolan amphora. 
From Nola: h. 0.324. 
(gee. 230: Beazley, no. 4. 
A. Europa on the bull. 
B. Companion of Europa. 


Brit. Mus. E 338 (old no. 862). Formerly in Hamilton 
Coll. Nolan amphora: h. 0.337. 
Cail, p. 238: Beazley, no. 13. 
A. Silen and mule. 


B. Youth. 
Brit. Mus. E 384. Formerly in Blacas Coll. Pelike. From 
Nola hi-o.255. 


Caan, p.245: Beazley, no. 22. 
A. Two maenads. 
B. Silen. 


Brit. Mus. E 464. Kalyx krater. Formerly in Blacas 
Wolleen.0.248, d..0.251. 
Cups 2c4; Beazley, no. 30: 
A. Eros and Aphrodite. 
B. Woman. 


Brit. Mus. E595. Lekythos. From Gela: h. 0.325. 
Peet p.s20. Gerhard, Akad. Abs. 11, p.. 455, no. ©: 
Strube, Bilderkr. v. Eleusis, no. e®: Gerhard, Arch. Anz. 
1864, p. 163, no. 6: Beazley, no. 28. 

Triptolemos in car, and Demeter. 


Brit. Mus. E596. lLekythos. From Sicily. Formerly 
Dennis Coll. 1867: h. 0.344. . 
Catan, p..230: Beazley, no. 36. 
Young warrior arming and woman. 


L 85 ] 


21, 


226 


oan 


24. 


on. 


26. 


ong 
28. 


29. 


Brit. Mus. E 597. Lekythos. From Gela. Formerly 
Dennis Coll. 1863: h. 0.344. 
Cat. iii, p. 330 (probably from same hand as E 506): 
Beazley, no. 26. 
Youth pursuing woman. 


Lonpon, VICTORIA and ALBERT Mus. 738.1864. Nolan 
amphora: h. 0.343. | 
Beazley, no. 16. 
A. Youth pursuing woman. 
B. Woman running. 


Municu (Jahn 383). Nolan amphora. The vase is a replica 
of Louvre G 436. 
Cat. (Jahn), p. 126: Panofka, Ann. d. Inst. 1829, p. 266: 
Beazley, no. 3. 
A. Death of Orpheus. 
B. Youth. 


Municu, GLiypToTHEK. Lekythos. 
Beazley, no. 29. 
Demeter and Triptolemos. 


New HAvEN, YALE UNIVv. 134. Nolan amphora: h. 0.33. 
Beazley, no. 14. 

A. Youth pursuing woman. 

B. Woman. ; 


NEw YorK 08.258.23. Lekythos: h. 0.365. 
Bull. Metr. Mus. iv, p. 104, fig. 6: Beazley, no. 35. 
Youth with helmet and spear, and woman. 


vy. Bologna Boreas Painter, 8 dvs. 


OxFORD 276. Nolanamphora. From Nola: h. 0.34. 
Cat. p. 24: Beazley, no. 7: Hackl, p. 52, 585. 

A. Woman and youth. 

B. Woman. 

Graffito on base KAAI. 


PALERMO 39. Lekythos: h. 0.352. 
Beazley, no. 30. 
Europa. 


[ 86 ] 


20. 


ate 


4; 


33: 


34. 


35: 


36. 


37- 


PALERMO. Lekythos. 
Beazley, no. 31. 

Woman with wreath and woman with box. 

PALERMO 33. Lekythos: h. 0.322. 
Beazley, no. 32. 

Two women, one holding an alabastron. 

PALERMO 2564. Lekythos: h. 0.45. 
F.R. ii, p. 30, pl. 66, 1 (the upper border in the Reich- 
hold drawing is wrong): Beazley, no. 37. 

Youth fastening his corselet and woman with helmet and 
shield. 

PALERMO 2266. Stamnos: h. 0.40. 
Tischbein, v, pl. vi = Reinach, ii, p. 335 (where the loca- 
tion of the vase is unknown): Beazley, no. 41. 

A. Three maenads. 

B. Same. 


Paris, CaB. D. MED. 375. Nolan amphora: h. 0.335. 

Cai. pp. 274, 275, fig. 55 (A), pl. 12 (B): Beazley, no. 11. 
A. Silen and maenad. ne 
B. Silen. 


Paris, LouvRE G 422. Bell krater: h. 0.34, d. 0.34. 
Cai. 11, p. 1104: Beazley, no. 4o. 
A. Maenad and young silen. 
B. Maenad and silen. | 
Paris, Louvre G 436. Nolan amphora. From Nola: h. 
0.33. 
Cai. tii, p. 1109: Mon. d. Inst. 1, pl. 5, 2 = Reinach, 1, 
p. 63, 4 (A): Ann. d. Inst. 1820, p. 265 (Panofka): 
Beazley, no. 2: Hackl, p. 56, 612. 
A. Death of Orpheus (the Thracian woman is tattooed). 
B. Youth. 
Grafhito TKATOI. 


PETROGRAD 714 (St. 1634). Nolan amphora: h. 0.32. 
Cai. p. 239: Beazley; no. 18. 

A. Youth’s departure and old man with stick. 

B. Woman running with phiale. 


[ 87] 


38. 


39: 


40. 


4I. 


42. 


43. 


44. 


45. 


PETROGRAD 717 (St. 1632). Nolan amphora: h. 0.33. 
Cat. ii, p. 238: Beazley, no. 10: Hartwig, Oesterr. Jahres- 
heft. 1902, p. 170. 

A. Amazon riding. 

B. Youth. 


SYRACUSE 20537. Nolan amphora. From Gela: h. 0.34. 
Orsi, Mon. Ant. Linc. xvii (1907), p. 421, pl. 31, 2 (A): 
Beazley, no. 15. 

A. Youth pursuing woman. 

B. Woman running. 


SYRACUSE 14564. Lekythos. From Gela: h. 0.33. 
Beazley, no. 27. 
Hermes pursuing woman. 


? Formerly in Suippe, Bourgeois-Thierry Coll. Nolan 
amphora. ‘The vase is a replica of Brit. Mus. E 334. 
El. Cér.1, pl 28? Beazley moe 
A. Europa. 
B. Woman running. 


? Formerly in Paris market (Canessa). Nolan amphora: 
heo.29: 
Sale Cat. Canessa Coll., 11-14 mai 1903, p. 33 (A), pl. i, 
19 (A): Sale Cat. Coll. M.E., 2-4 juin 1904, no. 251, pl. 8: 
Le Musée, iii, p. 110 (A): Beazley, no. 8. 
A. Seated woman and youth. 


B. Woman. 


? Formerly in Lambros Coll. Lekythos. 
Sale Cat. Lambros-Dattari, no. 56, pl. 7: Beazley, no. 24. 
Youth pursuing woman. 


? Formerly in Lambros Coll. Lekythos. 
Sale Cat. Lambros-Datiar1, no. 57, pl. 9: Beazley, no. 25. 


? Formerly in Paris market (Sambon Coll.). Lekythos. 
Sale Cat. Coll. Jules Sambon, 1-8 mai 1911, no. 11, pl. 1: 
Beazley, no. 34. 

Girl dancing, and woman. 


[ 88 J 


SUBJECTS SHAPES 
Myth., 15; 18, IQ, 23; 24, 29; Nolan, qT, 759; II,15, 
36, 38, 40, 4I. 16, 22, 23) 25; 28, 


Epic, r. pene 34, 36-39, 41, 42. 
Peco ico 10,.10; 17, 33-35. Neck, 13, 14. 
Wie 44, 20, 20,32, Pelike, 2, 6, 17. 

ai: Stamnos, Io, 33. 


emia 2, 4505,/0).7, 6, 12, 21, Hydria,.Kalpis, 12. 


22, 25, 28, 30, 31; 39, 42,43, pi. Bell, 35. 
45. Kalyx, 18. 
P 44. Welsvinoses, 10-2 0,245. 20. 20= 
32, 40, 43-45. 
Oinochoé, 4. 
Phiale, 5. 


[ 89 J] 


THE PAINTER OF THE BOSTON TITHONOS AMPHORA 


Beazley, VA. pp. 69-70. 


One of the unknown minor artists of the late archaic period has 


been given this name by Beazley. He was a contemporary of 
the Dutuit oinochoé painter and somewhat resembles that artist 
in point of style. 


Ey 


BERLIN 2328. Nolan amphora: h. 0.305. 
Cat.p. 627° Beazley nos: 

A. Youth with lyre. 

B. Youth. 


BOSTON 00.340. Lekythos: h. 0.35. 
Ann. Rep. Mus. F. A. 1900, p. 41, no. 10 (‘drawing sug- 
gests that of Douris’): Beazley, no. 8, fig. 42. 

Woman with mirror arranging her hair. 


BOsTON 03.816. Nolan amphora: h. 0.304. 

Ann. Rep. Mus. F. A. 1903, p. 65, no. 11: Beazley, no. tr. 
A. Eos and Tithonos. 
B. Youth running with lyre. 


FLORENCE 4o11. Nolan amphora: h. 0.31. 
Beazley, no. 5. 

A. Dionysos with thyrsos and kantharos. 

B. Maenad. 


Lonpon, Brit. Mus. E 296 (old no. 859). Formerly 
Durand Coll. 47. Nolan amphora. From Nola: h. 
0.318. 

Cat. il, p. 215: CIG. 7810: R. Rochette, Mon. inéd. p. 
233, pl. 44, fig. 1: El. Cér. iv, p. 170, plage anes 
Eigenn. p. 54, pls. 2, 7: idem, Ann. d. Inst. 1830, p. 
139: Klein, LI. p. 149: Wernicke, p. 63: Kretschmer, 
p. 194: Beazley, no. 7: Saglio, i, p. 1601, fig. 2164. 
A. Eros with hoop and dove. AIOKVEES KAVOS (retr.). 
B,. Youth. KAVOS. 


L 90 J 


6. NAPLES 81516 (H 3182). Nolan amphora. From Ruvo: 
h0-31. 
Cai. p. 490: Beazley, no. 6. 
A. Akontist. 
3. Trainer. 
7. Paris, LouvRE G 205. Nolan amphora. Formerly in Bas- 
segio’s possession: h. 0.315. 
Memmenuoned in Cai: El. Cér. ii, pl. 23, p. 61 ff.: 
Beazley, no. 2. 
A. Poseidon and Amphitrite. 
B. Woman. 
8. Paris, Louvre G 213. Nolan amphora: h. 0.31. 
Cai. 1025: Beazley, no. 4. 
A. Antilochos. 
B. Nestor. NE2TOP KAVOs. 
Q. SYRACUSE 21197. Lekythos. From Gela: h. 0.335. 
Orsi, Mon. Ant. Linc. xvii (1907), p. 456, pl. 33: Beazley, 
no. Q. 
Soldier arranging greaves. Senseless inscription. 
10. TERRANOVA, COLL. CAv. CES. Novarra. Lekythos. 
Benndorf, GSV. pl. 47, 2: Beazley, no. 10: Roscher, iii, p. 
320: 
Nike flying with thurible and phiale. 
SUBJECTS SHAPES 
HVisite, 3, 5.7510. Amphora, Nolan, 1, 3-8. 
Epic, 8. Lekythos, 2, 9, Io. 
Bacchic, 4. 
Military, 9. 
Genre, I, 2. 


Athletic, 6. 


Lor] 


x lee, 


THE PAINTER OF THE BOWDOIN EYE KYLIX 
Beazley, VA. pp. 12-13. 
This artist is a contemporary of Oltos, identified by Beazley. 


ALTENBURG 234. Kylix. — 
Beazley, no. 6. 
I. Youth stripping shield. - 


BRUNSWICK, MAINE, BOWDOIN CoLLEGE. Eye kylix. From 
Caeresihioteq 
Beazley, no. 2. 
I. Youthful hoplitodromos. 
A. Between eyes, youth with halteres. KAAO8. 
B. Same. 


FRANKFURT, STADT. Hist. Inst. Kylix. Formerly in Bour- 
guignon Coll., Naples. From S. Maria d. Capua. 
Hartwig, p. 201, pl. 19, 1 (attr. to Douris): Hauser, Jhb. 
1895, p. 164, note 10: Beazley, no. 7. 
I. Komast with horn. The inscription with the xandds 
name Chairestratos has been proved to be modern. 


THE HAGuE, Cott. LUNSINGH-SCHEULEER 385. Eye kylix. 
From Thebes: h. 0.095, d. 0.185. 
Cat. Coll. LS. p. 188, no. 385: Beazley, no. 1. 
I. b.f. Athlete with akontia and pick. 
A.r.f. Between eyes, athlete with halteres. . 


B. Same. 

Paris, LouvRE G 70. Eye kylix: h. 0.14, d. 0.34. 
Cat. ili, p. 923: Album, ul, p. 150, pls. 96-97: Beazley, 
no. 5. 
The figures on the exterior are between palmettes instead 
of eyes. 


I, Youth with club. HOPA- sO. 
A. Youth with trumpet. -.OVO.. 
B. Komast straddling wine-skin and drinking, KA\OSs. 


[92] 


6. Rome, Cott. Auc. CASTELLANI. Eye kylix. From Caere. 
Beazley, no. 3. Figures on exterior between palmettes. 
I. Komast with oinochoé and wine-skin. 
A. Athlete with pick. 
B. Athlete with halteres. 


7. WURZBURG 432. Eye kylix: h. 0.13, d. 0.35. 
Cat. ili, p. 109: Jiithner, Ant. Turnger. p. 42, fig. 37: 
Saglio, ili, p. 599, fig. 4116 (A): Gardiner, Greek Ath. 
Sports, p. 340, fig. 91 (A): Beazley, no. 4. 
I. Hoplitodromos. 
A. Athlete with akontion. 
B. Same. Figures on exterior between palmettes. 


SUBJECTS SHAPES 
Military, 1, 2, 7. Eye kylix, 2, 4-7. 
Komastic, 3, 5, 6. Kylix, 1, 3. 


Athletic, 4, 6, 7. 


[93 J 


THE PAINTER OF THE BOWDOIN PYXIS?- 
Beazley, VA. pp. 70-72. 


Scattered through the various museums are numerous r.f. 
lekythoi on which the figure of Nike is represented in various 
poses. These have been grouped together by Beazley and attrib- 
uted to a minor painter of the middle archaic period. The artist 
seems to have been a ‘pot-boiler’ of very mediocre ability. The 
‘white ground’ attributions have not been included here. 


1, ATHENS CC. 1375 (1194), 1941. Lekythos: h. 0.28. 
Cat. (CC.), p. 450: Beazley, no. 30. 
Woman seated with mirror. 


2. ATHENS CC. 1376 (1192), 1940. Lekythos: h. 0.30. 
Cat. (CC.), p. 450: Beazley, no. 9. 
Nike flying with phiale to altar. 


3. ATHENS CC. 1383, 1508, 942, C 582. Lekythos: h. 0.18. 
Cat. (CC.), p. 452: Beazley, no. ro. 
Nike flying with phiale to altar. 


4. ATHENS CC. 1391 (1648). Lekythos. From Eretria: h. 0.25. 
Cat. (CC.), p. 453: Deltion, 1889, p. 115, no. 2: Beazley, 
no. 42. 
Woman standing with wool-basket. 


5. ATHENS CC. 1394, 1272, 852, C 595. Lekythos: h. 0.28. 
Cat. (CC.), p. 454: Benndorf, GSV. pl. 36, 8, p. 69: Beaz- 
ley nossa 

Artemis shooting. On altar IVI. 


6. ATHENS CC. 1395, 994, 1273, C 607. Lekythos. From Attica: 
h. 0.24. 
Cat. (CC.), p.454: Beazley, no. 48: cf. Gerhard, Aus. Vas. 
pia 2. 
Flute player. 
1 Beazley had originally termed the artist the Nike Lekythos Painter, but in 


order to avoid confusion with the Painter of the Berlin Nike Lekythos he changed 
the name to the Painter of the Bowdoin Box. 


= gag] 


Io. 


II. 


12. 


14. 


ES, 


. ATHENS CC. 1r4o1, 1748. Lekythos. From Ceramikos: h. 0.25. 


Cat. (CC.), p. 456: Deltion, 1893, p. 13, no. 44: Beazley, 
No. 20. 


- Nike standing with phiale at altar. 
. ATHENS CC. 1402, 1621. Lekythos. From Velanideza: h. 0.27. 


Cat. (CC.), p. 456: Deltion, 1890, p. 6, no. 3: Beazley, 
Houtr,, | 
Nike flying with phiale to altar. 


. ATHENS CC. 1406, 2797 (1348). Lekythos. From Tanagra: 


e175: 
Cat. (CC.), p. 457: Weisshaupl, Ephem. Arch. 1893, p. 18, 
no. 8: Beazley, no. 45. 
Sphinx. 


ATHENS CC. 1417, 1343, 2309. Lekythos. From Tanagra: 
20.27. 
Cat. (CC.), p. 459: Beazley, no. 40. 
Woman standing at wool-basket. 


ATHENS CC. 1425, 1313, 3490. Lekythos. From Eretria: 
hh. 0.24. 
Cat. (CC.), p. 461: Beazley, no. 4. 
Artemis ? running with torches to altar. 
BERLIN 2478. Lekythos. From Nola: h. 0.165. 


Cat. p. 694: Hackl, p. 30, no. 196: Beazley, no. 70. 
Woman seated at wool-basket. 


' Graffito on base fq. 
. BERLIN (Inv. 3339). Lekythos. 


Riezler, Weissgr. Att. Lek. p. 53, fig. 30: Beazley, no. 33. 
Woman with hydria at fountain. 


BoLocna VF 354. Squat oinochoé: h. o.11. 
Cat. VF. p. 175, fig. 106: Beazley, no. 67. 
Youth running with torch. 


-BoLocna VF 358. -Lekythos: h. 0.195. 


Cat. VF. p. 175: Beazley, no. 55. 
Young trainer, 


[95] 


16. Bonn. Lekythos. 
Beazley, no. 31. 
Head of Athena. 


17. BRUNSWICK, BowpoIN COLLEGE. Lekythos. From Gela: 
h. 0.182. 
Beazley, no. 58. 
Lion and tree. 


18. BRUNSWICK, BOwDOIN COLLEGE. Pyxis: h. 0.045. 
Beazley, no. 71. 7 
Archer kneeling. 


19-21.. CANTERBURY. Lekythos. 
Beazley (nos. 2, 21, and 37) mentions three lekythoi in 
Canterbury as follows. 
Ig. no. 2. 4150. Artemis running with torches to altar. 
| From Athens: h. 0.255. 
20. no. 21. 4152. Nike standing with phiale at altar. 
_ From Athens: h. 0.179 (neck missing). 
21. no. 37. 4149. Woman standing with mirror. From 
: Nola: h. 0.249. 


22a. GIRGENTI, CoLL. BARON GIUDICE 3. Lekythos: h. 0.245. 
Beazley, no. 14. 
Nike running with torches to altar. 


22 b. GIRGENTI, COLL. BARON GrupIcE 1. Lekythos: h. 0.345. 
Woman seated with mirror. 


22 c-d. GIRGENTI, COLL. BARON GIuDICcE. Lekythos. 
Beazley (nos. 25, 29) mentions two lekythoi in this col- 
lection. 
c. no. 29. Nike with hydria at fountain. 
d. no. 25. Nike standing with torches at altar. 


23. Lecce. Lekythos. 
Beazley, no. 27 
Nike standing at altar. 


24. LIVERPOOL, INST. OF ARCHAEOLOGY. Lekythos: h. 0.24. — - 
Beazley, no. 49. - 
Youth seated playing flutes. 


[96 J 


25. 


26. 


27. 


28. 


20. 


30. 


Cag 


Bey 


Lonpon, Brit. Mus. E 517 (886). Oinochoé. From Nola. 
Formerly Durand Coll. 225. 
Cait. ill, p. 312: Beazley, no. 66. 
Nike at burning altar. Imitation inscriptions. 


Brit. Mus. E 520 (895). Oinochoé. From Nola. Formerly 
Durand Coll. 636: h. 0.203. 
Carp. 313: Beazley, no. 64. 
Woman playing flutes. 


Brit. Mus. E 521 (896). Oinochoé. From Nola. Formerly 
Durand Coll. 636: h. 0.191. Companion-piece to E 520. 
Cari, p. 313: Beazley, no. 65. 
Woman playing flutes. 


Brit. Mus. E582. Lekythos. From Gela. Formerly in 
Dennis Coll.: h. 0.286. 
fei. 327: Beazley, no. rs. 
Nike running with torches to altar. 


Brit. Mus. E 584 (747). Lekythos. From Sicily. Formerly 
Durand Coll. 215: h. 0.29. 
C7 at. 327: Beazley, no.-12. 
Nike flying with phiale to altar. 


Brit. Mus. E 585 (761). Formerly in Hamilton Coll. 
Lekythos. From Nola: h. 0.197. 

ite. 325: -d Hancarville; ii, pl..72: El, Cér. in, 
p. 248, pl. 79: Duruy, Hist. ii, p. 528: Inghirami, Vas. 
Fitt. iii, pl. 236: Gerhard, Akad. Abhand. pl. 63, fig. 5: 
Christie, Disquisition, p. 97, pl. 16: Beazley, no. 57: cf. 
Baumeister, p. 673, suppl. pl. fig. 3. 

Herm and altar. Imitation inscription. 


Brit. Mus. E 587 (782). Lekythos: h. 0.191. 
Cat. ili, p. 328: Beazley, no. 61. 
Pegasos. Imitation inscription. 


Brit. Mus. E 588. Lekythos. Neck and handle are missing 
and the foot does not belong to this vase. 
Cat. ili, p. 328: Beazley, no. 62. 
Owl. 


Lo7 J 


33: 


34. 


35: 


30. 


37: 


eer 


heD 


Brit. Mus. E 589 (762). Lekythos. From Magna Graecia. 
Formerly Durand Coll. 697: h. 0.201. 

Cai, 1, D.228* beaziey noa.a: 

Youth on horseback. Imitation inscription. 

Brit. Mus. 1906.12.155. Lekythos. From Rhodes ?:h. 0.175. 
Arch. Anz. 1907, p. ee xxi, 5:. Beazley sigaes4e 

Youth at laver. 

Lonpon, CoLLt. Mr. HENRY OPPENHEIMER. Kalpis. 
Beazley, no. 72. 

Woman seated. 

New Haven, YALE Univ. 144. Lekythos. From Laurion: 

he Gite 

Beazley, no. 46. 

Sphinx. 

NEw YorK 06.1021.90. Lekythos: h. 0.187. 
Sambon, Coll. Canessa, p. 63, no. 228, pl. 17: Beazley, 
no. 43. 

Woman seated with Eros. 

OxFoRD 564. Lekythos. 
Beazley, no. 59. 

Pegasos. 

OxForD 1914.8. Lekythos. 
Beazley, no. 41. 

Woman standing at wool-basket. 


40-42. PALERMO. Lekythos. 


43. 


44. 


Beazley (nos. 5, 16, 47) mentions three lekythoi in Palermo. 
No. 5. Nike flying with two phialai to altar: h. 0.34. 
No. 16. Nike flying to altar: h. 0.30. : 
No. 47 (Palermo 807). Eros flying with phiale: h. 0.245. 
Paris, LouvRE G 577. Formerly in Durand Coll. Oinochoé 
(form, Berl. Cat. vi, 205): h. 0.20. 
Beazley, no. 63. 
Youth with akontia. 


PETROGRAD 672. Lekythos. 
Cat. (W.) p. 87: Beazley, no. 13. 
Nike running with torches to altar. 


[ 98 ] 


45. 


46. 


47: 
48. 
49. 
50. 


5a 


52. 


53: 


54. 


PETROGRAD 673. Lekythos. 
Cat. (W.) p. 87: Beazley, no. 3. 
Artemis running with torches to altar. 


PETROGRAD 674 (St. 1533). Lekythos. Formerly in Cam- 
pana Coll.: h. 0.24. 
Cai. (Stephani), ii, p. 199; (W.) p. 87: Stephani, CR. 
1873, p. 187 = Reinach, i, p. 57, 4: Beazley, no. 18. 
Nike making libation with phiale at altar. 


SYRACUSE 19866. Lekythos. From Gela: h. 0.305. 
Beazley, no. 26. 
Nike standing with oinochoé and flower at altar. 


SYRACUSE 19867. Lekythos. From Gela: h. 0.209. 
Mon. Ant. Linc. 1907, p. 477, fig. 339: Beazley, no. 22. 
Nike standing with phiale at altar. 


SYRACUSE 20100. Squat lekythos. From Gela: h. 0.13. 
Mon. Ant. Linc. 1907, p. 515, fig. 361 (middle): Beazley, 
no. 68. 

Artemis shooting. 


SYRACUSE 22822. Lekythos. From Camarina: h. 0.24. 
Mon. Ant. Linc. 1904, p. 824, fig. 40: Beazley, no. 44. 
Woman seated with lyre. 


SYRACUSE 21854. Lekythos. From Gela: h. 0.25. 
Mon. Ant. Linc. 1907, p. 361, fig. 265: Beazley, no. 50. 
Komast playing flutes. 


SYRACUSE 21856. Lekythos. From Gela: h. 0.255. 
Mon. Ani. Linc. 1907, pp. 361, 363, fig. 266: Beazley, 


no. 34. 
Woman with hydria at fountain. 


SYRACUSE 22872. Lekythos. From Camarina: h. 0.23. 
Mon. Ant. Linc. 1904 (xiv), p. 843, fig. 55: Beazley, no. 52. 
Athlete with halteres. 


SYRACUSE 2407. Lekythos (top broken). 
Beazley, no. 6. 
Nike flying with two phialai to altar. 


Loo J 


55. SYRACUSE 21760. Lekythos (top broken). From Camarina. 


Beazley, no. 60. 
Pegasos. 


56-59. SYRACUSE 21958. Lekythos. 
Beazley mentions four lekythoi in Syracuse (nos. 19, 28, 


51, ha): 


56. no. 19. Nike standing with phiale at altar: h. 0.29. 


57. no. 28. Nike running. 
58. no. 51 (from Akrai). 


Bearded komast. 


59. no. 53. Athlete with halteres (Mon. Linc. 1904, p. 843: 
h. m. 0.23, a duplicate of no. 53 (B. 52), and 
from same tomb). 


60. VIENNA, HormMuSEUM 649. Lekythos. 


Beazley, no. 69. 


Youth seated playing flutes. 


61. ? Lekythos. Formerly in Paris market, Geladakis. 
Sale Cat. MG., Paris, 19-20 mal 1004) NO.s5 7 eee 


Beazley, no. 9. 


Nike flying with phiale to altar. 


SUBJECTS 


Myth. 5 25,3555-°7,06,,0) ta 10.10. 
20,224 CoG 2a, on eo! 
31, 36, 38, 40-42, 44, 45-49, 
54-57, OF. 

Animal, 17, 32. 

Military, 18, 33. 

Genré,.1, 470210; 19) 3) 140s, 
21, 22 b, 24, 20, 27, 34, 35; 


37; 39;50-5 2,50; 00. 
Athletic, 43, 53, 59. 


SHAPES 
Lekythos, 1-13, 15, 16, 17, 19- 
24, 28-34, 30-42, 44-61. 
Oinochoé, 25-27, 43. | 
Squat oinochoé, 14. 
Kalpis, 35. 
Pyxis, 18. 


[ 100 | 


THE BRISEIS PAINTER 


Hartwig, pp. 421-443. 
Beazley, VA. pp. 109-111. 


' The Briseis Painter is practically identical with Hartwig’s 
Bald-head Painter (q.v.). 


1. Boston 01.8028. Neck amphora (ridged handles): h. 0.284. 
Ann. Rep. Mus. F. A. 1901, p. 34, no. 20: Beazley, no. 2, 
fig. 69 (A): idem, JHS. 1914, p. 194, note 13. 
A. Maenad and silen. 
B. Silen with krotala. 


2. Bryn Mawr. Kylix (fragment). 
Beazley, no. 8 (J): Swindler, AJA. 1916, p. 333, 14, pl. 13. 
I. Old man seated and man. | 
A and B. Men. 


3. CORNETO 2085. Obscene kylix: h. 0.084, d. 0.205. 
Beazley, no. 11. 
I. Man and hetaira. 


4. LEWES, WARREN CoLL. Obscene kylix. 
Beazley, no. to. 
I. Man and hetaira. 


5. Lonpon, Brit. Mus. E 75 (old no. 816). Formerly Canino 
Coll. 1436. Kylix. From Vulci: h. 0.125, d. 0.305. 

Gaim. 100: Hartwig, p. 420, pls. 42, 2, 43 (attr. to 
Bald-head P.): Murray, Des. no. 52, p. 59 (J): Beazley, 
noo JS, T1014, p. 194, note 13: Saglio,; ii, p. 1484, 
fig. 4766 (A): Farnell, Cults v, p. 45 (A). : 

I. Old man and youth. 

A and B. Dionysos, maenads, and silens. 

A. On wine-skin AVIO. 


6. Brit. Mus. E 76 (old no. 831). Kylix. Formerly Canino 
Coll. 1984. From Vulci: h. 0.119, d. 0.303. 

Cat. ili, p. 102; Murray, Des. no. 53: Gerhard, TG. p..27, 

pls. E, F: Overbeck, HG. p. 388, pl. 16,3 (A): Rev. Arch. 


[ zor 3} 


LO. 


it; 


18098, ii, p. 158, fig. 4 (A): Hartwig, pp. 426 ff., pls. 41, 
42, 1 (attr. to Bald-head P.): Panofka, AZ. 1848, p. 336: 
Brunn, Ann. d. Inst. 1858, p. 352: Heydemann, [liupers. 
p. 27, note 7: Robert, AZ. 1881, p. 151: PerendeG@nia es 
p. 793, fig. 420 (A): Robert, Bild u. Lied, p. 96: Beazley, 
no. 7 (attr. to Briseis P.): idem, JHS. 1914, p. 194, note 
13: | 

I. Old man seated and man. AVIOSKIOSVISI. 

A. Briseis led away from the tent of Achilles. AVIOSV. 

B. Briseis conducted to the tent of Agamemnon. AVIO- 
VIOs KI. 


Brit. Mus. E 319 (old no. 863). Formerly Durand Coll. 
132. Neck amphora. From Nola: h. 0.132, d. 0.34. 
Cat. ii, p. 225: Beazley, no. 3: JAS. 1014, Pp. 104) note 
A. Silen pursuing maenad. KAVE (retr.) KAVOS. 
B. Silen running. KAV\VOS. 
Graffito on base C N. 


Brit. Mus. E 769. Formerly in Burgon Coll. Pyxis. From 
Athens: h. 0.083, d. 0.09. 
Cat. ll, p. 364: Beazley, no. 16. 
Three women, one eating at a table. 


. Brit. Mus. 96.6-21.1. Formerly in Canino Coll. Kylix. 


From Vulci: h. 0.088, d. 0.226. 
Arch. Anz. 1897, p. 195, 1v, no. 1: Beazleyeno. 12, 
I. Nude woman at laver. 


Lonpon, Coty. of Mrs. Harr. Formerly in Castellani Coll. 
Neck amphora (ridged handles). From Nola: h. 0.33. 

Hutton, BCH. 1899, pp. 158-164, figs. 1, 2 (attr. to 
painter of the Charmides and Timoxenos vases): Bul. 
Cat. 1904, pl. 89, G11: Schmidt, Der Knielauf (Miinch. 
Stud. an A. Furtwdéngler) p. 341, figs. 45 (A), 46 (B): 
Beazley, no. I. 

I. Zetes and judge. 

A. Kalais. AVIOSKI. 


Lonpon, COLL. of CHARLES RICKETTS and CHARLES SHAN- 
NoN. Nolan amphora (ridged handles): h. 0.285. 


[ 102 | 


» 
“wi 
OE 


D2; 


t. 


IA. 


ex 


16. 


Burlington Cat. 1904, p. 103, pl. 92, no. 22: Beazley, 
no. 4, fig. 68: Beazley, JHS. 1914, p. 194, note 13. 

A. Youth with hoop and stick eg by bearded man. 

B. Old man. 


NAPLES 86063 (RC 138). Plate. From Cumae: d. 0.18. 
Cat. p. 852: Mon. Ant. Linc. xxii (1912), p. 518, pl. 83, 1 
Beazley, no. 15. 

I. Woman seated with mirror. 


Paris, LouvRE G 265. Kylix. From Vulci: h. 0.13, d. 0.285. 
Cat. iii, p. 1031 (attr. to same painter as Brit. Mus. E 75): 
Pee ieveno. t4. JS. 1914; p. 194, note 13. 

I. Paris and Helen. Cat. calls them Theseus and Aethra or 
Helen. 

A and B. Exploits of Theseus (Sow, Skiron, Bull, and Sinis). 
Senseless inscriptions. 


Louver G 278. Kylix. From Etruria: h. 0.12, d. 0.26. 
Cat. ili, p. 1035: De Longpérier, Oeuvres, 11, p. 285, pl. 6: 
Beazley, no. 13. 

I. Man kissing boy. 

A and B. Nikai and youths. 


SYRACUSE 17250. Nolan amphora. From Gela: h. 0.305. 
Beazley, no. 6. 

A. Nike and king at altar. 

B. Woman. 


SYRACUSE 19860. Nolan amphora: h. 0.245. 
Beazley, no. 5. 

A. Man seated with spears. 

B. Woman carrying couch. 


SUBJECTS SHAPES 
IN, 10; 217, 14, 15. ACen | Nolan Tr ers 610: 
Heroic, 13. (Neck 1.7) 10, 
Epic, 6, 13. Pyxis, 8. 
eAcGNIG, 3, S;:7. Kylix o2y.3 020,01 45-14 


centc 2.4, 4;°6, 0, 12, 16. Plate, 12. 


[ 103 ] 


THE PAINTER OF THE BRUSSELS OINOCHOE 
Beazley, VA. p. 133. : 


A nameless painter of the late archaic period is so called by 
Beazley from an oinochoé in Brussels. 


1, ATHENS CC.1167 (1170). 663. Coll. 505. Loutrophoros. 
From Pikrodaphne: h. o.g1. 
Cat. (CC.), p. 363: Mon. d. Inst, viii, pl. 5, 2 = Reinach, 
i, p. 165: Conze, Ann. d. Inst. 1864, p. 191: Herzog, AZ. 
1882, p. 135:. Wolters, Athen. Mitt. 1891, p. 380, no. 15: 
ibid., 1896, p. 368: Buschor, p. 182, fig. 132 (detail of A): 
Per. and Chip. x, p. 678, pl. 18: Beazley, VA. p. 133. 
On neck: Four mourning women, 
A. Prothesis of a corpse. 
B. Funeral procession. 


2. BrussELS A 719. Oinochoé. 
Beazley, VAepAr23, 
Two komasts. 


3. BRUSSELS A 720. Oinochoé. 
Beazley, VA. p. 133. 
Nike and man. 


4. Lonpon, Brit. Mus. 1912.7-9.1. Oinochoé. From Cervetri: 
h. 0.194. 
Beazley, VA. p. 133: Arch. Anz, 1913, p. 465, no. 36. 
Two Scythians, one riding a mule. 


5. NEw YorK 07.286.70. Loutrophoros (fragment). 
Beazley, VA pai. 
A, Two warriors, 
B, Old man and warrior. 
6. Paris, LouvrE G 243, Oinochoé. From Nola: h. 20, 
Cat, ili, p. 1028: Per, and Chip. ix, pl. 16: Beazley, VA. p. 
133; 
Athlete and flute-player. HO PAIS KAVOS (incised). 


L104] 


7, LouvrE G 439. Oinochoé. From Nola: h. 0.20. 
Cat. ili, p. 1109: Beazley, VA. p. 133. 
Man with sword and spears (Odysseus ?) and woman with 
kotyle and flute (Circe ?). 


8. Rome, ANTIQUARIUM. Oinochoé (fragment). 
Beazley, VA. p. 133. 
Head of maenad, 


SUBJECTS SHAPES 
Myth., 3. Oinochoé, 2-4, 6-8. 
Epic, 7 ? Loutrophoros, 1, 5. 
Bacchic, 8. 

Military, 5. 
Funereal, 1. 
Komastic, 2. 
Genre, 4. 
Athletic, 6. 


L 105 ] 


BRYGOS 


Urlichs, Der Vasenmaler Brygos. 

Tonks, Brygos. 

Ducati, Brevi osservaziont sul ceramista aitico Brigo. 
Robert, in Pauly-Wissowa s.v. Brygos. 
Sauer, in Thiemes Lexikon s.v. Brygos. 
Klemippat7s-to2e 

Diimmler, Bonn. Stud. pp. 73 ff. 

P. J. Meier, Bull. d. Inst. 1889, pp. 75 ff. 
Hartwig, pp. 307-374. 

Buschor, p. 172. 

Perrot and Chipiez, x, pp. 554-576. 
Nicole, Corpus, 70. 

Beazley, VA. pp. 89-93. 


It would be more correct to speak of the ‘ Brygos painter ’ 
since Brygos himself always signs with the ézoincev formula 
and is thus the proprietor of an atelier. Eight vases are in exist- 
ence bearing his signature; a ninth has completely disappeared 
and is known to us only by a brief description of Gerhard’s, and 
a tenth signature exists on a handle from the Acropolis, in Boston 
(1*). 

Of these eight, four (2*, 4*, 8* and 9%) are obviously by the 
same hand. Beazley suggests that a fragmentary kylix from the 
Acropolis which has half of a B on the stump of the handle may 
possibly belong to the Boston handle. Of the other vases the 
Frankfurt (3*) and Oxford (5*) kylixes, which are certainly not 
by the same painter as the first four, have been attributed with 
good reason by Beazley and Miss Herford to the Kleophrades 
Painter. The artist of the two others (6* and 7*) has not as yet 
been identified. 

The signature is generally painted on the handle (in 4* and 6* 
on the foot) and the usual form is BRVAO® EfOIESEN. The 
following variations occur: 

BRVAOs EPOIESEN 1%, 8*: BRVAOS ERESEN@ee: 
There is no case of the use of a kaos name. 


, Reo 


_ The number of vases which have been attributed to Brygos 
is very large. Beazley, however, would seem to be right in differ- 
entiating them and assigning a number of them to two painters 
who if not actually employed in the Brygos atelier were certainly 
contemporaries and possibly imitators — the painters of the 
- Berlin Foundry kylix and the Paris Gigantomachy vase. 


1*, BOSTON 95.57. Kylix (handle). From Acropolis. 
Ann. Report Mus. Fine Arts, 1895, p. 21, no. 34. 
Van Branteghem Sale Cat. no. 74. 
Hartwig, p. 372, fig. 50. 
Tonks, p. 105, no. 9. 
Beazley, VA. p. 92. 
Nicole, Corpus, no. 70, 10. 

Signature painted on handle. 3RVAOS: El OIESEN. 


2*, FLORENCE 3921. Obscene kylix. 
Amelung, Fiihrer, p. 230. 
Heydemann, iii, Halle Winckelmanns Progr. (Pariser An- 
tik.) pp. 94, 43. 
Klein, p. 182, no. 6. 
Beazley, VA. p. 89 (Brygos Painter). 
Hartwig, pp. 345 ff. 
Ducati, p. 15, no. 4. | 
Milani, Mus. Etr. Arch. 1, p. 151. 
Tonks, p. 104, no. 6. 
Nicole, Corpus, no. 70, 7. 
Owing to its extreme obscenity thé vase has never been 
published and no picture of it exists. 
I. Bearded man and hetaira. No inscription. 
A and B. Komos. 
Signature painted on handle BRVAOS EPOIESEN. 


[3077 


3*, FRANKFURT, STADEL’SCHES INstiITUT. Kylix. From Vulci. 
Verzeichniss der Offentliche Bunsiseseria des Stiédel- 
schen Instit. 1888, p. 55. 
Gerhard, TG. 1, p. 20, B. 
Nicole, Corpus, no. 70, I. 
Ann. d. Inst. 1850, p. 109 ff., pl. G. = Reinach, i. p. 286. 
Overbeck, KM. (Demeter), p. 343, p. 542, no. 44, pl. 16, 
1 a-b. 
Brunn, KG. ii, p. 663, no. 1. 
Roscher, ili, p. 325. | 
WY. viii, pl. 2. 
Robert, Bild u. Lied, p. 88. 
Welcker, Ali. Denk. iii, p. 93 ff., pl. 12. 
Klein, p.21-79;.1 
Panofka, AZ. 1850, p. 187. 
Ducati, Brigo, p. 39. 
De Witte, Mon. d. Inst. 1856, p. 81. 
Jahn, in Heydemann, Iliupersis, p. 12. 
Tonks, p. IoT, I. 
Urlichs, Boe pase 
Ermantiger, Die Att. Autochthonsage bis auf Euripides. 
Strube, Bilderkreis, Suppl. p. 12 ff. 
Herford, JHS. 1014, P. 112 (attrib. to the Kleophrades 
Painter). 
CIG. 8142 b.} 
I. Poseidon pursuing a woman (Aethra ?). 
‘A, Departure of Triptolemos. 
B. Serpent, two girls, man, woman, and youth. 
Signature painted on handle BRVAO® EMOIESEN. 


1 The C/G. falsely gives the artist’s name as Brylos. 


| [ 108 ] 


a 


3S aS 
SX oy, Ke ith , G 
) 4m eS I NN OAS 
ee Xe AZ 


NTA 


me . S 
wax ms Nth 
SAI KN \ SN 
we Wi \ MW 


[ 109 J 


4*, Lonpon, Brit. Mus. E 65. Formerly Castellani Coll. 1873. 
Kylix (offset rim). From Capua: h. 0.124, d. 0.274. 
The vase is intact. 
Cae ip. 87. 
Nicole, Corpus, no. 70, 6. 
Mon. d. Inst. ix, pl. 46 = Reinach, i, p. 193. 
Saglio, iii, p. 1813, fig. 4950 (fig. of Iris). 
WV. vii, pl. 6. 
Harrison and MacColl, pls. 27, 28. 
FR. 1, pp. 238-242; pl. 47. Interior on p. 230. 
Murray, Des. no. 43 (J). 
Baumeister, Suppl. fig. 7 (A). 
Rayet and Collignon, p. 197, fig. 77. 
Per. and Chip. x, pp. 563-564, figs. 322-324. 
Helbig, Bull. d. Inst. 1872, pp. 39-41. 
Beazley, VA. p. 189 (Brygos Painter). 
Matz, Ann. d. Inst. 1872, pp. 294 ff. 
Urlichs, Brygos, pp. 5 ff. 
Pottier, Douris, fig. 15 (A). 
Robert, Bild u. Lied, pp. 28, no. 1, note 29. 
Petersen, Arch. Epig. Mitt. aus Oesterr. 1x, pp. 85-87. 
Vogel, Scen. Eurip. Trag. p. 24. 
Klein, p. 183, no. 8. 
Diimmler, Rhein. Mus. 1888, p. 358. 
Roscher, ii, p. 344: iv, p. 467, 6 (A). 
Bethe, Proleg. z. Gesch. d. Griech. Theaters, p. 76. 
Ducati, pp. 74 ff. 
Tonks, p. 104, no. 8. 
Heydemann, Satyr u. Bakchennam. pp. 15, 35. 
I. Bearded man and warrior. 
A and B. Satyric drama, Hera, Iris, and silens. 
IT. +PV2irroz= LEVXsO. 
A. AIONVSO2 E+ON IPIN AEOSI= APOMIS. 
B. HEPMES(retr.) HEPA (retr.) HEPAKVES (retr.) STVON 
HVAPIZ TERPON BABAK XO8. 
Signature painted on vertical portion of foot BRVAO& 
EPOIESEN. 


[ arr 


5*. OxrorD. Kylix: h. 0.12, d. 0.33. 

Report Ashmolean Museum, 1911, p. 20, fig. 9. 
Arch. Anz. 1912, p. 610. 
Nicole, Corpus, no. 70, 9. 
Herford, JHS. 1914, pp. 106-113, pl. ix. 
Beazley, JH'S. 1910, p. 65.! 

I. Two warriors. . 

A. Warriors arming (very fragmentary). 

B. Combat, Greeks and Trojans. For large wicker shield, 
cf... Jahrb 1011, p.257,-18. 5. 

Signature painted on handle BRVAOS EESEN. 


1 Beazley assigns the vase to the Kleophrades Painter and Herford agrees with 
him besides giving the Frankfurt vase to the same hand. 


S132] 


L113 ] 


6*, Paris, Cas. Db. MED. 570. Kylix (fragments). From 
Corneto. 
Cailsp 425. 
Milliet-Giraudon, ii, pl. 65. 
Nicole, Corpus, no. 70, 5. 
WV Geplag.2: 
Urlichs, Bettrdge, p. 61. 
Brunn, KG. li, p. 6657, no. 6. 
Klein, p. 183, no. 7. 
Ducati, pp. 51 ff. 
Tonks, p. 104, no. 7. 
Meier, AZ. 1883, p. 5. 
CIG. 8143. 
I. Nike. AV (kadés ?). 
A. Paris and Helen? HEM ENE}. 
B. Uncertain. Head of youthful warrior. ae 
On edge of foot the signature painted BRV[AOS ErOIESEN]. 
On handle B[RVAOS EPOIESEN]. 


bared 


pA 
al 


ed 


eA 
oer 


L115 ] 


\ \Y LWYRY) 
AWN SY 
—— 


(orion 


7*, Paris, Louvre Gis1, Kylix. From Cervetri. 
Cia D087, 
Brunn, KG, ii, p. 664, no, 4. 
Mon. d. Inst. 1856, pl. 14 = Reinach, i, p. 246. 
WY, viii, pl. 3. 
Diimmler, Bonn. Stud. p. 72. 
JHS, viii, p. 291. 
Hartwig, p. 307. 
Per. and Chip. x, p. 559, figs. 319 (B), 320 (J), 321 (fig. 
of Paris on A), 
Nicole, Corpus, no. 70, 2. 
occnet, 1, p. 1067 (B); il, pp. 1967-68; 1631; ili, p. 
1610 (A). 
Dumont and Chaplain, p. 369. 
Sittl, Geb. d. Griech. u. Rim. D277 00, 2, pL -3yhg.<30. 
Patroni, Atti d. Accad. d. Napoli, 1894, pp. 24-44. 
De Witte, Ann. d. Inst. 1856, pp. 81 ff. 
Urlichs, Brygos, p. 4; Beitrdge, p. 13. 
Robert, Bild u. Lied, pp. go ff. (B). 
Ducati, Brigo, p. 50. 
Klein, p. 179, no, 3. 
Harrison and MacColl, pl. 26. 
Tonks, p. 102, no. 3. 
CIG. 8142. 
Overbeck, KM. (Hera), p. 30, a, pl. 9,20 (figure of Hera). 
I. Apollo and Artemis. | 
A. Judgment of Paris: Hera, Athena, Aphrodite, and 
Hermes. 
B, Paris, Hecuba, and Priam. 
Signature painted on handle BRVAOS EPOIESEN. 


[i rr73] 


8". Louvre G52. Kylix. From Vulci: h. 0.135, d. 0.325. 


Cat. ill, pp. 990-999. Nicole, Corpus, no. 70, 3. 
WY. viii, pl. 4. Urlichs, Beztrdge, p. 62. 
Ducati, pp. 53 ff. _Tonks, pp. 102-103, no. 4. 
Kretschmer, p. 140. Walters, ii, pl. 54 (A). 


Ppp, 1t0-123,-pls 25. 
Rayet and Collignon, p. 193, fig. 76 (A). 
Overbeck, HG. p. 623, no. 106. 
Robert, AZ. 1882, pp. 44, 72; Bild u. ded, pp. 61 ff. 
p. 64 (B), 102. 
Klein, p. 180, no. 4; Euphronios, pp. 162, 2; 171 ff. 
Roscher, iii, pp. 173-174; 2734 (figs. of Akamas and 
Polyxena). 
Heydemann, I/iupersis auf ein. Trinksch. d. Brygos, pl. I. 
Brunn, Trotsche Miscel. 11, p. 226; Sitzber. Bayer. Akad. 
1880, pp. 207ff.; idem, KG. ii, p. 665, no. 5. 
Purgold, AZ. 1884, pp. 249, 252 (inscriptions badly read). 
Luckenbach, p. 524. 
Noack, ‘“‘Die Iliupersis d. Eurip.”’ in Aus. der Anomia 
1890, pp. 158 ff. Same in Athen. Mitt. 1893, p. 325. 
Romagnoli, “ Proclo ed il ciclo epico”’ (Stud. ital. dt Class. 
ful. 1901), pp. 02 ff. 
Hartwig, Arch. Epig. Mitt. aus Oesterr. 1893, pp. 113 ff. 
Per. and Chip. x, pp. 569-571, pls. 12 and 13, figs. 328-330. 
Buschor, pp. 168-169, figs. 120-121 (ext.). 
Beazley, VA. p. 89 (Brygos Painter). 
Fowler and Wheeler, p. 4098, fig. 394. 
Hoeber, Griech. Vas. fig. 58 a—b (ext.). 
Pottier, Mon. Piot 1909 (xvi), p. 127, fig. 5 (A), 129, fig. 6 
(B). 
I. Briseis and an old man. A and B. Iliupersis. 
I. BPISEES (not in F.R. plate). 
A. HYPER[O]> (retr.) OPSIMES ANROMA+E. (retr.) 
ASTVANAG- § (retr.). Name of fallen warrior doubtful. 
B. NEOPTAW CPIAMO[S] AKAMA[S] (retr.) POVWW+2ENE 
(retr.). 


Signature painted on handle BPVAOS EfOIESEN. 


E119 J 


’ 


g*. WuURzBURG 346. Kylix. From Vulci. 
Cat. ill, p. 86. 
Brunn, Amn. d. Inst. 1856, p. 83; 1dem, KG. ii, p. 664, 
Oss. 

Buschor, p. 171, fig. 122 (/). 
Per. and Chip. x, pp. 565-567, figs. 325-327. 
Nicole, Corpus, no. 70, 4. 
WY. viii, pl. 5. 
Hartwig, pp. 331 ff.; 105, note 1, no. 7. 
E. Rai, Dp: 2825053, pisc. 
Harrison and MacColl, pls. 25, 26. 
Klein, p. 181, no. 5; Euphronios, p. 311, no. 2. 
Tonks, p. 103, no. 5. 
Beazley, VA. p. 89. 
Ducati, p- 157073: 

I. Youth and hetaira. 

‘ Aand B. Komos. 

No inscription. Vase intact. Signature painted on handle 
BRVAO® EPOIESEN. 

Graffito on foot AXM. 


[120] 


[ rar | 


g* bis. Disappeared. Kylix. 


Io. 


II. 


12. 


Tat 


14. 


Gerhard, Aus. Vas. i, p. 217." 
Brunn, KG. ui, p. 664, no. 2. 
Nicole, Corpus, no. 70, 8. 
Klein? p23 70,100; 2: 
Tonks.p..102;n0r 2: 
Hartwig, p. 307. 

I. Amazons. 

A. Triptolemos. 

B. Menelaos and Helena. 


ATTRIBUTED VASES 


ApriA, Mus. Boccut 181. Kylix (fragment). 
Schone, Mus. Bocchi, p. 70, no. 181, pl. ii, 4: Hartwig, 
p. 318: Micali, Mon. inéd. p. 292, pl. 45, 4. 

I. Silen and maenad. No inscriptions. 


ApriA, Mus. Boccut 183. Kylix (fragment). 
Schone, Mus. Bocchi, p. 71, no. 183, pl. ili, 1: Hartwig, 
p. 318: Micali, Mon. inéd. p. 296, pl. 46, 8 (one fragment 
only). 

I. Dancing maenad. 


ApriA, Mus. Boccut 195. Kylix (fragment). 
Hartwig, p. 327: Schone, Mus. Boccht, p. 73, no. 195, 
Diiee 

I. Woman smelling a wine-skin. Probably another figure 
of a komast. AH. 


ApriA, Mus. Boccui 207. Kylix. 3 
Schone, Mus. Bocchi, p. 76, no. 207, pl. ii, 1: Hartwig, 
Pp. 327. 
I. Ephebos on cushion balancing a kylix in his teeth. 
ATHENS CC. 1158, 1392 (1357) (C. 469). Kylix. From Tana- 
gra; h. 0.075, d. 0:185. 
Cat. -p. 358: Hartwig, pp. 257, no. 5; 329: Athen. Miit. 
1884, pp. 1-4, pl. 1 (Kohler): Diimmler, Bonn. Stud. 


1 The vase has completely disappeared and is known only through the mention 
of it by Gerhard. 


[ 122 | 


p. 74: Jacobsthal, Gott. Vas. p. 42, note 6: Wernicke, 
p. 111: Tonks, no. 44: Duruy, His?.:1, p. 525: Kretsch- 
mer, p. 86: Baumeister, ill, p. 1984, figs. 2126-27. 

I. Bearded man on couch, singing, and playing with a 
rabbit. O FAIAAN KAVWISTE (retr.). 


15. ATHENS. Kylix (fragment). From Acropolis. 

Winter, Jahrb. 1887, pp. 230-231 (attr. to Douris): Hart- 
wig, p. 363: Hartwig, JHS. 1891, p. 335: Furtwingler, in 
Roscher i, p. 2234: Tonks, no. 4o. 

I. Murder of Iphitos by Herakles. 

A. Archery contest of Herakles and Eurytos. 

B. Komos. 

Illegible inscriptions. 


15 bis. ATHENS, ACROPOLIS. Kylix (fragments). From Acro- 
polis. 

Tsountas, Ephem. Arch. 1885, p. 124, pl. 5, 2 = Reinach, 

1, p. 507, 7-9: Stais, Ephem. Arch. 1886, p. 88, pl..7, 2 = 

Reinach, i, p. 512, 3: Savignoni, Ausonia, 1912 (vii), 

p. 174 (attr. to Brygos): Nicole, Corpus, 70, sec. 1: Mayer, 
Giganten u. Titanen, p. 302, A, C. 

A and B. Gigantomachia. EVPVAVO APOVOON --VVBOT. 


16. BERLIN 2205. Lekythos. From Armento: h. 0.358. Com- 
panion-piece to Berlin 2206. 
Cat. p. 515 (‘ stil dem Brygos verwandt ’): Panofka, Coll. 
Bart. p. to1, no. 28: Griech. u. Gr. plate, no. 15: Millingen, 
AUM. p. 80, pl. 32: Overbeck, HG. p. 262: Beazley, VA. 
Pp. 92. 
Menelaos and Helena. MENEVEOS (r.). 


17. BERLIN 2206. Lekythos. From Armento: h. 0.377. Com- 
panion-piece to Berlin 2205. | 
Cat. p. 516: Gerhard, Ant. Bildw. pl. 9: Prodromos, pp. 
151 ff.: Panofka, Recherches, pl. 8, 3: Overbeck, KM. 
(Apollon), p. 62, 1, pl. 19, 26: El. Cér. ii, p. 28, pl. x: 
Beazley, VA. p. 92. 
Apollo and Artemis. 


[ 123 ] 


18. 


IQ. 


20. 


oe 


22. 


BERLIN 2258. Alabastron. From Tanagra: h.o.18, The 
vase has a white ground. 

Cat. p. 530: Tonks, no. 9. 

A. Youthful victor. B. Nike. 

BERLIN 2293. Kylix. From Vulci: h. 0.137, d. 0.32. 
Cal. p. 589: £l. Cér. ii, pl. 117, p. 388: Overbeck 
(Zeus), p. 361, 14, pl. 4, 12 a-b: Gerhard, Akad. Abhand. 
i, pl. 8,.3: Saglio, p. 1388, fig. 465175 Dury ee 
p. 761 (J): Hartwig, p..355: Roscher, 4, p.a29 7a a 
Gerhard, Trinksch. pls. 8, 2 and 10-11: Mayer, Giganten, 
p. 335: Tonks, no. 10:. Savignonl, JHS 22360 gmece 
fig. 2 (J): idem, Ausonia, 1912 (vil), p. 173, no. 1 (attr. to 
Brygos): Winter, Kunstgesch. in Bild. i, pl. 89, 3 (1). 

I. Selene in chariot. HO PAIS KAVO[$]. 

A and B. Gigantomachia. HO PAIS KA\VOS. HO [[JAls 
KAVO[ S]. 

BERLIN 2205. Kylix. From Orvieto: h:o.13, d-o.ar. 
Cat. p. 596: Hartwig, p. 521, pls. 56, 2, 57 (attr. to Onesi- 
mos): Tonks, no. 3, considers attribution doubtful: Rad- 
ford, JHS. 1675; p:11 20. 

I. Hoplite and archer. 

A. Combat, hoplites. 

B. Same. Hoplites and rider. 

BERLIN 2297. Kylix (fragment). 
Cat. p. 599: Hartwig, pp. 325, fig. 43, pl. 35, 3: 105, note 
1, no. 12: Hauser, Jahrb. 1895, pp. 161-164 (attr. to the 
Lysis or Laches Master), on p. 162 this fragment is joined 
to another fragment in Munich from the same vase: 
Tonks, no. 58. 

Only foot preserved with remains of the central picture. 
Bearded man and boy. 

Graffito /V224'T FIM. 

BERLIN 22098. Kylix: h. 0.135, d. 0.32. 
Cat. p. 600 (attr. to Douris): Hartwig, p. 331: Jacobsthal, 
Gott. Vas. p. 46, note 6: Jahn, Philologus, xxvi, p. 228. 

I. Man carrying pack. A and B. Symposium. 

Graffito on base /I®. 


sliaeqd 


23. BERLIN 2300. Kylix. From Chiusi: h. 0.095, d. 0.23. 
Cat. p. 602 (‘style of Douris’): Panofka, AZ. ii (1844), 
feo ccthard, £G. pl. ix, 5, p, 11: Ann. ds Inst. 1847, 
p. 225, pl. M = Reinach, 1, p. 273, 2: Hartwig, p. 373, no. 13 
(in supplementary list of vases allied to style of Brygos): 
Tonks, no. 12: Harrison and MacColl, p. 25, pl. 33. 
I. Manin chest. King Thoas ? 


24. BERLIN 2301. Kylix. From Corneto: h. 0.08, d. 0.215. 
Cat. p. 603: AZ. 1854, p. 233, pl. 66 = Reinach, ij, p. 381, 3: 
Hartwig, p. 373, no. 12 (supplementary list of vases allied 
to style of Brygos): Tonks, no. 46 (omits to mention 
present location of vase): Beazley, VA. p. 91 (‘probably 
Brygos Painter’). 

I. Woman with axe (Klytemnaistra ?) hastening towards 
a door. HO PAIS KAVOS. 


25) BERLIN 2302. Kylix. From Vulci: h. 0.08, d. 0.215. 
Cat. p. 603 (‘ Duris verwandt ’): Beazley, VA. p. or. 
I. Womanrunning. KAVIS KAV[ OSs]. 


26. BERLIN 2309. Kylix. From Capua: h. 0.145, d. 0.255. 
Cat. p. 607 (attr. to Brygos atelier): Bull. d. Inst. 1871, 
pp. 116 ff.: Urlichs, Brygos, p. 1, note 3: Hartwig, p. 105, 
note 1, no. 11: Hartwig, p. 372 (in supplementary list of 
vases allied to style of Brygos): Tonks, no. 11.) 
I. Man vomiting and youth. 
A and B. Komos. 


Sy eeeertin Inv, 3218. Kylix: d. 0.21. 
Furtwangler, Arch. Anz. 1893, p. 89, no. 36, p. 90 (draw- 
ing), considers the vase allied in style to work of Brygos: 
Hartwig, p. 374, no. 15: Tonks, no. 39. | 
I. Nude woman laying her garment on a chair. HO PAIs 
KAVOS. 


27 bis. BERLIN, Inv. 3240. Formerly in Van Branteghem Coll. 
Kylix. From Caere: d. 0.284. White ground around 
central medallion. 


1 Tonks has by mistake included this vase under two numbers (11 and 45) in 
his list. : 


fags | 


28. 


20. 


30. 


Van Branteghem Sale Cat. no. 168 (attr. to Hieron): 
Furtwangler, Arch. Anz. 1893, p. 90, no. 40; Hartwig, 
p.372, no-1y figs: 51-a-c: 2 onks; now. 

I. Youth and boy with dog. 

A. Three men or youths with a woman. Senseless inscrip- 
tions. 

B. Same. The exterior is very fragmentary. 


BERLIN Inv. 3255. Kylix: d. 0.225. 
Furtwiangler, Arch. Anz. 1893, p. 89, no. 37: Tonks, no. 4o: 
Beazley, VA. p. 97, no. 3 (attr. to Douris). 
I. Female flute player. 
A. Female flute player. 
B. Drunken youth. : 
A and B. KA\V[O]s divided between the two sides. 


| Single figures. 


BosTON 95.36. Kantharos: h. 0.247, d. 0.115. 
Tarbell, ‘‘A Kantharos from the Factory of Brygos” (De- 
cennial Pub., Univ. of Chicago, 1902, with plate): Arch. 
Anz. 1896, p. 96, no, 24: Tonks, plssa) andeiynoseas 
Nicole, Corpus, no. 70, sec. 2: Beazley, VA.p. go, fig. 57 (A). 

A. Zeus with sceptre pursuing a boy. 

B. Zeus pursuing a nymph. 


BOSTON 98.933. Kylix. Formerly in Depoletti’s possession: 
he0:7257d 13633375 
Ann. Rep. Mus. Fine Aris, 1898, p. 68, no. 42: Gerhard, 
Aus. Vas. 203 = Reinach, ii, p. 102: Kretschmer, pp. 118, 
186, note 2: Luckenbach, p. 516, 3: Overbeck, HG. pl. 10, 
no. 14, p. 449, no. 100: Pollak, p. 21 ff., pl. viii (A and 
B), p. 22 (1) (Hieron): Tonks, no. 57: Beazley, VA. p. 
gt (not Brygos Painter but Brygan). 
I. Youth seated on rock, and bearded man. 
A. Achilles in pursuit of Hector before the walls of Troy, and 
two Trojan archers. 
Athena, Priam, and Hecuba within the walls. 
OANAS EMPEAION. 
IVION [HEK]TOP A-+IWEVS. 
AOENAIA TPI[A]M[O]S [HEKA]BE. 


is sr203) 


bk bs 


an, 


$2. 


33: 


34. 


35: 


36. 


37: 


BOSTON 00.339. Mug: h. 0.81. 
Amn. Rep. Mus. Fine Arts, 1900, p. 44, no. 13: Cat. For- 
man Sale, p. 76, no. 361 (for illustration) (Brygos): Cat. 
Herz Sale, 806: ‘Tonks, no. 51: Beazley, VA. p. 92. 

Nude, dancing youth with krotala and flute girl. 


BOSTON o1.8038. Kylix. Formerly in Bourguignon Coll.: 
fo-0 75, d.. 0.205. 
Ann. Rep. Mus. Fine Aris, 1901, p. 33, no. 17: Caskey, 
meme tors, Pp. 135, pl. o: Beazley, VA. p. or: Nicole, 
Corpus, no. 70, sec. 2. 
I. Athlete with strigil and dog. HO PAIS KAV\VOS. 


BosTON 03.787. Rhyton (in form of a horse’s head): h. 0.254, 
d. 0.12 for cup. 
Ann. Rep. Mus. Fine Arts, 1903, p. 74, no. 77: Beazley, 
ieee o2 (Brygos Painter): Buschor, p. 155, fig. 110: 
Tonks, no. 60. 
A. Silen and maenad. 
B. Another silen in pursuit. 


BosTon 10.176. Kotyle: h. 0.144, d. 0.178. 
Ann. Rep. Mus. Fine Arts, 1910, p. 62: Caskey, AJA. 
1915, pp. 129-135, pls. vil, vil, figs. 1-3: Beazley, VA. 
p. 90, fig. 58 (Brygos Painter). 

A. Nude youth and Paidotribes. 

B. Same. 


BosTON 10.180. Lekythos: h. 0.117. 
Ann. Rep. Mus. Fine Aris, 1910, p. 62: Beazley, VA. p. 91: 
Nicole, Corpus, no. 70, sec. 2. 

Eros flying with taenia. 


Boston 10.197. Kylix: h. 0.084, d. 0.208. 


Beaziey, VA. p. 91. 
I. Apollo running. 


BosTON 10.200. Kylix (fragment). 
Ann. Rep. Mus. Fine Arts, 1910, p. 63: Beazley, VA. 
p. 91, fig. 59. 

I. Man vomiting. [HO PA]Is. 


[127 ] 


38. 


whe): 


40. 


AT: 


42. 


43. 


44. 


BosTON 10.202. Kylix (fragment). 
Ann. Rep. Mus. Fine Arts 1910, p. 63: Beazley, VA. p. or. 
I, Youth leaning on staff, playing flutes. 


BOSTON 10.205. Kylix (two fragments, probably from the 

same vase). Formerly in Van Branteghem Collection. 

Hartwig, p. 339, pl. 36, 4-5: Van Branteghem Sale Cat. 
no. 75: Tonks, no. 29: Addendum, p. 117. 

A. The head and body of a youth talking with a woman 
spinning, of whom only the left forearm and spindle remain. 
KAVO[S]. 

B. Part of the torso of a draped female figure. 

BosTON 13.95. Kylix (fragment). From Cervetri. 

Ann. Rep. Mus. Fine Arts, 1913, p. 94: Beazley, VA. 
p. 91 (Brygos Painter). 
I. Ithyphallic silen dancing. O/A%. 


BosTON 13.189. Lekythos: h. 0.332. 
Ann. Rep. Mus. Fine Aris, p. 91: Beazley, VA. p. or. 
Woman seated, taking strip of wool from a basket. HEMAIs. 


BRUSSELS 263. Kylix. 
Tonks, no. 2: Hartwig, p. 328. 
Obscene and unpublishable. 


BRUSSELS R 322. Kylix: d. 0.225. 
Bulletin des Musées Royaux, 1908, p. 82, fig. 1 a ), a 
to Brygos). 

I. Warrior with shield and spear. 

A and B. Warriors arming. Imitation inscriptions. 


BRUSSELS R 337. Kylix. From Caere. 
Cat. p. 106: Hartwig, p. 373, no. Io (in list of vases allied 
to style of Brygos): Tonks, no. 37: Beazley, VA. p. 95, 
no. 8 (attr. to Paris Gigantomachy Painter). 

I. Ephebos leaning on a stick. 

A and B. Boxers and trainers. 


45 a-c. BrRyN Mawr. Kylix (fragments). 


Swindler, AJA. 1916, p. 341 ff.: (a) no. 15, fig. 202-Head 
of woman: (b) no. 16, fig. 21-Two youths K: (c) p. 344, 
j—Herakles pursuing woman. 


{128 ] 


46. 


47. 


48. 


49. 


COPENHAGEN, THORWALDSEN Mus. 105. Kylix. 
Micali, Storsa, pl. 97, 3: Panofka, Bild. ant. Leb. pl. xv, 5: 
Saglio, iv, p. 1447, fig. 6554: Hartwig, pp. 60, note 1, 373, 
no. 11: Miller, Mus. Thorw. iii, sec. 2, no. 105: Tonks, 
nor 3S, 

I. Fisher-boy with baskets. HO TAI[S] KAVOS NAI-+l. 


COPENHAGEN, THORWALDSEN Mus. 112. Kylix. 
Miiller, Cat. p. 81: Gerhard, Aus. Vas. pl. 281 = Reinach, 
li, p. 138, 5-8: Hartwig, p. 244: Gardiner, Greek Ath. Sp. 
p. 475, fig. 175 (ext.): Tonks, no. 8. 

I. Man singing and seated youth. HO PAIS KAVOs, 

A. Athletes and old man. HO PAls. 

B. Two men and two youths. KAVOS. 


COPENHAGEN. Kylix. Formerly in Van Branteghem Coll.: 
gd: 0.20. | 
Van Branteghem Sale Cat. no. 76, pls. 24-27: Hartwig, 
PP- 332-334, figs. 44 a and c; p. 105, note 1, no. 9: Tonks, 
no. 30. | 
I. Man on couch vomiting and nude boy. 
A and B. Komos. 


CoRNETO, BRUSCHI COLL. 7o1. Kylix. From Corneto: h. 
0.06, d.o.19. Surface badly corroded. 
Hartwig, pp. 342-343, fig. 46: Tonks, no. 26. 
I. Man and boy with hare. 
A and B. Youths and men. 


50 a-c. CoRNETO, Mus. TARQUINIENSE. Kylix. 


BI. 


Hartwig, pp. 348-349. 
Three kylixes with the same subject, all obscene and un- 
publishable. 


CornETO, Mus. TARQUINIENSE 6846. Kylix. From Corneto: 
Meom3s. 0.0.33. 
Mon. d. Inst. xi, 33 = Reinach, i, p. 226: Hartwig, p. 362: 
Nicole, Corpus, no. 70, sec. 2: WV. D, pl. 8, 2; 1890-91, 
pl. 8. 2: Diimmler, Bonn. Siud. p. 73: Korte, Ann. d. Inst. 
1881, p. 173: Tonks, no. 35: Robert, Szenen der Ilias, p. 
mene 1 (A). 


[ 129 ] 


52. 


53: 


54. 


56. 


57: 


I. Libation. Old man seated and woman standing. 

A. Combat. Three warriors (one fallen), and two women. 

B. Reception in palace and libation. Scene not yet inter- 
preted. 


FLORENCE 70800 (229). Kylix. 
Milani, Mus. Ital. iii, p. 239, pl. ili = Reinach, i, p. 529: 
Amelung, Fiihrer, p. 230: Roscher, i, p. 3007, 3 (J): 
Wulff, p.46,h: Milani, Mus. Kir. Arch.i, p.151: W. Miller, 
Theseusmetopen, p. 17, no. 70: Hartwig, p. 443, note I 
(‘more allied to Bald-head Painter’): Pottier, Rev. de Vart 
anc. et mod. 1901, pp. 3-7, figs. 1 (7), 2 (A), 3 (B): Saglio 
V, Dp. 227-230, figs. 6884 (A), 6886 (B), 6888 (J). 

I. Theseus and Minotaur. 

A. Theseus and Marathonian bull. 

B. Theseus and Prokrustes, Theseus and Skiron, Theseus 
and Sinis. 


FLORENCE 3949. Kylix. 
Hartwig, pp. 276, no. 6, 320, pl. 35, 2: Jacobsthal, Gétt. 
Vas. p. 46, no. 5: Nicole, Corpus, no. 70, sec. 2. 

I. Youth on couch, singing. PIVE KAI (retr.). 


FLORENCE, Case xiv, 14. Obscene kylix.! 
Hartwig, pp. 76, 317. 
I. Silen and maenad. 


. GENOA. Rhyton, ram’s head: h. 0.18, d. 0.29. 


Beazley, VA. p. 92. 
Symposium. © 


GLASGOW 03.70 k. Lekythos. From Cyprus: h. 0.305. 
Beazley, VA. p. 92. 
Woman playing flutes. 


Lerpzic Inv. T 530. Formerly in Hauser’s Coll. Kylix 
(fragment). | , 
Studniczka, Jahrb. 1911, p. 114, fig. 42. 
I. Traces of a female figure stooping over some object the 
nature of which is uncertain. 


1 Mr. Curtis was unable to locate this vase. 


L wo]: 


58. LEYDEN, Case 21, 2 (1875). Kylix: h. 0.094, d. 0.24.. 


Cat. p. 98, no. 2: Jahrb. 1889, p. 26 (for drawing), p. 25: 
Hartwig, p. 372, note 1, no. 7 (in list of vases allied to 
style of Brygos): Tonks, no. 36: Leemans, De Zangles 


eene Griekshe beschilderde drinkschaal, Leyden, 1844. 
I. Nude boy and seated youth playing flutes. 
A. Komos. 
B. Two men about to fight separated by a third. 


59. Lonpon, Brit. Mus. E 64. Kylix. Formerly in Blacas Coll. 


From Vulci: h. 0.114, d. 0.295. 
Cat. i, p. 86: R. Rochette, Choix, p. 64: El. Cér. ii, p. 57, 
pl, 22 (1): Mon. d. Inst. iii, pl. 12 = Reinach, i, p. 111: 
Murray, Des. no. 42: Ann. 1839, p. 251: Hartwig, p. 330 
(wrongly given as E 26): Roscher, i, pp. 467, 955: Over- 
beck, KM. (Apollon) pp. 64, no. 36, 483, pl. 26,1: Tonks, 
no. 23. 


I. Apollo and nymph. HO PAIls KA\VOSs. 
A. Symposium. HO PAIS KAV\VOS. 
B. Same. HO PAs KAVOS. 


60. Brit. Mus. E66. Kylix. Formerly in Castellani Coll.: 


Beaieg, d. 0. 218. 
Cat. iii, pl. iv, p. 89: Murray, Des. no. 44: Hartwig, p- 443, 
note 1 (attr. to Bald-head Master, wrongly given as E 78): 
Jacobsthal, Gott. Vas. p. 46, no. 3: F.R.1i, pp. 242, 243, 
pl. 47.1, p. 244 (J): Furtwangler in Roscher, ii, pp. 2162, 
2217: Furtwangler, Berl. Phil. Woch. 1894, p. 145: Tonks, 
p. 116, no. 1, considers the attribution to Brygos extremely 
doubtful: Beazley, VA. p. 93, attributes the vase to a 
follower of Makron. 


I. Bearded man. 
A. Dionysos, Herakles, and silens. 
B. Dionysos and silens. 


61. Brir. Mus. E 67 (811). Kylix. Formerly Durand Coll. 395. 


From Vulci: h. 0.114, d. 0.292. 


Cat. iii, p. go: Gerhard, TG. pl. D: Murray, Des. pl. xii, 
45: Hartwig, p. 361, some parts of vase wrongly restored: 


Korte, Ann. d. Inst. 1881, p. 171: Tonks, no. 48. 
Lr3r J 


I. Libation. Bearded man and girl. 

A. Zeus, Hera, Iris, Ganymede ? and Ares. 

B. Combat of Achilles and Memnon in presence of Eos and 
Thetis. | 

Illegible inscriptions in all three scenes. 


62. Brit. Mus. E68 (852). Kylix. From Vulci: h. 0.125, 
diosa. ; 

Cat. ii, p. 91: AZ. 1851, p. 367: CLG. So7oseivarewies 
p. 319, pls. 34, 35, 1 (wrongly given as E 47): Diimmler, 
BPW. 1888, p. 20: idem, Bonn. Stud. p. 74: Murray, 
Des. no. 46 (1) and p. 16, fig. 9 (B): Kretschmer, pp. 81, 
154: Zettschr. fir vergl. Sprachf. n.f. ix, p. 447: Harrison 
and MacColl, pl. 37: Wernicke, p. 15 (attr. to Hieron): 
Per. and Chip. x, p. 619, fig. 345 (A): Jahn, Dichter auf 
Vasen. pl. vii: Nicole, Corpus, no. 70, sec. 2: Klein, LJ. 
p. 116, no. 1: Tonks, no. 18: Beazley, VA. po o3;new or, 
(Brygos Painter): Jacobsthal, Gétt. Vas. p. 46, no. 4: 
Winter, Kunstgesch. in Bild, i, pl. 89, 8 (A): Bulle, Der 
schine Mensch, pl. 303, 2 (1): Springer-Michaelis, Handb.’, 
p. 168, fig. 311 (A). 

I. Youth and dancing girl. 

A and B. Symposium. 

I. PIVIPOSs (retr.) KAWISTO. 

A. KAVE AEMONIKOS ARISTOKRATES T[IVON KAVOS. 

B. AIPIVOS NIKOPIVE KAVE KAVOS HO PAIS KA\VOS. 


63. Brit. Mus. E69 (829). Kylix. From Vulci: h. 0.136, 
decees 

Cat. iii, p. 93: Archaeologia, 32, pls. 8 (I), 9 (A), 11 (B), 
pp. 150-167: Birch, Anc. Pott.? p. 201, fig. 136: Hartwig, 
p. 359, fig. 49 (wrongly given as E 24): Murray, Des. pl. 
xi, no. 47: Ann. d. Insti. 1867, p. 1537 Overpecknt 
p. 382: Klein, Euphr. p. 238: Robert, Bild und Lied, 
pp. 58, 214: Diimmler, Bonn. Stud. p. 76: Per. and Chip. 
X; ‘Pp: 530; note;1: WV ovine: Lonks oe ee 

I. Paris and Helen ? 

A. Quarrel of Ajax and Odysseus over the armour of Achilles. 

B. Voting of the Greek chiefs. 


L 132 ] 


64. Brit. Mus. E 70 (851). Kylix. Formerly Durand Coll. 809. 


65. 


66. 


67. 


From Vulci: h. 0.132, d. 0.332. 

mei. 04: Philolopus, 26, p. 228: Hartwig, p. 330 
(wrongly given as E 27): Murray, Des. pl. xii, no. 48: 
Walters, ii, p. 181, fig. 138 (2): Tonks, no. 20: Sartori, Stud. 
Griech. Privatalt. p. 106, no. 23: Beazley, VA. p. 96, no. 26, 
fig. 64 (attr. to painter of Paris Gigantomachy cup). 

I. Symposium. 

A and B. Same. 

Imitation inscriptions in all scenes. 


Brit. Mus. E71. Kylix. Formerly in Bassegio Coll. From 
Vulci ? h. 0.98, d. 0.234. 

Cai pe 65: AZ. 1870, p. 106, pl. 39 = Reinach, 1, 
p. 409, 1-4 (from a drawing in Gerhard’s collection): vase 
originally much restored and painted, now cleaned: Mur- 
tayees, pl. xiii, no. 49: Hartwig; pp. 238,no. .7, 327 
(wrongly given as E 63): Tonks, no. 16: Beazley, VA. 
p. 91 (Brygos Painter). 

I. Yphebos playing flutes. 

A and B. Komos. 

Imitation inscriptions KAVOS. 


Brit. Mus. Etoo. Kylix. Formerly in Blacas Coll. From 
Vulci: h. 0.76, d. 0.222. The foot does not belong to 
the vase. 

Cat. iii, p. 120: Hartwig, p. 372, no. 5 (in list of vases 
which reflect the style of Brygos, wrongly numbered as 
E 108): Tonks, p. 117, note 1, rejects the attribution 
absolutely. 

I. Woman before burning altar. 

A and B. Symposium. 


Brit. Mus. E784. Formerly in Castellani Coll. Rhyton. 
From Capua: h. 0.177, d.0.13. Vase is in form of two 
female heads, back to back. 

Cat. iii, p. 372 (style of Brygos): Tonks, no. 22: Beazley, 
VA. p. 92 (Brygos Painter). 

A. Ephebos playing lyre. HO PAIS KAVOS. 

B. Bearded man playing lyre. HO PAIS KAVOS. 


L133 J 


68. 


69. 


70. 


ape 


72, 


Brit. Mus. E 808 (760). Kyathos. From Vulci: h. 0.164. 
Cat. iii, p. 382 (attr. to Brygos): DeWitte, Descript. Col. 
Canino, no. 147: F.R. ii, p. 87, pl. 74 (attr. to Douris by 
implication)!: Hartwig, p. 479 (wrong number), attr. to 
Euphronios and connected with the two Berlin kyathoi, 
2321 and 2322. 

Two warriors (one fallen) and an archer (falsely described in 
catalogue as an Amazon). KAVOS [HO ['JAIs NAI+1. 


Brit. Mus. E 818 (971). Obscene kylix. Formerly Durand 
Coll. 667. From Vulci: h. 0.88, d. 0.225. 

Cat. iii, p. 387: Hartwig, p. 373, no. 8 (in list of vases 
allied to the style of Brygos): Gardiner, Greek Ath. Sp. 
p. 289, fig. 57 (A). 

I. Bearded man and hetaira. 

A. Armed foot-race. 

B. Wrestling match. 


Brit. Mus. 99.2-17.3. Lekythos. From Eretria. 
Dickson, JHS. 1899, pp. 202-204 with fig.: Beazley, VA. 
p. 91: Arch. Anz. 1900; Pp. 214, V, NOwT: 

Woman coming out of door. AVKMEON KAVOSs. 


MANNHEIM. Kylix. From Italy: d. 0.233. 
Hofmann, Griech. Vasen im Grossherz. Hofantiquarium in 
Mannheim, pp. 8-0, pl. ii (attr. to Brygos). 

IZ. Youth with staff and kotyle. 

A and B. Komos. On the pithos KAVOS. 


MUNICH (332). Kylix (white ground). 
Cat. (Jahn), p. 98: Res. ér. p. 29, no. 36: Thiersch, Ueber 
die hellen. bemalten Vas. pl. 4: Baumeister, p. 847, fig. 928, 
(wrong colors): Furtwingler, Athen. Mitt. 1881, p. 113, 
note 1 (attr. to Brygos): Miiller-Wies. ii, pl. 45, 273: 
Harrison and MacColl, pl. 15: Nicole, Corpus, no. 70, 
sec. 2: F.R. 1, pp. 249-251,-pl. 49: Roscher ieee 
fig. 4 (2): Hartwig, pp. 316 ff. (attr. to Brygos): Riezler, 
Weissgr. Att. Lek. fig. 28 (I) p. 44: Farnell, Cults, v, pl. 47 
(A): Tonks, no. 5: Radford, JHS. 1915, p. 137: Walters, 


1 Furtwingler compares the vase with the Brussels kantharos signed by Douris. 


E134 ] 


73: 


74. 


75: 


76. 


77: 


78. 


79: 


ii, p. 63, fig. 121 (7): Per. and Chip. x, pp. 711-713, fig. 390 
(1): Harrison, Prolegomena, p. 399, fig. 125 (J). 

I. Maenad (white ground). 

A. Dionysos, two maenads, and silen. On _ wine-skin 
ENrOES. 

B. Silen, nymph, and two maenads. 


NEw Haven, YALE Untv. 164. Kylix: h. 0.095. 
Beazley, VA. p. ot. 

I. Youth playing double flutes before burning altar. 
HO [PJAIS KAVOS. 


NEw York 06.1021.188. Kylix: h. 0.098, d. 0.238. 
Bull. Meir. Mus. 1906, p. 79 (style of Douris): Coll. 
Canessa, pp. 23-24, pl. v, no. 80: Beazley, VA. p. o1 
(Brygan). 

I, Man playing lyre. 

A and B. Komos. Ona kylix KAVOS. 


NEw YORK 09.221.43. Lekythos: h. 0.326. 
Bull. Meir. Mus. v, p. 142, fig. 4: Beazley, VA. p. or. 
Athena. 


NEw YorK 12.234.5. Kantharos. Formerly in Stroganoff 
Coll.: h. 0.197. The body of the vase is in the form of 
two plastic female heads. 

Bull. Metr. Mus. viii, p. 158: Beazley, VA. p. 92, fig. 60. 

A. Silen lying on ground playing krotala. 

B. Same playing flutes. 


New York GR 577. Kylix: h. 0.088, d. 0.213. Companion- 
piece to Berlin 2301 and 2302, and by same hand. 
Beazley, VA. p. ot. 
I. Thracian woman running. [AIS KAVOS. 


OrviETO. Rhyton (horse’s head). 


' Beazley, VA. p. 92. 
Komos. 


OrvIETO, CoLL. FaIna 37. Kylix (handles missing). From 
Orvieto: h. 0.105, d. 0.295. 


Bee a) 


Cardella, Mus. Faina, p. 41, no, 37: Nicole, Corpus, 70, 
sec. 2: Korte, Ann. d. Inst. 1877, p. 142: Hartwig, p. 335, 
pli 36, 1-37, Tonksno27, 

I. Nude, bearded man singing, and flute girl. KA\VOS (on 
kylix standing on table). 

A and B. Komos. 


80. Paris, Cas. D. MED. 573. Kylix: h. 0.135, d.:0.32, 

Cat. p. 429: Milliet-Giraudon, i, pls. 70-73: Luynes, pls. 
19, 20 = Reinach, li, pp..256, 257: Gerhard, Trinksch. 
pls. A, B, p. 29: Overbeck, KV, pl Visi ee 
(Zeus), 15: Hartwig, p. 356: Amn. d. Inst. 1840, p. 251; 
1863, p. 247: Saglio, ili, p. 1460, 4: Savignoni, Ausonia, 
1912 (vii), p. 173, no. 2 (attr. to Brygos): Tonks, no. 2: 
Mayer, Gigant. pp. 311, 317, 333-8: Beazley, VA. p. 95, 
no. r (attr. to the painter of the Paris Gigantomachy): 
Stephani, CR. 1865, p. 172,13; 1867, Dp. 153028 ohne 
189. I. 

I. Poseidon hurling the island Nisyros at a fallen giant. 

A and B. Six gods, Apollo, Dionysos, Ares, Hephaistos, 
Hermes, and Poseidon. 

I, A, and B. HO PAIS KAVOSs. 


80 bis. Paris, CAB. D. MED. 574. Kylix (fragments). | 
Cat. p. 432, fig. 106 (head of Athena): Savignoni, Ausonia, 
1912 (vii), p. 173, no. 3 (attr. to Brygos). 

A and B. Gigantomachia: Athena and giant. 


81. CaB. D. MED. 576. : Kylix: h. 0.121, d- oq 
Cat. li, p. 432; Hartwig, p. 300, pls) 32j0345ereee ogres 
Corpus, no. 70, sec. 2: Harrison and MacColl, pl. 38 (J): 
' Harrison, Prolegomena, p. 452, fig. 140 (J): F.R. i, p. 250: 
Tonks, no. 1: Farnell, Greek Cults, v, pl. 44 I % -Milliet- 
Giraudon, ii, pl. 64. 
I, Dionysos and silens. 
A. Dionysos, silens, and maenads. HO PAIS KAVOS. 
B, Same. 
82, Cas. D. MED. 583. Kylix (twelve fragments). 
Cat. li, p. 437: Hartwig, p. 324, pl. 35, 4a and b: Tonks, 
no. 41. 


£136 J 


83. 


84. 


85. 


86. 


87. 


I. Man on couch with youthful wine-pourer. 
A. Symposium. 


Caz. D, MED. 603. Kylix (fragment). 
Cat, li, p. 443: Hartwig, pp. 499, 500, fig. 61. 

I, White ground. Achilles and Penthesilea? Second 
frieze around central medallion. 


A. Undecided. 


Paris, LouvrE G154. Kylix (fragments). 
Cat. iii, p. 1000: Pottier, Mon. Piot, 1909 (xvi), pp. 124-132, 
pls. 15-16 (ext.), 17 (7). Pottier compares this kylix with 
the Onesimos Troilos kylix in Perugia. Nicole, Corpus, 
no. 70, sec. 2: Beazley, VA. p. 93. 

I. Old man in mourning attitude (Priam ?) and bearded 
warrior (Hector ?), Middle part of figures missing. 

A. Troilos pursued by Achilles. Polyxena, The walls of 
Troy. 

B. Three warriors and a female figure. 

Senseless inscriptions. 


Louvre Gi55. Kylix (fragment). Formerly in Rome, 
Campana Coll. 

Cat. ili, p. 1005: Kliigmann, Amn. d. Inst. 1878, p. 38 ff., 
pl. E = Reinach, i, p. 339, 2: Roscher, iii, p. 246, 3 (A): 
Hartwig, p. 360 (wrongly noted as ‘ disappeared ’): 
Tonks, no. 34: Nicole, Corpus, no. 70, sec. 2, 

I, Remains of ephebos holding a cane. 

A. Herakles, beardless, has seized the trident of Nereus and 
threatens him, he protesting. HO PAIS KAVOS (twice) 
-- -NAI (on vase), 


Louvre G156. Kotyle. From Nola: h. 0.195, d. 0.235. 
ia ps 1000: Hartwig, p. 338: Saglio, iv, p. 1150, 
fig. 6250: Tonks, no. 3: Nicole, Corpus, no. 70, sec. 2: 
Beazley, VA. p. 90 (Brygos Painter): Elie Faure, Hist. 
de Vart, s, v, ‘Canthare d’Epigénés’. 

A and B. Komos. Senseless inscriptions. 


Louvre Gis59. Kylix (fragments). 
Cat. ili, p. 1008: Nicole, Corpus, no, 70, sec. 2. 


1137 J 


I. Maenad. 
A. Bacchic thiasos. 


88 a-b. Louvre G 161 and 161 bis. Kylix (fragments). 


89. 


go. 


Ql. 


92. 


Cat. iii, p. 1008:. Beazley, VA. p. 96, no. 25 (attr. to 
painter of Paris Gigantomachy): Nicole, Corpus, no. 70, 
SEC. 2. 

a) Gi61. I. Dancing ephebos (outside missing). 

b) G161bis. A. Nude woman. 


Louvre G 252. Kylix: h. 0.105, d. 0.22. 
Cat. ili, p. 1030: Inghirami, Mon. Etrusch. v, pl. 36: 
Reinach, p. 79: Millin, PVA. ii, pl. 63: Beazley, VA. p. 
96, no. 29 (attr. to painter of Paris Gigantomachy): 
Heydemann, Amn. d. Inst. 1868, p. 222: Stephani, CR. 
1869, p. 227, no. 29: Jahn, Philologus, 26, p. 236, 0. 

I. Youth on couch playing the game of kottabos. 

A and B. Silens. 


PETROGRAD 679 (St. 360). Rhyton (in form of dog’s head): 
h. 0.16. 

Cat. i; p. 180 (W. p. 84): CR. 1865; pp. 143, 150, 15 
Reinach, i, p. 54, 5 and 6: Beazley, VA. p. 92: Romagnoli, 
Ausonia, 1907 (ii), p. 151, fig. 8: Roscher, iii, p. 3295, 8-0: 
Saglio, iv, p. 783, fig. 5902. 

A and B. Pygmies and cranes. 

A, HOSEA HOA as? 

B. -HO PA:s. 


PETROGRAD 680 (St. 407). Formerly in Campana Collection. 
Rhyton (in form of horse’s head): h. 0.28. 
Cat.i, p. 194 (W. p. 84, fig. 11): CR. 1881, pp. 5, 49, 60 = 
Reinach, i, pp. 61, 7; 62: Beazley, VA. p. 92. 
A. Komos, three figures. H- PAIS KAVOS HA/AIS KAVOS 
HO /A-S. 


PHILADELPHIA MS 2445. Kylix. From Vulci: h. 0.095, 
d. 0.235. 
Bates, AJA. 1913, pp. 479-486: Beazley, VA. p. 96, no. 
24 (painter of Paris Gigantomachy cup). | 


[ 138 ] 


I. Youth (frontal face), with stick and chlamys. 
A. Three komasts. 


B. Same. Greater part missing. 


g2 bis. REGGIO DI CALABRIA. Kylix (fragments). 
Savignoni, Ausonia 1912 (vii), pp. 171-176, fig. on p. 173 
(attr. to Brygos atelier). 
A and B. Gigantomachia. 


93. Romer, VATICAN 550 (196). Kylix: d. 0.33. 
Helbig-Reisch, Fiihrer, i, p. 332 (attr. to Hieron): Mus. 
Greg. ii, 80, 3 (84. 3): Hartwig, p. 372, no. 2 (list of vases 
allied to style of Brygos): Tonks, no. 14. 
I. White ground without picture. 
A. Groups of men and boys. 


94. VATICAN 574 (227). Kylix. From Vulci: d. 0.27. 

Mus. Greg. ii, 83, 1: Helbig-Reisch, Fiihrer, i, p. 342: 
Overbeck, KM. (Apollon), p. 63, no. 14: Hartwig, p. 358: 
El. Cér. iii, pl. 86: Bonn. Stud. p. 73: AZ. 1844, pp. 321 ff. 
pl. 20 = Reinach, i, p. 357, 1-3: Tonks, no. 15: Bau- 
meister, i, p. 680, fig. 741 (A): Walters, ii, p. 51, fig. 119 
(A): Harrison, Prolegomena, p. 524, fig. 151 (A). 

I. Symposium. Youth playing double flutes, and bearded 
man on a couch. | 

A. Maia discovering Hermes as an infant in a basket amidst 
the stolen cattle of Apollo. 

B. Apollo rounding up his herd. 


95. VATICAN 576 (174). Kylix: d. 0.32. 

Helbig-Reisch, Fiihrer, i, p. 343: Gerhard, Aus. Vas. 
pl. 269-270 = Reinach, ii, p. 133, 8-11: Hartwig, p. 354: 
Mus. Greg. ii, 81, 2 = (ii, 85): Saglio, i (group on A), 
Pouetess, ue. 1048; iv, 933,-fig. 59086:: Tonks, no. 13: 
Duruy, Hist. ii, p. 134 (ext.). 

I. Boy adjusting greaves, and old man. 

A. Youths arming, and cleaning weapons. 


96. VATICAN 577. Kylix. From Vulci: d. 0.30. 
Helbig-Reisch, Fithrer, i, p. 344: Mus. Greg. ii, 81, 1 a and 
b-(85): Hartwig, p. 329, p. 105, note 1, no. 8: Tonks, no. 55. 


[139 J 


I. Man vomiting and girl. 
A and B. Symposium. 


96 bis. RoME, VILLA GIuLIA 867. Rhyton (dog’s head). 
Helbig-Reisch, Fiihrer, ii, p. 363, b: Beazley, VA. p. 92: 
Boll. d’ Arte, 1916, p. 343, fig. 6. 
A. Symposium (on cup). 


97. STUTTGART, HausER’s Cott. Kylix (fragment). From Cor- 
neto: d. 0.23 (approximately). 
Hartwig, p. 334-335, fig. 45. 
I. Traces of a man in cloak. 
A. Komos. | 
B. Traces of an arm holding a stick. 


98. StuTTGART, HausEr’s Cort. Kylix (fragment). From 
Orvieto. | | . 
Hartwig, p. 318, fig. 42: Tonks, no. 33. 
A. Head of silen. E. 


99. STUTTGART, HAUSER’s CoLL. Obscene pis (fragment). 
Hartwig, p. 349. 


100. THEBES. Kotyle with vertical and horizontal handles: 
HEO:OOS. daa) 
Beazley, BSA. 14, p. 302 (attr. to Onesimos or Boe 
cf. Louvre G 105): idem, VA. p. go. 
A. Silen with phallos spear. 
B. Youth. 


or. VIENNA, OESTERR. MUS. 328. Kotyle. From Caere: h. 0.25, 
dio: : 
Cat. p. 45-48, fig. 25: Buschor, p. 172, fig. 123: Amn. d. 
Inst. 1866, p. 241: Mon. d. Inst. viii, 27 = Reinach, i, 
_p.172: Bonner Stud. p. 75: Baumeister, i, p. 738, fig. 791: 
Beazley, VA. p. 90 (Brygos Painter): WV. i, 3 (incom- 
plete): Per. and Chip. x, p. 617, fig. 344 (A): Roscher, 
iii, p. 2959, 8 (A): F-R. ii, pp. 121-124, pl. 84: Saglio, 
i, p. 1586, fig. 2124 (fig. of Achilles on A): Hartwig, 
p. 363:- Tonks, no. 43: Jacobsthal, Goi) as ae ee 
Furtwangler, Hist. u. Phil. Aufs. f. Ernst Curtius, p. 186, 


C140 ] 


I02. 


103. 


104. 


105. 


106. 


107. 


note 2: Luckenbach, p. 508, D: Nicole, Corpus, no. 70, 
Sec. 12. 

A. Priam, followed by attendants, enters the tent of 
Achilles, to ransom the body of Hector. 

B. Chiefs in council. 


VIENNA, UNIVERSITY CoLL. Kylix. 
Jahrb. d. Kunsthist. Sammil.d.allerh. Kaiserh. 1889, p.113: 
Hartwig, p. 328: Tonks, no. 61. 

I. Girl and amphora. HO PAIS KAV. 


? Plate (fragment). From Acropolis.} 
Ross, Arch. Aufs. pl. x: Klein, Euphronios, p. 38 (illus- 
trated on p. 52, attr. to Epiktetos): Hartwig, p. 338: 
Tonks, no. 42. 

I. Head and torso of a bearded man, singing. 


? Formerly in the Bassegio Collection in Rome. Kylix. 
Hartwig, p. 341, 1-4: Gerhard, Aus. Vas. pl. 278-279 = 
ecg, 1, °137,-1, 2, 3, 6: WYV..-vi, 2:- Baumeister, 
p. 705, fig. 765: Saglio, i, p. 698, fig. 840 (J): Milani, 
Mus. Ital. iii, p. 244: Tonks, no. 28. 

I. Man and youth with two dogs on leash who are about 
to fight. 

A. Men and youths in palaistra with dogs. 


? Formerly in Bourguignon Coll., Naples. Kylix (fragment). 
Hartwig, pp. 256-257, figs. 35 a and b: Tonks, no. 27. 

I. Ephebos holding lyre. EIMI - KOTONHV?PAV. 

A and B. Komos. 


? Formerly in Bourguignon Coll., Naples. Obscene kylix. 
From Orvieto. 
Bourguignon Sale Cat. p. 18, no. 53: Hartwig, p. 347. 
I. Nude hetaira wearing a net (kexpt@ados). On the krater 
KAVE. 


? Formerly in Fontana Coll., Trieste. Obscene kylix (frag- 
ment). Hartwig, p. 348.? 


\ 


1 The fragment was picked up by Ross on the Acropolis and was formerly in 
his collection. Its present location is unknown. 

2 According to Hartwig the fragment was seen by Studniczka in 1886 and is of 
the most obscene character. 


[E141] 


108. ? Formerly in Collection Lecuyer, Paris. Kylix. 
Frohner, Cat. Col. Lecuyer, ii, E 5 (attr. to Euphronios): 
Hartwig, pp. 326; 105, note 1, no. 10 (attr. to Brygos): 
Wernicke, Arch. Anz. 1889, p. 149 (attr. to Euphronios): 
Tonks, no. 32, p. 75, fig. 17, b (for hetaira on A). 
I. Bearded flute-player and boy. 
A and B. Symposium. 


109 a-b. ? Kylix (fragments). 
Benndorf, GSV. pl. 29, 1 a and b: Hartwig, p. 328: 
Tonks, no. 50, p. 114, note 3. 
Fragment a. Hand holding kantharos. 
Fragment b. Bearded head and shoulder. 
Doubtful inscriptions. 


110. ? Kylix. 

Hartwig, pp. 349-351, figs. 48 a and b (from a drawing 
in the Apparat of the Berlin Museum). 

I. Bearded man and youth playing the flutes. 

A and B. Komos. 

I. HO PAIS KAVOS. 

A. HOTA. 

B. HOTAIS KAV. 


L142] 


SUBJECTS 
Sete 4 7 0°, 7", 9" bis, 
15 bis, 17, 18, 19, 29, 35, 39, 
59, 61, 75, 80, 807s, g2 bis, 
«94. 
Heroic, 9* bis, 15, 23, 45 C, 52, 
85, 90. 
Ppic, 6°, 7°, 8", 0° bis, 16, 24 ?, 
30, 61, 63, 83, 84, IOI. 
aceMic. 47) 50, 11, 33, 40, 54, 
60, 72, 76, 81, 87, 89, 98, 100. 
Military, 4*, 5°; 20, 43, 51, 08, 
95. 
Athletic, 18, 32, 34, 44, 47, 60. 
Komastic, 2*, 9*, 12, 26, 28, 31, 
- 37, 42, 47, 48, 50 a-c, 58, 62, 
05, 69, 71, 74, 78, 79, 86, 88, 


QI, 92, 90, 97, 99, 103, 105, 
160,:107, 109, 110. 


Genre, 21, 25, 27, 27 bis, 38, 39, 
41, 45 a-b, 46, 49, 57; 60, 67, 
79; 73> 77) 93; 102, 104. 

Symposium, 13, 14, 22, 53, 55, 
56, 59, 64, 66, 82, 89, 94, 
96, 96 dts, 108. 


SHAPES © 

Rhyton, 33, 55, 67, 78, 90, 91, 
96 bts. 

Kyathos, 68. 

Kantharos, 29, 76. 

Lekythos, 16, 17, 35, 41, 56, 70, 
75- 

Kotyle, 34, 86, 100, ror. 

Kylix, 1*-9* bis, 10-15 bis, 
Ig-28, 30, 32, 36-40, 42-54, 
57-60, 69, 71-74, 77; 79-385, 
87-89, 92-96, 97-99, 102, 
IO4-L10. 

Plate s103: 

Alabastron, 18. 

Mug, 31. 


OTHER ATTRIBUTIONS 
Poundry) Painter, 1, -3,,0,.12, 
ice 
Euphronios, 13*. 
Panaitios Painter, 61. 
Makron, 43, 69, 96. 
Onesimos, 4, 6, 27. 
Paris Gigantomachy Painter, 
24. 


E143] 


THE PAINTER OF THE CERBERUS PLATE 
‘Beazley, VA. pp. 13-14. 


Beazley has given the name to the painter of the plate in 
Boston representing Herakles bringing up Cerberus from the 
lower. world. The artist belongs to the end of the Epiktetan 
cycle. 


1. BOSTON 01.8025. Plate. Formerly in Bourg uene Coll., 
Naples. From Chiusi: d. 0.195. 
Ann. Rep. Mus. Fine Aris, 1901, p. 33, no. 7: Bull. d. 
Inst. 1851, p. 171: Hartwig, Jhb. 1893, p. 159, 160 (fig.): 
MS. p. 34, note 1: Beazley, VA. p. 14. 
I. Herakles, Hermes, and Cerberus. Below exergue. 


2. BOSTON 03.385. Plate. From Chiusi: d.o.19. Found in 
same tomb as no. 7 below. 
Ann. Rep. Mus. Fine Arts, 1903, p. 70, no. 51: CIG. 7814: 
Bull. d. Inst. 1840, p. 4: AZ. 1848, p. 296: Hartwig, Jhb. 
1893, p. 161, note 6: Klein, LJ. p. 61, no. 5: Wernicke, 
p. 31: Beazley, VA. p. 14. 
I. Two youths in palaistra. +SENO$ON AOPOOEOS. 
Both names incised. } 


3. Lonpon, Brir. Mus. E 138. Plate (fragment). 
Cat. 11,‘p. 136: Beazley, V A> p. 14: 
I. Akontist. Second figure lost. 


4. NEw HAVEN, YALE 169. Plate: d. 0.185. 
Beazley, VA. p. 14, fig. 5. 
I. Ajax, Kassandra, and Athena. KATAAPA AIAS AOE- 
NAIA. 


5. YALE 170. Rlate: d-o-tas, 
Beazley, VA. p. 14. 
I. Dionysos and dancing silen. 


6. Paris, Louvre G67. Plate. From Etruria: d. 0.19. 
Cat. il, p. 922: Album, il, p. 150, pl. 96: Beazley, VA. p. 14. 
I. Theseus and Minotaur. 


- [144] 


7. ? Plate. Formerly in Blayds Coll. From Chiusi. Found 
in same tomb as no. 2 (Boston 03.385). 
Bull. d. Inst. 1840, p. 4: AZ. 1847, pl. 2 = Reinach, 1, 
p. 363.1: El. Cér. ili, p. 261, pl. 98 (represented in error 
as b.f.): Overbeck; KM. (Zeus), p. 479, 17, pl. 7, 18: 
Engelmann, de Jone, p. 19, J: Jhb. 1903, p. 53, no. 12: 
Hartwig, Jhb. 1893, p. 161, note 6: Klein, LJ. p. 61, no. 5: 
Hoppin, Harvard Stud. xii, p. 338, no. 3: Mellen, de Jur. 
fabula, p. 40: Beazley, VA. p. 14. 
I. Hermes, Io (as heifer), and Argos. HEPMES. 


SUBJECTS SHAPES 
Heroic, 1, 6, 7. Plate; 17. 
Epic, 4. 

Bacchic, 5. 


AgmMetic; 2.3. 


[145 ] 


CHACHRYLION 


Robert in Pauly-Wissowa, s.v. Chachrylion. 
Klein, pp. 124-134. 

Hartwig, pp. 17-70. | 

Perrot and Chipiez, x, pp. 380-386. 
Walters, i, p. 424. 

Nicole, Corpus 71. 

Beazley, VA. p. 14. 


Chachrylion is known to us only asa potter. Since the Munich 
Geryon kylix which he made is signed by Euphronios as painter 
(Euphronios 7*) and the other Chachrylion vases are emphatically 
not by the same hand he certainly employed at least two painters. 
As yet no comprehensive treatment of his painters’ work has been 
made and it is quite possible that the various signed vases are 
the work of several different hands. 

His signature is preserved on fourteen complete vases and 
seven fragmentary ones; all except one are kylixes. A kylix (18*) 
which bore his signature has now disappeared. 

The Chachrylion painter stands midway between the Epiktetan 
and Euphronian cycles and it may well be that he was the teacher 
of Euphronios. He uses the xad\és names Leagros and Memnon; 
the name Epidromos occurs only on attributed vases. 


1*, ADRIA, MusEo BoccuI 199. Kylix (fragment). 
Schone, Mus. Bocchi, p. 74, no. 199, pl. il, 4. 
Micali, Mon. Ined. p. 292, pl. 45, 3. 
Klein, p. 126, no. 5; Euphronios, p. 113 (fig.). 
Hartwig, p. 18, v. 
Jahrb. 1911, p. 180, fig. 80. 
Nicole, Corpus, 71, no. 5. 

I. Bearded man on couch playing kottabos. [+A]PV[VION 

EPJOILESEN]. 


- [146] 


C147] 


2*, ATHENS. Plate (fragment). From Acropolis. 
Athen, Mitt. 1888, p. 441. 
Hartwig, p. 17,1; p. 70. 
Nicole, CoE 7m, NO: 1. ee 


" EPOIESEN]. <3 


¢ 
‘- « 
ia 
6 
wf y i 
ae, * 
; 
~* 
DY 
é 
Tr r r 
’ 
1 
‘ 
oi 
*. 
‘ * 
2 
* 
a 
y 
\ a 
. Z 
Y 
} 
} 
ee 
« 7 E 
re . 
a ¢ 
48 
Pag ] ? 
PP nr 7 a 
af Be “ 
4 PE tit 
wipes 


3*. BERLIN 2267. Kylix. From Etruria: h. 0.13, d. 0.33. 
Cai, p.-542; no, 2267; 
Brunn, KG. ii, p. 702, no. 3. 
CIG, 8236. 
Klein, p. 125, no. 3; Euphronios, p. 314, no. 58. 
Hartwig, p. 36, pl. ii, 1. 
Nicole, Corpus 71, no. 7. 

I, Silen balancing kantharos on his back. +A.PYVION 

EROIESE. 


L 149 J 


1 
' 
} 
a 
: 
| 


see 


ay 


Pes 
———————— 


4*. BOSTON 95.33. Kylix. Formerly in Van Branteghem Coll. 


From Marion, Cyprus: h. 0.07, d.o.21. Found in same 
tomb as the Hermaios kylix, Brit. Mus. E 34 (Hermaios 
any. 

Ann. Rep. Mus. Fine Arts, 1895, p. 20, no. 21. 

Van Branteghem Sale Cat. no. 30, pl. 3. 


Burlington Cat. 1888 (Van B. Coll.), no. 7, pl. 3. 
Klein, p. 221. 


Nicole, Corpus 71, no. 3. 
Hartwig, p. 32, fig. 4. 


Beazley, VA. p. 14 (attr. to same painter as Hermaios, 
Nowe 


I. Maenad with krotala. +A-+PVVION EfPOIESEN. 


[ 150 ] 


5*. CAMBRIDGE 71. Kylix. Formerly in possession of Col. 
Peake. rom Vulci: h..o.125, d. 0.32. 
Ga p.44, pl. 27. 
Brunn, KG. ii, p. 702, no. 1 (points out DeWitte’s error 
in describing the vase as b.f.). 
CiG 35237. 
AZ. 1846, p. 206. 
Klein, p. 125, no. 2; Euphronios, p. 310, no. 39. 
fi aiivigop: 35, pl. 1,3. 
Nicole, Corpus 71, no. 6. 
I. Bearded komast with krotala and flute-case. +A+PVVION 
ErOIESEN. 


Lest J 


6*. FLORENCE. Kylix. From Orvieto: h. 0.10, d. 0.29. 
Bull. d. Inst: 1833, prea7. 
Milani, Stud. i, p. 233, fig. 95 (JZ). 
Mus. Ital. iii, pl. 2, p. 209 = Reinach, 1, p. 528. 
Sarnow, Theseussage, no. I. 
Klein, p. 128, no. 9. 
Roscher, lv, p. IOI, no. 1. 
Wernicke, Jhb. 1892, p. 212, note 9. 1. 
Hartwig, p. 19, Xv. 
Saglio, v, p. 228, fig. 6885 (Theseus and Prokrustes). 
Ely, JHS. 1888, p. 275; no. 12: 
Harrison and MacColl, p. 16, pl. x. 
Harrison, Myth. Int. fig. 23. 
Beazley, VA. p. 7. 
Gardiner, JHS. 1905, p. 281, fig. 18 (A). 
Pottier, Louvre Cat. ili, p. 907. 
Nicole, Corpus 71, no. 15. 
Harrison, Prolegomena, p. 635, a yy ete 0 | 
Wulff, p. 45 a. 
I. Flying Eros. HO PA:s KAV.S. 
A. Exploits of Theseus; Skiron, Kerkyon, Marathonian Bull. 
+A+PVVION --OESEN. 
B. Thesame; Sinis, Minotaur, and Prokrustes. --+-NAIOS ~ 
KAVOS +A+P.----- ETOIESEN EMOESEN: 


E152] 


L153 J 


C154] 


7*, Lonpon, Brit. Mus. E 4o (815). Kylix. From Vulci: 
po 255°C. 0:32: 
Cat. iii, p. 65. 
Durand Coll. 352. 
WV.D, pl. vii. 
Nicole, Corpus 71, no. 12. 
Murray, Des. no. 25 (Z). 
Brunn, KG. ii, p. 702, no. 4. 
CIG. 8234. 
Klein, p. 126, no. 6; Euphronios, p. 303, no. 13 (J). 
Hartwig, p. 18, xii. 
Beazley, VA. p. 12. 
Corey, p. 56. 
I. Amazon. +A+PVVION EfOIESEN (retr.). 
A. Dionysos, silen, and maenad. 
B. Komos. ‘The exterior is very fragmentary. 


L155] 


£156] 


8*, Brit. Mus. E 41 (827). Formerly Canino Coll. 1828. Kylix. 
From Doganella: h. 0.12, d. 0.324. The foot belongs 
to another kylix, 

CajAu..p, 66, 
Canino Coll, 1828, Cat. no. 560. 
Clee2 31, 
DeWitte, Descr, no. 115, 
Gerhard, Rapp, Volc. 705. 
Brunn, KG, ii, p. 702, no, 5, 
WV: pl, 7; 
Murray, Designs, no, 26 (J) and fig. 3 (A). 
Klein, p. 127, no. 8; Euphronitos, p. 307, no. 29. 
Mus, Ital. iii, pp. 236, 275, 276 (1). 
Corey, p. 44. 
Beazley, VA. p. 12. 
Harrison, Myth, and Mon, pp. cxxii, fig. 26 (J), cxxxix, 
fig. 36 (A). 
Hartwig, p. 19, xiv. 
Robert, Bild u, Lied, p. 112. 
Per, and Chip. x, p. 383, fig. 228 (J), p. 384, fig. 229 (A). 
Nicole, Corpus 71, no, 15, 
I, Youth with lyre and maiden. XAIPE $V. 
A, Theseus carrying off Antiope. VS (retr.) ANTIOPEIA 
PEPIOOS (retr. cf. Kretschmer, p.141). @OPBAS (retr.). 
B. Two boys on horseback, youth, and maiden. +A+VVION 
(retr.), 


L574) 


158 |] 


ip 


8* bis. Brit. Mus. 97.10-28.2. Kylix (fragments). 
Nicole, Corpus 71, no. 19. 
Brit. Mus. Guide*, 1912, p. 227. 
Arch. Anz. 1898, p. 237, no. 5. 
I. Archer. [+A+P]V\I[O]N [EPOIES]EN. 
A. Procession. 
B. Libation. 


L159] 


g*. PaLeRMo. Kylix. Formerly in Cassuccini Coll. From 
Chiusi: h. 0.12, d. 0.28. 
Inghirami, Mus. Chiusino, pls. 209-211. 
Saglio, i, p.1237, fig. 1578 (J). 
Klein, p. 129, no. 13; Euphronios, p. 302, no. 8. 
Wernicke, p. go. 
Hartwig, pp. 19-24, pl. i. 
Nicole, Corpus 71, no. 13 (attr. to Pamphaios), 
I, Young warrior raising shield. +A---V-ON KAVOS. 
A. Komos. HO PAIS NAI+I KAVOS ---O5 NEANIA. 
B. Same. HO PAIS KAVOS NAI+I1 KAVOS. 


[ 160 ] 


1o*, Paris, LouvRE G 35. Kylix. Formerly in the Canino Coll., 
and in Colls. R. Rochette and Paravey: h. 0.08, d. 
0.225. 

Cat. ili, p. 907: Album, li, p. 141. 
DeWitte, no. 79. 
Oi 5235. 
Klein, p. 125, no. 1; Euphronios, p. 304, no. 14. 
meruni vcr, 11, Pp. 7O2, no, 2. 
Nicole, Corpus 71, no. 2. 
Hartwig, p. 34, pl. il, 2. 
I, Amazon with bow and axe. +A+PVVION EPCIESEN. 


1 The vase is not a plate as stated by Hartwig, but the center of a kylix which 
has been cut down, 


Le teen 


11*, Louvre G36. Kylix: h. 0.10, d. 0.27. 
Cat. ili, p. 907: Album, ii, p. 141, pl. ot. 
Klein, p. 128, no. 10; Euphronios, p. 306, no. 24 (the 
name of Memnon was falsely read by Klein). 
Hartwig, p. 18, 1x. 
Nicole, Corpus 71, no. 9. 
Per. and Chip. x, pp. 382-383, figs. 225-227: 
I. Youth playing ball. +A+-.---ON. 
A. Crowning of a victor. HO ls KA O (retr.) NEA (retr.) 
..- OS (retr.) - - - OS (retr.) KAVOS (retr.). 
B. Ablutions in the palaistra. HO PAIS KAVOS (retr.) 
NEAIA (retr.) KAVOS. Klein reads one xadés too many. 


_ L162 ] 


[ 163 J 


164 | 


12*, Louvre G37. Formerly in Campana Coll. Kylix (frag- 
ments). 
Cat. iii, p. 908: Album, ii, p. 142, pl. ot (Z). 
Klein, p. 128, no. 11 (false description); Euph. p. 306, 
no. 23. 
Hartwig, p. 18, x. 
Nicole, Corpus 71, no. Io. 
I. Youth preparing to throw the akontion. +A+PVVIO- 


EPOIESEN. 
A. Only a hand holding a lance, and traces of a horse’s hoof, 
preserved. ---A--- 


[165 1] 


13*. Louvre G 38. Kylix. From Etruria: h. 0.105, d. 0.26. 


oS 


Cat. ili, p. 90g: Album, il, p. 142. 

Klein, p. 129, no. 12; Euphronios, p. 307, no. 27. 
Hartwig, pp. 24-28, figs. 2.a-c. 

Nicole, Corpus 71, no. 11. 

Apoxyomenos. +A+-VVI.-N EPOIESE. 


. Concert (cf. Antaios krater of Euphronios). 
. Lower part of three youths. 


1 Klein by error gives the description of another vase for B. 


[267] 


14%. LouvrE G39. Kylix (fragment). 
Cat. ii, p. gog: Album, ii, p. 142, pl. or. 
Nicole, Corpus 71, no. 16. 
I. Part of an ephebos reclining on a cushion. XA[XPVVION 
EPOIESEN]. 


. [168 ] 


15*, Louvre. Kylix. Formerly in Rayet’s Coll. From Velani- 


15” bis. 


dezza (Attica). 
Not in the Louvre Cat. 
Pottier, Gaz. Arch. 1888, p. 172. 
Rayet, Bull. d. Ant. d. France, 1878, p. 48. 
Coll. Rayet, no. 146. 
Klein, p. 126, no. 4; Euphronios, p. 301, no. 3. 
Rayet and Collignon, p. 175, fig. 71. 
Per and Chip. x; p. 385; fig. 230-(Z). 
Nicole, Corpus, 71, no. 4. 
Hartwig, p. 18, no. iv. 
Youthful warrior, +A+PVV-ON E.--ESEN. 


PETROGRAD, Russ. ArcH. SoctEty.! Kylix (fragmen- 
tary). | 

Zapiskt Russ. Arch. Obschchesiva, 1913, pl. 1, 1. 

Probably no exterior pictures. Interior up to medallion, 
and exterior covered with brilliant orange slip like the 
Euphronios Geryon kylix. 

Youth with horse. XAD[P] V[VION] (retr.) E[MOIE- 

SEN]. 


1 I am indebted to Beazley for calling the fragment to my attention but I have 
been unable to secure a copy of the publication. 


L 169 | 


16*. Rome, Mus. TorLoniA, TRASTEVERE. Kylix. Formerly 
in Coll. of Aug. Castellani. From Vulci. 
Noél d. Vergers, Eirurze, ii, pl. 37, p. 30. 
Bull. d. Inst. 1868, p. 75. 
Klein, p. 130, no. 14; Euphronios, p. 300, no. 1 (1). 
Hartwig, p. 18, vill; Nachtrag, no. 1. 
Beazley, VA. p. 12. 
Nicole, Corpus 71, no. 8. 


I, Warnor, “At PVVEIONN aE ee 
A. Scenes in palaistra. MEMNON KA\VOs. 
B. Same. 


C170] 


[172] 


17*, SYRACUSE 21198. Kylix (fragment). From Gela: h. 0.115, 
d. 0.077. 
Orsi, Mon. Ant. Linc. 1907, p. 458, fig. 328. 
Nicole, Corpus 71, no. 17. 
Per.ana Chip. x, p. 380, note 1.} 

I. Youth (back view) grooming horse. +A+PVVWiUN 
ETOIESEN. ‘The outline of the horse’s back and belly is 
seen through the youth’s body. 

1 Perrot is inclined to believe that the vase is an ancient forgery as the execus 
tion is so inferior to the rest of the signed vases. This is quite possible (cf. Hoppin, 
Euthymides and his Fellows, p.57). At the same time, in spite of the faulty pro- 
portions, the fragment possesses a certain charming naiveté and after all the dif- 


ference in execution is no more marked than that to be seen in the work of other 
painters. 


Lu73-] 


ae OS 
Us 


<a 


18*, ? Kylix. Formerly in Bassegio’s possession, Rome. From 
Vulci. 
Mus. étr. 1186. 
Brunn, KG. ii, p. 703, no. 6. 
CIG, 8232. 
Wernicke, AZ. 1885, p. 254: idem, LN. p. 39, 7. 
Bl) Vinge Ne 
Stuart, ey jidcolocto: 2221 OT. 
Gerhard, Rapp. Volc. no. 705. 
Robert, Bild u. Lied, p. 159. 
Klein, p. 126, no. 7; Euphronios, pp. 314 (1), 316, no. 65. 
Hartwig, pp. 19, Xvi; 28-31, figs. 3-3b. 
Panofka, Aigenn. p. 41. 
Nicole, Corpus 71, no. 18. 
I. Silen with wine-skin and horn. +A+ PVVION EPOIESEN. 
A. Murder of Aegisthus. VE-AA-OS ---OS. 
B. Combat. 


[1751 


19*. ? Kylix (fragment). From Marzabotto. 


Gozzadini, Di un antica Necropoli a4 Marzabotto, p. 34; 
idem, Renseignements sur une anc. necr. @ Marzabotio, 
Dririyet: 

Klein, p. 130, no. I5. 

Nicole, Corpus 71, no. 20. 

Fragment of a foot of a kylix. ---PVVION EMOIEs..-. 


19* bis. v. Euphronios 7*. 


ATTRIBUTED VASES 


20. BALTIMORE. Kylix. From Italy: h. 0.11, d. 0.30. 


ai. 


AZ. 1885, p. 255, pl. 19, 2 (1) = Reinach, i, p. 462, no. 8: 
Milani, Mus. Ital. iii, p. 218, note 8, 284 (attr. to Euthy- 
mides): Klein, p. 132, no. 10: LI. p. 75, no. 20: Hartwig, 
Rom. Mitt. 1887, p 167; idem, MS. pp. 39-43, figs. 5 a-b. 
(attr. to Chachrylion): Wernicke, p. 41, no. 20 (vase 
falsely placed in New York): Nicole, Corpus 71, attribu- 
tions. 

I. Manand youth (part of man restored). VEAAPOS - AVOS. 

A and B. Komos (considerably restored). 

A. KAVOS. 

B. E-IAPOMOs -AVOs. 

Graffito on base FE. 


BERLIN Inv. 3239. Kylix. Formerly in Van Branteghem Coll. 
From Vulci: h. 0.045, d. 0.237. 

Van Branteghem Sale Cat. no. 33: Hartwig, pp. 51-54, 
pl. iv. (attr. to Chachrylion): Furtwingler, Arch. Anz. 
1893, p. 89, no. 35; idem, BPW. 1894, p. 144: F.R. ii, 
p. 84, note 1 (attribution denied): Klein, LJ. p. 78, no. 27. 
As the Ef in the inscription is modern, Hartwig’s reading 
of ETIAPOMOsS is incorrect. 

I. Fleeing Egyptian. VEAAPO-. E KAVOS. 

A and B. Herakles and Busiris. -EA--.--S. 


22. BRUSSELS, SOMZEE CoLL.! Kylix. Formerly in Van Bran- 


teghem Coll. From Chiusi: d. 0.242. . 


1 Whether the vase has remained in Brussels since the Somzée sale I have been 


unable to discover. 


[176] 


Van Branteghem Sale Cat. no. 32: CIG. 7819: Somzée Sale 
Cat. p. 9, no. 41: Mus. Chiusino, pl. 35: El. Cér. iii, 
p. 253, pl. 87: Panofka, Ezgennam. pl. ii, 2: Heilgdtter, 
pl. i, 7: Hartwig, Jhb. 1893, p. 169 (attr. to Chachrylion): 
Furtwiangler, Coll. Somzée, pl. 17: Klein, LI. p. 83, 6. 

I. Hermes Kriophoros. ETIAPOMOs KA\OSs. 

A and B. Very fragmentary. Traces of symposium. 


23. Lonpon, Brit. Mus. E 25 (850). Kylix: h. 0.07, d. 0.19. 
Meee so: C iG. 7510 b:* Klein, p. 132, no. 4: LI. 
p. 83, no. 3: Wernicke, p. 65, no. 6 (wrong number): 
Hartwig, pp. 44, v (wrong number), 46-47, pl. iii, 1 (attr. 
to Chachrylion). 
I. Kneeling youth. ETIAPOMOs KAVOSs I+IA\. 


24. Brit. Mus. E43. Kylix. Formerly in Van Branteghem 
Calls h.'0.076, d. 0.196. 
Cat. iii, p. 67: Van Branteghem Sale Cat. no. 31, pl. iv: 
Klein, LJ. p. 85, no. 10, fig. 21: Hartwig, pp. 44, vii, 50, 
pl. i, 3: Nicole, Corpus 71, attributions. 
I. Two warriors in combat. ETIAPOMOs KA\OSs. 


24 bis. PARIS, LOUVRE G 4o. Kylix (only bottom and foot pre- 
served). 

Cat. iii, p. gto: Album, ii, p. 142, pl. 91 (Z) (attr. to Chach- 
rylion): Cat. Campana, iii, 577: Klein, p. 220, no. 15 (imi- 
tation of Oltos): Hartwig, JHS. 1891, p. 347 (attr. to 
Pamphaios): Nicole, Corpus 71, (attr. to Chachrylion). 

I. Youth on couch. EPOIESEN. 

A and B. Traces of feet. 


25. LouvrE Gi12. Kylix (fragments). Formerly in Campana 
Coll. 
eee, O51 Saglio, i, p. 1584, fig. 2115; Iv, p. 967, 
fig. 5996: Klein, LJ. p. 84, no. 8: Wernicke, p. 65, no. 5: 
Hartwig, pp. 44, vi, 48, pl. ili, 2. 
I. Man and youth sacrificing a pig. ETIAPOMOs. Under 
exergue KAVOS. 


. i774 


26. PETROGRAD. Kylix. 
Mus. ér. 1425: CIG. 7817: Stuart, Archaeologia, 23, 
p. 220: Panofka, Ezgennam. p. 6: Klein, p. 133, no. 3: 
LI. p. 83, no. 5: Wernicke, p. 65, no. 2: Hartwig, p. 44, 1. 
I. Bearded man holding hare by the ears (Klein). Youth 
holding hare by ears, his dog behind (Hartwig and Wer- 
nicke). EMIAPOMOs KA\VOS. 


27. ? Kylix. Formerly in Canino Coll. 
Mus. étr. 1473: CIG. 7818: Panofka, Eigennam. p. 6, pl. i, 
7: Stuart, Archaeologia, 23, p. 224: Gerhard, Aus. Vas. 
pl..276, 5 = Reinach, ii, p. 135, 1§>17) es lel 
no. 2: LI. p. 83, no. 2: Wernicke, p. 65)0074:) blarewics 
Pp. 44, iv, 46 (attr. to Chachrylion). 
I. Manwith dog. EPIAPOMOs KAV\OSs. 


25. erin ae 
Panofka, Ezgennam. p. 6, pl. i, 4: Wernicke, p. 65, no. 4: 
AZ. 1885, p. 290: Klein, p. 134, nO. S291 ape aoa 
Hauser, Jhb. 1887, p. 106: Hartwig, pp. 44, ill, 45, fig. 6 
(attr. to Chachrylion): Gardiner, Greek Ath. Sp. p. 276, 
fig. 49 (Z). 
I. Youth by stele. EPIAPOMOS. 


SUBJECTS SHAPES 
Myth., 6*, 22. Kylix, 1*, 3*—19*, 20-28. 
Heroic, 62°95) |S “e107 one Plate, 258 
Epic, 18*. 
Bacchit;3 747540" OTHER ATTRIBUTIONS 
Military, 8* bis, 9*, 15%, 16%, Ambrosios Painter 3. 
18*, 24. Euphronios, 20, 33. 


Athletic, 11*; 12*, 13*; 167,17". 2Olicseae 
Komastic, 5*, 77, 9°, 20. 


Genre, 8* bis, 15*bis, 23, 25, 26, SIGNATURE (as potter) 
27°28. Euphronios, 7*. 

Symposium, 1*, 14%, 22, 24 bis. 

igor ss 


Ae 8a 


THE CHARMIDES PAINTER 
Beazley, VA. pp. 74-76. 


Several small vases which bear the name Charmides are 
obviously by the same hand, and are the work of a painter of 
the ripe archaic period to whom Beazley has given the name of the 
Charmides Painter. 


1. Boston 76.46. Formerly in Colls. Pagani, Peytriguet, Cas- 
tellani. Neck amphora (ridged handle). From Capua: 
20.322. 

Cat. p. 155, no. 424 with fig. (A): Cat. Castellani (1866), 
no. 58: Helbig, Bull. d. Inst. 1864, p. 177: Klein, LI. 
p. 144, no. g: Wernicke, p. 88, no. 11: Beazley, no. 1. 

A. Twosilens, one carrying his father pickaback. XAPMIAES 
KAVOs. 

B. Silen. 


2. Lonpon, Brit. Mus. E 289. Formerly in Blacas Coll. Nolan 
amphora. From Nola: h. 0.365. 

Cat. iii, p. 212: Gerhard, Ant. Bildw.i, pl. 32: CIG. 7883: 
Panofka, Eigenn. p. 70, pl. 3, 2: Welcker, Alt. Denk. 
V, p. 395, pl. A, 2: Wernicke, p. 87, no. 1: Overbeck, 
Moeeiet22, no. 54, pl. x, 1: Klein, LJ. p. 142, no. 2: 
Gerhard, Hyperbor.-Rém. Stud. i, pp. 156 ff.: R. Rochette, 
Mon. inéd. p. 262: Harrison, Prolegomena, p. 293, fig. 77: 
Cecil Smith, JH. iv, p. 97, no. 3: Beazley, no. 7. 

A. Judgment of Paris: Paris, Hera, Athena, Aphrodite, 
Eros. KAVE +A-M--ESs K-.-.-.! 

B. Hermes. 


3. Brit. Mvs. E 290 (old no. 864). Nolan amphora. Formerly 
in Hamilton Coll.: h. 0.365. 

Cat. iii, p. 213: CIG. 7616 b: Cecil Smith, JHS. iv (1883), 

pp. 96 ff., pl. 30: Hartwig, p. 447, note: Philolog. 50 (n.f. 


1 There is no trace on the vase of the Timoxenos inscription or the caduceus as 
given in the older publications. 
[179 ] 


iv), p. 185, pl. 2: Wernicke, p. 88, no. ro: Klein, LI. 
p. 143, no. 3: Roscher, s.v, Herakles, pp 2gr5meaeme oe 
p. 2083, fig. 1: Beazley, no. 2: Harrison, Prolegomena, p. 
174, fig. 18: Saglio, iii, p. 112, fig.-3783 (A). 

A. Herakles and Geras. MEPAS+APMIAES KA\VOS. 

B. Youth. KA\VOSs. 

The inscription on reverse occurs in the plate of the JHS. 
Not mentioned in catalogue. 


. Brit. Mus. E 292. Formerly Blacas Coll. 74. Nolan 
amphora. From Nola: h. 0.34. 

Cai, ill, p. 213: Panotka, -Eigenn. pp. 349.893. orea 
Wernicke, p. 84, no. 2: Klein, LJ. p. 144, no. 7: Beazley, 
no. 4. 

A. Two silens pursuing 

B. Running maenad. 

A. TIMA+SENOsS KAVOS +APMIAES KAVOS. 

B. KAVOSs. 

Graffito on base B. 


. Brit. Mus. E 293 (old no. 858). Formerly Durand Coll. 46. 
Nolan amphora. From Nola: h. 0.327. 

Cat. ili, p. 214: CIG. 7882: Gerhard, Ant. Bildw. mir 555 
3 (B), 56,1 (A): Panofka, Eigenn. p. 73, pl. iii, 8: El. Cér. 
iv, p..176, pls. 45, 46: R. Rochette, Mon. wéd. p, 225, pl. 
44, 2: Furtwangler, Eros in d, Vasenmalerei, p. 15: 
Wernicke, p. 84, no. 1: Klein, LJ. p. 146, no. 2: Beazley, 
Nos: 

A. Flying Eros catching a hare. TIMO+SENOS KA\VOS. 

B. Flying Eros with taenia. KA\OS. 


. Brit. Mus. E571. Lekythos. From Gela: h. 0.343. 
Cat. iii, p. 324: AZ. 1864, p. 163, no. 7: Cecil Smith, 
JHS, iv, p. 97, no. 10: Wernicke, p. 86; no. 15 sem 
LI. p. 146, no. 19: Beazley, no. 9. 

A. Eros flying with a hare in each hand. +APMIA Es 
KAVOSs. 


. Paris, Cas. D. MED. 366. Nolan amphora. From Nola: 
ho.345, 


. [80 | 


mare, 207: CIG. 73880: “El. Cér, iv, p. 181, pl. 51 (A): 
Panofka, Eigenn. p. 35: Schulz, Bull. d. Inst. 1842, p. 13: 
Pequeomin, JS. iv, p..97, no. 5: Klein, LI. p. 145, 
no. 15: Wernicke, p. 88, no. 7: Beazley, no. 8: drawing 
in the Berlin Apparatus, xxiii, 30. 
A. Flying Eros with shield and spear. KAAOS +APMIAES. 
B Vouth; «KAAOs. 


8. Paris, Louvre G 211. Formerly in De Witte’s Coll. Nolan 
amphora: h. 0.335. 
Cai. in, p. 1025: Beazley, no. 6. 
A. Eros with lyre and dog. KAVOS. 
B. Youth. KAV\OSs. 


9g. ? Nolan amphora. Formerly in collection of Gen. Cella. 
Pepe. s.i, pl. x = Reinach, 1, p. 475, 3-5: Klein, 
ele 144, 0.2: Beazley, no. 3. 
A. Herakles and Amazons. HIffONIKE (r.) +ADMIAES 


KAVOS. 
B. Warrior. \XADMIA. - 
KAVOs. 
SUBJECTS SHAPES 

ey iis. 5. 0, 7,9. Nolan: 2—5:"7—-0. 

p) p) ) ? p) A h b) 5) 
Heroic, 3, 9. ma ora | Neck, 1. 
Epic, 2. Lekythos, 6. 
Bacchic, I, 4. 


[ 181 || 


CHELIS 


eur pp. lt0—-11 7. 

Nicole, Corpus 72. 

Furtwangler, F.R. 1, pp. 231-232. 
Sauer, in Thiemes Lexikon s.v. Chelis. 


Very little is known about the potter Chelis. We have five 
vases signed by him, one (4*) an eye kylix of the mixed technique 
and the others ordinary r.f. kylixes. His painter belongs to the 
early period of the Epiktetan cycle, and the use of the name 
Memnon connects him with Chachrylion. Beazley assigns 2* 
to the Hermaios painter and 5* to the painter of the vases signed 
by the potter Euergides. 


¥*: 


? Kylix! (fragment from the center of a kylix). Formerly 
in Van Branteghem Coll. 
lem. 217, no. 5. 
Van Branteghem Sale Cat. no. 13. 
Benndorf, GSV. pls. 29, 20 (facsimile of signature). 
Dumont-Chap. 1, p. 8. 
Nicole, Corpus 72, no. 5. 
I. XEVIS: ETOIESEN. 


1 T have been unable to trace the present whereabouts of the fragment. 


[ 183 J 


2*, MUNICH 2589 (736). Kylix. 
Cat. (Jahn) p. 229. 
Gerhard, Rapp. Volc. 706. 
Bull. d. Inst. 1829, p. 84. 
Brunn, KG. ii, p. 667. 
CIG. 8318. . 
Klein, p. 117, no. 3: Euphronios, p. 315, no. 64. 
FRET Dp si 232 he 
Beazley, VA. p. 14 (attr. to Hermaios Painter). 
Nicole, Corpus 72, no. 3. 
I. Silen running with wine-skin. XEVIS EPOIEl. 
A. Dionysos, maenad, and silen. 
B. Silen and maenad. 


C184] 


3". NAPLES 81329 (H 2615). Eyekylix.! From Etruria: h. 0.16, 
d. 0.36. 

Cat. p. 352 (inscription on pl. vi). 
Klein, p. 116, 2; Euphronios, p. 298, no. Io. 
Wernicke, p. 44, no. 5. 
Nicole, Corpus 72, no. 2. 

I. Silen running with krotala. [X]JEVIs EPOIESEN. 

A. Maenad between two mules. MEMMNON KAV\VOS. 

B. Between eyes: silen with horn and wine-skin. 


1 The exterior possesses the peculiarity of having eyes on one side only. Fora 
similar case cf. Pheidippos 1*. 


[ 186 ] 


L 187 ] 


4*, Paris, Cas. D. MED. 335. Eye kylix. From Vulci: h. 0.148, 
d. 0.36. 
Cais1s, 2302N0. 235 
Dubois, Vases de Cantino, no. 180. 
Mus. éir. 1915. 
CIGEB210; 
Brunn, KG. ii, p. 667. 
Milliet-Giraudon, pls. 51-53. 
Klein, p. 116, no. 1; Euphronios, p. 295, no. 18. 
Robert, in Pauly-Wissowa, p. 2226. 
Nichols, AJA. 1902, p. 328, no. 8. 
Kretschmer, pp. 74, 124. 
Nicole, Corpus 72, no. I. 
I. b.f. Silen running with horn. XEVIs EPOIESN. 
A.r.f. Youth with stick. 
Borie Plann 


[ 188 ] 


L 189 J 


5*, Paris, LouvRE Gris. Kylix. From Vulci: h. 0.14, d. 0.35. 
Cat. iii, p. 895: Album, ii, 138, pls. 89 (Z), 90 (A). 
Klein, p. 117, no. 4; Euphronios, p. 305, no. 21. 

Girard, Educ. Athén. p. 194. 
Brunn, KG. ii, p. 667. 
Per. and Chip. x, p. 366, figs. 211 (J), 212 (A). 
Holwerda, Jhb. 1889, pp. 30 ff. 
Beazley, JHS. 1913, p. 349, no. 9 (attr. to Euergides 
Painter): idem, VA. p. 109. 
GIG. 8320. 
Nicole, Corpus 72, no. 4. 
I, Youth with halteres. Much repainted. +[EVI]= 
PrOlESVN. . | 
A. Youths with horses. 
B. Six athletes. Dolphin under each handle. 


[ 190 J 


IQI 


SUBJECTS 


* 
2°; 3 


Bac 


* 


2 


* 


C, 


ce 


Athletic, 


Genre, 4*. 


% & 


THE PAINTER OF THE CHICAGO STAMNOS 
Beazley, VA. pp. 154-157. 


The work of the Villa Giulia Painter, according to Beazley, 
was continued by a pupil and imitator who stands to his master 
in very much the same relation as does the painter of the Berlin 
Nike hydria to the Niobid Painter. Frickenhaus had failed to 
distinguish between their styles and had attributed the stamnos 
in Chicago to the Villa Giulia master himself. 


1. Boston o1.8082 A. Formerly in Pascale Coll. Stamnos (with 
cover). From Sta. Maria di Capua: h. 0.333. 
Beazley, no. 7, fig. 94 (detail of A): Petersen, Rim. Mitt. 
1893, P. 339, No. 22. 
A. Komos: youth and two men. 
B, Same: man, youth, and flute-girl. 


2. BOSTON 01.8083 A. Formerly in Pascale Coll. Stamnos. 
From Sta. Maria di Capua: h. 0.33. 
Beazley, no. 6: Petersen, Rom. Mitt. 1893, p. 339, no. 23. 
A. Three maenads. 


B. Same. 
3. Cuicaco, ART INSTITUTE 35. Stamnos. From Capua ?: 
He0.373. 


Frickenhaus, p. 38, no. 25, pl. iv (attr. to the Villa Giulia 
P.): Beazley, no. 1: Furtwangler, N. D. iii, p. 247, no. 5. 
A. Table with kantharos, and three maenads. 
B. Three maenads. 


4. HEIDELBERG B 107. Stamnos (fragment). 
Beazley, no. 3. 
A. Peleus and Thetis. 
peeewccn. -Pelike. 
F.R. ii, pp. 27-28, pl. 66, 2, and fig. 11 (B): Buschor, 
p. 195, fig. 142: Beazley, no. ro. 
A. Polyneikes and Eriphyle. 
B. Woman and youth. Senseless inscriptions. 


L 193 ] 


IO. 


Il. 


125 


Lonpon, Brit. Mus. E 199. Formerly in Blacas Coll. Kalpis. 
From Nola: h. 0.28. 
Cat. til, p. 1661: Beazley, no. 16: Folzer; pari6pmen2ta 
A. Eos and Kephalos. 


. Brit. Mus. E 361 (old no. 924). Pelike. Formerly in 


Hamilton Coll.: h. 0.21. 
Cat. iii, p. 238: d’Hancarville, ii, pl. 42; iv, pl. 88: Beaz- 
ley, loss 12. 
A. Woman and youth. 
B. Old man and youth. 


Brit. Mus. E 383 (old no. 744). Formerly Canino Coll. 638. 
Pelike. From Vulci: h. 0.416. 
Cat: ut, p. 247: Beazley; no.73, tisaon. 
A. Apollo and Artemis. 
B. ‘Two women. 


NaPLEs 81325 (H 3161). Kalpis. From Nola: h. 0.38. 
Cat. p. 485: Mus. Borbonico, ii, pl. 18: AZ. 1845, p. 66, 
pl. 29, 2 = Reinach, i, p. 357, 5: Hl. Cér. ii, pl. 28: Rega- 
Patroni, Vas. Vivenzio, pl. 20: Pottier, Gaz. Arch. 1880, 
p. 117: Beazley, no. 13: Bull. d. Inst. 1842, ppee2ee on 
the older literature v. Heydemann, Cat. 

A. Judgment of Paris; or Orpheus, Hermes, and Thracian 
woman. Much dispute as to the identity of the figures. 


NEw YorK 06.1021.190. Kalpis: h. 0.208. 
Sambon, Coll. Canessa, pl. viii, no. 100: Burlington Mag. 
Ix, Dp. 208) fig. .6:- Beazley inosine: 

A. Peleus and Thetis. 


NEw YorK 06.1021.192. Kalpis: h. 0.311. 
Sambon, Coll. Canessa, pl. viii, no. 99: Beazley, no. 14. 
A. Peleus and Thetis. 


OXFORD 1911.619. Stamnos. 
Arch. Anz. 1912, p. 611: Beazley, no. 2. 
A and B. Peleus, Thetis, and Nereids. 


1 The reference in the Cat. to Panofka’s article in the Amn. d. Inst. 1829, p. 290 
has nothing to do with the vase. 


L194 ] 


13. OXFORD 1914.16. Stamnos (fragment). 
Beazley, no. 4. 
A. Head of Dionysos. 


14. PALERMO 1109. Pelike. From Girgenti: h. 0.395. 
Panofka, Ann. d. Inst. 1835, p. 82: Mon. d. Inst. ii, pl. 17 
= Reinach, i, p. 93, 2-3: Heydemann, Dionysos’ Geburt, 
p. 22: idem, Satyr- u. Bakchennam. p. 13, E: Kretschmer, 
p. 198: Beazley, no. 9. 

A. Hermes delivering baby Dionysos to ‘Ariagne.’ APIAT NE 
HEPMES (r.) AIONV20O2. 
B. ‘Two women. 


15. Paris, Cas. D. MED. 394. Formerly in Canino Coll. Pelike. 
From Vulci: h. 0.425. 
Cat. p.288, p. 289, fig. 60 (A), pl. xiv (B): DeWitte, Caz. 
dune coll. proven. de fouilles faites en Hirurte, p. 41, 150: 
Beazley, no. 11. 
A. Young warrior and woman. 
B. Youth and woman. 


16. Paris, Louvre G 418. Stamnos: h. 0.365, d. 0.165. 
Not mentioned in Catalogue: Beazley, no. 5. 
A. Departure of youth. 
B. Three women. 


SUBJECTS SHAPES 
Myth., 6, 8, 9. Relikerse7 Scola 15. 
Heroic, 4, 10, 11, 12. Stabiuies, I-4.el2, 13,:10. 
Epic, 5. Hydria, Kalpis, 6, 9-11. 


Bacchic, 2,3; 13, 14. 
Military, 15, 16. 
Komastic, 1. 

Genre, 7. 


[195 ] 


THE PAINTER OF THE CHRYSIS HYDRIA 
Beazley, VA. p. 183. 


A very minor artist of the Polygnotan group has been thus 
called by Beazley after a hydria kalpis in New York. 


1. CASTLE ASHBY 27. Kalpis. 
Beazley; no. 3: 
Dionysos and maenads. 
2. Lonpon, Brit. Mus. E 503. Formerly in Castellani Coll. 
Bell krater. From Capua: h. 0.347, d. 0.362. 
Cat. ili, p. 305: Heydemann, Satyr- u. Bakchennam. p. 24: 
Frankel, Satyr- u. Bakchennam. pl. 3 (A): Smith, Dict. 
Antig. ii, p. 839: Kretschmer, p. 174: Beazley, no. 6. 
A. Dionysos, two maenads, and silen. AIONYSO02 BA++H 
OPANIA KAAOS. 
B. Three youths. 


3. NEW YorK 06.1021.185. Kalpis: h. 0.432. 
Sambon, Coll. Canessa, p. 34, no. 104, pl. 8: Canessa Sale 
Cat. pp. 37, no. 113, 38: Le Musée, 1, p. 297: Beazley, no. r. 
Toilet scene: six women. XPV3I= $IAH. 
4. PETROGRAD. Kalpis. 
Antiq. d. Bosp. Cimmeér. pl. 54, 6: Beazley, no. 4. 
Youth and five women. 
5. VIENNA, HoFMuUSEUM 246. Kalpis: h. 0.348. 
Sacken u. Kenner, p. 239, no. 246: Tischbein, v, pl. 40 = 
Reinach, ii, p. 345 (wrong number): Dubois-Maison- 
neuve, pl. v (incomplete): Beazley, no. 5. 
A. Toilet scene: five women. 


6. ? Kalpis. Formerly in Roman market, Campanari. 
Gerhard, Aus. Vas. iv, pls. 302-303, 1, 2 = Reinach, i, 
D. 140,50, 4°" Beazley ano .2- 
A. Youth and five women. 


SUBJECTS SHAPES 
Bacchic, 1, 2. Hydria, Kalpis, 1, 3-6. 
Genre, 3-6. . Bell krater,-a 


<P ey] 


THE COLMAR PAINTER 
Beazley, VA. pp. 81-82. 


To an anonymous artist, the painter of a kylix in Colmar, 
Alsace, who was a contemporary of the Panaitios Painter, Beazley 
has given the name of the Colmar Painter. Several of Beaz- 
ley’s attributions (5, 11, and 14) have been assigned by Hartwig 
to the Lysis Painter. 


1. Boston, Hoppin Coty. Kylix!: h. 0.08, d. 0.196. 
Beazley, no. 16. 
I. Maenad running with thyrsos. 


t bis. CoLMAR, SCHONGAUER Mus. 36 (48). Kylix. Formerly 
in Campana Coll.: d. 0.32. 
Arch. Anz. 1904, p. 53 figs. 6a (1), and b (A): Beazley, no. 
10: Jacobsthal, Gott. Vas. p. 42, no. 6. 
I. Man on couch. 
A. Athletes. HO [AIS KAVOS (three times). 


2. CORNETO 1912. Kylix: h. 0.091, d. 0.235. 
Beazley, no. 14. 
I. Youth leaning on stick. 


3. FLORENCE 3944. Kylix: d. 0.235. 
Beazley, no. 3. : 
I. Youth putting on greaves. 
A and B. Athletes. 


4. FLORENCE.? Kylix. 
Beazley, no. 12. 
I. Komast. 
A. Herakles and Antaios. 
B. Theseus and Sinis ? 
1 This kylix which was bought by me in Rome is now on loan in the Boston 


museum. 
2 Curtis was unable to find this vase. 


[197 ] 


Io. 


Lt. 


HARROW 53. Kylix: h. 0.096, d. 0.235. 
Cat. p. 18: Hartwig, p. 650 (attr. to the Lysis P.): Klein, 
LI, peiis, no: 177 Beazley. 020, 

I. Nude komast dipping wine from a krater.! 


A and B. Youths; three on each side. On base of astele NN ae 


| KA\VO. 

Lerpzic. Kylix. From Caere. 
Beazley, no. 4. 

I. Athlete with akontia and halteres. 

A and B. Warriors in combat. 


LEIpzic 514. Kylix (fragments). 
Beazley, no. 9. 

I. Silen and maenad. 

A and B. Silens and maenads. 


MunicH 2667 (Jahn 562). Kylix. 
Jiithner, Ant. Turnger. p. 47, fig. 41 (A): Gardiner, JHS. 
1907, p. 262, fig. 9: idem, Greek Ath. Sports, p. 340, fig. 
100: Beazley, no. 7. 

I. Komast. 

A and B. Athletes. HO PAIS KAVOs. 


OXFORD 300. Kylix. From Chiusi: d. 0.20. 
Cat. p. 28, pl. 22, 1 (‘school of Epiktetos’): Beazley, 
no. 13, fig. 50. 

I. Boy with hoop. [H]O PAIS KAVOs. 


Paris, Cas. D. MED. 521. Kylix (fragments). 
Cat. p. 391: Beazley, no. 5. 
I. Two athletes (jumper and akontist). 
A and B. Legs of three runners and traces of a fourth. 


Paris, LouvrE G 135. Formerly in Canino Coll. Kylix. 
From Vulci: h. 0.13, d. 0.31. 
Cat. iii, p. 971: Dubois, Not. Canino, no. 99: CIG. 7851: 
Canino, Notice, p. 72, no. 263: Barthélemy, Notice, p. go: 
Panofka, Eigenn. p. 10, 46, note 36: Hartwig, p. 652 
(attr. to the Lysis P.): Klein, LJ. p. 115, no. 9: Wer- 


1 A duplicate of interior on Louvre G 133 (L.L.L. 19). 


~ [108] 


nicke, p. 75, no. 2: Beazley, no. 1: Jacobsthal, Gott. 
Vas. p. 46, no. 7. 

I. Man on couch with flute-girl. .On a kylix in field WsIs 
KAVOS. ‘Traces of 6 mats kados. 

A. Return of Hephaistos. B. Dionysos, silen, and maenads. 


12. Paris, Petir Paras. Rhyton (mule’s head). 
Beazley, no. 17. | 
A. Old man and youth. 


13. PHILADELPHIA MS 4871. Kylix. From Orvieto. The vase 
is very fragmentary. 
Beazley, no. 11. 
I. Komast. A and B. Symposium. 


14. ROME, VATICAN 573. Kylix. From Vulci: d. 0.21. 
Mus. Greg. ii, pl. 71, 4 (75, 4): CIG. 7907: Helbig-Reisch, 
i, p. 342, no. 573 (220): Hartwig, p. 649 (attr. to the 
Lysis P.): Klein, LI. p. 115, no. 6: Beazley, no. 2. 
I. Hoplitodromos. On shield-rim \. $I. In field HO PAls. 
A. Man between two youths. 
B. Flute-player between two youths. 


15. VIENNA, HOFMUSEUM. Kylix. 
Beazley, no. 8. 
I. Youth on couch playing kottabos. 
B. Silens and maenads. 


foe evix. From Italy: d. 0.23. 
Cat. Vente Hétel Drouot, 15-16 juin <i Dine iks 213" 
Beazley, no. 15: Van Branteghem Sale Cat. no. 82. 
I. Youth running with hare. 
A and B. Hoplitodromos. HO PAIS KAVOS (twice). 


SUBJECTS _ SHAPES 


Heroic, 4. Rhyton, 12. 
Peecmicnt 7,11, 15. Kylix, I-11, 13-16. 
Military, 3, 6, 14, 16. 

Komastic, 4, 5, 8, 13. 

Genre, 2, 9, 12, 16. 

Symposium, 1 67s, 11, 13, I5. 

Athletic, 1, 3, 6, 8, 10. 


[ 199 J 


THE PAINTER OF THE COPENHAGEN AMPHORA 
Beazley, VA. p. 63, note I. 


A nameless painter of the ripe archaic period, who stands to 
the painters of that time in very much the same relation as 
Douris in his later years to his contemporaries, is the artist called 
by Beazley the Painter of the Copenhagen Amphora. 


1.. ATHENS CC. 1187, 1685; 3825. -Pelike: saa ae 
Cat.p.-374.- Beazley. no, 3. 
A. Woman. 
B. Youth. 


2a-b. ATHENS Gi14 and Gi4q4. Volute krater. From Acro- 
polis. Two fragments. 
Beazley, nos. 5 and 6. 
a. G114. Artemis and Apollo. 
b. G144. Apollo and Herakles, tripod contest. 
3. BERLIN 2184. Stamnos. From Vulci: h. 0.345. 
Cat. p. 505: Gerhard, ECV. p. 35) pigeon 
Overbeck, HG. p. 695, pl. 28, 10: Jahn, AZ. 1860, p. 43: 
Welcker, Ann. d. Inst. 1853, p. 277, pl. H = Reinach, i, 
p. 296, 2: Kalkmann, Jhb. 1896, p. 26, 9 (detail of A): 
Baumeister, li, p. 1113, fig. 1310: Robert, Bild u. Lied, 
pp. 150 ff.: Klein, LZ. p.-126, 5:> Wermmicke wigs 
Hauser, Jhb. 1912, p. 31, fig. 4: F.R. ii, p. 77, figs 4a (A): 
Beazley, no. 7: Roscher, i, p. 152 (detail of A): Duruy, 
Hist. ii, p. 254 (A): Hartwig, p. 578: Welcker, Alt. Denk. 
v, p. 297 (A): Saglio, v, p. 537, fig. 7165 (fig. of Klytaim- 
nestra: WV.1, pl. 1, 1. 
A. Death of Aegisthus. A-AISOOS (r.) OPESSTES 
KVVTA-MEST“A (r.) EV. KTRA. 
B. Scene in palaistra. N[I]KOSTRATOS (r.). 
4. COPENHAGEN 125. Amphora. 
Ussing, To graeske Vasez. p. 7, pl. 1: Beazley, no. 1. 
A. Old man walking, attended. by black boy. 
B. Youth buying amphora. 


[200 J 


5. Lonpon, Brit. Mus. E163. Formerly Canino Coll. 1693. 
Hydria. From Vulci: h. 0.563. The vase is of the older 
shape. Decoration on body only. 

Cat. ill, p. 148: Stuart, Archaeologia 23, p. 242: CIG. 
7748, 8345 q: Birch, Class. Mus. ii, p. 417: Rev. Arch. 
Pee o21; Folzer, p, 116, no. 187: AZ, 1846, p. 287: 
Pyl, de Medeae Fab. p. 60: Aus. Vas. iii, p. 28: Heyde- 
mann, Jason in Kolchis (Hall. Winck. Progr. 1886), p. 19, 
note 48: Hackl, p. 50, no. 569; 51, 576: Schone, p. 658, 
no. 31: Beazley, no. 4: Roscher, s.v. Jason, pp. 84-85. 

Renewing of Jason’s youth. MEAEIA (r.) IASON. 

Graffito on base AHK VAPI. Also a monogram like Hackl, 
fe. no, 575 (0. plate). 

6. Brit. Mus. E 350 (old no. 808). Formerly Canino Coll. 42. 
Diota. From Etruria: h. 0.455. 

Cal. iil, p. 234, pls. 13 (A), 18, 1 (B), ( after Douris’): 
Murray, Handbook, pl. vii, 2 (A): CIG. 7449: Jahn, 
Vasenb. p. 25: Heydemann, Satyr- u. Bakchennam. p. 27: 
Klein, LI. p. 130: Beazley, no. 2: Saglio, i, p. 814, fig. 
4256 (head of nymph). 

A. Dionysos and nymph. AIONV20O& (r.) NVN¢AIA HO 
PAIS KAVO8. 

B. Two women. KAPTON KA\O. (r.) KAVE NAIXI (z.). 


7. Brit. Mus. E 442 (old no. 784). Formerly Canino Coll. 
1492. Stamnos. From Vulci: h. 0.345. 
Cat. iii, p. 270: Beazley, no. 8: W. Miiller, p. 29, no. 16: 
Wulff, p. 46. 
A. Theseus and Marathonian bull. 
B. Theseus and Prokrustes. KA\VOS. 


8. MunicH 2408 (Jahn 343).!_ Stamnos. 
Cat. (Jahn), p. 107: Beazley, no. 9. 
A. Daughters of Pelias. 
B. Women and old man. 
9. Paris, Louvre Gi14. From Etruria. Stamnos: h. 0.255, 
d.o.18. The vase is in very bad condition. 


1 Cf. Aus. Vas. pl. 157, 3-4 = Reinach, ii, p. 81, 3, 4. According to Jahn the 
vase in the Aus. Vas. is a duplicate of the Munich vase, but not the same. 


[ 2or ] 


Cat. iii, p. 952 (‘style suggests group of Hieron and 
Douris’): Beazley, no. 10: Saglio, iv, p. 1456, fig. 6565 (A). 


A. Herakles and Dionysos at banquet. TOITENAE VWVKOI. 
B. Three women running. 


10. LouvrRE Gigo. Formerly in Campana Coll. Stamnos: h. 


0.335, d.0.175. The vase is in bad condition. 
Not mentioned in Catalogue: Beazley, no. 11. 


A. Men and youths. 
B; Same. 


11. WURZBURG 316. Stamnos. Formerly in Feoli Coll.: h. 0.35. 


Cat. p. 71: Panofka, Arch. Anz. 1847, p. 24: Boehlau, AZ. 
1883, pp. 215-222, pl. 12 = Reinach, i, p. 449: Beazley, 
no. 13: Walters, li, p. 150: Harrison, Myth. p. 84, fig. 
19 (A): Baumeister, iii, p. 1988, fig. 2132 (A): Duruy, 
Hist. i, p. 452 (A): AJA. 1918, p. 151, fig. 5. 


A. Harmodios and Aristogeiton. 


B. Komos. 
12. ? Stamnos. Formerly in Campanari’s possession, Rome. 
From Vulci. 
DeWitte, Cab. Durand, no. 38: Gerhard, Aus. Vas. pl. 
301 = Reinach, li, p. 148, 6-7: Heydemann, Pariser 
Antiken, p. 89 (A): Beazley, no. 12: Baumeister, iii, 
p. 1919, fig. 2034: Saglio, i, p. 363, fig. 455: Schreiber, 
Bilderail. pl. 82, 1 (A). 
A. Women folding clothes. 
B. Woman, youth, and man. 
SUBJECTS | SHAPES 
Myth., 2 a. | - Amphora, 4. 
Heroic, 2b, 5,7; 8: Pelike, 1. 
Epic, 3. Stamnos, 3, 7-12. 
Bacchic, 6, 9. Hydria, b.f. form, 5. 
Historic, 11. Krater, Volute, 2. 
Athletic, 3. Diota, 6. 


Komastic, I1. 
Genre, I, 4, 10, 12: 


_ [ 202 ] 


THE PAINTER OF THE DEEPDENE TROPHY PELIKE 
Beazley, VA. pp. 161-162. 


To the painter of the pelike at Deepdene,! representing Nike 
erecting a trophy, Beazley has given this name. The artist was 
active during the early period of the Fine Style. 


1. BERLIN 2354. Pelike. From Nola: h. 0.25. 
Cat. p. 639: Frankel, AZ. 1876, p. 125, pl. 11 = Reinach, 
1, 417, 5-7: Heydemann, Bull. d. Inst. 1869, p. 191, no, 
12: Genick, pl. 23, 3: Winter, JAV. p. 60, 20: Beazley, 
no. 4. 
A. Athena and man. 
B. Woman. 


2. BRUNSWICK, BowDOoIN COLLEGE. Lekythos: h. 0.26. 
Beazley, no. 6, fig. 98. 
A. Woman seated, and woman standing with lyre. On foot- 
stool KA... 


3. DEEPDENE 84. Pelike. 

_ Sale Cat. p. 16: Tischbein, iv, pl. 21 (A) = Reinach, ii, p. 
326, 4: El. Cér. i, p. 304, pl. 94: Inghirami, Vas. Fit. ii, 
pl. 164 (A): Migliarini, Ann. d. Inst. 1852, p. 101 (eye 
as detail): Beazley, no. 1: Roscher, iii, p. 326, 5 (A). 

A. Nike erecting a trophy. 

B. Youth. 


4. Lonpon, Brit. Mus. E 316. Formerly Castellani Coll. 1873. 
Nolan amphora. From Capua: h. 0.34. 
Cat. ili, p. 223, pl. xii: Hauser, Oesterr. Jhresheft. (viii), 
1905, p. 28, fig. 3 (A): Walters, i, pl. 36: Beazley, no. 5. 
A. Seated Athena and woman. 
B. Woman. 


5. Brit. Mus. E407 (old no. 930). Pelike. From Nola: 
h. 0.261. 


1 The pelike was acquired at the recent sale of the Hope Collection by the 
Boston Museum of Fine Arts. 
[ 203 ] 


Cat. ili, p. 255: Kekulé, de fabula Meleagreo, p. 40: Vogel, 
Scenen Eurip. Tragod. p. 85: Beazley, no. 3. 

A. Artemis and youth. 

B. Woman. 


6. PETROGRAD 732 (St. 1676). Pelike. From Nola: h. 0.25. 
Cat. ii, p. 259 (W. p. 94, pl. 1): CR. 1868, p. 79 = Reinach, 
i, p. §5, no. 13: Beazley, no. 2. 
A. Woman playing flute, woman playing lyre, and tiny Eros. 
B. Youth. : 


SUBJECTS SHAPES 
My tga ears Amphora, Nolan, 4. 
Genre, 2, 6. 3 Pelikejasyig-so: 

Lekythos, 2. 


[204 J 


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2 


THE DIOGENES AMPHORA PAINTER 
| Beazley, VA. p. 52. 

This artist is a contemporary of Myson and the Eucharides 
Painter, identified by Beazley. No. 2 in the list below was 
included by Hartwig in his list of attributions to the Diogenes 
(i.e. Foundry) Painter. 


1, BOSTON 13.200. Hydria: h. 0.417. 
Ann. Rep. Mus. F.A.1913, p. go: Bull. Mus. F.A. xii, p. 6: 
Beazley, VA. p. 52. 
Carpenter, Danae, Perseus, Akrisios, and Eurydice. 
Shoulder. Theseus and Marathonian bull. 


2. Lonpon, Brit. Mus. E 261. Formerly in Blacas Coll. 
Amphora. From Vulci: h. 0.56. 

Cat. ili, p. 197: Durand Coll. 430: Magnoncourt, 66: 
Gerhard, Rapp. Volc. p. 742, e: CIG. 7475 b: Gerhard, 
Aus, Vas. pl. 273 = Reinach, ii, p. 135, 1-2, (Gerhard 
falsely places the vase in the Vatican): Lenormant, Gaz. 
Arch. 1875, pls. 3-4, p. 13: Wernicke, p. 62, no. 3: Hart- 
wig, p. 385 (attr. to Foundry P.): Klein, LJ. p. 102, no. 3: 
Beazley, VA. p. 52: Hauser, F.R. ii, p. 281 (considers 
vase allied in style to the Kroisos amph., v. Myson 16): 
Hackl, p. 22, no. 67. 

A. Youths and boys. ANTIMENON (r.) ORASVKVEIAES 
(r.) AIOAENES (r.) KAVOS. 

B. Dionysos and silens. 

Graffito on base A. Dipinto on base OS. 


3. PETROGRAD. Column krater. From Kertsch. 
Cat. (W.) p. r110 (no number given): Beazley, VA. p. 52. 
A. Zeus and Athena. 
B. Missing. 


4. RoME, VATICAN 489 (84). Amphora. From Vulci: h. 0.46. 
Helbig-Reisch, Fiihrer, p. 308, no. 489: Mus. Greg. ii, pl. 


 [ 206 ] 


56, 1 (60, 1): Overbeck, KM. (Poseidon) p. 331, no. 8: 
pl. xii, 25 (A): Beazley, VA. p. 52. 

A. Poseidon and Polybotes. 

B. Warriors. . 

eens (=) KAYO FON Al, 


Graffito. 

SUBJECTS SHAPES 
Myth., 3, 4. Amphora, b.f. form, 2, 4. 
Heroic, 1. Hydria, b.f. form, 1, 
Bacchic, 2. Krater, Column, 3. 
Genre, 2. 
Military, 4. 


[ 207 ] 


DOURIS 


Frucht, Die signierten Gefasse des Duris. 
Pottier, Dourts, 
Helbig, Ann. d. Inst. 1873, pp. 53 ff. 
Michaelis, AZ. 1873, pp. 10 ff. 
P. J. Meier, AZ. 1883, pp. 1 fi. 

~ Klein, pp. 150-161. 
Reisch, Rim. Mitt. 1890, pp. 335 ff. 
Walters, 1, pp. 434-436. 
Robert, in Pauly-Wissowa, s.v. Duris. 
Sauer, in Thiemes Lex. 
Hartwig, pp. 200-230, 583-627. 
Hauser, BPW. 1906, p. 403. 
Furtwiangler in F.R. i, pp. 267-271: Hauser, ibid., iii, 

Ppp. 87-90. 

Waldhauer, Rev. Arch. 1913, 1, pp. 31-40. 
Buschor, p. 174. 
Perrot and Chipiez, x, pp. 523-554. 
Romaios, Ephem. Arch. 1907, pp. 219-238. 
Beazley, VA. pp. 97-100. 
Nicole, Corpus 74. 
Buschor, Jhb. 1916, pp. 74-95. 


With the exception of Hieron we have more signatures of 
Douris than of any other artist of the r.f. period. ‘Twenty-three 
complete vases are preserved today bearing his signature as 
painter and on one (13*) he adds the ézoinoev formula as well, 
thereby proving the existence of his own factory. Further, we 
have six vases in a more or less fragmentary condition, and a 
seventh (2*) which though lacking a signature is a duplicate of 
its fellow in Berlin (3*) which bears the joint signatures of Kleo- 
phrades as potter and Douris as painter. Four vases have en- 
tirely disappeared (36*—39*). All are kylixes with the exception 
of 1* (doubtful shape), 13* (kantharos) and 18* (psykter). 

In addition we have five lekythoi (7*, 32*-35*) which are 
obviously by the same hand and bear the name AORIS alone 
without the verb. Whether these were the work of Douris 


- £ 208 } 


has been hotly disputed. Klein and Beazley reject them abso- 
lutely; Hartwig, Pottier, Perrot, and Romaios accept them. 
From their style as well as the forms of the letters employed, the 
latter view seems to have some good reason. 
The usual form of the signature is AORIS EARAQOSEN but the 

following variations are to be found. 

Attic rho in the name: 8", 16*. 

Ionic sigma in the name: 3”, 11*, 14*, 28*, 30%, 31*. 

Attic rho in the verb: 3*, 8*, 16*. 

Ionic sigma in the verb: 11*, 28*, 30*, 31*. 

Gissed celta in name: 3*,°8*, 0", 11°, 14*, 15*, 18*. 


1* 


The following xadés names are used by him. 

eEesE a Oaret GIL 1197, 14°, 15°, 22°, 26%, 31*; 
Aristagoras: 18*; Panaitios: 2*; Hippodamas: 4*,12*, 
25°; Hermogenes: 10%. 

As we see from 13* he was the master of his own atelier. In 
his earlier years he painted for no less than three different potters, 
Kleophrades (3*), Kalliades (19*), and Python (25*, 30* and 31°*). 

Douris never rises to any great heights; in fact he may be 
called a pot-boiler; but judging from the number of his vases in 
existence he evidently managed to hit the popular taste of his 
time. As a rule his work is quite unmistakable, especially his 
female heads which are quite suz generis. 

At the same time there exists a considerable difference of 
opinion among scholars as to the vases which should be attributed 
to him. Most of those which Hartwig assigned to his ‘ Twig 
Master’ are probably Dourian; again a number of vases which 
figure among the attributions below have been indiscriminately 
attributed to Euphronios, Peithinos, and Hieron. 


1*, ATHENS. Vase-shape uncertain (fragment). From Acropolis. 
The fragment is not mentioned in the Catalogue. It is 
doubtful if it belongs to a kylix. 

Tsountas, Ephem. Arch. 1885, p. 56. 


Hartwig, p. 230. FODert, NOwT a. 
Nicole, Corpus, no. 74, 21. Frucht, no. 29. 

I. Traces of a figure and the signature. AORIS E[ARAO- 
SEN]. 


£209 J 


2*, BERLIN 2283. Kylix.!. From Vulci: h. 0.155, d. 0.443. 
Companion-piece to Berlin 2284. 
Cai, p. 567: 
AZ. 1883, pp. 1 ff., pl. 1, 2 (Meier) = Reinach, i, p. 444. 
Nicole, Corpus, no. 74, 2. 
Frucht, no. 7. 
Roscher, iil, p. 325. 
Klein, no. 5. 
Beazley, no. Io. 
Buschor, Jhb. 1916, p. 80. 
For additional literature v. Berlin 2284. 

About two-thirds of the vase preserved. Although the 
signature is missing there can be absolutely no question 
of the authorship. The foot of 3* with the Kleophrades 
signature might possibly belong to this vase. 

I. Winged Nike and youth in armor. KAV-- Around 
central medallion a frieze of quadrigae. KAVO2 PANAI- 
THOS dae: 

A. Scene from palaistra. Eight youths. [TANAITIO& 
[K]AVOLS}]. 

B. Thesame. Four youths. KAV[O8] (retr.). 


1 The small fragment on p. 211 belongs to no. 3*. The exterior design of no. 
2* is on p. 213. 


bua 


a A 
BS ia) SS dh 
21a 
5 "Gs es 
f N/V , 


Sal) Wa 
Cy 


we 


9 


i 
Py 
oe 


Farr] 


3°. BERLIN 2284. Kylix (fragments).! From Vulci. Companion- 
piece to Berlin 2283 with the same subjects except that 
the quadrigae in the outside frieze on the interior face 
to the 1. The foot might possibly belong to no. 2*. 
Cat. p. 570. 
Nicole, Corpus, no. 74, 3. 
Robert, no. 3. | 
Jhb 1887.) .104- 
Buschor, Jhb. 1916, p. 80. 
Helbig, Bull. d. Inst. 1881, pp. 242 ff. 
Klein: pyts3 sang: 6: 
Furtwiangler, AZ. 1883, p. 183. 
Hartwig, p. 222. 
Wernicke, p. 86, 5 
Beazley, no. 9. 
Frucht, no. 8: v. also Kleophrades 1*. 
KVE[OO]PA[AES EPO]IESEN (painted on foot). 
A. AORIS EAP[AOZEN]. | 
B. +AIRESTLTRATO® KAVO8}]. 


1 Only the lower fragment on p. 213 belongs to no. 3*. 


Cate] 


[y273..] 


4*. BERLIN 2285. Kylix. From Caere: h. 0.115, d. 0.285. 


Cali pas7i: Nicole, Corpus, no. 74, II. 

WV. vi, pl. 6. Pottier, Douris, p. 108, fig. 22. 

Hartwig, p. 597. Buschor, p. 176, fig. 126 (A). 

Robert, no. 13. ~ Walters, i, p. 435, pl. 39 (A). 

Frucht, no. 20. —Rayet-Coll. p. 179, fig. 72 (A). 

Wernicke, p. 68. - Michaelis, AZ. 1873, pp. 1 ff., pl. 1. 

Klein, p.155,no.9. Helbig, Ann. d. Inst. 1873, pp. 53 ff. 

‘Mon. d. Inst. ix, pl. 54 = Reinach, i, pp. 196, 414. 

Hauser, F.R. ii, pp. 87-90, pl. 136, 1. 

Per. and: Chip. x,-p- 551, figa1y7 (4s 

Diitschke, Jhb. 1912, p. 130, fig. 2 (detail of A). 

Baumeister, iii, p. 1539, fig. 1603 (detail of A); p. 1580, 
fig. 1652. | 

Saglio, ii, p. 468, figs. 2598-99 (ext.); v, p. 648, fig. 7313 (A). 

Girard, Educ. Athén. p. 103, fig. 5 (A): p. 105, fig. 6 (B). 

Duruy, Hist. i, p. 630; ii, p. 228 (A and B). 

Winter, Kunstgesch. in Bild. i, pl. 89, 4. 

Hoeber, Griech. Vas. fig. 47 a—b (ext.). 


I. Youth washing. AORIS EARAQOSEN. 
A. Schoolscene. Instruction in poetry and playing the lyre. 


Three bearded teachers and two youths. HITOAAMASs 
KAVOs. Onroll MOISAMO!I AOISKAMANARON EVRQN 
AP+OMAI AEINAEN. 


B. Thesame. Lessons in singing and writing. Two youths, 


two boys, and a bearded man. HIPFOAAMAS [KA]\OS. 
[ 214 ] 


[ez | 


5*, BERLIN 2286. Kylix (foot wanting). From Caere: d.o0.32. 
Cahn Des 7s 
Meier, AZ. 1883, p. 20, pl. iv = Reinach, i, p. 445. 
Klein, p. 156, no. 12. 
Nicole, Corpus, no. 74, 23. 
Hartwig, p. 589. 
Robert, no. 23. 
Frucht, no. 16. 
Beazley, VA. p. 98, note 1 (declares signature to be a 
forgery). 7 
Buschor, Jhb. 1916, p. 75, pl. 2. 
I. Symposium. AORIS EARAQOSEN. 
A and B. Men and women. 


1 Beazley includes this vase among the works of his ‘ Painter of Louvre G 187’ 
(q. v.). 


. [ 216] 


J 2. Arps 


a \ 5Y 
ers + <i f A-<FOA 
= NAKA tA 
oe > AK ‘3 
\ SK 


ee A SP | a3 
Bie Gp ~-&® "0 


Bw 


6*, BERLIN 2287. Kylix (outer part and foot wanting). From 
Caere. 

Cary. aa: 
Meier, AZ. 1883, p. 13, pl.:3 = Reinach, 1, p. 445. 
AZ. 1878, p. 165. 
Robert, no. 21. 
Frucht, no. 26. 
Klein, p. 159, no. Ig. 
Nicole, Corpus, no. 74, 22. 
Hartwig, p. 612. 
Robert, Szen. d. Ilias (15 Halle Pr., p. 6, figs. 3-5). 
Girard, Peinture, p. 195, fig. 110 (1). 

I. Combat of two hoplites. AORIS EARAQOSEN. 

A and B. Combat, five hoplites on each side. 


1 nate al 


LZ, 
£ iy yy } } 


AD) 


‘ 
“| 
x 
* 

‘ 

As ; 5 
4 tS 

7 Ps 
. 

‘ 


& 


7*, BERLIN, Inv. 4838. Lekythos. From Greece: h. 0.225. 


Romaios, Ephem. Arch. 1907, p. 222, fig. 1. 
A. Woman with torches. On her cloak (letter to each fold 


AORISs. 


[ 221 | 


8*. Bonn, AKAD. KUNSTMUSEUM.! Kylix: h. 0.125, d. 0.33. 

WY. vil; 5. 
Klein, p. 158, no. 17. 
Robert, no. 17. 
Bull. d. Inst. 1878, p. 72. 
Hartwig, p. 589. 
Frucht, no. 17. 
Nicole, Corpus, no. 74, 19. 
Eitrem. zur Iliasanalyse. (Videnskabs.-Selskabets Skrifter, 
Christiania IT hist. filos. Kl. 1901, 2, pp. 33 ff.). 

I. Warrior. AOPIS EAPAQOSEN (r). 

A. Warriors arming. KA[\O]s. ‘Traces of other letters. 

The vase has been repainted. 


1 Formerly in Professor Loeschcke’s possession. 


[ 223 ] 


* 


g*. Boston 95.31. Kylix. Formerly in Van Branteghem Coll. 
From Corneto: h. 0.079, d. 0.21. 
Ann. Report Mus. Fine Arts, 1895, p. 20, no. 18. 
Nicole, Corpus, no. 74, 6 (fails to mention present loca- 
tion). 
Van Branteghem Sale Cat. pl. 19, no. 67. 
Kleiniaos p90) n0..7- 
Frucht, no. 11. 
Hartwig, p. 210, pl. 22, 1. 
Robert, no. 6. 
Beazley, VA. p. 98. 
Per. and Chip. x, p. 553, fig. 318. 
Roscher, 1, p. 2760. 
Buschor, Jhb. 1916, p. 81. 
Elderkin, AJA. 1910, p. 189. 
Hauser, Philologus, 1894, pp. 209-218. 
Wolters, Szizber. Bayer. Akad. 1913, 4 p. 15. 
I. Zephyros carrying away a youth (Hyakinthos ?) 
AORIS EARAO[S]EN : +AIRESTLRATOS] KA[VO]s. 


[224] 


(Gs 


S 
©) 
(c} 


WN 
RATES c 
ny, 
i \ 19) 
¢ / 
ifs WZ 
te) 
° 
ES 
| | ee 
ti 
4 
ING) A 
\ 
— 


4 a 
¥oo Zi i 


[ 225 ] 


10°, BOSTON 08.930. Kylix: h. 0.101, d. 0.275. Handles mis- 
sing. The foot is ancient but does not belong to the 
vase, which was bought in two different lots. 
Ann. Report Mus. Fine Aris, 1898, p. 65; NOys0: 
Beazley, VA. p. 98. 
Arch. Anz. 1899, p. 144, no. 39. 
Frucht,; no. 13: > 
Buschor, Jhb. 1916, p. 81. 
I. Bearded man balancing on r. foot with arms extended. 
AORIS EARAQOSEN. 
A and B. Bacchic komos. 


{ 226 ] 


11*, BOSTON 00.338. Kylix. Formerly in Bruschi Coll. From 
Corneto: h. 0.095, d. 0.24. 
Ann. Report Mus. Fine Arts, 1900, p. 39, no. 8. 
Robert, no. r. 7 
Dennis, Cities and Cemeteries of Etruria, i, p. 410. 
Reisch, Rom. Mitt. 1890, p. 331 ff. figs. 5 and 6. 
AJA, 1001, p.302: 
Hartwig, pp. 206-210, pl. 21.1 
Per. and Chip. x, p. 528,4ig. 205 (2); 
Klein, LI. p. 98, 5. 
Beazley, no. 6. 
Frucht, no. 2. 
Buschor, Jhb. 1916, p. 80. 
Nicole, Corpus, no. 74, I. 
I. Diskobolos. AORIZ EARAOSEN. 
A and B. Warriors in combat. [+AI]REST[RA]TOS 
KAVOS. +[AIJRESTRATO[S] KAVOS. 
Graffito on foot AY. : 


1 The vase has been cleaned since published by Hartwig and the inscriptions 
are clearer. 


28a 


4 


[ 229 ] 


12*, BosTON 00.499. Kylix. From Orvieto: h. 0.12, d. 0.31. 


i 


Ann. Report Mus. Fine Arts, 1900, p. 40, no. 9. 

Not. d. Scav. 1886, p. 120. 

Tarbell, AJA. 1900, pp. 183-191, cn 1; igs: 133 

Arch. Anz. 1901, p. 166, no. 9. . 

Beazley, VA. p. 98. 

Robert, no. 14. 

Frucht, no. 109. 

Nicole, Corpus, no. 74, 12. : 

Dionysos with kantharos. AORIS EARAOSEN. By 
error the sigma in éypadcev on fig. 1 in Tarbell is four- 
barred instead of three. 


A and B. Silens and maenads. HIFTOAAMA2 KAVOS. 


23t 


13*. BRrussELs, Mus. DE CINQUANTENAIRE. Kantharos. Form- 
erly in Campana Collection. 
Caen 20; 
Brunn, KG. ii, p. 668, no. 2. 
Robert, no. 11. 
Frucht, no. 12. 
Memorie d. Inst. ii, pl. 5, p. 399 = Reinach, 1, D. Onis 
CIG.Stso: 
Roscher, 1-p2203250) aan 
AZ, 38405 DD. 207% 3008 
WV = vi, Aas © 
Nicole, Corpus, no. 74, 31. 
FR, pp: 65-87; pli 74. 
Panofka, Higennam. p. 39. 
Pottier, Douris, pp. 15, 79, fig. 1. 
Wernicke, p. 86, no. 5. 
Klein, p. 160, no. 22. 
Michaelis, Jhb. 1886, p. 36, note 1 (form of quiver and 
bow). 
Hartwig, p. 215. 
Per. and Chip: x, pp..5435545, @$.03 tes oa 
Beazley, VA. p. 97. 
Buschor, Jhb. 1916, p. 81. 
A. Herakles in combat with Amazons. AORIS EARAQOSEN : 
AORIS EP[OIESEN]. 
B. Similar combat. Bearded warrior (Telamon ?) with . 
Amazons. +AIRESTRATOS KA\VOS. 


0232] 


* 
‘ 
4 
‘ 
, 
’ 
, ‘ 
‘“ ‘ 
, 
\ f 
~ Tes 
4 parti 
z 
: > 4 4 
i 
. 
i = 
‘ 
. 
e 
‘» 
. . 
¥ ” 
A. , : 


14*, FLORENCE 73750. Kylix.! From Orvieto ?: h. 0.10, d. 0.29. 
. Hartwig, p. 211. 
Robert, no. 9. 
Frucht, no. 30. 
Klein, LI, p. 99, no. 6. 
Nicole, Corpus, no. 74, 9. 
~ Buschor, Jhb. 1916, p. 81. 
I. Man holding hare. A[ORI]= EALRJASE[N]. 
A. Two men and two youths. HO PAI[= +AIRE]2T[LRA- 
TJOfS KA]VOS. 
B. Same. 


1 In spite of every exertion it has proved impossible to secure a photograph of 
this vase. 


[235] 


15*. LonpoN, Brit. Mus. E 39:. Kylix. Formerly in Canino 
Coll., R. Rochette Coll., Blacas Coll. From Vulci: 
heog.t05, dio.275: 

Cat. il, p. 64. 

Dubois, Vases de eons DIAS 

WV. viii, I. 

Frost, JHS. 1906, p. 219,. Be 12 (restorations omitted). 
CIG. 8149. 
Brunn, KG. ii, p. 669, no. 7. 

Murray, Des. no. 24 (I). 

Panofka, Eigennam. p. 38. 

Jiithner, p. 66, fig. 53. 

Klein, p. 152, no. I. 

Wernicke, p. 85. 

Robert, no. 7. 

Jhb. 1896, p. 27, fig. 8. 

Hartwig, p. 205. 

Nicole, Corpus, no. 74, 7. 

Gardiner, Greek Ath. Sp. p. 404, ae ey. 

Frucht, no. 1 (the earliest of the signed vases). 
Buschor, Jhb. 1916, p. 80. 

I. Athlete. XAIRESTRATOS KAVOS. 

A. Scene from palaistra. Boxers. AORIS [EA]RAQOSEN. 

B. Same. KAVOS. 


Pleo 


«i 


Ii . 
Ns 


(A 
, iY 


i 


° Ap 


£238] 


16", Brit. Mus. E 48 (824).! Kylix. Formerly Canino Coll. 
Pe ee FOr V ules. hh) o.125, d. 0.327). 
Crh D573: 
Mus. éir. 183. 
DeWitte, Descrip. no. 1 and 6. 
CiG, 8146, 8157. 
Brunn, KG. ii, p. 668, no. 3; idem, Abh. Bayer. Akad. 
167 210.-197. .- 
Frucht, no. 18. 
Walters, i, pl. 1. 
Gerhard, Aus. Vas. p. 153, pl. 234 = Reinach, ii, p. 234. 
- Robert, no. 28. 
WV. vi, 3. 
Per. and Chip. x, pp. 537-538, figs. 304-306. 
Wulff, p. 46, d. | 
Murray, Des. no. 29 (J), p. 13, fig. 6 (A). 
Baumeister, ili, p. 1789, fig. 1873. | 
Pottier, Douris, p. 53, fig. 11. 
Roscher, iv, p. 1012. 
Klein, p. 158, no. 16; Euphr. p. 196, g. 
C. Smith, Jhb. 1888, p. 142. 
Milani, Mus. Ital. iii, p. 235, d. 
Nicole, Corpus, no. 74, 25. 
Hartwig, p. 613. 
Gardiner, Greek Ath. Sp. p. 394, fig. 124 (detail); idem, 
JHS. 1905, p. 285, fig. 21 (A). 
Reinach and d’Eichthal, Bacchylides, p. 48. 
W. Miller, Theseusmetopen, p. 17, no. 71. 
I. Theseus and Minotaur. AOPIS EAPAQOSEN. 
A. Labors of Theseus, Skiron and Kerkyon. 
B. The same. Krommyon sow and Sinis. 


1 According to the C/G. there is a graffito on the foot but this is not mentioned 
in the Catalogue. 


L 239 J 


17*, Brit. Mus. E 49 (852). Kylix. Formerly Canino Coll. 
1184. From Vulci: h. 0.127, d. 0.314. 

Cat. iii, p. 74. | Graffito in old Ca#. pl. B. 
WV. vi, Io. | 
CIG. 8147. 
Robert, no. 25. 
Frucht, no. 23. | 
Murray, Des. no. 30 (I); Handbook Greek Arch. pl. v (ext.). 
Klein, p. 154, no. 7. . 
Brunn, KG. ii, p. 669, no. 6. 
Saglio, iii, p. 1722, fig. 4906 (banqueter). 
Hartwig, p. 605. | 
Jacobsthal, Gott. Vas. pp. 50, 51, 57, fig. 78. 
F.R. ii, p. 82, fig. 45 (detail of A). 
Nicole, Corpus, no. 74, 24. 
Schreiber, Bilderatl. pl. 77, 9 (A). 
Buschor, Jhb. 1916, p. 80. 

I. Bearded man with staff. AORIS EARAQOSN (retr.). 

A. Symposium. Three men on couches attended by two 

boys. KAVOS KAV\VOS. 
B. The same. 
Graffito on foot LAG. 


C240] 


5 
2 Dy 


J 


[ 242 


18*. Brit. Mus. E 768. Psykter. From Caere: h. 0.285. 

Cat. ili, p. 363. 

Robert, no. 10. 

Frucht, no. 15. 

WV. vi, pl. 4. 

Nicole, Corpus, no. 74, 10. 

Bull. d. Inst. 1866, p. 185. 

F.R. 1, pp. 246-248, pl. 48. 

Pottier, Douris, fig. 14. 

Wernicke, p. 59, no. I. 

Roscher, iv, p. 462. 

Peleioe e101, No. .23. 

Hartwig, p. 226. 

Per. and Chip. x, p. 529, figs. 296-297 (falsely called a 

kylix). 

Hoeber, Griech. Vas. fig. 57. 

Buschor, p. 175, fig. 125; idem, Jhb. 1916, p. 80. 
Saglio, v, p. 614, fig. 7238 (two silens). 

A and B. Revel of silens. Continuous frieze of eleven figures. 

ARISTAAORAS KA\VOS AORIS EARAQOSEN. 


[ 243 ] 


19*. Paris, LouvRE Giis. Kylix. From Sta. Maria di Capua: 
komad sans: , 
Cat. 11; p. 954- 
Pottier, Douris, p. 67, figs. 8-10. 
Wavy: 
DeWitte, Cat. Paravey, no. 82; Cat. d’une coll. no. 75. 
Fréhner, Mus. de France, pls. xxii: Choix, pls. liv. 
Harrison and MacColl, pl. 18 (Z). 
Brunn, Troisch. Misc. ii, p.:201, 
Nicole, Corpus, no. 74, 16. 
Robert, no. 24, Bald u. Lied, p. 98: ‘Scen. d. Ilias, p. 7, 
figs. 6-7 (ext.), 12 (J). 
Frucht, no. 27. 
Meier, AZ. 1882, p. 18. 
Wernicke, p. 66. 
Klein, p. 160, no. 21. 
Per. and Chip. x, p. 530, fig. 299, mi xi iD ha. gor (A), 
302 (B). 
Furtwangler,; Aegina, p. 343. 
Hartwig, p. 615. 
Roscher, i, p. 1266 (J). 
Diimmler, BPW. 1891, p. 469. 
Beazley, VA. p. 97. 
Luckenbach, p. 517, I 
Schneider, Troisch. Sagenkr. p. 145. 
Loewy, Neue Jhb. fiir klass. Alierth. 1914, pp. 81 ff. pl. 1. 

I. Eos carrying the body of Memnon. HEOS MEMNON 
AORIS EARAOSEN KAVIAAES EPOIESEN ENEMEK- 
NERINE HERMOLFENES KA\Os. 

A. Combat, Menelaos and Paris in the presence of Artemis 
and Aphrodite. MENEVEOS AVEXSANAROS (retr.) AR- 
TEMIs. 

B. Combat, Ajax and Hector in presence of Athena and 

Apollo. AIAI HEKVOR ATPOWON AOEAIA. 


[244] 


‘ iy (2 x VY 
a) \. a 
i 43 


<5 


es fay 
¢ ‘ ) 
me 
y 
S ; 
f E 
OZ AG 
Bs 
225, 
SG ‘oe 
\ eam s 
. qo 
ie Sm 


20°, LouvrE G 116. Kylix. Roca ty Ba Genpana Coll.: h. 
| 0.125, d. 0.30. 
Pottier, Cat. iii, p. 957: Dourts, pp. ae 84, fig. 13 (A). 
WY. vii, 2. 
Brunn, KG. ii, p. 669, no. 4. 
Blcinp.158, no. 25. 
Graef, Jhb. 1886, p. 202, no. oe 
Hartwig, p. 613. 
Roscher, iii, p. 247, 5 (Nereus and Doitig on B). 
Per. and Chip. x, p. 539, fig. 307 ie 
Nicole, Corpus, no. 74, 16. 
Frucht, no. 14. 
Robert, no. 27. 
I. Poseidon and a female figure (Amphitrite?). AORT[I€ 
EJARAOSEN. 
A. Peleus and Thetis. 
B. Nereus, Doris, and four Nereids. 


[ 247] 


1*, Louvre Gity.. Kylix: h. o:t2, dio.31, 
Pottier, Cat. iii, p. 958; Douris, p. 61, fig. 20 (Z), pp. 101, 
105. 
WY. vii, 3. 
Nicole, Corpus, no. 74, 14. 
Diimmler, Bonn. Stud. p. go. - 
Girard, Peinture, p. 197, fig. 111 WZ). 
Klein, p. 159, no. 20. 
Robert, no. 20. 
Frucht, no. 24. 
Hartwig, p. 612. 
Per. and Chip. x, p. 548, note 1. 
Loewy, Jhb. 1888, p. 141. 
I. Combat, Greek hoplite and barbarian standard-bearer. 
ATO]RIS EALRJAOSEN. 
A. Combat, five hoplites. 
B. The same, fragmentary. 


— «L248 J 


22%. LouvRE G118. Kylix: h. 0.11, d.0.27.. The axis of the 
interior is not at right angles to the handles. 
Cat. il, p. 960. 
Pottier, Douris, pp. 29, 104, fig. 6. 
Cat. Campana iv, 136. 
WV. vi, 9. 
Wernicke, p. 85, no. 2. 
Robert, no. 8. 
delet a 52, no.-2. 
Brunn, KG. ii, p. 670, no. 10. 
Frucht, no. 3. 
Hartwig, p. 204. _ 
Per and Chip: x, p. 540, fig. 315 (A). 
Nicole, Corpus, no. 74, 8. 
Buschor, Jhb. 1916, p. 81. 
I. Youth with forked stick. ATO]R[I]s EARA$SEN: XAI- 
RESTRESTRATOS KA\OS [sic]. | 
A. Four youths and two trainers. 
B. The same. 


[east 3] 


23*, Louvre Giig. Kylix (fragments). 
Cat. lll, p. 961. 7 
WV waren 2. 
Nicole, Corpus, no. 74, 15. 
Klein, p. 153, no. 4.! 
Robert, no. 22. 
Hartwig, p. 204, note 1. 
Frucht, no. 4. 
Buschor, Jhb. 1916, p. 81. 
I, Gymnasiarch. AOR[I]S EARALOSEN]. 
A and B. Palaistra. Remains of ten figures, not eight as 
stated by Klein. 


1 The description by Fréhner mentioned by Klein refers to G 120. 


L252 ] 


24*, LouvRE G1i20. Kylix (fragments, only the interior pre- 
served). 
Cat. iii, p. 962. 
Hartwig, p. 204, note 1 (corrects the error of Klein in 
giving Fréhner’s description (Choix, p. 8) to G 119.) 
Nicole, Corpus 74, no. 18. 
Frucht, no. 5. 
Buschor, Jhb. 1916, p. 81. 
I, Nude ephebos holding a phiale. AOR[I]S EARALOSEN] 
and X. : | 


L 253 ] 


25*, Louvre Gia1. Kylix. Formerly in Campana Coll.: h. 0.125, 
d. 0.335. (Plates of this vase on pp. 255 and 257.) 
Pottier, Cat. iii, p. 962; Douris, pp. 107-109, fig. 21 (2). 

WY. vi, 8 a-b. 

Brunn, KG. ii, p. 668, no. 8. 

Klein, p. 156, no. Io. 

Per. and Chip. x, p. 550, fig. 316 (J). 
Hartwig, p. 584. 

Nicole, Corpus 74, no. 13. 

Robert, no. 15. 

Frucht, no. 21. 

I. Seated youth with hare. Around central medallion a frieze 
of ten groups each of a standing man and a boy sitting. 
AORIS EARA®SEN HO PAIS KAVOS. Same formula on 
outer frieze. : 

A and B. Three similar groups on each side. HO PAIs 
KAVOS (three times). [HIJTPOAMA[S] [szc]. 

Signature of the potter on edge of the foot TVOON. 


£254] 


& &) (= * @ 
Ale SY 


L 255 ] 


. * 
5 ig * As 
- 
* 
5 ¥ 
ta te 
< Le ie 
’ 
ae See 
». 
2 


Si a IN: 
MH Ns SS 
ys. 


x 
zoe! 
ro 


L257] 


26", LouvRE G122. Kylix: h. 0.10, d. 0.22. 
Cat. ili, p. 963. 
Nicole, Corpus 74, no. 28. 
Frucht, no. 6. 
Beazley, no. 1. 
Buschor, Jhb. 1916, p. 81. | 
The vase has been extensively restored. It is not found in 
either Klein’s or Hartwig’s lists. 
I. Woman playing lyre, withdog. AORIS [EA RAG ]SEN] 
XAI[PJES[TPATO]S. 
A. Seated youth with a hare on his knees. 
B. Youth standing. 
Graffito on foot XJ. 


[ 259 ] 


27*, Paris, TH. REINACH’S Cott. Kylix (fragments). Form- 
erly in Van Branteghem Coll. 
Gerhard, Aus. Vas. pl. 145, p. 182 = Reinach, Ui, p. 75. 
Van Branteghem Sale Cat. no. 68. 
Robert, no. 26. 
Frucht, no. 22. 
Hartwig, pp. 606 ff. pl. 67, 3 a-b. 
Per. and Chip. x, p. 530, fig. 298. 
The fragment was originally fastened by clamps into the 
Vatican stamnos, no. 503 (v. Helbig-Reisch, Fuhrer, i, 


P. 313). 
I. ee of meander pattern and signature. rAOR]Is 
EARAO[SEN]. 
A. Symposium. Nude hetaira on coulcls and two male 
figures. 


ahzbon! 


= 
KS 


\ WZ 
¢ (CS, 
Sat SIRES 


[° 262. ] 


262: | 


c 


28*. PeETROGRAD, COLL. ORrLoFr-DAviIpoFF (Count ALEXIS). 
fey O11... 0.30. 
Waldhauer, Rev. Arch. 1913, 1, pp. 31-40, figs. 1-3. 
Nicole, Corpus 74, no. 30. 
Frucht, no. 31. 
I. Man with stick. [AORI]= EARA2EN. 
A and B. Athletes. 


L 263 ] 


29*. STUTTGART, HAUSER’s Cott. Now in Leipzig. Kylix 
(fragment). From Corneto. 
Hartwig, p. 616, fig. 66. 
Nicole, Corpus 74, no. 20. 
Robert, no. 16, 
Frucht, no. 28. 
I. Remains of a shield and crest of a helen [AO]RIs 
EARAOSE[N]. 
A. Hand holding a torch (?), legs of two figures, one certainly 
a silen as tail is seen behind. Execution is rather hasty. 


1 So stated by Frucht. 


[ 264 J 


30*, VIENNA, OESTERR. Mus. 324. Formerly in Castellani Coll. 
Kylix. From Caere: h. 0.132, d. 0.326. The vase was 
found in the same grave with Vienna 325, also signed 


by Python and Douris. 
Cah aa Beazley, VA. p. 98, note tr. 
WV. vii, 1 (B). Pottier, Douris, fig. 19 (A). 
Robert, no. 4. Meier, AZ. 1883, pp. 24 ff. 
Frucht, no. 9. F.R.1, pp. 267-275) ples. 


Nicole, Corpus 74, no. 4. Schreiber, Bzlderail. pl. 35. 

Roscher, iii, p. 1699, 4 (J). 

Brunn, Bull. d. Inst. 1865, p. 217. 

Baumeister, iii, p. 2034, fig. 2207. 

Hartwig, p.216 8. p. 21, 1 

Per. and Chip. x, p. 547, fig. 314 (A). 

Klein, p. 157, no. 14; Euphr. p. 219. 

Saglio, ili, p. 1306, fig. 4527, (fig. on A). 

Winter, Jiing. Att. Vas. p. 42, note 1. 

Buschor, Jhb. 1916, pp. 77-79. — 
I. Libation. Warrior and woman. AORI2 EARAQO2EN. 
A. Warriors arming. .--- O2 KAVOS. Traces of a T. 
B. Warriors arming. HO PAl= KA\VO8. 
Signature of potter on rim of foot NOOY'T. 


[ 266 | 


Leeer 


31", VIENNA, OEsTERR. Mus. 325. Kylix. From Caere: h. 0.129, 
d. 0.337. Vase is from same grave as Vienna 324. 
Cat. p. 44. 
Nicole, Corpus 74, no. 5. 
Mon. d. Inst. viii, 41 = Reinach, i, p. 174. 
WV. vi, I. 
Robert, no..5; Bild u. Lied, p. 29, 213 ff. 
Frucht, no. ro. 
Klein and Brunn, Verhandlungen der 29. Philologenver- 
samml. zu Innsbruck, pp. 152-158. 
Peed pp. 207-275, pl. 54. 
Fowler and Wheeler, p. 496, fig. 393. 
Roulez, Ann. d. Inst. 1867, p. 4o fi. 
Brunn, Bull. d. Inst. 1865, pp. 217 ff. 
Klein, p. 156, no. 13. 
Baumeister, 1, p. 29, fig. 30. 
Pottier, Douris, figs. 16 and 17. 
Diimmler, Bonn. Stud. p. 85 ff. 
Roscher, iii, p. 662, fig. 3 (A). 
Reisch, Rém. Mitt. v (1890), pp. 321 ff. 
Hartwig, p. 223 ff. 
Per. and Chip. x, p. 540, figs. 308 (A), 309 (B), 310 (J). 
Saglio, ii, p. 301, fig. 2479 (central group on A); v, p. 575, 
fig. 7202 (A). 
Girard, Peintures, p. 218, fig. 124 (A). 
Hoeber, Griech. Vas. fig. 56 (B). 
Buschor, Jhb. 1916, pp. 77-79. 
I, Odysseus and Neoptolemos. AORIS EARAQOSEN. 
A. Contest of Ajax and Odysseus over the arms of Achilles. 
HO PAIS KAVOS. | 
B. Voting of the Greek chiefs. +AIRE2TRATO2 KAV\VOR2. 
Signature of potter on rim of foot TYOON. 


[ 269 ] 


32". ATHENS CC. 1188 (1303) 3500. ye From Eretria: 
h. 0.30. 

Cat. p. 374. | | . 

Tsountas, Ephem. Arch. 1886, p. 40, nie Lyons. 

Per. and Chip. x, p. 524. 

Pottier, Gaz. Arch. 1888, p. 174. 

Robert, no. 12. 

Harrison, JHS. 1889, p. 233. 

Nicole, Corpus, 74, no. 32. 

Reisch, Rom. Mitt. 1890, p. 333. 

Hartwig, p. 228; Nachirag, no. 5 a. 

Klein, p. 150. (According to Klein the lekythos has 
nothing to do with Douris, but this view is not generally 
accepted.) 

Beazley, VA. p. 98 (agrees with on 

Romaios, Ephem. Arch. 1907, p. 230, fig. 4. 

Nude ephebos standing before a stool on which his cloak 
is placed. On the cloak AORIS. 


1 Since there exists a reasonable doubt whether nos. 32*-35* should be classed 
as signed vases, they have been listed after the vases bearing legitimate signatures. 


[270 ] 


33*, ATHENS CC.1189 (1633). Lekythos. From Eretria: 
h. 0.25. 


ale p7 374. 
Nicole, Corpus 74, no. 33 (wrong ref. to JHS. v. Euph- 
ronios 17). 
AeXriov, 1892, p. 85, no. IS. 
Romaios, Ephem. Arch. 1907, pl. 10, pp. 219-238; fig. 2 
on p. 226. 
Woman standing, holding a lyre. On edge of her cloak 


AORIS. 


Cease! 


34*, ATHENS N 1030 (12803). Lekythos. From Eretria: h. 0.24. 
Cat. (N) 1030, p. 219. (attr. to same hand as Athens 
CC 1189). Companion-piece to Athens CC 1189. 
Romaios, Ephem. Arch. 1907, p. 225, figs. 2-3, pl. x. 
Nicole, Corpus 74, no. 35.. 
Per. and Chip. x, p. 527, fig. 294. 
Youth holding out a lyre. On edge of cloak (one letter 
-to each fold) AORIS. 


psa 


35°. SYRACUSE 22666. Lekythos: h. 0.30. 
Orsi, Due Vast Gelesi (Symb. lit. in honor. J. de Petra, 
Naples, 1911), pp. 73 ff., fig. 1. 
Per. and Chip. x, p. 525, fig. 293. 
Nicole, Corpus, 74, no. 36. 
Nike running with torches. In a white space AORIS. 


[273 ] 


36*, ? (formerly in Bassegio Coll., Rome). Kylix. 
WV. vi, 5. 
Robert, no. 19: Scenen. d. Ilias, p. 5, fig. 2. 
Klein, p. 159,-no, 18. 
Nicole, Corpus, no. 74, 27. 
Hartwig, p. 612. 


Frucht, no. 25. } 
From a drawing in the Apparat of the Berlin Museum. 


I. Armed warrior. AORIS EARAQOSEN. 
A. Combat over fallen warrior. HO TAIS KA\OS. 


B. Fragment of similar scene. 


[ 274 ] 


oa. 


‘ mie Mae 
: a ¥ ee 
D Ss ae Ss <——Z 
al ae 


Be VF i 
ey) 
ey Qe, 


| CN 
4 a > BLOM >. 
eG f ONS SS i 
A a y it Fa i i Pay! ‘Sy e Dy 
egal ff eee 
RQ ld tea Oak 
Me, me. ape a 
ais ys Psy ae Gp oat 
roe \ tee epaste 


APM sak 
ye 


Lays 


37%. ? Formerly in the Hope Coll.; Durand 118; Magnoncourt 
23. Kylix. 
Brunn, KG. ii, p. 669, no. 5. 
Klein, p. 154, no. 8. 
Hartwig, p. 622. 
Frucht, no. 34. 
CIG. 8148. | 
I. Bearded man and boy playing the flute. 
A. Komos. AORIS EARAQOSEN. 


3600 Pe koixe 
Only known by a description of DeWitte’s, Rev. de Phil, 
i, Pp. 513. } 

Klein, p. 156, no. 11. 
Brunn, KG. ii, p. 670, 9. 
Frucht, no. 33. 

I. Seated man holding a purse. 

A and B. Epheboi. Signature occurs twice on exterior. 


30 ir ay be 
Kiem p15 2 sng. 
Frucht, no. 32. 
Mentioned by Brunn (KG. i, p. 670, no. 11) as being in 
Braun’s Collection and similar in character to Louvre 
G 118. 


ATTRIBUTED VASES 


40. ApRIA, Mus. Boccui 319. Kylix (fragments). 
Schone, Mus. Bocchi, pl. iv, 5, p. 101: CIG. 7886: Hart- 
wig, p. 205: R. Rochette, Letire ad M. Schorn?, p. 21: 
Klein, LI. p. 99, 8; MS. p. 161, no. 1: Wernicke, p. 86, 
no. 6: Letronne, Rev. Arch. iii, p. 382. 
I. Seated youth. +AIRESTRAT[OS KAVOS]. Doubtful 
whether the vase had any exterior pictures. 


41. ATHENS CC. 1169 (1689) 3833. Amphora (Panathenaic). 
From Aegina: h. 0.195. ; 

Cat. p. 365: Duruy, Hist. i, p. 376 (A): Benndorf, GSV. 

p. 57, pl. 31, 2 a-b: Heydemann, Griech. Vas. p. 4: Hart- 


-L 2764] 


42. 


43. 


44. 


45. 


46. 


wig, p. 625, note 1, no. 6: Wernicke, p. 51: Kretschmer, 
Peroa; wien, LI. p.-120. 

A. Athena before altar. PVOOKVEE K[A]\VOs [H]O- 
[PAI]s KAVOS (retr.). 

B. Two boxers. 

ATHENS N 1027 (12781). Lekythos. From Eretria. 
Cat. (N.) p. 218 (‘style of Douris’): Romaios, Ephem. 
Arch. 1907, pp. 229, fig. 4, 236: Nicole, Corpus, no. 74, 
34 (wrongly classed under the vases with the inscription 
AOPIs). 

Athlete with akontion. 


ATHENS N 1028 (12394). Lekythos. From Eretria: h. o. a5 
Cat. (N.) p. 218: Romaios, Ephem. Arch. 1907, PP. 234, 
fig. 5, 238: Beazley, JHS. 1911, p. 286, no. 27 (attr. to 
Berlin Amphora P.). 

Nude komast with kotyle and stick. 

ATHENS. Krater. From Acropolis: h. 0.44. 

Tsountas, Ephem. Arch. 1885, pp. 219-228, pls. 11-12 = 
Reinach, i, pp. 509.5, 510.1: Hartwig, p. 625, note 1, no. 1: 
Athen. Mitt. 1891, p. 200: Roscher, ii, p. 2187 (B): Beazley, 
VA. p. 64, no. 5 (attr. to Syriskos P.): Harrison, Myth. 
Int. figs. 29-30. 

A. Theseus, Minotaur, Ariadne, and Minos. OESEVs 
MINOTAVPOS APIANNE MIN[O8]. } 

B. Four Attic kings. WKOS NI[S]OS PAWAS OPNEVsS. 

Base restored. 

BattimoreE. Kylix. From Chiusi: h. 0.09, d. 0.23. 
Hartwig, p. 212, pl. 22, 2: Rom. Mitt. 1887, p. 168: AJA, 
1888, p. 385: Klein, LI. p. 99, no. 10: Beazley, no. 7. 

I. Two Amazons. +AIRESTRATOS! KAVOS. 

BaALtimorE. Kylix. From Chiusi: h. 0.10, d. 0.22. 
Hartwig, pp. 657-659, pl. 72.2 (attr. to the Twig P.): 
Rom. Mitt. 1887, p. 169, ix: Beazley, VA. p. 99: Nicole, 
Corpus 115, sec. 1, no. 1 (attr. to the Twig P.). 

I. Two men spinning a top. K-\VOS X.-H. Whip has 
three lashes not given in Hartwig plate. 


1 The last letter of the name is perfectly clear. 


Lager] 


A7- 


48. 


49. 


50. 


Si 


noe 


BALTIMORE: COLL. of Professor David RoBInson. Kylix. 
From Capua: d. 0.33. 
Robinson, AJA. 1917, p. 87: ese ee. Pp. 99. 
I. Symposium. [AISK. 
A and B. Same. 


BERLIN 2163. Amphora. From Locri: h. 0.458. 
Cat. p. 487 (‘Stufe des Douris’): Panofka, Mus. Bart. p. 97, 
no. 27: Genick, Griech. Ker. pl. ii (B): Hartwig, p. 625. 
A. Zeus. 
Beelrisy 


BERLIN 2166. Pelike (fragments). From Caere: h. 0.18. © 
Cat. p. 490: AZ. 1875,' pl. x, p. 86 = Reinach, 1, p. 417, 
1-4: Hartwig, p. 625: Roscher, ii, p. 324. 

A. Libation. Nike, Zeus, and Poseidon. Nik TEVS [O- 
SEIAON (retr.). - 

B. Wanting. 


BERLIN 2167. Pelike (fragments). From Caere: h. 0.16. 
Companion-piece to Berlin 2166. — 
Cat. p. 490: Hartwig, p. 625: Roscher, iii, p. 324. 
A. Libation. Zeus, Nike, and Poseidon. NIKE IEVS. 
B. Traces of standing female figures. | ) 


BERLIN 2288. Kylix. From Vulci: h. 0.13, d. 0.33. 
Cat. p. 577: Panofka, Tod des Skiron, pl. i, 2; idem, 
Bild. Ant. Leb. pl. vi, 5 (A): Hartwig, p. 623, no. 13: 
Benndorf, Bull. d. Inst. 1865, p. 160: Klein, Euphr. p. 200: 
Roscher, iv, p. 1012, no. 5: Buschor, Jhb. 1916, pp. 86- 
87ff., pl. 4 (I), figs. 9-10 (ext.). 

I. Theseus and Skiron. OESEV= SKIPON. 

A. Combat over fallen warrior. 

B. Men and youths. 


BERLIN 2289. Kylix. From Vulci: h. 0.13, d. 0.33. 
Cat. p. 579: Gerhard, TG. xiv, 1-4: Hartwig, p. 622, no. 8, 
p. 105, note 1, no. 6: Hauser, Oesterr. Shresheft. 1909, 


1 Not 1874 as stated in the Berlin Catalogue. . 


[ 278] 


53: 


54. 


55: 


56. 


ee 


pl. I (7): Per. and Chip. x, pp. 657, 659, fig. 362 (I): Saglio, 
Iv, p. 1112, fig. 6160 (seated fig. on J). 

I. Two women, one sitting, one standing. 

A and B. Komos. 


BERLIN, Inv. 3168. Kylix: h. 0.09, d. 0.24. 
Furtwangler, Arch. Anz. 1891, pp. 117-118, figs. 12, 12a 
and b (‘style reminiscent of Makron or Brygos but belongs 
to another master’): Hartwig, pp. 260-264, pl. 27 (attr. 
to Peithinos): Beazley, no. 4 (attr. to Douris): Saglio, v, 
PP. 492, fig. 7098 (A); 541, fig. 7170 (A). 

I. Triptolemos. 

A. Eros and youths. 

B. Youths. 


BOSTON 97.369. Kylix: d. 0.215. 
Ann. Rep. Mus. Fine Arts, 1897, p. 27, no. 12: Beazley, 
VA. p. 99. 

I. Woman at louterion washing her hands. HE Als 
KAVE. 


BOSTON 00.343. Kylix. Formerly in Bruschi Coll. From 
Corneto: h. 0.121, d. 0.328. 

Ann. Rep. Mus. Fine Arts, 1900, p. 43, no. 12: Hartwig, 
pp. 674-677, pls. 74-75 (attr. to Twig P.): Beazley, VA. 
Pp. 99 (attr. to Douris): Nicole, Corpus 115, sec. 1, no. 5. 

I. Maenad and silens. 

A. Men in conversation. 

B. Warriors and women. 


BosTon 01.8029. Kylix. Formerly in poureiaenen Coll. 
From Orvieto: h. 0.08, d. 0.20. 
Ann. Report Mus. Fine Arts, 1901, p. 33, no. 14: Hartwig, 
-p. 598, pl. 67, 1: Beazley, VA. p. 98: Klein, LI. p. 104, 7: 
Nicole, Corpus 74, sec. 2: Per. and Chip. x, p. 600, fig. 341 


on Pp. 599. 
I. Youth washing. HIPOAAMAS KAVOS. 


BosTON 10.208. Kylix (fragment). Formerly in Hartwig’s 
Coll. | 


[ 279 J 


Ann. Report Mus. Fine Arts, 1910, p. 64: Hartwig, p. 620, 
no. 4, fig. 67: Beazley, VA. p. go. 

I. Erast and Eromenos. + KAVO. 

A or B. Remains of four figures in mantles. 


58. BOSTON 95.41. Formerly in Van Branteghem Coll. Leky- 
thos. From Athens: h. 0.30. 
Hartwig, p. 228, note 1: Van Branteghem Sale Cat. no. 70: 
Klein, Lf. p. 100, 15: Beazley, VAnpans: 
A. Ephebos with halteres. +AI[R]JESTR[AT]OS KAVOS. 


59. Boston, Hoppin Coty. Kylix. From Italy: h. 0.152, 
d.o.29. The vase is now on loan in the Boston Mus. 
of Fine Arts. It was acquired by me in Athens in 1806. 
It is said to have been found near Naples. 
Arch. Anz. 1902, p.8: AJA. 1902, p. 24, no. 1: Beazley, 
VA. Pp. 99. 
I. Silen and maenad. HE PAI2 KAVE. 
A. Silens and maenads. The exterior is almost a duplicate 
of the Boston kylix signed by Douris, 00.499, 2. no. 12*. 
Graffito on foot 9&. 


60. BRUNSWICK, BOwDOIN CoLLEGE. Kylix (fragment). 
Beazley, VA. p. go. 
A. Head of man and shield. 


61. Bryn Mawr R gor. Plate: d. 0.153. 
Swindler, AJA. 1916, p. 331, fig. 13. 
I. Bearded man on couch playing kottabos. HO TAIs 
KAVOS. 


62. BRYN Mawr R 38. Kylix (fragment). Said to come from 
the Acropolis. Formerly in Van Branteghem Coll. 
Swindler, AJA. 1916, p. 332, xiii, fig. 14 (7): Van Brante- 
ghem Sale Cat. no. 71. . 
I. Nude youth with helmet putting on greave. HO PAIs 
KAVOS. 
A. Lower parts of three warriors. 


63 a-b. BryN Mawr. Kylix (fragments). 
Swindler, AJA. 1916, pp. 339, no. 7, 340, fig. 20 (attr. to 
Euphronios): Beazley, VA. p. 99. 


[ 280 ] 


64. 


65. 


66. 


67. 


68. 


a. I. Archer and female figure. 
b. I. Part of female figure. A and B. Legs and palmette. 


Cuicaco, ArT INSTITUTE 32. Kylix. F ormerly in Van 
Branteghem Coll.: h. 0.074, d. 0.203. 
Van Branteghem Sale Cat. no. 69, pl. 20: Hartwig, p. 6o1, 
pl. 67, 2: Klein, LI. p. 104, no. 6, fig. 27: Per. and Chip. x, 
Pp. 598, fig. 340: Harrison and MacColl, pl. 10: Beazley, 
VA. p. 100: Nicole, Corpus 74, sec. 2. 
I. Artemis with torch. HIPTOAAMAS KA\Os. 


CORNETO 5771. Kylix (fragments). From Corneto: h. 0.095, 
cheo2 93. 

Rom. Mitt. 1899, p. 338, figs. 7-8: AZ. 1884, p. 246: Hart- 
wig, p. 589: Nicole, Corpus 74, sec. 2, no. 1. 

I. Warrior. KA\VO& (retr.). 

A. Five figures (two seated) in conversation. HO PAIs 
KAVO[S]. HO PAIS KAV[OS]. 

B. Wanting. 


FLORENCE 3910(360). Kylix (fragment; cut down asa plate). 
Hartwig, p. 225: Klein, LJ. p. 100, 3 (‘sicher Douris’). 

I. Nude, infibulated man with strigil. ARISSA. 

A and B. Traces of two armed figures and a stele. 


FLORENCE 3922 (1988). Kylix. From Chiusi: d. 0.285. 
Heydemann, Mitt. aus. d. Antikensamm. in Ober- u. Mittel- 
Italien, p. 85, no. 9: Hartwig, p. 621, no. 7: Jacobsthal, 
Gott. Vas. pp. 57-58, figs. 79 (J), 80 (A): Milani, Mus. 
Heer Arch. 1) Pp. 151. 

I. Bearded man on a couch, holding a kylix. K [A ]vVOs HO 
PAIS. 

A. Three bearded men on couches and two boys. 

B. The same. 


GIRGENTI. Lekythos. From Girgenti. 
Politi, Una lechitos (estratto dalle Effemeridi scientifiche e 
letierarte per la Sicilia, fasc. 70): Hartwig, p. 228, note 1.1 
A. Seven warriors arming, and a quadriga.. (Cf. the quad- 
rigae on Berlin 2283 and 2284). 


* According to Hartwig the drawing given by Politi is very bad and gives an 
entirely false idea of the style. 


[ 281 ] 


609. 


70. 


spike 


02: 


73: 


74- 


Lonpon, Brit. Mus. E50. Kylix. From Civ. Castellana 
(Falerii): h. 0.088, d. 0.196. 

Cat. iii, p. 75: Klein, LI. p. 104, no. 8: Hartwig, p. 608, 
pl. 67, 4: Arch. Anz. 1893, p. 187: Saglio, ili, p. 1017, 
fig. 4386: F.R. ii, p. 83, note 1: Nicole, Corpus 74, sec. 2: 
Jacobsthal, Gott. Vas. p. 56. 

I. Ephebos on couch holding a kylix. KAVOS HIPO- 
AAMAS. 


Brit. Mus. E 51 (853). Formerly Canino Coll. 2023. Kylix. 
From Vulci: h. 0.126, d. 0.288. 

Cat. iii, p. 75 (‘int. by Douris, ext. by some painter under 
his influence’): Murray, Des. no. 31 (J): Hartwig, p. 620, 
no. 2, 

I. Woman smelling flower. 

A. Bearded man and hetairae. 

B. Youths and hetairae. 


Brit. Mus. E 52 (845). Formerly Canino Coll. 1435. Kylix. 
From Vulci: h. 0.12, d. 0.304. 
Cat. iii, p. 76: Murray, Des. no. 32: Hartwig, p. 620, no. 3. 
I. Bearded man. HO PAIS KAV\OS (retr.). 
A and B. Scenes from palaistra. HO PAIS KAVOS. 


Brit. Mus. E 53 (846). Formerly Canino Coll. 1338. Kylix. 
From Vulci: h. 0.109, d. 0.288. 
Cat. iii, p. 77: Murray, Des. no. 33 (J): Hartwig, p. 622, 
no. 9. 
I. Bearded man, sitting. HO PAIS KAVOS. 
A and B. Komos. 


Brit. Mus. E 54 (847). Formerly Canino Coll. 1525. Kylix. 
From Vulci: h. 0.111, d. 0.30. 
Cat. iii, p. 78: Murray, Des. no. 34 (J): Hartwig, p. 622, 
no. Io. 
I. Two bearded men. HO PAIS KAVOS. 
A and B. Komos. 


Brit. Mus. E55 (812). Formerly Canino Coll. 589. Kylix. 
From Vulci: h. 0.104, d. 0.29. 


[ 282 ] 


75: 


76. 


77: 


78. 


79. 


Cat. ii, p. 79: Murray, Des. no. 35 (I): Hartwig, p. 623, 
no. 12. 

I. Maenad. KAVOs. 

A. Dionysos, silen, and maenad. 

B. Two silens and three maenads. 


Brit. Mus. E 56 (848). Formerly Canino Coll. 1538. Kylix. 
Prom Vulc1: h:o.133, d: 0:325. 
Cai. ili, p. 80: WV. C, 3: Murray, Des. no. 36 (1): Hart- 
Wig, p. 600, note, p. 621, no. 6: Buschor, Jhb. 1916, p. 85. 
I. Achilles and Odysseus ? HO PAIS KAVOS. 
A. Warriors and women. 
B. Four bearded men and two youths. 


Brit. Mus. E345 (914). Nolan amphora. Formerly in 
Payne-Knight Coll.: h. 0.305. 
Caz iil, -p- 233. 
A. Male flute-player. 
B. Ephebos. 


Brit. Mus. 1901.5 = 14.1. Kylix. Formerly in Bourguig- 
non Coll. From Orvieto: d. 0.23. : 
Bourguignon Sale Cat. p. 18, no. 52 with fig.: Arch. Anz. 
1902,).5120. 
I. Youth with bird-cage on his lap containing a fighting 
quail (?); above, bird clapper. HO [AIS KAVOS. 
A and B. Palaistra. Very much damaged. 


Brit. Mus. E 807. Pyxis (fragment). From Attica. 
Cai. ili, p. 381: Hartwig, p. 625, fig. 68. 
The form of the vase to which the fragment belonged is 
uncertain, though it was most probably a pyxis. 
Woman’s head. E A. 


MunlicH 2648 (369). Kylix. 
Srepew. MV. Air: Hartwig, pl) 623.0. 16:5 -R. i 
pieetea-1t5, pl. 24? Leonhard, Hzervon) p, 18, no. 26: 
Luckenbach, p. 577: Pottier, Louvre Cat. ili, p. 1024: 
Frucht, p. 41, note 24: Graef, Jhb. 1886, p. 202, no. 66: 
taipla32,-1—7. 


L 283 J 


The handle of the vase with the signature of Hieron does 
not belong to it, being of a different colored clay. Pottier, 
however (loc. cit.), believes that it does belong toit. That 
the vase is in the style of Douris seems evident. 

I. Libation. Herakles Sara and Athena. 

A. Peleus and Thetis. 

B. Nereids. 


80. MuNicH 2646 (371). Formerly in Canino Coll. Kylix. 
From Vulci: h. 0.115, d. 0.415. 
Cat. (Jahn), p. 118: Jahn, Sdchs. Ber. 1853, pl. x (ext.), 
(Herakles u. Linos): Hartwig, p. 624, no. 18; for inscription 
Vv. p. 258, no. 8: Engelmann, Rev. Arch. 1907,1, p. 87, fig. 2: 
Kretschmer, p. 87, no. 56: F.R. il, pp; 230-232) plato, 
(attr. to Douris), and fig. 80: Jacobsthal, Gott. Vas. p. 42, 
no. 7: -Per,-and_Chipa x, spbe2, 

I. Bearded man on couch holding his head in his hands, and 
youth playing flutes. Cf. Hartwig, pl. 64,3. OVAVNA- 
MOV (retr.).1 | | 

A. Herakles slaying Linos. 

B. Men and boys conversing. 


81. MUNICH 2647 (793). Kylix. | 

Hartwig, p. 622, no. 11 (drawing in Berlin Apparatus xxii, 
99): Panofka, Eigennam. pp. 64 ff.: CIG. 7444 b: Ger- 
hard, AZ. 1855, p. 112: Klein, LE. pa trj7eg hretecmamer 
p. 148 (132), 175: Wernicke, p. 82: Beazley, VA. p. 99: 
Buschor, Jhb. 1916, pp. 84 ff. pl. 3 (Z), figs. 7-8 (ext.). 

I. Two komasts. | 

A. Dionysos and thiasos. TOVOPASM[ON]. 

B. Silens and maenads. []OV[V]OPASSMON KAVO[$]. 


82. OxrorD, ASHMOLEAN Mus. Kylix (fragments). From 
Naukratis. 
Ann. Brit. School at Athens, v, p. 65, fig. 3: JHS. 1905, 
p. 120, pl. vi, 5: Hauser, F.R. iii, p. 90, fig. 44 (attr. to 
Hieron): Nicole, Corpus 88, sec. 2, no. II. 


1 Inscription refers to the beginning of a Theognis scholion (v. Hiller-Crusius, 
Anth. Lyr. p. 103, 949). 7 


L 284 ] 


The fragments which belong together were found in different 
campaigns. The vase originally had a school scene similar 
to Berlin 2285. Fragment belongs to exterior of the vase. 

Man seated, reading a scroll, and bearded flute-player (cf. 
Brit. Mus. E 767). On scroll: sTESI+OR NOWM\- 
HUO ASOISAI. 


83. Paris, Cas. D. MEp. 539. Kylix: h. 0.118, d. 0.32. 

Cat. p. 406: El. Cér. i, 44-45: Luynes, pls. 33-34 = 
Reinach, ii, pp. 261, 2-3, 262: Milliet-Giraudon, pls. 66- 
69: BCH. 1806, p. 370, 2 (Hartwig): Wantig, K: Hart- 
Wig, Pp. 232-233, 611, 623, no. 15: Graef, Jahrb. 1886, 
203,70; 1001, p. 45, 3: Beazley, VA: p. 99: Eldridge, 
AJA. 1917, p. 43, no. 9: Saglio, v, pp. 227-230, figs. 6884 
(A), 6886 (B), 6888 (1): WV. i, pl. o, r. 

ieee cieus and Thetis, PEAEYS OETIs: 

A. Dionysos, Hephaistos, and silens. 

B. Maenads and silens. 


83 bis. PARIS, CAB. D. MED. 540. Kylix. Formerly in Dubois 
Mole -o.100, d, 0.202. 
Cat. p. 408, figs. roo—ro1 (ext.), pl. 21 (J): Buschor, Jhb. 
1916, p. 89 (attr. to Douris). 
I. Bearded man with stick. HO [AI[S] KAVO8. 
A and B. Warriors and men. 


Stet eee. hep. 542, Kylix: h.o.126,d. 0.315. 

Cat. p. 411: CIG. 8350: Overbeck, KM. (Hera), p. 31 
h, pl. 9, 25 (fig. of Hera on I): Mon. d. Inst. v, pl. 35 = 
Peder). 141: Braun, Bull) d) inst. i1846, p. 115: 
Jahn, Ann. d. Inst. 1851, pp. 279ff.: Gerhard, Arch. Anz. 
1846, p. 287: DeWitte, ibid., 1850, p. 212: Miiller- 
Wieseler, ii, pl. 65, 834: Welcker, Ali. Denk. iii, p. 194: 
Duruy, Hist. d. Grecs, 1, p. 227: Diimmler, Bonn. Stud. 
p. 81: Wantig, I: Hartwig, pp. 672-674 (attr. to Twig P.): 
Kretschmer, p. 192: Beazley, VA. p. 99: Roscher, iii, 
p. 3086, 1 (1): Eldridge, AJA. 1917, p. 43, no. 8. 

I. Hera (sitting) and Prometheus. HPA TPOMEOES. 

A. Return of Hephaistos. B. Komos. 

Graffito on base: v. Cat. p. 413. 


L 285 ] 


85. 


86. 


87. 


88. 


89. 


Cas. D. MED. 543. Kylix (fragments). 

Cat. p. 413: Milliet-Giraudon, ii, pls. 62-63: Klein, p. 
168, no. 13: LI. p..100, no. 12: Hartwig; pyro; pee 
Beazley, no. 5. 

The fragments of this kylix were found in the Bibliothéque 
Nationale along with a handle with Hieron’s signature 
which belongs to no. 558. The interior of that vase 
described by Klein (v. Hieron 19*) belongs to this vase. 

I. Dionysos (seated) and maenad. [KA ]\OS. 

A. Silens and maenads. X[AIPES] TPA[TOS]. 


Cas. D. MEp. 544. Kylix (fragments). 
Cat. p. 414: Milliet-Giraudon, ii, pl. 63: Hartwig, pp. 
217-210, figs. 30 a-b. 

I. Warrior putting on chiton. [KA]\VOS ? 

A. Traces of an Amazon putting on greaves. Horse? 0. 


Paris, LouvRE G123. Kylix: h. 0.12, d. 0.29. 
Cat. iii, p. 964: Hartwig, pp. 616-619, pl. 68: Pottier, 
Douris, p. 121, fig. 24 (1): Nicole, Corpus 74, sec. 2, no. 2: 
Per. and Chip. x, p. 601, fig. 342 (J): Hoeber, Griech. Vas. 
fig. se (iy: ) 

I. Zeus carrying sleeping girl. Os IEVSs. 

A. Men and youths; six figures. [KA ]\OS ? (retr.). 

B. The same; five figures. 


Louvre G 124. Kylix (handles restored): h. 0.11, d. 0.295. 
Cat. iii, p. 965: Hartwig, p. 621, no. 5. 

I. Manand woman. HO PAIS KAV[O$S]. 

A and B. Warriors, men, and women. 

Graffito on foot AT. 


Louvre G125. Kylix (fragments): h. 0.14. 
Cat. iii, p. 966 (not mentioned by Hartwig): Nicole, Corpus 
VA; SOCi2: 

I. Warrior pouring libation on altar. 

A. Libation; hoplites and youths conversing. 

B. Wanting. 


. 28Gai 


go. 


QI. 


Q2. 


93: 


94. 


95. 


Louvre G126. Kylix: h. 0.105, d. 0.305. 
Cat. ili, p. 966: Frucht, p. 41, note 24: Hartwig, p. 623, 
no. 14: Nicole, Corpus 74, sec. 2: drawing (with resto- 
rations) in the Apparat of the German Archaeological 
Institute in Rome. | 7 

I. Theseus and Skiron. Cf. Berlin 2188. 

A. Peleus and Thetis. 

B. Nereids. 


Louvre G 126 dis. Kylix (fragments). 
Cat. ili, p. 967: not mentioned by Hartwig. 
I. Traces of a male figure on a couch. 
A. The same. 
B. Wanting. 


Louvre G127. Kylix: h. 0.008, d. 0.228. 
Cat. iii, p. 967: Cat. Canino, no. 109: CIG. 7885: Hart- 
wig, p. 202, pls. 19, 2; 20: Beazley, VA. p. 98: Pottier, 
Gaz. Arch. 1888, p. 174: Wernicke, p. 86, no. 7: Klein, 
Preteen nosa, LL); 790; no: 11. 

f. Singing youth with lyre. +AIPESTATOS KA[V]Os. 

A and B. Komos. PA EOP TO: 


Louvre G128. Kylix (fragment). 
Cait. ili, p. 968: not mentioned by Hartwig: Nicole, Cor- 
pus 74, sec. 2: Beazley, VA. p. 08. 

I. Youth singing and playing lyre. Same as G 127. 
[+AIREST]RATOS [KAVOS]. 


Louvre Gi31. Kylix (fragment). Formerly in Campana 
Coll. Only part of the exterior is preserved. 
Cat. ili, p. 969: Hartwig, p. 226, fig. 31: Pottier, Gaz. 
Arch. 1888, p. 174: Klein, LI. p. 100, no. 2: Wernicke, 


DSO; no. 2. 
A. Upper part of two boxers. APIZ2TAALOPAS KAVOS]. 


Porras 130. Kylix: h. 0.11, d; 0.30. 
Cat. ill, p. 973: Hartwig, p. 590, pls. 65-66: Kretschmer, 
p. 235: Per. and Chip. x, pp. 787-7809, figs. 417-419 (lacks 
outer row of figures on J). 


L 287 ] 


96. 


97: 


98. 


99. 


I. Dionysos and boy; libation. Around medallion an outer 
frieze of twenty-six male figures in pairs. HO PAIS KA\VOS. 
Outer frieze, KIVAP + OS ANPISTOTEVES EV[K]\[E]s 
OVTIMIAES AIONVSIOS L[PO]JOEM[IS] KVEOKPITOS 
VEOAIKOS [AV]KIMA+0Os EV#IVETOS ON ON IAS 
KL.! All retrograde. 

A. Four pairs of men and boys, and bearded flute-player. 
S KAVIPON PIVON EVOLIIVETOS EVLOVMIJAES. 

B. Five figures, one bearded. HO PAIS KAVOS (last word 
retr.). 


Louvre G 276. Kylix: h. 0.09, d. 0.23. 

Cat. ili, p. 1035: Cat. Campana, no. 141: Hartwig, p. 502, 
no. 2: Beazley, no. 2. 

The description is taken from Hartwig: Beazley mentions 
only one figure on each side of exterior and omits the 
women. The vase has been much restored. 

I. Youth and boy: white zone around central medallion. 
CH]O PALI]s KALVJO[S NIAIL+1. 

A. Two women. 

B. Youth with hare pursuing a boy. 


Louvre G 318. Kylix: h. 0.09, d. 0.23. 

Cat. iii, p. 1038: Girard, Educ. Athén., pp. 104-5. 
Lier, 
A and B. School scene similar to Berlin 2285. 


PETROGRAD, HERMITAGE 6o1 (St. 1637). Amphora: h. 0.41. 
Cat. ii, p. 241 (W. p. 109): CR. 1866, pl. v, 1-3 = Reinach, 
i, p. 24: Jahn, Entfiihrung der Europa, pl. v: Hartwig, 
p. 625, note 1, no. 3: Overbeck, KM. (Zeus), p. 427, no. 
9, pl. 6, 9: Baumeister, i, p. 518, fig. 559 (A). 

A. Europa riding on a bull over the seas. 

B. Zeus with sceptre. 


PETROGRAD, STROGANOFF Cott. Nolan amphora. From 
Capua. 


1 Pottier reads L- -OEMIS VEOAIK[O]S K[AW]IMA+05 EV- 


ofIJVETOS. 


[ 288 | 


CRO1874, p. 208, pl. vii, 1.= Reinach, i, p. 45, 3-4 
(Reinach has mixed two different. vases together, v. 
Painter of Berlin Nike Hydria 2381, no. 5): Hartwig, 
Dso25, note 1,no. 4. : 

A. Above, Nike presenting a wreath to figure on B. Below, 
two youths. NIKE. 

B. Above, youthful athlete receiving the wreath. Below, 
libation, warrior and woman. HO PAIS KA\OS. 


100. ROME, VATICAN 541 (164). Kylix: d. 0.33. 
Mus. Greg. ii, 86, 2, (ii, 89, 2): Helbig-Reisch, Fiihrer, 
1, p. 330: Amn. d. Inst. 1875, pls. F, G = Reinach, i, p. 
fee4s,4-7- liartwig, p: 620, no. 1. 
f. Bearded man, seated, in conversation with youthful 
warrior. 
A and B. Warriors and old men. 
Senseless inscriptions. 
Graffito AVIPARPY. 


Tor. VATICAN 545 (232). Kylix. From Vulci: d. 0.20. 
Mus. Greg. ii, 74, 1, (ii, 78, 1): Gerhard, Aus. Vas. pls. 
10g, 202, 3-5 = Reinach, ii, pp. 59, 6-9, 101: Helbig- 
Reisch, Fiihrer, i, p. 331: Gerhard, Akad. Abhand. i, 
pl. 5,4: Hartwig, p. 624, no. 19: Overbeck, HG. p. 451, 
Der 01, pl. ig, 3 (A): Bonn. Siud. p. 83: Roscher, i, 
p. 2204 with fig. (J): Saglio, iii, p. 93, fig. 3673 (JZ): 
Robert, Scenen d. Ilias, p. 8, figs. 9-10 (ext.): Lucken- 
Baca Dp. 515, 2, af. 
I. Herakles crossing sea in Sun-god’s cup. KAVOS. 
A and B. Combat of two warriors in presence of Athena 
and another divinity. 


102. VATICAN 578. Kylix. From Cervetri: h. 0.12, d. 0.30. 
Mon. d. Inst. ii, pl. 35 = Reinach, i, p. 102, 1-3: Helbig- 
Reisch, Fiihrer, i, p. 344: Mus. Greg. ii, 86, 1, (89, 1 a-b): 
Gerhard, Ann. d. Inst. 1836, pp. 289 ff.: Hartwig, p. 667 
(Twig Painter), two figures of A on p. 669, fig. 72: Saglio, 
li, p. 407, fig. 2575 (1); iii, p. 610, fig. 4147 (J): Roscher, 
ii, p. 85 (7): Klein, Euphr. p. 191: Jahrb. 1892, p. 116: 


L 289 | 


Robert, in Hermes, 1909, p. 388: Winter, Jiing. Ait. Vas. 
p. 42: Baumeister, i, p. 124, fig. 124 (J): Welcker, Alt. 
Denk. iii, pl. 24, 1: CIG. 7749. 
I. Athena and Jason, the latter emerging from the dragon’s 
jaws. IASON. 
A and B. Youths and men. 


103. STUTTGART, Havuser’s Cort. Kylix. From Orvieto: 
h. 0.082, d. 0.198. 
Hartwig, p. 206, fig. 28.. 
I. Seated ephebos washing his legs. 


104. SyRACUSE. Lekythos. 
Beazley, VA. p. 98. 
Man with sword. 


105. ? Kylix. From Orvieto. 

Bull. d. Inst. 1831, p. 35: ClG. 7825 0.e=)e eee 
Munich Cat. p. Ixxix: Panofka, Eigenn. pl. i, 10: Klein, 
Euphronios, p. 100: LI. p. 94, no. 1, fig. 24: Wernicke, 
p. 68: Beazley, VA. p. 99 (attr. to Douris): Per. and 
Chip. x, p. 387, fig. 232 (J). 

I. Woman embracing a youth. HIKET[ES] KAVOS. 

A and B. Symposium. 


106. ? Kylix (fragment). Formerly in Kopf Coll., Rome. 
Hartwig, Festschrift an Otto Benndorf, pp. 86-88 (with 
cut): Buschor, Jhb. 1916, p. 88. 
I. Man and hetaira. HE PAIS KAVE. 
A and B. Traces of four male and two female figures. 


L 290 ] 


SUBJECTS 

Biya, 3, 0°, 20°, 35°, 41, 
48-50, 53, 64, 84, 87, 98, 99. 

Heroic, 13*, 16", 44, 45, 51, 79, 
SU ros oO. 00, 101, 102. 

MaiGg1G, 31.75 ?. 

Boece tO. 12°, 18", 20° ?, 
55) 59, 74, 81, 83, 84, 85, 95. 

MiUitaIy0°. 5 411, 217, 20%, 
Bono 517 55; 00, 62, 63, 
65,66, 68, 75, 83 bis, 86, 88, 
89, 100, 104. 

Pete eo 7 2s TI, 15°, 22%, 
byeeecow, 41,142, 58, 60, 71, 
77, 94: 

Komastic, 10°, 37", 43, 52, 72, 
73, 79, 81, 84, 92, 93. 

Symposium, 5*, 17, 27%, 47, 
52, O1, 67, 69, 80, OI, 105, 
106. 

Genre, ee ee 14”, 24°, a5, 200) 
Be as 334 ,3° > 40; 46, 54, 
55, 50, 57, 95, 70, 75, 77, 78, 
80, 82, 87, 88, 95, 90, 97, 103. 


SHAPES 


| Panathenaic, 41. 

Amphora , Nolan, 76, 99. 

( Neck, 48, 98. 
Pelike, 49, 50. 
Krater, Kalyx, 44. 

Psykter, 18*. 

Pyxis, 78. 

Kantharos, 13”. 

Lekythos, 7*, 327-35", 42, 43, 
58, 68, 104. 

Kylix,. 2*-6*, 8*-12*, 14*-17*, 
19 31°; 30°39, 40, 45-47, 
517-57; 59) 60, 62-07, 69-75; 
7710-07 1O0-1029205;.100, 

Plate sor: 

Ae ee 

OTHER ATTRIBUTIONS 

Berlin Amph. P. 18, 72. 

Berlin Foundry P. 1. 

Bowdoin Eye kylix P. 3. 

Brygos, 15, 22, 28, 68. 

Euphronios, 17. 

Panaitios P. 44. 

Kleophrades, 20. 

Onesimos, 16, 17, 20. 

Pan P. 28. 

Tyszkiewicz P. 4. 


L 291 ] 


THE PAINTER OF THE DUTUIT OINOCHOE 
Beazley, JHS. 1913, pp. 106-110: idem, VA. p. 69. 


A charming little oinochoé now in the Petit Palais, Paris, and 
formerly in the Dutuit Collection, has furnished the name for the 
artist of the ripe archaic period who, according to Beazley, was 
the author. 


1. BERLIN 2330. Nolan amphora. From Nola: h. 0.315. The 
vase is intact. 
Cat. p. 628: Beazley, no. 11: Gerhard, Prodromus, p. 223, 
58. 
A. Dionysos with thyrsos and kantharos. 
B. Maenad with snake and thyrsos. 
Senseless inscriptions. 


2. BreRLIN. Neck amphora (double handles). 
Beazley, no. 9. 
A. Dionysos, maenad, and silen. 
B. Man and youth riding, both in Thracian cloaks. 


3. Boston 13.188. Nolan amphora: h. 0.342. 
Ann. Rep. Mus. Fine Arts, 1913, p. 90: Von Duhn, Rdm. 
Mitt. 1887, p. 242, fig. 15: Beazley, no. 12, fig. 3 (B), pl. 
xi (A). 
A. Thetis and Hephaistos polishing shield. 
B. Nike running. 


4. Lonpon, Brit. Mus. E179. Kalpis. Formerly in Temple 
Coll. ‘ From Nola: h. 0.355. 
Cat. iii, p. 158: Beazley, no. 14, pl. xii: Hackl, p. 60. 
Picture on shoulder and body. Flying Nike with oinochoé. 
Graffito on foot IKPIO. 


5. Brit. Mus. E 510. Oinochoé (ridged handle). From Vulci. 
Formerly Durand Coll. 179, and in Hope Coll.: h. 0.278. 
Cat. il, p. 310: Beazley, no 2p) im 
Seated silen with kantharos and pointed amphora, and 
maenad with snake and lion. 


. E29] 


6. Brit. Mus. E511. Oinochoé (round handle). From Vulci. 
Formerly Durand Coll. 84, and in Hope Coll.: h. 0.276. 
The vase is intact. 
Cat. ili, p. 310: Beazley, no. 1, fig. 2, pl. viii. 
Dionysos, silen, and goat. 


7- MUNICH 2445. Oinochoé (thin: form Furtw. 208). 
Beazley, no. 6. 
Eros flying with oinochoé and phiale. 


8. NapLes (H 3155). Neck amphora (double handles): h. 0.29. 
Cai. p. 483: Klein, LJ. p. 142, 2: Beazley, no. 8. 
A. Bearded kitharist. ARXINO[S] KAVOS. 
B. Man leaning on stick. HO PAIS KAV\VOS.! 


9g. NEw YorK 13.227.16. Lekythos: h. 0.372. 
Bull. Meir. Mus. 1914, p. 234, fig. 2: Pacey VA. p. ee 
Nike holding a thurible. 


10. Paris, LouvRE G137. Neck amphora (double handles): 
h. 0.325. 
Cat. ili, p. 972: Klein, LJ. p. 142, no. 1: Beazley, no. 7. 
Pictures on the neck only. 
A. Flying Nike with phiale and oinochoé. AP+INOS. 
B. Nike running. KAV\OS.? 


11. LouvRE G 203. Formerly in coll. of Raphael Menges. Nolan 
amphora: h. 0.324. 

Cat. ili, p. 1024: Heydemann, Paris. Ant. p. 39, 50: 
Beazley, no. 10: CIG. 7641: Millin-Reinach, Peintures, 
ii, pl. 41: Inghirami, Mon. ér. v, p. 390, pl. 37: Klein, 
Euphronios, p. 246: Welcker, Alte Denk. iii, p. 31, pl. 4: 
Roulez, Vases de Leyde, p. 27 (wrongly places vase in the 
Vatican): Furtwangler in Roscher, i, p. 2216. ~ 

A. Herakles, and Athena pouring a libation into a kantharos 
held by him. 

B. Hermes with kerykeion. 

Senseless inscriptions. 

1 So Klein; the Cat. does not give a facsimile. 


2 Klein reads AP-+INO2 KAVOS on both sides; Beazley AP-+INOS 


alone. M. Pottier, however, informs me that the inscriptions read as stated above. 


[ 293 J 


1a 


13. 


T4. 


Toe 


Louvre G 239. Oinochoé (thin: form Furtw. 208): h. 0.31. 
Cat. iii, p. 1028 (attr. to the group of Douris-Brygos): 
Beazley, no. 5. ; 

Maenad with thyrsos and snake. 


Louvre G 240. Oinochoé (ridged handle): h. 0.315. : 
Cat. iii, p. 1028 (‘style de l’école de Douris’): Beazley, 
nose plex. 

Dionysos (l. arm restored) with kantharos and thyrsos, 
maenad with oinochoé and branch. 


Paris, PETIT PAtLatis 395. Oinochoé (ridged handle). 
From Nola: h. 0.24. : 
Froéhner, Vases du Prince Napoléon, pl. 1: idem, Mus. 
de France, pl. iv (same plate with a few corrections): 
Beazley, no. 4, fig. 1: Lenormant, Coll. Dututt, p. 39, 
no. 69, pl. 14. 
Winged Artemis stroking a fawn. 


SYRACUSE 20536. Lekythos. From Gela: h. 0.37. 
Orsi, Mon. Ant. Linc. 17 (1907), p. 394, fig. 288: Beazley, 
no. I3. 

‘Woman with thymasterion and phiale. 


_ SUBJECTS SHAPES | 
Myths, 33)4, 7, G1stow 3s Nolant133 ante 

b ? ? 2 ? ? b Am h >) ? ef 
Heroic, 3. aa Neck, 2, 8, Io. 
Bacchic; 1; 2595;.G,4r2yie: Hydria, Kalpis, 4. 


Genre,.2;8,.15. Lekythos, 9, I5. 


Oinochoé, 5-7, 12-14. 


[ 294 J 


THE PAINTER OF THE. DWARF. PELIKE 
Beazley, VA. p. 166. 


To a minor contemporary and imitator of the Achilles Master 
Beazley has given the name of the Dwarf Pelike Painter. 


P] 


1. Boston 76.43. Nolan amphora. From Nola: h. 0.315. 
Cat. p..155, no. 423: Heydemann, Bull. d. Inst. 1860, 
p. 20, no. 6: Wernrcke,-p. 63, no--1:. ‘Klein; E/-p. 168: 
Beazley, VA. p. 166. 
A. Woman with mirror Ae, and youth. KAAOSs AIQN. 
B. Youth. 


2 Boston. 76.45. Pelike. From Capua: h. 0.242. 
Cat. p. 156, no. 426, fig. (A): Beazley, VA. p. 166. 
A. Youth walking with dwarf servant! and dog. 
B. Youth. 


3. Lonpon, Mrs. Haty’s Cott. Nolan amphora. 
Beazley, VA. p: 167. 
A. Peleus and Thetis. 
B. Youth running. 


4. Paris, Louvre G 378. Nolan amphora: h. 0.335. 
Not mentioned in Cat.: Beazley, VA. p. 166. 
A. Zeus and Hebe. 


B. Youth. 
SUBJECTS SHAPES 
Myth., 3, 4. Amphora, Nolan, 1, 3-4. 
Genre, I, 2. Belikess, 


1 For dwarf servants cf. Pottier, Mon. Piot, 13, pp. 159-160. 


L 295.1 


THE EPELEIOS PAINTER 
Beazley, VA. p. 12. 


To an anonymous painter who was the author of the kylix at 
Bryn Mawr with the name Epeleios, Beazley has given that 
name. The artist was a contemporary of Oltos. 


1. Bryn Mawr. Kylix. From Vulci: h. 0.121, d. 0.324. 
Gsell, Nécropole de Vulci, pls. 13-16: Klein, LI. p. 65, 
no. 2 (mistakenly placed in the Torlonia Coll., Rome): 
Beazley, VA. p. 12: Swindler, AJA. 1916, pp. 323-330, 
figs. 10 (I), 11-12 (A and B). 

I. Youth with stick. EPEVEIOS KAVOS NAI+I. 

A. Youths. IsPA+OS KAVOS EPEVEIOS (retr.) KAVOS 
I+IAN HO PAIS KAVOS. 

B. Men and youths. -EOAOPOS NAI+1 KAVOS (retr.) 
HO PAIs KA\VOS (retr.) EPEVEIOS KAVOS NAI+1 HO 
PAIS KAVOSs. 


2. CORNETO 5293. Kylix: h. 0.138, d. 0.33. 
Beazley, VA. p. 12. 
I. Youth with oinochoé. 
A and B. Komos. 


3. MUNICH 2619 (331). Kylix. 

Cat. p. 97: CIG. 7398: Cat. éir. no. 1352 Kes. diva. 22, 
no. 14: Ann. d. Inst. 1875, p. 60: Panofka, Eigennam. 
p. 32: Graef, Jhb. 1886, p. 202, no. 65: Klein, LI. p. 65, 
no. 3: Heydemann, Satyr- u. Bakchennam. p. 38: Wernicke, 
p. 31, no. 4: Luckenbach, p. 562, A: Kretschmer, p. 180, 
note 1: Overbeck, HG. p. 185, no. 31: Beazley, VA. p. 12. 

I. Silen filling krater with wine. sIVENOS TEPPON HEAVs 
HOINO EPEVEIOs KAVOS. 

A, Peleus, Thetis, and nymphs. MEVEVS OETIS (retr.) 
XOPA (not A as in Jahn) KAVWKA EPATO (retr.) IPISIA 
(retr.) KYMATOOA (retr.). 


[ 296 J 


B. Komos. EPEVIOS KAVOS (retr.) OEODOPOS KA\OS 
pees = KAVOS No.) ow. A .OS NAIXI ISPA+OS 
KA\[O]s. 


4. New York 09.221.48. Kylix: h. 0.117, d. 0.337. 
Bull. Meir. Mus. v, p. 142, fig. 2: Beazley, VA. p. 12. 
I. Komast. HO PAIS KAV\OS. 
A and B. Komos. OPAIs AVOS NAIXI. HO PAIS KAVOS 
EPEVE O=. 


5. WuRzBURG 345. Kylix: h. 0.12. 
Cat. ili, p. 85: Gerhard, Aus. Vas. iv, p. 66, pl. 293-204, 
no. 1-3, 7 = Reinach, ii, p. 145, 1-3, 7: Beazley, VA. p. 12. 
I. Youth before ithyphallic herm. HO ..I¢s KAVOS. 
A. Youths and men, horse. HO PAIS KAVOS. 
B. Warriors, youths, and horses. O AKAVS. 


SHAPES SUBJECTS 
Kylix, 1-5. Komastic, 2, 3, 4. 
Genre, I. 
Military, 5. 
Bacchic, 3. 
Heroic, 3. 


E2078] 


EPIGENES 
Klein, p. 186. 
Nicole, Corpus 76. 


Only one vase bearing the signature of Epigenes the potter, is 
known to us. The painter of it, judging by the style, belongs to 
the same period as Aison and the Kodros Painter. 


1*, Paris, Cas. D. MED. 851. Kantharos (without foot). From 
Vulci: h. 0.078, d. 0.065. 


Caisne sor. 

Bull. d. Inst. 1846, p. 68. 

AZ: 1846;p: 272. Klein, p. 186. 

CIG. 8158. Luckenbach, p. 553. 


Jahn,- AZ. 18537 par28: Jo: 
Brunn, Troisch. Misc. i, p. 68. 
Schmidt, Aun. d. Inst. 1850, p. 143, pl. HI = Reinach, 
1,-).0250;-2 uu cogeee. 
Brunn, KG. ii, p. 670. 
DeWitte, Arch. Anz. 1850, p. 211, no. 5: Brunn, ibid. 
1852, D.-LO5: 
Milliet-Giraudon, pls. go-91. 
Stephani, CR. 1873, p. 130, 133. 
Roscher, iii, p. 295, 5 (B). 
We By ploix. 3: 
Winter, Jiing. Ati. Vas. p. 55, V, 3. 
Nicole, Corpus, 76. 
PRP oe 
Ducati, Mzdia, p. 38. 
A. Libation. Agamemnon, Kymathea, and Oukalygon. 
A+IAAEV2 KVMAO=A A...----- VKAAE-ON. 
B. Thetis, Patroklos, Nestor, and Antilochos. NESST-.- 
ANT-AO+02 PATPOKAS OET- - EVIAENESeeiees 


SHAPES SUBJECTS 
Kantharos17. a Mythological, 1*. 


[ 298 | 


agqoua /S)\\ 


wm) PY 


[ $ OKOVIL | WY 


i , 


NSA, 
; 2\. 


Zr 


( 


ee 


( 


Ry 
nos avynro & > 


L 299 J 


EPIKTETOS 


Robert in Pauly-Wissowa, s.v. Epiktetos. 

Klein, pp. 100-108. Beazley, VA. pp. 14-18. 
Walters, 1, p. 422. Nicole, Corpus, 59. 
Hartwig, pp. 12-16: 85-94. 

Sauer in Thiemes Lexikon, s.v. Epiktetos. 
Perrot and Chipiez, x, pp. 358-378. 


Twenty-three vases and three fragments with the signature 
of Epiktetos are preserved to us today: five other vases signed 
by him have completely disappeared. ‘The existing vases and 
fragments are eight kylixes, six eye kylixes (four of these are of 
the mixed technique — 7*, 16*, 23*, and 26*, with a b.f. central 
picture and r.f. exterior—), eight plates, a pelike, a neck amphora, 
a kotyle, and a fragment from some larger vessel the form of 
which is uncertain. 

The signatures are invariably those with the éypadey formula 
except on 1* where the ézoinoev formula also occurs. By a 
curious error which occurs so often that it was probably inten- 
tional he generally signs his name with éypacd¢er instead of the 
correct spelling (5*; 7*,/11*, 12°, 13°) 28", 21 923 eea eee 
27* bis, and 30%). Evidently his services were in considerable 
demand as we find his signature as painter combined with no less 
than five potters — Pamphaios (4*, 19*), Hischylos (7*, 16*, 23*, 
28*), Pistoxenos (14*), Python (10*), and Nikosthenes (15*, 26*). 

Only a single case of a kadés name, that of Hipparchos (20*) 
occurs on any vase signed by him, but the name is to be found 
frequently on vases which may be safely attributed to his hand. 

Whether he was the originator of the r.f. style is very doubtful, 
and although we have examples of mixed technique, the fact that 
no b.f. vase exists by him would seem to make this improbable. 
He was, however, the most prominent painter of his period and 
judging from the number of vases which are usually regarded as 
being in his style, he undoubtedly had numerous imitators. 


1 Nicole (no. 30) mentions erroneously a signed fragment in Constantinople. 


_L 300 J 


1*. ATHENS Ar. Plate (fragments). From Acropolis. 
Beazley, no. 37. 


I. Part of shield and lower part of a male figure in cloak. 
[EJPIKTETOS EPOILESE KAI EAPJAOSEN. 


2*. BALTIMORE. Kylix. From Chiusi ?: h. 0.135, d. 0.328. 
Hartwig, Jhb. 1801, p. 250, pl. v, 1; 1892, p. 118. 
Hartwig, Rom. Mitt. 1888, p. 167. 

Deaziey. NO: 13, p. 15, fig. 7. 
Harrison and MacColl, p. 16, pl. ix. 
Nicole, Corpus 59, no. 15. 
I. Silen lying and drinking. Exergue. EMIKTETOSs 
EAPAQOS .N. 


fe for 


* 


3". BERLIN 2170. Pelike. From Caere: h. 0.32. 
Cat. p. 492. 
Brunn, KG. 11, p.:075,.n0. o 
Gerhard, Aus. Va. iv, p. 72, pl. 209 =aikenimenmes 
p. 148, 1-3: Kapp. Vole. pp. 546, 732. 
CIG. 8176. | 
Beazley, no. 42: idem, JH'S. 1910, p. 61, no. 26 b. 
Jahrb. 1888, p. 146. 
Nicole, Corpus 59, no. 27. 
Duruy; Wisi pays 4a 
Klein, no. 25. 
A. Goddess? EPIKTETOS EAPAQOSEN. 
B. Thesame. ETIKTETOS EAPAQOSEN. 


| L 302 ] 


w 
ane 
q 
a 
< 
hay 


C&S 
SE 


\\ 


Ery KTET OS 


[ 303 ] 


4*. BERLIN 2262. Kylix. From Vulci: h. 0.15, d.0.315. The 
foot does not belong to the vase. 
Cat, D534. 
Brunn, KiGows p.- 722, Nesta 
Gerhard, Aus. Vas. iv, p. 46, pl. 272, 1-4 = Reinach, ii, 
P- 134, 5, 9, 7, 9. : 
Panofka, Bild. Ant. Leb. pl. ii, 2 (A), iii, 7 (B), p. 4. 
Klein, no. 7. 
Winter, Kunstgeschichte in Bildern, i, p. 88, 4 (J). 
Beazley, no. 6. | 
Saglio, ii, p. 801, fig. 2760 (central group of A). 
CAG O17 7. 
Girard, Educ. Athén. p. 193, fig. 18 (A). 
Nicole, Corpus 59, no. 8. 
I. Silen with wine-skin. TAMAQOZGOs TAMAOIOS. 
A. Athletes in palaistra. EPIKTETOS. 
B. Youth with horses. EAPAOSEN KAVOS. 


£304] 


5*, CasTLE ASHBY. Collection of Marquess of Northampton. 

Plate. From Vulci: d. 0.188. 

Burlington Cat. 1888, p. 49, no. 110, pl. 19. 

DeWitte, Cat. éir. no. 177. 

GIG28170- 

AZ. (Ooty Panos at, 

Brunn, KG. i, p. 673, no. 18. 

Klein, no. 16; Euphronios, p. 305, no. 18. 

Beazley, no. 32. 

Saglio, iii, p. 187 (Lechat denies that the figure is a 
hippalektryon). 

Nicole, Corpus 59, no. 19. 

Youth riding a cock. EPIKTETOS EAPAS®EN (!) 


L 306 J 


6*, FERRARA, Mus. Civico. Kylix: h. 0.14, d. 0.32. 
Bold Avie, 1011,-pp: 341-342,fig. 1. 
Mute, 271; fig. 3. 

Beazley, no. 11. 
Nicole, Corpus 59, no. 16. 
eteana (hip. x, p, 358, note 3. 


I. Bearded komast running. ETIKTETOS EAPAQOSEN. 


L 307 | 


7*. Lonpon, Brit. Mus. E 3 (814). Formerly in possession of 
Bassegio, Rome. Eye kylix: h. 0.135, d. 0.30. 

Cat. ili, p. 42. : Nicole, Corpus 59, no. 3. 
CIG. 8179. Klein, no. 2. 
Brunn, KG. ii, p. 701,n0.6. Beazley, no. 2. 
Walters, JH'S. 1909, pl. 12, pp. 109, 110, no. 8. 

I. b.f. Young rider. HIS+VVOS EPOIESEN.! 

A.r.f. Silen with pelta and horn. ECIKTETOS. 

B.r.f. The same. EAPASQEN (!) 


8*, Brit. Mus. E 24. Kylix. From Nola? h. 0.077, d. 0.194. 
Gori p. 57, pl. Vi, I. . 
Cat. Durand Coll. no. 133. 
Brunn, KG. ii, p. 672, no. 12. 
CIG. 8162. 
Klein, no. 12; Euphronios, p. 315, no. 60. 
Beazley, no. 14, p. 15, fig. 8. 
Per. and Chip. x, p. 360, fig. 204. 
Nicole, Corpus 59, no. 13. 
I. Crouching silen with wine-skin. ETIKTETOS EAPAO- 
SEN (wrongly given in Klein). | 


1 Walters (loc. cit. p. 114) suggests the possibility that the interior picture is 
the actual work of Hischylos himself. 


L 309 J 


o*. Brit. Mus, E 37 (828). Kylix. From Vulci. Formerly 
Durand Coll. 341: h. 0.11, d. 0.295. 
Cai. 10; p..03. 
Panofka, Cab. Pourtalés, p. 119. 
Brunn, KG. i, p. 672, no. 9. 
Murray, Designs, no. 22 (J). 
GIG, 8103: se | 
Klein, no. 9; Euphronios, p. 308, no. 30; LI. p. 30, no. 2. 
Gerhard, Aus. Vas. il, p. 38 note. 
Wernicke, p. 33, note 2.. 
Hartwig, p. 665, note 1, 
Beazley,ane. 82 3 oe = 
Nicole, Corpus 59, no. 10. 


I. Singer on couch. HIPTAR.-~- KAYO. 
A. Theseus and Minotaur. EARAOSEN. 
B. Komos, five youths. EMIKTETOS EAPA.-EN. 


Caio! 


[rzs| 


o*. Brit. Mus. E 38 (823). Kylix. From Vulci. Formerly 


Canino Collcs72*- ho 24d -0.3245 
Cais iispst3: 
Bull. d. Inst. 1829, p. 137. 
Micali, Storia, pl. 90, I. 
CIG. 8160. 
Brunn, KG. ii, p. 671, no. 4. 
Chil sein 572; | 
Panofka, Vasenb. pl. iii, 4 (A). 
Fowler and Wheeler, p. 491, fig. 390. 
Murray, Designs, no. 23 (1), p. 8, fig. 2 (A). 
Klein, no. 8; Euphrontos, p. 310, no. 38. 
F.R. ii, pp. 82-84, pl. 73 = Buschor, p. 157 (A), fig. 112, 
Hartwig, p. 51. 
Jacobsthal, Gott. Vas. p. 42, no. 3. 
Walters, 1, p. 423. 
Pe...and.Chip. x, pp. 364-365, fies 209 (I), 210 (A). 
Beazley, no. 7. 
Roscher, 1, p. 2233. 
Nicole, Corpus 59, no. 9. 
Hoeber, Griech. Vas. fig. 43 (J). 


I. Dancing girl and flute-player. 
A. Herakles slaying Busiris. PVOON EPOIESEN. 
B. Symposium. EPIKTETOS EAPAOSE[N]. 


[ 312 J 


[ 313 J 


r1*. Brit. Mus. E 135 (987). Plate: d. 0.194. 
Cai. Mi; p.130: 
Walters <1, ploy ea. 
DeWitte, Cat. ér. no. 117. 
CiG3107. 
Kleingmo <1. 
Brunn, AG, 1: p2074) noece 
Corey, p. 68. 
Beazley, no. 33. 
Nicole, Corpus 59, no. 17. 
Archer. EPIKTETOS EAPASOEN (1!) 


[314 J 


12. Brit. Mus. E 136 (988). Plate: d. 0.106. 
Cara), 130. 
DeWitte, Cat. ér. no. 189. 
L1G. 8172. 
Klein, no. 15. 
iui kG. 11, p. 673, no. 15. 
Kretschmer, p. 181. 
Beazley, no. 34, p. 18, fig. ro. 
Nicole, Corpus 59, no. 18. 
Youthful warrior with horse. EPIKTETOS EAPASOEN (!) 


Peal 


13*. Briv; Mus. F137. Plate. dw oms7. 
Cat. iil; pi136, pinvi 2s 
DeWitte, Cat. étr. no. 175. 
CIG. 8169. 
Klein, no. 19. 
Saglio, v, p. 309, fig. 6958 (flute player). 
Brunn, KG; li, p..072; Noe 17. 
Beazley, no. 35. 
Nicole, Corpus 59, no. 22. 
Youth playing flutes and man lifting kotyle. ETIKTETOs 
EAPASOEN (1!) 


[ 316 ] 


ath 


14*. Brit. Mus. E139. Kotyle.! From Capua?: h. 0.91, d.0.145. 
Cahn, peieg: 
Minervini, Mon. di Barone, 1, p. 37. 
Ann. d. Inst. 1876, p. 27. 
Brunn; KG, 1, pps 671.0. 5,720. 
Klein, no. 24. 
Kretschmer, p. 180. 
Beazley, no. 38. 
Hartwig, p. 375, note r. 
Nicole, Corpus 59, no. 26. 


A. Dionysos andsilenwithmule. -TIKTETOS EAPAOSEN. 
B. Silen with mule. PISTOS+ENOS EPOIESE (the vase 
is broken here). 


1 The two handles have been omitted in the plate to insure a larger size. 


: [ 318 J 


1s*, OpESSA. Fragment. From Panticapaeum. 
Jahn, Int. Munich Cat. p. xxvii, no. 116. 
Klein, no. 27. 
Brunn, KG. 11, p. 673, no. 23. 
WV. 1890/91, pl. vil, 3. 
Pottier, Louvre Cat. ili, p. 760. 
Beazley, no. 43. | 
Nicole, Corpus 59, no. 29. 


A. Komos. .IKOSOEN* EPIKT. 
EPOIEs. 


0320] 


[321] 


16*, ORVIETO, FAINA COLL. 97. Eye kylix.1. From Orvieto: 
ds0.32) 
Cat. p. 46. 
Korte, Ann. d. Inst. 1877; p. 132, no. 21. 
Klein, no. 4; Euphronios, p. 291, no. 2. 
Nichols, AJA. 1902, p. 328, no. 11. 
Beazley, no. I. , 
Walters, JHS. 1909, p. IIo, no. 2. 
Nicole, Corpus 59, no. 5. 
I. b.f. Stag. HIs+VVOs EP. 
A.r.f. Youth running. EPIKTETOS EAPASOEN. 
B. Missing. 


1 The restorations have been removed from the photograph from which the 
picture was taken. 


— £322] 


L323 J 


17*, Paris, Cas. D. MED. 509. Plate. From Vulci: d. 0.192. 
Caip L352, 107 50; 
CIG. 8166. 
Cat. éir. 1837, p. 26, no. 53. 
Milliet-Giraudon, pl. 56. 
Dubois, Cat. Pourtalés, p. 89, 374. 
Brunn, KG. ii, p. 673, no. 13 (wrongly described). 
Pourtalées Sale Cat. no. 389. 
Klein, no. 17; Euphronios, p. 315, no. 59. 
Hartwig, p. 31: Jhb. 1891, p. 256, 15. 
Beazley, no. 30. 
Nicole, Corpus 59, no. 20. 
Silen running with flutes. ETIKTETOS EAPAQOSEN. 


[324 ] 


18*. Cap. D. M&p. 510. Plate. From Vulci: d. 0.197. 

Cat. p. 382, no. 510. 
C1G. $171. : 
Milhet-Giraudon, pl. 56 (left-hand picture). 
Cat. Beugnot, p. 64, no. 63. 
Cat. éir. p. 107, no. 178. 
Klein, no. 18; Euphronios, p. 312, no. 47. 
Beazley, no. 29. 
Nicole, Corpus 59, no. 21. 

Komast. EPIKTETOS EAPASOEN (!) 

Graffito X. 


L 325 J 


* 


19*. Paris, LouvRE Gs. Eye kylix. From Vulci: h. 0.14,' 
d. 0.32. ; 
Cat. iii, p. 886: Album, ii, p. 137, pl. 89. 
CIG. 8178. 


DeWitte, Not. 1843, p. 46, no. 174. 
Brunn, KG. ii, p. 723, no. 10. 
BCH. 1897, p. 239, fig. 4 (A). 
Per. and Chip. x, pp. 361-362, figs. 205 (n), 206 (A), 207 
(B), (wrong ref. to G 7). 
Klein, no. 6; Euphronios, p. 298, no. 9. 
Beazley. no. -5.° | 
Walters, JHS. 1909, p. 116, no. 9. 
Nicole, Corpus 59, no. 7 (wrongly notes Klein no. 6 as 
‘ disparu.’) : 
I. Ephebos urinating into an oinochoé. TAMAQIOS 
EPOIESEN. 
A. Warrior picking up spear. EPIKTETOS. 
Be Archer = EAPNOSEN: 


L-326 | 


iN 


meietpaRls 


ES aay 
2H be 
ES Son. 


: : ae 
PT aka 
ante 


HiME Sas) Ble 


L327. 


20°, LouvrE G6. Kylix.1. The vase is in a very fragmentary 
condition. 
Cat. iii, pp. 887-8809. 
CIG. 8159. 
Brunn, KG. ii, p. 672, no. ro. 
Mus. éir. no. 561. 
Gerhard, Rapp. Volc. 714. 
Klein, no. 10; Exuphronios, p. 309, no. 31. 
Beazley, no. Io. 
Nicole, Corpus 59, no. II. 
I. Woman seated, playing lyre. HIPTAPXOS KA\OS. 
A. Eight warriors in combat over ‘fallen warrior. - -IKTE- 


TOs. 
B. Seven dancing raaennde EAPAQO. .N. 


1 The vase possesses the peculiarity of having a palmette border on the interior. 
Not only is this a unique feature in the work of Epiktetos but I have failed to 
find a similar pattern in the work of any other master. 


[ 328 J 


[ 329 J 


: ¥ 
\ 

z 

+ 
q 
ek 
ty 


21*. LouvRE G7. Plate. 
Cat. iii, pp. 889-891. 
Album, ii, p. 137, pl. 89. 

CIG. 8168. 

Beazley, no. 36. 

Nicole, Corpus 59) no. 23. 

De Witte, Cat. éir. p. 105, no. 174. 

Brunn, KG. ii, p. 673, no. 16. 

Per. and Chip. x, pp. 362-363, fig. 208 (J). 
Klein, no. 23; Euphronios, p. 307, no. 28. 


From Etruria: d. 0.20. 


I. Youthful athlete and trainer. EMIKTETOS EAPAS- 
OMEN (!) 


[2330] 


22*, Louvre G8. Eye kylix (fragment). 
Cat. iii, p. 891. . 
Beazley, VA. p. 18. 
Nicole, Corpus 59, no. 2. 
Only the edge of. the kylix with EPIKTE is preserved, with 
no decoration. 


23*, PETROGRAD 645.1 Eye kylix. 
Cat. (W.) p. 85. , 
Helbig, Bull. d. Inst. 1868, p. 73. 
Klein, no. 3; Euphronios, p. 294, no. 12. 
Nichols, AJA. 1902, p. 328, no. 16. 
Beazley, no. 3. 
Walters, JHS. 1909, p. 110, no.12. 
Nicole, Corpus 59, no. 4. 
I. bf. Youth with stick and wine-skin. HIS+VV-S 
EPOIESEN. 
A.r.f. Fat, bearded komast. 
B.r. Ithyphallic mule. EPIKTETOS EAPASQOEN (!)? 
1 It has unfortunately proved impossible to secure any photograph or data of 


this vase. 
2 So Klein; Waldhauer gives the regular form. 


bs3cJ 


24*. RoME, ToRLONIA Cott. Kylix. Formerly in coll 
Aug. Castellani. From Vulci: h. O08 d. 0°. x 
Bull. d. Inst. 1868, p. 75. 
Hartwig, Jhb. 1891, p. 250, pl. v, 2. 
Klein, no. 13; Euphronios, p. 314, no. 55+ 
Beazley, no. 19. 
Nicole, Corpus 59, no. 14. 


I. Komast balancing kotyle on his ae 


EAPAQO.-EN. 
¥ 
m 
re 
ba é 
dy 
wad 
i= 
An 
wy : 
i 4 
Bey 
~ iss 
GPRS 
he 
= 
ni 
i 
i 
+ 
ed 
\ ae. 
Le 
ore 
o 
, 4s 
. 
- . 
i 
co 
- 
* 
igeeer 0! 
| me 
om Phe, 


[332] 


£ eee 
aly 


a 


E 3aad 


25*, VIENNA, HormusEuM. Neck amphora (convex handles), 
Formerly in Lichtenstein Coll.: h. 0.43. 

Schneider, Arch. Epigr. Miti. a. Oesterr. v, p. 139, pl. 4. 
Klein, no. 26. 
Beazley, no. 41. 
Saglio, iv, p. 755, fig. 5854 (B). 
Nicole, Corpus 59, no. 28. 

A. Apoxyomenos. Efl.-E-..- EAP-Q. 

B. Boxer binding cestus. Ef.....-.- Es hs tele 


7 L 334 J 


26*. WuURZBURG 358.! Eye kylix: h. 0.17, d. 0.30. 
Catal, peor. 
Klein, no. 1; Euphronios, p. 293, no. 10. 
Bull. d. Inst. 1865, p. 55. 
CIG. 8164. 
Nichols, AJA. 1902, p. 328, no. 9. 
AZ. 1885, p. 253, pl. 16 = Reinach, i, p. 462, 4. 
Beazley, no. 4. 
Walters, JHS. 1909, p. I10, no. 10. 
Nicole, Corpus 59, no. I. 
I. b.f.. Youth holding skyphos. 
A.r.f. Silen squatting. EPIKTETOS EAPASOEN (1) 
B.r.f. Horse. NIKOSOENES EPOIESEN. 


1 It has proved impossible to obtain photographs of J and B. 


oe 


27*, Disappeared. Plate. Formerly in Braun’s Coll. 
Klein, no. 22; Euphronios, p. 316, no. 68. 
Bull. d. Inst. 1846, p. 77. 
CIG. 8174. 
Beazley, no. 31. 
Dionysos and silen. EPIKTETOS EAPASOEN (!) 


27* bis. Disappeared. Kylix. Formerly in Roger Collection. 
Nicole, Corpus 59, no. 25. 
Klein, no. 21. 
I. Kneeling man and woman with jug. EMIKTETOs 
EAPASOEN. 


28*. Disappeared. Formerly in Magnoncourt Coll. Kylix. 
From Vulci. 

Gerhard, Rapp. Volc. 644. 
Mus. étr. 1115. Cat. éir. 78. Magnoncourt (34). 
CIG. 8165. 
Brunn, KG. il, p. 701, no. 5. 
Klein, no. 5. 
Beazley, VA. p. 18. 
Walters, JHS. 1909, p. 116, no. 17. 
Hartwig, p. 345, note 2, no. 5. 

I. Nude hetaira with phalloi. In field a lekythos in the 
form of a phallos. EPIKTETOS EAPAQOSEN. 

A. Herakles and centaurs. HIS+V\VOS EPOIESEN. 

B. Dionysos and silens. 


aaa 


29*. Disappeared. Formerly in Pourtalés Coll. Kylix. From 
Vulci. 
Cat. étr. no. 568. 
Panofka, Cab. Pourtalés, no. 182, pl. 41. 
Pourtalés Sale Cat. no. 178. 
Klein, no. 11; Euphronios, p. 14 with cut. 
CIG. 8175. 
Beazley, no. 12. 
Nicole, Corpus 59, no. 12. 


I. Youthful komast. EPIKTETOS EAPAOSEN. 


Pago 


30°. Disappeared. Plate. 
Bull. d. Inst. 1841, p. 135: 
CIGas1 73. 
Kleing no. 20.1 
Nicole, Corpus 59, no. 24. 
Hartwig, p. 105, note 1, no. 3. 
Beazley, VA. p. 18. 
Man vomiting, assisted by hetaira. EPIKTETOS EAPAS- 
MEN (!) 


ATTRIBUTED VASES 


31 a-c. ATHENS Ag7, A1g2, A1o4. Kylix. Three fragments 

from the Acropolis. 

a. A.o7 (Beazley, no. 22). 

I. Youth playing kottabos. ...OSEN. 

b. A 192 (Beazley, no. 23). 

Ext. Herakles and Nemean lion. ....TETOS. 

c. A. 194 (Beazley, no. 28). 

7.. Maenad. HIFfAP+Os. 


32. ATHENS, AcrRopoLtis A114. Kylix. From Acropolis. 
Benndorf, GSV. pl. 12, 2 = WV. iii, pl. ii, 4: Beazley, 
no. 18. 
Pee wunoiaur. ..ECOE... 


33. BOSTON 95.34. Kylix: d. 0.183. 

Van Branteghem Sale Cat. no. 38: crip, Rep. Mus. Fine 
cos, p. 20, no. 22: Klein, Li. p: 62, no. 8, fig. 7: 
Beazley, no. 20. 

I. Silen riding on wine-skin. HIPTAP+Os KAVOs. On 
the skin HIFPAOXO. 


34. BosTON 10.212. Kylix (fragment). 
Ann. Rep. Mus. Fine Arts, 1910, p. 62: Beazley, no. 27, 
eas. 1g. 0. 
I. Silen kneeling with horn. 


1 Klein’s description of no. 21 in his list (also lost) is so like that of no. 20 (no. 
27*bis) that Beazley is probably right in believing them to be one and the same. 


[ 339 J 


35: 


36. 


37: 


38. 


39: 


40. 


CorneTo. Kylix. From Corneto: h. 0.11, d. 0.33. 
Bull. d. Inst. 1878, p. 180: Reisch, Rém. M1it. 1890, p. 341, 
fig. 9: Klein, p. 111, no. 2: Beazley, no. 21. 

I. Silen with wine-skin. EPOIESENOX. On the wine-skin 
PROIES. 


COPENHAGEN 119. Kylix. 
Jahn, Ber. d. Sachs. Gesellsch. 1867, pl. v, 1: Klein, p. 109, 
no. 5; Li. p. 62, no. 5: Saglio, i), Dp) 13e sige omae 
Duruy, Hist. p. 211: Bliimner, Technologie, 11, p. 340, 
fig. 54: Birket-Smith, De mal. Vaser, no. 119: Beazley, 
no. 15, p. 17, fig. gbis: Schreiber, Balderatl. pl. 73, 7. 

I. Youthful hermoglyph at work. HITADXOS KAVOS. 


HEIDELBERG A 13. Kylix (fragment). 
Beazley, no. 17. 
I. Nude woman squatting. 


Naptes 1 (Gabinetto segreto). Cup kotyle. From Anzi di 
Basilicata: h. 0.10. 
Cat. p. 620, no. 1, pl. xi (inscriptions): Fiorelli, Race. 
Pornogr. no. 1 (Bull, del Mus. Naz. 1863, no. 7, p. 106, L): 
Minervini, Bull. Nap. i, pp. 25 ff.: Beazley, no. 4o. 
A. Woman and mule. Senseless inscriptions. 
B. Silen and maenad. Senseless inscriptions. 


OXFORD 520. Cup kotyle: d. 0.177. 
Panofka, Cab. Pourtalés, no. 191, pl. 34: Bild. Ant. Leb. 
pl. 12, 2 (A): Gardner, JHS. 1904, p. 306: Beazley, no. 39 
(attr. to Epiktetos): Saglio, i, p. 778, fig. 922 (A). 

A. Two young komasts at column krater. 

B. Youth with horses. 


PALERMO 2351. Kylix (fragments). 
Koepp, AZ. 1884, p. 42, note 21: Klein, p. 113, no. 11: 
Hirsch, De Animarum apud ant. Imag. p. 10, no. 19: 
Hartwig, JHS. 1891, pp. 334-349, Pl. 19 (A); p. 340 (B): 
Beazley, no. 26. 

A. Combat, Herakles and Eurytos. EPOIESEN. 

B. Combat. 


£340] 


4I. 


42. 


43. 


44. 


‘PETROGRAD, Inv. 14611. 


Paris, CAB. D. MED. 517 bis. Kylix (fragments). 
Cat. p. 390: Beazley, no. 24. 
A. Two youths. KAV\V... 


Cas. D. MED. 678? Kylix (fragment). 
Beazley, no. 25: not mentioned in Catalogue. 
A. Head of man with flutes. 


Kylix. From Berezan. 
Beazley, no. 16. 
I. Nude hetaira with phalloi. 


HIPFPFAP+Os KAVOSs. 


(Cf. Klein, p. 102, no. 5.) 


RoME, VATICAN 1286 (230). Kylix: d. 0.30. 
Helbig-Reisch, Fiihrer, i, p. 329: Mus. Greg. ii, pl. 84, 2 
(87, 2): Klein, p. 113, no. 9; Euphrontos, p. 302, no. 7: 
Beazley, no. 9 (attr. to Epiktetos): Rdm. Mitt. 1800, 


Pp. 341. 


I, Nude warrior and flute-player. 
A. Athena mounting chariot of Herakles. 


B. Komos. EfOIESEN. 


SUBJECTS 

Myths?) 5"; 44 

Hermie . 10,28"; 31 b,.32, 
AO. 

Bacio, 47.7, 8*, 14", 17", 
go, 230% 20°, ae Ast 31 C, 
33-35, 38. 

Military. 7°, 11°, 12", 19°, 20", 
40, 44. 

Athletic, 4*, 21*, 25*. 

Komastic, peeoeeiO. i365 15%, 
Pewee 247 20,27" bis, 28", 
29", 30%, 39, 42, 44. 

Symposium, 9*, 10%, 31 a. 

Genre, a6. tO. , aa, 30, 37, 39; 
AT, 43. 


EEO LESEN, 
EPOEIESEN. 


SHAPES 

Amphora, Neck, 25%. 

Pelike, 3*. 

Kotyle, 14*, 38, 39. 

Kylix, i 4, 6*, ik (eye), 3s 
10*, 16* (eye), 19” (eye), 20”, 
22 eye), 23 (Gye) 3240, 20: 
27" bis (eve) ,28"; 20" 31-37, 
40-44. 

Plate, 1%, 5*;11 13%, 177, 18°, 
Pe ery Pacis be 

? Fragment, 15%. 


OTHER ATTRIBUTIONS 
Euergides, 26. 


[ 341 ] 


EPILYKOS 


Robert in Pauly-Wissowa s.v. Epilykos. 

Perrot and Chipiez, x, p. 582. 

Furtwangler, F.R. 11, pp. 181-184. 

Pottier, Mon. Piot, ix, pp. 135-178: Rizzo, ibid. xx, 

Ppp. IOI~I53. 

Buschor, Jhb. 1915, pp. 36-40. 

Rodenwaldt, Arch. Anz. 1914, p. 87. 

P. J. Meier; AZ. 1884, PP. 240 ff. 

Nicole, Corpus :75. 

Hoppin, Euthymides ion his Fellows, Pp. 34. 
. Beazley, VA.-p. 21: 


Only one undisputed signature of Epilykos exists (1*). The 
Berlin fragments (4041!; v. Skythes 1*) are probably signed by 
Skythes and Epilykos is used as a kadéds name. Most peer aey 
they were partners. 


Epilykos affects a miniature style, and exhibits considerable 
skill. 


t*, Parts, LouvrE Gio. Kylix. From Etruria. Formerly 
Campana Coll. 669: h. 0.09, d. 0.22. The exterior has 
been extensively restored.1 

Cat. ili, p. 891-893. 

Album, ii, p. 137, pl. 89. 

Cat. Campana, iv, 669. 

Pottier, Mon. Piot, ix, p. 155, fig. 4 (JZ). 

Klein psitz, coer 

Wernicke, ‘p. 32, no.:2: 7 

Nicole, Corpus 75, no. I. 

Per. and Chip. x, p. 367, fig. 213 (J). 

Jahrb. 1915, p. 38, fig. 1 (J). 
I. Hermes holding a flower. ETIWKO. .-RAOSE- KAVOS. 
A. Herakles and Acheloos. 
B. Silen and maenad. 


1 Owing to the restoration the exterior has not been included here. 


[ 342] 


[ 343 J 


2*, Louvre G to bis. Kylix (fragment). 
Cat. ill, p. 893. 
Rizzo, Mon. Piot, xx, (1912), p. 123, fig. 5. 
Nicole, Corpus 75, no. 3. 
F.R. ii, p. 183, fig. 63. 
Beazley, VA. p. 21, no. 4 (attr. to Skythes). 
Per, and Chip: x, p. 583. lig sa33) 
Buschor, Jhb. 1915, pp. 36-40. 

A. Two youths at a krater. ..... KOS .-nAQ... 
KAVO2 SKVOES. ‘There is considerable difference of 
opinion as to whether the inscription is the signature 
of Epilykos or Skythes. 


SHAPES SUBJECTS 
Kylix, 175.27. Myth., 1*. 
Heroic, 1*. 
OTHER ATTRIBUTIONS Bacchic, 1*. 
Hegesiboulos, 1*. Komastic, 2™. 
Skythes, 6. 


[ 344 ] 


THE PAINTER OF THE EPINETRON FROM ERETRIA 
IN ATHENS (CC. 1588) 


_ Furtwangler, F.R. i, pp. 290 ff. 


The class of vases called ‘ onoi’ or “ epinetra’ is well known. 
To the painter of one of the best of these Furtwangler has given 
the name, and attributed a number of vases to the same hand. 

The artist was a contemporary of the painters who worked 
for Meidias, Xenotimos, and Megakles and is a good representa- 
tive of the miniaturist style of the late fifth century B.c. 


1. ATHENS 1629 (CC. 1588). Epinetron or onos. From 
Eretria: 1. 0.20. 
For shape v. Walters, 1, p. 199. 
Cat. p. 503: Ephem. Arch. 1897, pp. 129-142, pls. ix, x 
(Hartwig): Staes, Deliton, 1892, p. 77: Pollak, Arch. 
Epigr. Mitt. a. Oesterr. 1895, p. 21, no. 21 (attr. to Xeno- 
timos): Kretschmer, p. 201, no. 7: Roscher, ili, p. 2119, 
9 (A): F.R.i, p. 290: Nicole, Meidias, p. 118, fig. 28 (B): 
Walters, ii, p. 43, fig. 117: Hauser, Oesterr. Jhresheft. 1909, 
p- 95: Briickner, Athen. Mitt. 1907, p. 95, fig. 6 (B): 
Saglio, iii, p. 1650, fig. 4863 (B); iv, p. 201, fig. 5408: 
Ducati, Midia, p. 38, note 3: Beazley, VA. p. 180. 
Long sides: A. Scene in gynaekonitis; Aphrodite and Eros. 
APPOAITE EPOS PEIOQ KOPE APMONIA 
HBE IMEPOs. | 
B. Same. OEQ VEPIA[+ APIS ?] OEANQLE- 
PANQ ?] IPFPOAVTE ASTEPOPE AAKES- 
TIs. 
Short side: C. Peleus and Thetis. TEAEVS OETIS EYAI- 
MENE NEPEVS AVPA NAQ MEAITE AA- 
TIs. 
2. BERLIN 2471. Aryballos. Formerly in Sabouroff Coll. From — 
Attica, Trachones: h. 0.23. 
Cat. p. 690: Furtwangler, Samm. Sab. pl. 55: Rayet and 
Coll. p. 245, fig. 92 (detail): F.R.i, p. 291 (attr. to Eretria 


[345 J 


Epinetron P.): Dumont, Gaz. d. Beaux Arts, 1873, i, 
p. 119: Wieseler and Gebhard, Gdti. Gel. Ges. 1874, p. 10: 
Furtwangler, Ann. d. Inst. 1877, p. 226: Heydemann, 
Satyr- u. Bakchennam. p. 12, (A): Saglio, ili, p. 1489, fig. 
4772: Duruy, Hist. ii, p. 297: Milchhofer, Jhb. 1894, p. 
6o, no. 12: Ducati, Midia, p. 38, note 1: Beazley, VA. 
p. 180, note I. 

I. Bacchic thiasos. +PYSIS KISSO ANOEIA SIAENOS 
MAKAPIA FEPIKAYMENE #ANOPE NAIA NYM@E AIO- 
NYsOSs KOMOS (r.) +OPQ KAAE. 


3. BERLIN 2532. Kylix. From Vulci. Formerly in Canino 
Coll.: d. 0.305. 

Cat. p. 712 (same hand as Berlin 2471): CIG. 7461: Ger- 
hard, 7G. pp. 6 ff., pls. vi, vii: Stuart, Archaeologia, xxiii, 
p. 188: Jahn, Vasenbilder, p. 23 e: Winter, JAV. p. 50, 
no. 4: Heydemann, Satyr- u. Bakchennam. p. 25k: Furt- 
wingler, Samm. Sabouroff, Int. to Vases, p. 7: Roscher, ii, 
p. 2266, figs. 5 a and b (ext.). 

I. Silen and maenad. KOMOs KAAE. 

A. Bacchic thiasos. + OPIAAOS +OPO KISO5 KOMO[S]. 

B. Same. KISOS ANOPE KISOS +OPO. 


4. Lonpon, Brit. Mus. E 774. Pyxis. From Athens: h. 0.166. 
Cat. iii, p. 366 (‘style of Xenotimos’): Dumont-Chap. 
pl. ix: Heydemann, Comm. Mommsen. p. 171 (attr. to 
Megakles): F.R. i, pp. 289-290, pl. 57, 3 (attr. to Eretria 
Epinetron P.): idem, Samm. Sabouroff, i, Int. to Vases, 
p. 8: Kretschmer, p. 201, no. 13: Nicole, Corpus 94, sec. 
1 (attr. to Megakles): Saglio, iii, p. 1424, fig. 4691 (figs. of 
Pontomedea and Doso); p. 1649, fig. 4862 (frieze): Beazley, 
VA. p. 180, note 1. 

Cover. Frieze of two lions and a boar. 
Body. Toilet scene. [TAAENE KVMOOEA KVMOAQKE 
OAAEIA FAAYKE AOSQ PONTOMEAEIA. 


5. Brit. Mus. E564 (995). Formerly in Steuart Coll. Oinochoé: 
h. 0.191. 


Cat. ili, p. 323: Beazley, VA. p. 180, note 1. 
Libation scene; woman and two youths. 


[346] 


6. OXFORD 537. Lekythos: h. 0.184. 
Gardner, JH'S. 1905, p. 70 with fig.: Beazley, VA. p. 179, 
fig. 110 bis (attr. to Eretria Epinetron P.). 
A. Woman in chair at toilet. E. 
B. Maid with fillet and box. OEANO. 


7. ROME, VATICAN HR 525. From Vulci. Oinochoé. 

Helbig-Reisch, Fiihrer, i, p. 324: Mus. Greg. ii, pl. 5, 2 
(11, 2a): Beazley, VA. p. 180, note 1: Overbeck, HG. 
p. 631, pl. 26, 12: Michaelis, Parthenon, p. 139: Studniczka, 
Jhb. 1887, p. 178: Baumeister, i, p. 746, fig. 798. 

Menelaos pursuing Helen, in presence of Aphrodite and 
Peitho. 

PEIOQ MENEAEQ? A®OOAITH HAENH. 


SUBJECTS SHAPES 
Nv th 1. Pyxis, 4. 
Heroic, 1, 7. Lekythos, 6. 
Bacchic, 2, 3. Kylix, 3. 
Genre, 1 (possibly), 4, 5, 6. Aryballos, 2. 


Epinetron, r. 


OTHER ATTRIBUTIONS Oinochoé, 5, 75 


Meidias, 43. 


[ 347 J 


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‘ ‘ a 
4 
ca 
f is 
‘ 
* 
4 
See ; 
4 
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7 ~ 
. 
: x 
a 7 
= _ 
1 
' 
. “ . eae) 
e o a a 


"Loe Lee yo, 
el So he 
uy 
i i 


~ -ERGINOS 


Potter for Aristophanes (q.0 


e 


ct 
‘he 


my 


THE PAINTER OF THE ETHIOP PELIKE 
Beazley, VA. p. 138. 


A minor and rather insignificant artist of the late archaic 
period, identified by Beazley. 


I. 


Boston 01.18. Amphora: h. 0.335. 
Beazley, VA. p. 138. 
A. Woman pouring wine for young soldier. APHS. 
B. Youth leaning on staff. 
Grafhto TITTIT. 


. DEEPDENE 89,1. Pelike.! 


Sale Cat. p. 16: Tischbein, ii, pl. 21 = Reinach, ii, p. 
297,6: Beazley, no. 2. 

A. Herakles and woman. 

B. Youth. 


. DRESDEN 323. Pelike. From Nola. 


AZ. 1865, p. 17, pl. 194 (A) = Reinach, 1, p. 396, 1-2: 
Hettner, Bildw. z. Dresden, 4th ed. p. 13: Roscher, ii, 
p. 1195 (A): Winter, JAV. p. 59, D 3: Beazley, no. 4. 

A. Circe and one of Odysseus’ men. 

B. Woman muffled. 


Lonpon, Brit. Mus. E 411. Pelike. From Nola. Formerly 
in Blacas Coll., also Durand Coll. 737: h. 0.223. 
Cat. iii, p. 257: Beazley, no. 6. 
A. Woman with oinochoé and youth with spear. Imitation 
inscription for 6 mats xaXos. 
B. Youth. 


. Brit. Mus. E413. Pelike. Formerly in Blacas Coll., also 


Durand Coll. 406: h. 0.242. 
Carin p, 258: Beazley, no. 5. 
A. Young warrior and old man. 
B. Youth. 


1 Acquired at the recent sale by Mr. Cory. 


[ 349 


6. PARIS, CAB. D. MED. 393. Pelike. From Nola: h. 0.228. 
Cat. p. 288: DeWitte, Cab. Durand, p. 103, no. 306: 
Dubois, Coll. Panckoucke, 411: Gerhard, AZ. 1865, pp. 83- 
85, pl. 201, 3-4 = Reinach, i, p. 397, 2-3: Panofka, 
Hyperbor. Rom. Stud.i, p. 296: Stephani, CR. 1868, p. 141, 
1: Dumont-Chap. p. 380, 6: Saglio, ili, p. 96, 13: Winter, 
Jiing. Ati. Vas. p. 59 D4: Roscher, I, p. 2233: Beazley, 
DO.- : 

A. Herakles led prisoner me one of Busiris’ men. 
B. Youth. 


a. Panis, Louvre G 434. Pelike: h. 0.265. 
Cat. ili, p. 1109: Millingen, AUM. p. 63, pl. 25: Bearley! 
no 3: Winter, JAV. p. 60, 10: Saglio, v, p. 295, fig. 6933. 
A. Dionysos and giant. AS HOP .-.- NAOII. 
B. Youth. 


Sars Pelike: 
DeRossi, Vases de Blacas, vol. ii (unpublished plates in 
library of British Museum): Beazley, no. 7. 


A. Hermes and youth. 


B. Youth. 
SUBJECTS SHAPES 
Myth., 7, 8. Amphora, 1. 
Heroic, 2, 6. Pelike, 2-8. 
Military, 1, 4, 5. 
Epic, 3: 


L 350] 


THE PAINTER OF THE EUAION KYLIX IN THE 
LOUVRE (G-401) 


Pottier, Caf. ii, p. 1008: 
Beazley, VA. p. 157. 


A nameless artist of the early Fine Style has been called by 
Pottier the Euaion Painter, from the name used by him. He is 
a prolific artist and may be readily recognized by his fondness 
for extremely tall, slender figures. 

The list given below might easily be increased as his vases are 
extremely common. 


1. ATHENS CC. 1555, (1054) 1586 (C 485). Pyxis. From 
tice. 0. 0,10, d. 0.11. 
Cat. p. 488: Heydemann, Griech. Vasenbild. pl. i, 1: 
Beazley, VA. p. 158: Winter, JAV. p. 53, iii, 1. 
Boreas and Oreithyia. 


2.5%, Peithinos,; 1 Ors. 


3. Botocna VP. 274. Kylix. From Etruria: h. 0.14, d. 0.32. 
Cat. (Pal.) pp. 41-42, figs. 28-30: Heydemann, iii Hall. 
Winck. Progr. p. 55, no. 352: Beazley, no. 5. 

IT. Manand youth arming. A. Warriors arming. 
Graffito on base “A. 


4. BOSTON 91.223. Kylix: d. 0.31. 
Ann. Rep. Mus. F. A. 1891, p. 11, no. 3: Beazley, VA. 
Pp. 157- 
I. Silen and maenad. A and B. Silens and maenads. 


5. Boston 95.56. Olpe (shape Berl. Cat. pl. vi, 272): h. 0.108, 
d.o.105. The vase is a counterpart of Brit. Mus. E 570. 
Ann. Rep. Mus. F. A. 1895, p. 22, no. 54: Beazley, VA. 
p15. 
Bearded silen dancing between a krater and an oinochoé. 
KAAOSs. 


[351] 


IO. 


Li. 


r2. 


Ieee 


BosTON 01.8078. Kylix: h. 0.123, d. 0.305. The base does 
not belong to the vase. 
Beazley, VA. p. 157. 
I. Man with cup and youth with oinochoé. 
A and B. Komos. 


. BosTON 10.181. Kylix: h. 0.117, d. 0.288. 


Ann. Rep. Mus. F. A. 1910, p. 62: Beazley, VA. p. 157. 
I. Man giving fillet to youth. 
A. Two bearded men and.a youth. 
B. Three bearded men and a youth. 


. Brunswick, Bowpo1n Cott. Oinochoé (fragment). 


Beazley, VA. p. 158. 
Silen pursuing maenad. 


. Bryn Mawr R 1837. Kylix (fragments). Formerly in 


Bourguignon Coll. 
Swindler, AJA. 1916, pp. 334, 335, fig. 16 (ext.): Beazley, 
VAS peis7. 7 
I. Head of bearded man. A. Four men on couches. 


Bryn Mawr. Kylix (fragment). 
Swindler, AJA. 1916, p. 336, fig. 17: Beazley, VA. p, 158, 
fig. 96. 

I. Two youths at a krater. 


CAMBRIDGE, HARVARD 1646.95. Kotyle: h. 0.145, d. 0.179. 
Beazley, VA. p. 158. | : 
A. Silenrunning. 3B. Silen holding amphora, 


EDINBURGH, ROYAL SCOTTISH MUSEUM Sot! 213, Kylix: 
h. 0.1217; d=0.200,. 
Beazley, no. 8. 
I. Athletes. A. Same. 3B. Same. 


Lonpon, Brit. Mus. E 79. Kylix. From Capua. Formerly 
in Castellani Coll.: h. 0.139, d. 0.321. 
Cat. iii, p. 105: Murray, Designs, no. 56 (J): Hartwig, 
p. 350, note 1 (attr. to same hand as Vatican 584): Beaz- 
ley, 00.20: 


[352] 


14. 


15. 


16. 


ae 


18. 


IQ. 


I. Departure of youth and maiden. 
A. Three bearded men, women and old man sitting. 
B, Same as I. 


Brit. Mus. E148. Kotyle. Formerly in Temple Coll.: h. 
0.139, d. 0.178. 
Cat. iii, p. 140: Beazley, VA. p. 158. 
A. Bearded man. KAV\VOC. 
B. Youth. Same (retr.). 


Brit. Mus. E570. Jug (one handle). Formerly in Temple 
Coll. From Nola: h. 0.115. 
Cat. iii, p. 324, pl. 19, 2: Beazley, VA. p. 158. 
A. Seilenos. KAAOS. 
Graffito on base £ TF. 


New York 06.1021.177. Plate: h. 0. 051, d. 0.149. 
Canessa Sale Cat. p. 47, no. 131: Beazley, VA. p. 158: 
Sambon, Coll. Canessa, p. 27. 

I. Silen at oven. 


OxFORD 1911.618. Kylix. 
_ Beazley, no. 7, fig. 97 GRY. 
I. Youth and woman. 


~ A. Youths and women. 


B. Same. 


Paris, Cas. D. Mép. 817. Kylix: h. 0.116, d. 0.325. 
Cat. pp. 479-482, pl. 23 (J), figs. 116 (A), 117 (B): Beaz- 
ley, no. 4. 


I. Libation: man and woman. 


A. Men, women, and youths. 
B.. Same. 


Paris, Louvre G4or. Kylix. From Etruria: h. 0.125, 
deG20- 
Cat. iii, p. 1098: Cat. Campana, iv, no. 697: Klein, LI. 
po 133, no. 9: Wernicke, p. 67, no. 5: Beazley, no. 1. 
I. Maenad and resting silen. EYAIQ - KAAO8. 
A and B. Silens and maenads. 


3534 


20. LouvRE G 565. Kotyle: h. 0.15, d. 0.17. 
Not described in Cat.: Beazley, VA. p. 158. 
A. Komasts. 
B. Same. 
Traces of inscriptions. 


21. PALERMO 1107. Kalyx krater. 
Politi, Descr. due Vasi fittili, pls. 2-3: Beazley, VA. p. 158: 
Winter, JAV. p. 69, b, 2: Hartwig, Rom. Mitt. 1897, 
p. 102, note 1, no. 2. 
Decoration in two rows. 


Lower. Youths and women. 
B. Same for both rows. 


A ‘aoe Youths’ departure. 


22. Rome, VATICAN 408 (99). Kalpis. From Vulci: h. 0.43. 

- Helbig-Reisch, Fiihrer, i, p. 311: CIG. 7815: Pottier, 
Louvre Cat. iii, p. 1098 (atin to Euaion P.): Mus. Greg. 
ii, pl. 13, 1 ae 1) = Panofka, Eigennam. pl. iii, 4:. Mon. 
d. Inst. ii, pl. 23 = Reinach, i, p. 96, 4, 5: Heydemann, 
Ann. d. Inst. 1867, pp. 363 ff.: Panofka, ibid. 1835, 
p. 231 ff.; 1836, p. 331: Bull. d. Inst. 1834, pp. 109, 202; 
1835, p. 9: Duruy, Hist. i, p. 42: Wernicke, p. 67, no. 1: 
Klein, LI. p. 131, no. 1: Hauser, Oesterr. Jhresheft. 1905, 
p. 38, fig. 6: Jatta, Rom. Mitt. 1888, p. 252. , 

Thamyris seated on a rock, and three women. OAMVPAS 
+OPONIKE EVAION KAVO8. 


23. VATICAN 584 (167). Kylix. From Vulci: d. 0.31. 
Helbig-Reisch, Fiihrer, i, p. 348: Braun, Ruinen und 
Museen, p. 822, no. 45: Mus. Greg. ii, pl. 87, 1 (90.1): 
Hartwig, p. 350, note 1 (attr. to same hand as Brit. Mus. 
E 79): Beazley, no. 3: Diimmler, Jhb. 1887, p. 170: 
Winter, Jing. Ati. Vas. p. 10. 

I. Arming scene; youth adjusting greaves, and bearded 
man. 

A. Same (warriors). 

B. Same (warriors). 


[354] 


24. VATICAN 585 (169). Kylix: d. 0.32. 
Mus. Greg. ii, pl. 87, 2 (90, 2), p. 18: Helbig-Reisch, 
Fiihrer, i, p. 348 (attr. to same hand as 584): Hartwig, 
Oesterr. Jhresheft. 1901, pp. 153, 154, fig. 180: Beazley, 


no. 2. 


I. Two athletes with strigils. 
A. Two athletes with trainer. 


B. Same. 


SUBJECTS 
Divth. 1-22. 


SHAPES 
Hydria Kalpis, 22. 


eee 5. 6,11, 15, 160, 10.. Krater, Kalyx, 21. 


Military, 3, 21, 23. 
Komastic, 6, 10, 20. 
Prentcee7 oi 3, 14,17, 18. 
Symposium, 9. 
Athletic, 12,24. 


OTHER ATTRIBUTIONS 
Lykaon P.., 1. 


Pyxis, I. 

Oinochoé, 8. 

Olpe, 5. 

Koty emit st 4 e200 

Kylix, 374; 6, 7, 9, 10, 12, 13; 
17-19, 23, 24. 

Plate, 16. 

Jug, 15. 


[355] 


THE EUCHARIDES PAINTER 


Starting with the stamnos in Copenhagen, no. 124, on which 
the name of Eucharides occurs, Beazley in the Annual of the 
British School at Athens, vol. xviii, pp. 217-233 has assigned a 
number of other vases which probably come from the hand of 
the painter of the Copenhagen vase. In BSA. xix, pp. 245ff. he 
gives further reasons for believing that the Eucharides Master 
was the pupil of the Nikoxenos Master. Cf. also Beazley, VA. pp. 


45-47. | 
1. ATHENS. Kalpis (fragment). 


Beazley, no. 20. 
A. Youth and woman. 


2. BERLIN (Inv. 3257). Kalyx krater.. From Falerii (Civita 
Castellana): h. 0.37, d. 0.41. 
Arch. Anz. 1893, p. 88, no. 33, A and B;_ bad photo- 
graphs (considered as related to the style of the early 
work of Euphronios): Klein, LJ. p. 139, no. 9: Beazley, 
no. 8. 

A. Four warriors, the two central ones in combat. NIKON 
between warriors (not on shield as in Klein). KA\VOS on 
shield; HIFON on other shield. . 

B. Trumpeter summoning two youths arming and an archer 
to battle. 


3. Brussets A 721. Neck amphora (double handles). 
Beazley, no. 4. For the owl on the diskos, cf. JAS. 
1908, p. 316, pl. 31: also Jiithner, Ant. Turngerathe, p. 29. 

A. Akontistes. Owl (silhouette) on diskos resting on 
ground. KA\OS (?) 
B. The same. 


4. COPENHAGEN 124. Stamnos. 
Beazley, no. 14, pl. x (A): Klein, LI. p. 128. 
A. Seated youth between two women. Dog. EV+AAIAES 
(retr.) KAVOS. 


[ 356]. 


B. Youth standing between two seated women. Flying 
Eros above each handle. KAV\VOS. 


5. FLORENCE 3990. Column krater: h. 0.43. 
Beazley, no. 12. 


A. Warrior’s departure. 3B. Silens and maenads. 


-6. Lewes, WARREN CoLL. Kylix (fragment). 
Beazley, no. 23. 


I. Man and naked woman on a bed. 


7. LONDON, Brit. Mus. E 174 (733). Kalpis: h. 0.298. 
Cat. iii, p. 156: DeWitte, Descript. no. 64: El. Cér. iii, p. 
53, pl. 19: Beazley, no. 18: Overbeck, KM. (Poseidon) 
p. 226 K. 


On body. Poseidon pursuing Aethra (?). 


8. Brit. Mus. E 278 (806). Formerly in Canino Coll., and 
Durand Coll. 18. Neck amphora (ridged handles). 
From Vulci: h. 0.504. 
Cat. iii, p. 206: Mon. d. Inst.i, pl. 23 = Reinach, 1, pp. 70, 
71: Ann. d. Inst. 1830, p. 228: El. Cér. ii, p. 162, pl. 55: 
Overbeck, KM. (Apollon), p. 63, no. 19, pl. 23, 3: Inghir- 
ami, Vas. Fitt.i, pl. 45: Miiller-Wieseler, ii, pl. 13, no. 146: 
idem, 4th ed. pl. 26, 7: Beazley, no. 2, fig. 3, pls. 13-14; 
_ VA. p. 45, fig. 26 (fig. of Apollo). 
A. Apollo. 8B. Tityos and Leto.! 
Graffito on foot identical with that on E 279 4 


9. Brrr. Mus. E 279 (796*). Neck amphora (ridged handles). 
From Vulci ?: h. 0.557. | 
Cat. iii, p. 207: Inghirami, Vas. Fit. iv, pls. 347-48: 
Beazley, no. 1; fig. 2, pls. 11-12. 
A. Dionysos. 
‘B. Woman with oinochoé and torch. 


Graffito on foot identical with that on E 278 rs 


1 Beazley calls the figure ‘Ge.’ Furtwingler (F.R. i, p. 277, note 1) supports 
this view while Graef (Miiller-Wies. 4th ed.) retains the old identification. 


[3571 


10. 


If. 


I2. 


te 


T4. 


15. 


16. 


MuniIcH 2317. Neck amphora (twisted handles). 
Liitzow, Miinch. Ant. pl. 18: Beazley, no. 6. 

A. Woman with lyre. 

B. Same. Faces of both figures restored. 


NAPLES (H 2201). Kalyx krater. From Apulia: h. 0.50. 
Only a small part of the vase is old. 
Cat. p. 224: Stephani, CR. 1863, p. 247, 3; 1868, p. 149, 4: 
Mus. Borbonico, xv, pl. 15: Beazley, no. 11. 
A. Two friezes. Above, komasts; below, two silens. 
B. Same. Above, libation; below, komasts. 


NAPLES SA 249. Neck amphora (double handles): h. 0.30. 
Cat. p. 689; graffito on pl. 19: Beazley, no. 5. 

A. Dionysos with horn and branch. | 

B. Silen with wine-skin. On wine-skin KA\OS. 

Grafito Ww. 


NEw YorK 07.286.78. Amphora: h. 0.47. 
Beazley, VA. p. 46, fig. 27. | 

A. Apollo and Artemis. 

B. Athlete and trainer. 


OXFORD 315. Lekythos. From Gela: h. 0.33. 
Cat. p. 31, pl. 24, 3: Beazley, no. 21. 
Triptolemos standing beside winged car. 


PaRIs, LoUvRE G 47. Kalyx krater. From Etruria: h.o0.46. 
_ The vase has undergone numerous restorations. ~ 
Cat. ili, pp. 917-18: Album, ii, pp. 145-46, pls. 93-94: 
Beazley, no. 9. 

A. Four warriors arming and a woman. 

B, Four warriors running. 


Louvre G 136. Kylix: h. 0.08, d. 0.21. 
Cat. ili, p. 972: CIG. 7799: Emmanuel, Orchestre Grecque, 
p. 262, fig. 531: Klein, LJ. p. 96, no. 1: Beazley, no. 22, 
fig. 5: (7). 

I. Hoplitodromos and youth playing flutes. ARISTEIAES 
EISVKA.} 


1 Klein and Pottier read ef ov xa[Nés]. 


[ 358 J 


17. LouvRE G 163. Kalyx krater: h. 0.475, d.o.51. Vase con- 
siderably restored including face of Memnon. 
Cat. iii, pp. 1ot1-14: Mon. d.. Inst. vi-vu, pl. 21 = 
Reinach, i, p. 149: Roscher, iii, p. 657: Ann. d. Inst. 
1858, pp. 362, 373, pl. P = Reinach, i, p. 299 (for lower 
figures): Rev. Arch. 1808, ii, p. 362; p. 156, fig. 1: Robert, 
Thanatos, pp. 4 (A), 7: Ravaisson, Mon. Grecs rélatifs a 
Achille (tirage A part Mém. de l’Acad. des Inscript. et 
Belles-lettres, 34, 2™° Partie), pls. 5 and 6)!: Baumeister, 
i, p. 727, fig. 781: Saglio, iv, p. 1398, fig. 6516 (A): Beaz- 
ley, no. Io. 
A. Death and Sleep lifting body of Memnon. Below two 
silens as a second frieze. HVIMNOS. 
B. Embassy to Achilles. Achilles, Odysseus, Phoinix, and 
Diomedes. Below two komasts. OVWTEVS AIOMEAES. 


18. Louvre G 202. Neck amphora (ridged handles): h. 0.32. 
Cat. iii, p. 1024 (considered as coming from the same 
factory as Louvre G 203): Beazley, no. 3, fig. 4. 

A. Silen pursuing 
B. Maenad with torch. 


19. Louvre G 221. Amphora (Panathenaic shape): h.o.43. The 
handles do not belong to the vase. 
Corin, p. 1025: Beazley, no. 7. 
A. Man with pig. 
B. Man. 


20. PETROGRAD 642 (1357). Stamnos. From Caere: h. 0.38. 
Cat. ii, p. 139 (W. p. 110): Mon. d. Inst. 1856, pl. vill = 
Reinach, i, p. 244, 1 (wrongly called a krater): Cat. Cam- 
pana, ser. iv—vii, no. 880: Ann. d. Inst. 1856, p. 37: Knatz, 
p. 8, B, 2: Welcker, Alte Denk. v, pl. 17, 2: Overbeck, KM. 
(Zeus), p. 412, no. 9, pl. vi, 4: Roscher, iii, p. 2047: Tonks, 
Brygos, p. 115, no. 59 (attr. to Brygos and wrongly called 
a kylix): Saglio, i, p. 362, fig. 453 (A): Beazley, no. 16; 
VA. p. 47, fig. 28 (Danae and workman). 


1 Ravaisson speaks throughout of the ‘cratére d’Euphronios’ and probably con- 
fuses it with the Antaios krater. 


[ 359] 


21. 


A. Danae with infant Perseus, Eurydice (?), Akrisios and 
workman at the chest. 
B. Three warriors.! 


PHILADELPHIA MS 4842. Kylix. From Orvieto: h. 0.077, 
d. 0.208. 
Beazley, VA. p. 46: Hall, Penn. Univ. Mus. Jour. iv 


(1913), p. 156, fig. 134. 


I. Boy writing on tablet with stylus. 


22. 


23: 


24. 


RomE, VATICAN 502 (106). Kalpis. From Vulci: h. 0.42. 
Mus. Greg. ii, 12, 2 (18, 2): Gerhard, Aus. Vas. pl. 202, 
1, 2 = Reinach, ii, p. 101, 3, 4: Helbig-Reisch, Fihrer, 
i, p. 313: Brunn, Sitz. Ber. Bayer. Akad. 1868, p. 76: 
Luckenbach, p. 515, r: AZ. 1882, p. 21 (P. J. Meier): 
Overbeck, KM. (Apollon), p. 522, no. 14 a: idem, HG. p. 
451, no. 103: Beazley, no. 17: Robert, Scenen d. Ilias, 
Pp. 9, fig. 13. | 

On shoulder. Combat, Achilles and Hector in the presence 
of Athena and Apollo. 


WurzBuRG 144. Kalpis: h. 0.36, d. 0.15. 
Cat. iii, p. 33: Beazley, no. 19. 

On shoulder. Dionysos with kantharos and branch, and 
woman with oinochoé and phiale. 

Graffito on foot (mentioned in Cat. but not given). 


WURZBURG 329. Stamnos: h. 0.45, d. 0.21. 
Cat. lil, p. 77: Beazley, 00. 13);piaee. 
Continuous scene encircling the entire vase, so that a 
figure comes under each handle. In one case the joint of 
the handle comes directly in the drapery of one of the 
figures. | 
Archer, bearded man, two warriors, woman with oinochoé, 
warrior with phiale and Scythian archer. The other 
figures are not given in Beazley’s plate. 


1 Thus described by Beazley; Reinach and Catalogue call them Amazons. 


[ 360] 


25. ? (BOURGUIGNON). Stamnos. 
Bourguignon Sale Cat. pl. 3, no. 30, p. 10: Beazley, no. 15. 
A. Peleus and Thetis. Altar under handle. KAVOs. On 
altar KAVOS. 
B. Nereus mounting chariot. ‘Nop under handle. KA\OSs. 
On altar EISVAE. 


SUBJECTS SHAPES 
Myth.,-7, 3, 13,-14. INECk 43,7010). 13; 
Heroic, 20, 25. Ampor Deo. 
Epic. 1b}, 22: 3 Panath. shape, 19. 


Preetice. 0-17.17, 15,223. Stamnos, 4, 20; 24-25: 
Military, 2, 5, 15, 24. Hydria Kalpis, 1, 7, 22, 23. 
Athletic, Bers ea 6. fh | Column, 5. 
Komastic, 11. Kalyx, 2) 11,15, 17. 
Genre, 1, 4,6, 10, 19, 21. Lekythos, 14. 

Kylix, 6, 16, 21. 


[ 361 ] 


EUERGIDES 
Beazley, JHS. 1913, pp. 348 ff.; VA. pe 10. 


Several fragments are preserved with the signature of the potter 
Kuergides. His painter, according to Beazley, was a contempo- 
rary of Epiktetos and of rather mediocre ability. 


1*, ATHENS (CC.1160), (2807-1430). Kylix. From Corinth: 
i 0.05,d2 01 FG: 
Caizpe 350: 
Klein, p. 100, no. 3. 
Nicole, Corpus 78, no. 2. 
Ephem. Arch. 1885, p. 55, pl. ili, 2 = Reinach, i, p. 507. 
Hartwig, JHS. 1891, p. 348, fig. D. 
Rizzo, Mon. Pitot, xx, p. 143, fig. 17. 
Beazley, no. 43. 

I. Youth carrying in his r. over his shoulder a stick from 
which his chlamys is suspended, a wine-skin in his I. 
EVEDAIAESs E. Identically the same design by a dif- 
ferent artist is on a kylix in Baltimore (Hartwig, loc. 
cit. pr 347, fe. ©). 

[ 362 ] 


2*, ATHENS. Kylix (fragment). From Acropolis. 
Beazley, JHS. 1913, p. 348. 
Nicole, Corpus 78, no. 5. 
The fragment possesses no decoration whatever and has 
only the four letters of the name. EVEP. 


[ 363 J 


3°. HEIDELBERG B 2. Kylix (fragments). From Caere ? 
Beazley, no. 20, fig. 1. 
Nicole, Corpus 78, no. 4. 
The fragments from the Magazzino Ruspoli at Cervetri 
were divided up, as far as known, between the collec- 
tions of Leipzig, Heidelberg, and Munich. 


I. Woman running. Impossible to say whether there were 
any outside pictures. E[VEPA]JIAES EP[OIESEN ?]. 


[ 364 J 


4*. Lerpzic. Kylix (fragments).! Formerly in Magazzino 
Ruspoli, Cervetri. From Caere. Probable, though not 
absolutely certain, that the fragments.belong to the 
same vase. 

Klein, p. 100, no. 2. 
Nicole, Corpus 78, no. 3. 
Beazley, no. 35. 
Klein, Euphronios, p. 263, note. Inscription wrongly 
read by Loeschcke as belonging to Euthymides. 
Luce, AJA. 1916, p. 468, I, A. 
I. Body andhead of youth bending forward. EVEAAIAESE. 
A. Herakles and Nemean lion. HEAAKV[ES ]. 
B. Missing. 


1 T regret that it has proved impossible to obtain a photograph of this vase. 


[ 365 J 


5*, Lost. Kylix. From Capua. 

Klein, p. 99, no. I. 
CIG. 8196 b. 
Minervini, Bull. Nap. vi, p. 5. 
Brunn, KG. i, p. 682. 
Ann. d. Inst. 1849, p. 145, pl. B = Reinach, i, p. 281. 
Rizzo, Mon. Piot, xx, p. 142 (attr. to Skythes), fig. 16. 
Panofka, Vasenb. 8, 195 ff. 
Beazley, no. 41. 
Nicole, Corpus 78, no. 1. 

I. Dancing girl with krotala. EVEPAIAES EMPOI[E]. 

A. Between two sphinxes, youth leading two horses. 
PVE+ SIEP Os. 

B. The same. Three youths, one with akontion. HO PAIs 
KAVOS. 


[ 366 ] 


~ 
> i 
, 


6*, Municu, GLyPTOTHEK. Kylix (fragment). 
Rizzo, Mon. Piot, xx, p. 144, note 1.' 
Nicole, Corpus 78, no. 6. 


ATTRIBUTED VASES 


7, ATHENS CC.1205 (1740). Alabastron. From Athens 
(Ceramikos): h. 0.17. 
Cat. p. 382: Deltion, 1892, p.13,n0. 47: Beazley, VA. p.19. 
A. Woman dancing with castanets. 
B. Woman with flower. 


8a-e. ATHENS. Kylix (fragments). From Acropolis. 
Five fragments, cited by Beazley, nos. 44-48. 
a. 44. Jahrb. 1899, p. 154, fig. 2. Ext. Vase painter, 
seated Athena, bronze workers. 
b. 45. Ext. Theseus and Minotaur. 
c. 46. Int. Diskobolos. 
d. 47. Ext. Two fragments. Young warrior running with 
shield (device, bird) and back view of another warrior. 
e. 48. Two fragments. Ext. Centaur, head of Herakles. 
KV. Undoubtedly the same scene as no. I4. 


9. BERLIN 2265. Kylix. Formerly in Gerhard’s Coll.: h. 
Oss, d. 0.34. 

Cat. p. 541: Beazley, no. 21, fig. 3 (J): Hartwig, Jhb. 
1801, p. 253, fig. 2 (A). 

I. Youth holding kotyle. OIVOKOMOS. 

A. Youth lying down, drinking from a krater. HO ALIS 
KJAVOS. : 

B. Youth lying down with wine-skin. Two sphinxes facing 
under each handle. KAPT[A] NAI+[I]. 


10. BouLOGNE 183. Kylix. 
Le Musée, ii, p. 280, fig. 28: Beazley, no. 20: M. Mayer, 
Arch. Anz. 1889, p. 186, no. 183. 
I. Youth in vat. ....-Is KAVOS (either "Epdfeu-ts or 
6 Tats.) 
1 Rizzo states that he is informed by Hauser of the existence of this fragment, 
which is part of the interior with an ithyphallic silen (obscene). 


L 369 J 


11. BOULOGNE 591. Kylix. 

Mus. ér. 563: Beazley, no. 19: Gardiner, JHS. 1907, 
p. 34, fig. 23 (A): Greek Ath. Sp. p. 335, fig. 89: Klein, 
LI. p. 63, no. 3; MS. p. 110, no, 2; Lewiseesn paces 
fig. 32 (Gardiner, loc. cit. p. 34, note 89, gives the wrong 
reference to Le Musée.) 

I~ Cocks “EPOSAPOPREVO. : 

A. Athletes. Diskobolos, akontistes, and youth. —OPEVO. 

B. Maenad and silens. Under each handle two griffins, 
facing. TPOSA—. 


12 a-b. BRUNSWICK, BOWDOIN COLLEGE. Kylix (two frag- 
ments). 
Beazley, nos. 31 and 50, fig. 6: idem, VA. p. Io. 
a. 31,-Int. Youth mea 
b. 50. Ext. Head of young warrior in Corinthian helmet. 


13. Bryn Mawr. Kylix: d. 0.115. The foot and handle are 
missing. 
Swindler, AJA. 1916, pp. 321, no. x, 322, fig. o. 
I. Kneeling youth lifting a kotyle. 


13 bis. CasTLE ASHBY. Kylix. 
Beazley, VA. p. 10. 
I. Nude youth at bell krater. 
A and B. Combats. 


14. CoRNETO, Mus. BRUSCHI 699 (495). Kylix. From Corneto: 
hv ons nd oe 
Beazley, no. 39. 
I. Warrior running. MOIE. : 
A. Between sphinxes: Herakles and centaurs. 
B. The same. Peleus and Thetis. 


15. HEIDELBERG. Kylix (fragment). 
Beazley, no. 30. 
Ext. Fawn and silen running. 


[370] 


16. LIVERPOOL, INSTITUTE OF ARCHAEOLOGY. Kylix (fragment). 
Beazley, no. 8. 
A. Small fragment of exterior with arm and the back of a 
male head. ITA. 


17. Lonpon, Brit. Mus. Eg (828). Kylix. From Vulci: h. 
Ori52) (10.40: 

Cat. ili, p. 45: Panofka, Exgennam. p. 23, pl. 3, 7: Ger- 
hard, Aus. Vas. 178-179 = Reinach, il, p. 89, 4: Murray, 
Des. no. 6 (1): Roscher, iii, 246 (fig. of Nereus): CIG. 
73205: Overbeck, HG. p. 196, no. 45, pl. 7, 4 (A, B): 
Ann. d. Inst. 1832, p. 110, no. 14: Klein, LJ. p. 66: Graef, 
Jahrb. 1886, p. 202, no. 61: Wernicke, p. 85: Beazley, 
Oj, 

I. Ithyphallic bearded man holding horn. KAVOS OEIAON. 

A. Peleus seizing Thetis: two Nereids. OETIS. 

B. Hermes and Nereids bringing the news to Nereus. Hip- 
pocamps under each handle separating the groups. NE- 
PEVs (retr.) HEPMES. 


peeete us. E10 (835), Kylix. ..From Vulci: -h. 0.143, 
d. 0.376. | 

Gai, it, p. 46: Gerhard, Aus. Vas. i, p. 77, pl. 186 = 
Reinach, ii, p. 93: Murray, Des. no. 7 (I): Overbeck, 
HG. p. 355, no. 25: Welcker, Rhein. Mus. v, p. 140: Alt. 
Denk. p. 459, no. 27: Ann. d. Inst. 1850, p. 87, no. 27: 
Heydemann, [liupersis, p. 20: Jahn, Telephos u. Trotlos, 
p. 86: Kretschmer, p. 155: pers no-2; CI1G, 7673. 

I. Sphinx. 

Ext. Divided into three groups: a. Achilles and Troilos 
and another youth: b. Two armed warriors and a third 
on horseback. c. Two warriors playing dice. 

A. TEVEOOs. 

B. HE+TOP. A © was added in antiquity in place of T to 
cover a rivet hole. 


19. Brit. Mus. E 20 (832). Kylix. From Vulci: h. 0.113, 
0.22. 
Cain, p. 55. (attr.:to Bees CIG. 7670: Murray, 


C371] 


Des. no. 16 (I): Ann. d. Inst. 1849, p. 145: Gerhard, 
Rapp. Volc. p. 154, no. 411; p. 186, no. 766; Archaeologsa, 
XXili, p. 251; xxxi, p. 265: Beazley, no. 3. 

I. Youth with cloak. HO PAIS KAVOS. 

A. Combat, Menelaos and Paris. MENEVEOS. 

B. Troilos ? between two horses. [VE+SIFlOSs. 


20. Brit. Mus. E 21. Kylix. From Vulci: h. 0.133, d. 0.336. 
Cat. iii, p. 56 (attr. to Euergides): Murray, Des. no. 17 (J): 
Roulez, Bull. del’Acad. d. Sctences, Brux. 1842, p. 267; 
1841, I, p. 437: Panofka, Eigennam. pp. 9, 46: CIG. 
7827 b: Mélanges Arch. iv, 4: Jahn, Arch. Aufs. p. 139: 
Wernicke, p. 34, no. 3: Miinch. Arch. Stud. p. 371 (ext.): 
Beazley, no. 4. 

I. Boy running. HO PAIS KAVOS. 

A. Youth running between two horses. HIFTOK BITOS. 

B. Remains of a similar scene. [, perhaps IIAnéur7os as in 
E 20. Cf. Loeschcke, Bonner Stud. p. 250. 


21. Brir. Mus. E 22 (830). Kylix: h-oa27 ao 
Cat. iii, p. 57: Murray, Designs, no. 18 (I): Beazley, no. 5: 
Nicole, Corpus 88, sec. 2, no. 8 (attr. to Hieron). 
I. Hoplitodromos. 
A. Youths arming. 
B. Warriors running. Cf. Berlin 2307 (Aus. Vas. 261). 


22. LONDON, VICTORIA AND ALBERT Mus. 4807-1901. Kylix: 
hvo.r3s, deo.4e: 
Gerhard, Aus. Vas. pl. 180-181 = Reinach, li, p. 90: 
Kretschmer, p. 201, no. 4: CIG. 7397: Beazley, no. 6: 
Graef, Jhb. 1886, p. 202, no. 62. 
I. Youth in pithos. 
A. Peleus and Thetis, three Nereids. TEVEVS MEVITE. 
B. Four Nereids and palm tree. HO PAIS KAVOS. 


23. LONDON (in possession of Mr. Charles Ricketts and Mr. 
Charles Shannon). Kylix. 
Beazley, no. 7: idem, VA. p. 19, fig. 11 (J). 
I. Youthin vat. A. Athletes. B. Komos. 


Riga ed 


24. 


Munic# 2605 (Jahn 1238). Kylix. 
Cat. (Jahn) p. 348: Ann. d. Inst. 1831, p. 253: Mon. d. 
Inst. i, pl. 7, no. 39 = Reinach, i, p. 75: Beazley, no. 22. 
I. Youth with halteres. 
A. Youth running between two griffins. HO PAIS KA\OS. 
B. Thesame. MAI+1 [sic/] KAPTA. 


25 a-e. Municu. Kylix. 


20. 


27. 


28. 


20; 


Five kylixes in Munich 2607-2609, 2612, 2597: in Beazley, 


nos. 23-27. 

a. 2607. JI. Youth with kylix at krater. A. School. 
B. Komos. 

b. 2608. 7. Silen running. A. Maenads and silens. 
B. Komos. 


c. 2609. J. Warrior running. A. Departure of chario- 
teer, Hermes and Eros. B. Combat. 

d. 2612. (Beazley figs. 4 (7) and 5 (B). J. Woman run- 
ning. A. Between sphinxes, man mounting cha- 
riot. B. Same sphinxes, maenads, and silens. 
HO fAls KAVOs. On B VASIOS. 

e. 2597. I. Youthrunning. No exterior pictures. 


NEw York 09.221.47. Kylix: h. 0.117, d. 0.337. 
Bull. Metropolitan Mus. v (1910), p. 142, fig. 1 (attr. to 
Epiktetos): Beazley, no. 49: idem, VA. p. 19. 
I. Youth bending with flower. HO PAIS KAVOS NAI. 
A and B. Athletes. HO PAIS and some senseless letters. 


vad 
Graffito 5 rige v ARZIAAY. 


OrvIETO, Farina Cott. 171. Kylix. From Orvieto. 
Beazley, no. 40. 

I. Youth running with horn. 

A and B. Komos. 


Paris, Louvre G 20. Kylix (fragment): h. 0.09. 
Cat. iii, p. 898: Album, ii, p. 139, pl. 90: Beazley, no. 13. 
I. Youth running holding krotala. [MEM]NON [KAVOS]. 


Louvre G21. Kylix: h. 0.125, d. 0.32. 
Cat. iii, p. 898: Beazley, no. 10. 


E3733 


I. Youth with horn. O PAIs NAI. 

A. Youth with horses. HO -Als NAI. 

B. Youth dancing: panther (frontal head) seizing fawn. 
T.ls KAVOS. 


30. Louvre G 22. Kylix: h. 0.125, d. 0.33. 
Cat. ili, p. 899: Beazley, no. 11. 
I. Diskobolos. HO -Al- K/\VOS. 
A. Two youths chasing a stag. TAIS - -\OS. 
B. Two youths chasing a fawn. HO TAIsS KA- O. 


31. Louvre G71. Kylix: hyow2, doar 
Cat. iii, p. 923 (style allied to that of Chachrylion): Rev. 
de l’art anc. et mod. 1901, p. 9 (A): Beazley, no. 12: 
Luce, AJA. 1916, p. 468, TA. 
I. Youth with halteres (head restored). O PAIS KA\VOS 


NAIL. 

A. Herakles and lion: Theseus and Minotaur: Theseus and 
Prokrustes. HEPAKVE.- --- OS. 

B. Komos. 


32. Louvre Go6. Kylix (fragment): h. 0.14. 
Cat. iii, p. 926: Album, ii, p. 153, pl. 99: Beazley, no. 15. 
I. Youth lifting stone or (as stated in the Catalogue) an 
amphora. ION KAVOS [MEMNON ?}]. 


33. Louvre Gi4o1. Kylix (fragment). 
Beazley, no. 14. 
I. Man running with stick. 


34 a-c. Louvre. Kylix (fragments). 
Beazley, nos. 16-18, mentions three fragments in the 
Louvre which have not been published, as follows: 
a. no. 16, fig. 2. Louvre S 1403. Ext. Athletes. 
b. no. 17. Louvre S$ 1395. Int. Head of youth. 2 
c. no. 18 (Louvre no. not given). Ext. Head of young 
warrior. HO. 


35. WURzBURG 347. Kylix. From Vulci: h. 0.13, d. 0.34. 
Cat. iii, p. 87: Beazley, no. 28. 


L 374 J 


ik 
A, 
ish 


Youth running. HO.-A-s.-..0. 
Youth, and panther attacking fawn. HO PAIS KAVOS. 
Komos. Same inscription as on A. 


36 a-g. In various museums. Kylix (fragments). 


Beazley, nos. 32-34, 36-38 and 42, gives a list of seven 

fragments in the museums of Dresden, Leipzig, and Adria. 

None have been published and little of interest is pre- 

sented. The numbers given here are those of Beazley’s 

list. 

a. 32. Dresden. Ext. Youth with halteres, and a hand. 

b. 33. Dresden. Int. only. Woman running. 

c. 34. Leipzig (from Caere). Int. Part of male head. 
Ext. Komos. 

d. 36. Leipzig (from Caere). Int. Back view of youth, 
arm extended in cloak. 

e. 37. Leipzig. Ext. Pegasos and part of bending youth. 
HO. 

f. 38. Leipzig. Ext. Woman running. 

g. 42. Adria. Int. Youth lifting halteres. HO PAIS 
KAVOS. . 


SUBJECTS SHAPES 

Myth., 18, 25 e, 36f. Kylix, 1*—-6*, 8-36. 
Hermie 4, Sb, Se, 14, 17, 22, Alabastron, 7. 

21, | 
Epic, 18, 19. OTHER ATTRIBUTIONS 
Baccme, 11, 15, 25 b, 25 d. Chelis 5*. 
Military, 8 d, 12 b, 14, 21, 25, 

25d, 34 Cc. 


ee ee oc, 11, 21, 23,24, 
26, 30, 34a, 30a, 30g. 

Reomastic.i 5,0, 0, 10, 12 4, 
Pee eae a, 25 b, 27, 28, 
31, 32, 35, 30C. 

Genre, 3*, 4*, 8a, 19, 20, 25 a, 


25 ¢, 


29, 39; 33, 35: 


[375] 


EUPHRONIOS 


Robert in Pauly-Wissowa, s.v. Euphronios. 

Klein, pp. 137-149; Euphronios. 

Sauer in Thiemes Lexikon, s.v. Euphronios. 

Furtwangler in F.R. i, pp. 27-30, 98-109, 110-113; ii, 
PP. 15-19, 133-135, 172-178. 

Walters, 1, pp. 430-434. 

Hartwig, pp. 95-153, 444-502. 

Buschor, p. 163. 

Perrot and Chipiez, x, pp. 390-446. 

Radford, JHS. 1915, pp. 107-139. 

Beazley, VA. pp. 30-31. 


The signatures of Euphronios concerning which there can be 
no dispute are eleven in number; a twelfth (1*), a fragmentary 
kylix from the Acropolis has merely the inscription |Os EAP 
but as the restoration in view of the style to Ei@pédvos éypawev 
offers no difficulty it may safely be regarded as a definite signa- 
ture. Another Acropolis fragment (2*) has the verb only, but 
the style is so distinctly that of Euphronios it would be difficult 
to suggest another name. Nos. 3*, 15*, and a have the name 
only without the verb. 

Of the twelve authentic signatures 1%, a , 10% and 14* bear 
the éypawev formula alone and are thus certainly works from the 
hand of the master himself; 7* in addition bears the signature 
of Chachrylion as potter. 

The other eight all have the ézoincev formula and of these 12* 
has in addition the signature of Onesimos (although only the 
last four letters of this name are preserved the restoration is now 
universally accepted) as painter; and as the style of this differs 
from the others it is clear that certainly three different artists — 
(Euphronios, Onesimos, and a nameless painter) were at work in 
the same factory. 

As several of the seven ézoinoev vases and a large number of 
unsigned vases were clearly by the same hand and had in addi- 
tion the name Panaitios, Furtwangler christened this anonymous 


[376] 


painter the Panaitios Master! and it is now generally agreed that 
five of these vases (5*, 6*, 8*, 9% and 11*) are the work of his 
hand. Vase 4* was attributed to the Penthesilea Painter by Furt- 
wiangler, but Beazley with perhaps better reason has assigned it 
to a different hand, to the artist who painted 2*. Miss Radford 
considers that two painters were at work on this vase, the inte- 
rior being the work of an artist she has termed the Polychrome 
Painter and the exterior by another nameless artist. This view 
has not met with general acceptance. Hartwig attributed 13* to 
Onesimos, but Buschor, with whom Beazley agrees, prefers to 
consider this vase as the work of a painter he terms the Perugia 
Painter: Miss Radford attributed it to the Brygos Painter but 
that attribution would seem to be forbidden by the style. 
Summed up briefly the following division of the work of 

Euphronios seems generally accepted: 

Euphronios as artist: 1*, 3°, 7*, 10% and 14". 

Onesimos: 12%. 

Onesimos or the Perugia Master: 13%. 

Panaitios Patter: 5*, 6*, 8*, o*, 117 and 15°. 

Penthesilea Painter or another: 2*, 4*. 


There is no variation in the éypayev signatures; of the others 
the following variations are to be found: 


EVOPONIOS EPOIESEN: 4”. 
EVORONIOS EPOIESEN: 12%. 
EVORONIOS EPOIESEN: 6%, 11%, 13%. 
EVOPONIOS EPOIESEN: 8%, 9%. 
EVORONIOS EPOrlESEN: 5™. 


The following xados names are used by Euphronios: 
Glaukon: 2* ?, 4™. 
Pamaitios: 5*, 6™. 
Penpros: 7*,.14*. 
Erothemis: 12*. 
Lykos: 13°. 
devios: 12". 
1 Furtwangler even went so far (F.R. ii, p. 134) as to regard Onesimos as the 
Panaitios Painter and assigned 13* to him. This view, of course, is not accepted. 


L377 


1*, ATHENS. Kylix (fragments). From Acropolis. 
Winter, Jahrb. 1888, p. 66, pl. 2. 
Richards, JHS. 1894, pp. 190, I9gI. 
TFCRIa pe oe ores. 
Wolters, Athen. Mitt. 1888, p. 105, note 1. 
Radiord J HS. 1015p.1me- 
Beazley, no. 10 (attr. to Euphronios as painter). 
Hartwig, pp. 247-250 (attr. to Peithinos). 


A. Peleus and Thetis. OETIS (retr.) [EVOPON]IOS EA- 
PLAOSEN] (retr.). 


E37ou 


2*. ATHENS, ACROPOLIS. Kylix (fragments). From Acropolis. 
White ground on both interior and exterior. 
Harrison, JHS. 1888, pp. 143-146, pl. vi. 
Wernicke, p. 93, no. 13. 
Nicole, Corpus 79, sec. I. 
MR 254. 
Hartwig, pp. 490, 500, no. 8. 
Swindler, AJA. 1900, p. 149, no. 4 (attr. to Penthesilea 
Master). 
Per. and Chip. x, p. 700, fig. 388 (detail of B). 
Radford, J/H'S. 1915, :p.. 137. 
Furtwangler, Arch. Anz. 1891, p. 65 (attr. to Sotades). 
Beazley, VA. p. 83 (attr. to same painter as Berlin 2282). 
Girard, Peinture, p. 181, figs. 101-102. 

I. Orpheus and a Thracian woman. Foreign origin of 
woman shown by tattooing on neck and arms. [EV®PO- 
NIOs EP JOIESEN OPOEV[ s]. 

A and B. Traces of fallen barbarian and horse. [AVAV- 
K]JON [KA\OS}. 


— £380 J 


3*. BERLIN 2281. Kylix (fragments). 

Caransor. 

AZ. 1882, pp. 37 ff. pl. 3 = Reinach, 1, p. 4309. 

Klein, no. 6; Euphronios, p. 159-181 (figs. on pp. 160, 
176). 

Radtord) J HS::1015,.pert 2 

Nicole, Corpus 79, no. 11. 

Hartwig, pp. 150 ff. 

Even if the signature is correctly restored, the determina- 
tive word is missing. 

I. Altar of Zeus and death of Astyanax. Under exergue 
EV[@]PLONIOS]. On top step of altar AlOS, on lower step 
HIEPO[N]. Above head of Astyanax ASTV[ANA + $]. 

A, Combat] = ONG Ou 

Bie Theisames 2. EVs. 


[ 382 J 


eeseseskes 


— 1 TAMMIE yy £ 7 
. 


SS : 

y ‘NR, bia 

‘ ; £ \ Me »: 

ae, 
we eS 
3 0 
MY, 
{ 


4*. BERLIN 2282. Kylix. From Vulci: h. 0.12, d. 0.35. Foot 


dip 


modern, except a small piece. Vase much restored. 

Cai pi503: 

Gerhard, TG. p. 18, pl. 14, 5-10 

CLG 8207. 

Panofka, Vasenb. pl. iv, 7. 

Bull. d. Inst. 1836, p. 38. 

Ann: d. Inst. 1842, Pp. 112. 

Wiss, ples. 0: 

Brunn, KG. ii, p. 682; Trotsch. Misc. i, p. 63. 

Jahn, AZ. 1853, p. 134. 

Stephani, CR. 1873, p. 130. 

Buschor, p. 179. 

Klein, no. 9; Euphron. pp. 240 ff.; LI. p. 154. 

Weil, AZ. 1870, p. 101. 

Athen. Mitt. 1881, p. 113; 1883, p. 254, pl. xi, 5. 

Hartwig, pp. 484 ff., 500, no. 7, pls. 51, 52. 

FiReiyp283- 

Wernicke, p. 92, no. 11. 

Diimmler, Bonn. Stud. p. 78. 

Furtwangler, Arch. Anz. 1891, p. 609. 

Swindler, AJA. 1909, p. 149, note I, no. I. 

Radford, JHS. 1915, pp. 136, 139. 

Beazley, VA. p. 83 (attr. to same hand as Aeoeele 
fragments, 1888, no. 2*). 

Roscher, iii, p. 1184.9 (head of youth on J). 

Per. and Chip. x, pp. 707-708, figs. 386-387 (J). 

Nicole, Corpus 79, no. Io. 

Saglio, i, p. 1358, fig. 1808 (head of youth on J). 

Girard, Peinture, p. 178, figs. 98-99 (heads on I). 
White ground. Youth and girl. [EV]OPONIOS :[E ]POl- 

ESEN [AIJOMEA[E] ? 


A. Boys on horseback, racing. AVAVION KA[\O3]. 
B. Same. Only a few fragments preserved. 
On foot EVO[PONIOs EPOIESEN]. 


L 384 ] 


s*, BosTON 95.27. Kylix. Formerly in Van Branteghem Coll. 


hs 


From Viterbo: h. 0.129, d. 0.368. 
Cat. p. 141, no. 388 (for history of the vase). 
Gerhard, Bull. d. Inst. 1830, pp. 233, 243; 1831, p. 85; 
1846, p. 105; Rapp. Volc. 708. 
CIG. 8209. 
Brinn, AGoi, p. 652400. 2: 
Van Branteghem Sale Cat. no. 52, pls. to-14. 
Nicole, Corpus 79, no. 5. 
Burlington Cat. 1888, no. 8, pls. 4-6. 
Hartwig, pp. 466 ff. pls. 47, 48, 1. 
Wernicke, p. 79, no. 2. 
Klein, Euphronios, pp. 97-11; Ll. pie gene 
Per. and Chip. x, pp. 469-471, figs. 411-413. 
Beazley, VA. p. 86, no. 17. 
Radiord, J So 10152) tas 
Two komasts. EVORONIO® EPOrlESEN (sic/ retr.) 
KAVOs HO FAIS. 


A. Komos, six figures. TANAITIOS KAVOS. 
B. Same, five figures. The same inscription, retrograde. 


L 386 ] 


6*. Lonpon, Brit. Mus. E 44 (822). Kylix. From Vulci: 
h. 0.120 sda og. 
Cat. ili, p. 68. 
Durand Coll. no. 61. 
CIG. 8206. 
Duruy, Hist. ii, p. 184 (Z). 
Murray, Des. no. 27 (1), p. 10, fig. 4 (A). 
Panofka, Eigennam. p. 62. 
Klein, no. 4; Euphronios, pp. 86-104 Pp. 88-89, ext., 
p. 98, 1). 
Brunn, KG. i, p. 684, no. 3. 
Wernicke, p. 79. 
Meier, AZ..1885, p. 185, note 9. 
Per. and Chip. x, pp. 425-427, figs. 248-250. 
Harrison and MacColl, pls. 12 (J), 13 (ext.). 
Studniczka, Jhb. 1887, p. 162, note 22. 
Nicole, Corpus 79, no. 4. 
Hartwig, p. 444. 
EReie ppl iit re alee 
Hackl, p. 29, 192. 
Radford, JMS. 1915, p. 120. 
Beazley, no. 2. 
Kalkmann, Jhb. 1896, p. 30, fig. 12 (J). 
Winter, Kunsigesch. in Bild. i, pl. 88, 6 (I). 
Fowler and Wheeler, p. 493, fig. 392. 
Saglio, iii, p. 1827, fig. 4967 (J); iii, p. 89, fig. 3759 (A). 
Hoeber, Griech. Vas. fig. 50 (A). 
WV. i, pl. 7. 
I. Old man and hetaira. PFANAITIOS KA\OS. 
A. Herakles bringing Erymanthian boar to Eurystheus. 
EVPVSOEVS. KA E: 
B. Quadriga accompanied by Hermes. VAVOS KA\OS EV- 
ORONIOS EPOIESEN. . 
Graffito on foot \. 


L 388 ] 


“*, MUNICH 2620 (337). Kylix, red ground around central 
medallion. From Vulci: d. 0.428. 
Cat. (Jahn), p. 103. 
Cat. étr. no. 81, p. 107 (DeWitte): Res. étr. no. 37. 
Bull. d. Inst. 1830, p. 4. 
Chia s22e% 
Mon. Nouv. Ann. 1838, pl. 15, 16 = Reinach, 1, p. 238. 
Klein, no. 3; Euphronios, pp. 53 fi. 
Hartwig, pp. 145 ff. 
Panofka, Vasenb. pl. iv, 9-10. 
Guigniaut, Religions, pl. 180. 
W Vevepl?3; 
F.Ri4, pp: eS 1007 pin aa 
Walters, i, p. 432, pl. 38 (A). 
Radford, JS. 1015; perm 
Beazley, no. 9. 
Brunn, KG, pa7o3enoa7, 
Buschor, p. 163. 
Per. and Chip. x, pp. 395, 399, 400-401, figs. 237, 241-243. 
Harrison and MacColl, pl. 11. 
Springer-Michaelis, Handb.’ p. 167, fig. 309 (A). 
Nicole, Corpus 79, no. I. 

I. Young rider on horseback. VEAAPO[S] KA\VOSs. 

A. Combat, Herakles and Geryon. HEPAKVES [AEP ]VO- 
NES VEA[A]POs K[A]VOS EVPVTION IOVEOS AOE- 
[NAIA]. 

B, Four armed youths driving off Geryon’s herd. HO PAIS 
KAVOs VEAAPOS. 

On the edge of foot. + A+ PVVION EPOIESEN EVOPONIOs 
EAPAOSEN. 


L 390 J 


rete At Ay 


8*, New YorRK 12.231.2, Kylix: h, 0.105, d. 0.327, 

Richter, AJA. 1916, pp. 125-133, pls. 2-6. 
Bull. Metr.. Mus. vii, p. 153. 
Nicole, Corpus 79, no. 12. 
AJA. 1014; p. 116, fig, 3; 
Beazley, VA. p. 85, no. 3 (attr. to the Panaitios Master). 
Radford, JHS. 1915, p. 123, same attribution. 

I. WHerakles and small companion (Hyllos?). EVOPONIOs 
EPOI[ESEN] HEPAKVES. 

A. Contest of Herakles and the sons of Eurytos. |O0IT[OS] 
KV. 

B. Contest of Herakles and Busiris. ..KES. 


[ 392 J 


Sout vd ka a a 


o*. Paris, Cas. D. MED. 526. Kylix. From Corneto. 
Carpe 30%: 
Milliet-Giraudon, ii, pl. 57. 
Panofka, Eigennam. pl. iv, 6. 
Brunn, KG. ii, p. 684, no. 5. 
Mon. d. Inst. ii, pl. x (A) = Reinach, i, p. 89, 1-3. 
Overbeck, HG. pl. 17, 2; p. 413, no. 38. 
CIG. 8208. 
Wire Diake 
Roscher, i, p. 1195 (A). 
Ann. d. Inst. 1834, p. 295; 1875, Pp. 309. 
Nicole, Corpus 79, no. 7. 
Robert, AZ. 1882, p. 47. 
Klein, no. 5; Euphronios, pp. 136-159 (p. 137, A minus 
the restorations). 

Hartwig, pp. 413, 479. 
Kretschmer, p. 168. 
Radford, JAS? 7915) p. 223. 
Beazley, VA. p. 84 (attr. to the Panaitios Master). 

I. Only two fragments of an arming scene. [E]VOPON[ 10s 
EPOIESEJN. > 

A. Dolon seized by Odysseus and Diomed; Athena and 
Hermes. [AA ]JAMFMMO[N] (r.) AOVJON (retr.) 
AIOMEAES (retr.) OVWTEV[S] (retr.) EVOPJONIOS 
TEPOIJESEN. 

B. Remains of two figures. 


[ 304 J 


L305 J 


1o*. Parts, LouvrRE G103. Kalyx krater. From Caere: 
hyo AG wd co.55: 
Cat. lll, pp. 930-935: Album, ii, p. 154, pls. 100, ror. 
FO ReiS pp. 72-1765 pis o2n0s: 
WV. Vv, pl. 4. 
Brunn, AG. ii, p. 685, no. 8. 
CIG. 8209 b. 
Braun, Mon. ed Annali, 1855, pl. v = Reinach, i, p. 242. 
Ann. d. Inst. 1854, p. 38. 
Furtwangler, Roscher, i, p. 2207 (A). 
Saglio, 1, p.. 282, fig. 329 (A). 
Winter, Oesterr. Jahresheft. 1900, pl. v, 2. 
Hartwig, pp. 147 ff. 
Fowler and Wheeler, p. 492, fig. 391. 
Klein, no. 1; Euphronios, pp. 118-119. 
Rayet and Collignon, p. 153, fig. 68 (A). 
Buschor, p. 161, fig. 114 (A). 
Radtords/ HS 1Ons rie, 
Nicole, Corpus 79, no. 2. 
Hoeber, Griech. Vas. fig. 48 (A). 
Beazley, no. rf. 
Per. and Chip. x, pp. 395, fig. 238 (B), 405, fig. 244 (A), 
400, fig. 245 (B), pl. viii (detail of A). 
Girard, Educ. Athén. p. 169, fig. 14 (B). 
Springer-Michaelis, Handb.” p. 167, fig. 310 (heads on 
A). 
A. Herakles and Antaios. HEPAKVE2 [AN]TAIOS EVO- 
PONIOS EAPAQOSEN. 
B. Musical competition. Three seated youths, one stand- 
ing. 


£396 J 


ESo7 


11*, LouvRE Gio4. Kylix. From Caere: h. 0.165, d. 0.39. 


Cat. iii, pp. 935-942: Album, ii, pp. 155, pl. 102 (JZ). 
WVigvssp leer: 

Rayet and Coll. p. 165, fig. 69 (Z). 

DeWitte, Mon. Grecs. 1872, 1, p. 190, pls. 1-2. 
Duruy, His#. ii, p. 122 (J). Wulff, p. 45 c. 

Nicole, Corpus 79, no. 6. Hartwig, pp. 481-484. 
Martha, Avi Etr. fig. 110 (1). Walters, i, p. 481, no. 4. 
D’Eichthal and Reinach, Bacchylides, pl. iv (J). 
Harrison and MacColl, pl. xiv (J). 

Buschor, p. 165, fig. 117 (J). 

Smith, JH.S. 1808, p296)pl. 149 

Bull. d. Inst. 1872, p. 190. 


_ Robert, Marathonschl. p. 50. 


Is 


Klein, no. 7; Euphronios, pp.182 (1), 194-195 (A and B). 

Winter, Oesterr. Jhresheft. 1900, p. 120, fig. 43 (detail of J). 

F.R. i, pp. 27-30, pl. 5 (crown falsely restored) (attr. to 
Panaitios P.). 

Radford; S--10155,ps821n 

Beazley, VA. p. 8s, no. 1 (attr. to Panaitios P.). 

Per. and Chip. x, pp. 422-423, figs. 246-247 (A and B), 
pls. ix and x (J). 


Pottier, Douris, fig. 12 (B). 


Robert, Arch. Anz. 1889, p. 142: Hermes, 33, p. 132 ff. 

Saglio, v, pp. 230, fig. 6887 (1); 647, fig. 7312 (J). 

Baumeister, iii, p. 1793, fig. 1877 (J). 

Hoeber, Griech. Vas. fig. 51 (1). 

Winter, Kunstgesch. in Bild. i, pl. 89, 2 (J). 

Harrison, Myth. Int. fig. 24 (ext.), p. 148, fig. 28 (2). 

Girard, Peinture, p. 177, fig. 97 (J). 

Pottier, Rev. de l’art anc. et mod. 1901, p. 17, fig. 8 (Z). 
Theseus, Athena, and Amphitrite. OESEVS A®ENAIs 

AM¢.....TE (@.) TRIT- > EVORO= sas PrOIESEN. 


A. Exploits of Theseus: Skiron and Prokrustes. ..... Ss 


<KIRON (r.) FROKROVSTES. 


B. Same. Kerkyon and Marathonian bull. KEP[K]VON | 


..SEVs. The K in Kerkyon’s name has been incised 
later. 


[£398 J 


eo al 


Ww 


Oe oan 


Ne) 


2*. LouvrE Gios. Kylix. From Vulci: h. 0.122, d. 0.35. 


Cat. lll, p. 943. 
Hartwig, pp. 504-509, pl. 53. 
C1G.: 82053 
Harrison and MacColl, pl. 16. 
Per. and Chip. x, pp. 447-449, figs. 256-257 bis. 
Gerhard, Rapp. Volc. 723. 
Mus. étr. t911: Res. éir. 33. 
Dubois, Notice, 233; Notice (1845) 88. 
Duruy, Hist. ii, p. 588 (J). 
Panofka, Abh. d. Berl. Akad. 1848, p. 211. 
Nicole, Corpus 79, no. 8. 
R. Rochette, Letire a M. Schorn, p. 53. 
Pottier, Gaz. Arch. 1888, p. 174. 
Collignon, Mon. Grec. ii, pp. 7-11; p. 7 (J), 10-11 (ext) 
F Rei p134- 
Buschor, p. 170. 
Klein, p. 143; Euphronios, p. 82 (1). 
Wernicke, p. 43, no. 3. 
Mon. Piot, 1909, p. 135, fig. 9 (2). 
Radford; SHS. 1915, p. 121. 
Beazley, VA. p. 88, no. I. 
I. Rider. KAVO® ERCOEMIS EVORONIOS EP IIESEN © 
In exergue V. KO2O. 
A. Riders. KAVOS EROCEMIS. On echinus of column 
WIOS. 
B. Same. [ONES] IMO® E.RAOS... 


— L400 ] 


13". PERUGIA 1170.” Kyliz:-d?6.308; 
Gerhard, Aus. Vas. pls. 224-226 = Reinach, li, pp. 114- 


TES 
WV. v, pl. 6. Chase, p12 ;noncclvis ere 
Hartwig, pp. 530-537, pls. 58, 59, I. 
CIG. 8204. Nicole, Corpus 79, no. 9. 


Overbeck, HG. pl. 15, 5 (J), 6 (A). 
DurnuyeAesier pie 7a 
Panofka, Vasenb. pl. iv, 3-5. 
Rayet and Collignon, p. 171, fig. 70 (J). 
Harrison and MacColl, pls. 17-17 a. 
Stuart, Archaeologia, 23, p. 187. 
Klein, no. 8; Euphr. pp. 213-240, ext, On» peste 2s, 
f-onips22e: 
Mus. étr. 568. 
Gerhard, Rapp. Volc. 408, 708, 824. 
Dubois, Notice, 199; Notice (1845), 87 bis. 
P: J; Meier, AZ. 1882,-p: 24; noteq = 
Welcker, Ann. d. Inst. 1850, p. 102; Alt. Denk. v, 
Pp. 474, 40. 
Baumeister, ill, p. 1901, figs. 2000-2000 a. 
Loewy, Arch. Epigr. Mitt. a. Oesterr. xi, p. 190. 
Furtwangler, 50 Berl. Winckel. Pr. p. 131, note 25 (attr. 
to Brygos Painter). 
Wernicke, p. 42, no. 2. 
Walters, i, pp. 431, 7, 433- 
Buschor, p. 170 (attr. to the Perugia Painter). 
Radford, JHS. 1915, p. 128. 
Pottier, Douris, fig. 18 (J). 
Per. and Chip. x, p. 433, fig. 251 (head of Achilles on J). 
Beazley, VA. p. 83. 
Pottier, Mon. Piot, 1909, pp. 131, fig. 7 (J), 132, fig. 8 
(detail of A). 
Furtwiangler, F.R. ii, p. 134 (attr. to the Panaitios P.). 
I. Achilles and Troilos. AXIVEVV2 TROIVO. 
A. Thesame. TROIVOS [V]VKOS. 
B. Warriors arming. EVORONIOS EPOIESEN. 


L 402 J 


14", PETROGRAD 644 (1670), Psykter. From Caere: h. 0.34. 
Cat. ii, p. 256, (W.) p. 84. 
Res. éiy. no, 26, 
CIGH7845: 
Brunn, Bull. d. Inst. 1859, p. 126. 
Jahn, Philologus, 1867, p. 221, pl. i (reversed). 
Stephani, CR. 1869, p. 220, pl. 5 = Reinach, i, p. 32. 
Per. and Chip. x, pp. 393-396, figs. 236, 239. 
Klein, no. 2; Euphronios, p. 104 fi. 
Hartwig, p. 149. | 
WV. %, 2. 
ERon; ppl i serGepioe: 
Girard, Peinture, p. 227, fig. 131 (fig. of Palaisto), 
Kretschmer, p. 87. 
Saglio, iii, 1, p. 866, fig. 4304 (fig. of Smikra). 
Buschor, p. 159, fig. 113. 
Radford, JH'S. 1915, p. 110. 
Beazley, no. 7. 
Brunn, KG. ii, p. 685, no. 9. 
Nicole, Corpus 79, no. 3. 
Jacobsthal, Gott. Vas. p. 40, fig. 72 (A). 
Hoeber, Griech. Vas. fig. 49 (A). : 
Continuous frieze without any separation of the figures. 
Four naked hetairae on couches. A/AT[E] TINTANAE 
VATASS VEAAPI SMIKPA PAVAISTO EVOPONIOS 
EAPAOSEN SEKVINE. 
All inscriptions are retrograde except the signature and 
name of Smikra. 


[ 404 ] 


TA, 


rs*, STUTTGART, HAUSER’S Cott. Kylix. 
Radford; J HS 1015,p. 124, notes; 5. 
Beazley, VA. p. 84 (attr. to Panaitios Painter). 
I. Two athletes. EVORONIOS. 
A and B. Athletes. 


ATTRIBUTED VASES 


16. AREzzo. Volute krater (foot modern). From Arezzo: 
h. 0.60. : . 
Jahn, Ann. d. Inst. 1864; p. 239: Kretschmer, p. 181: 
Passeri, Pict. Vas. 163: “Mon. d. Inst. viii, 6 = Reinach, 
i, p. 166 = F.R. ii, p. 3, fig. 2: Per. and’ Ciipax spp 
443, figs. 253-255: Hartwig, p. 214, note 1, fig. 29 (B), 
(attr. to Smikros): Klein, LJ. p. 127, no. 3 (Smikros): 
F.R. ii, pp. 1-14, pls. 61, 62: Wernicke, p. 78: Gaspar, 
Mon. Piot, ix (1902), pp. 28 ff. fig. 3 (attr. to Smikros): 
Heydemann, Mitt. a. Ober. u. Mittelital. p. 104: Radford, 
JHS. 1915, p. 115; 117, fig. 3b (detail of A and B): 
Pollak, Arch. Epig. Mitt. 1895, p. 67 (the first to read 
the inscriptions on the neck correctly): Beazley, no. 4: 
Nicole, Corpus 79, sec. 3, no. 5. 
_ On the neck is a frieze representing a komos, eleven figures 
on A, eight on B. | 

On neck. A. + SENON KAWOS +OPIOON TEISIS +SINI5 
KAVOS KAIKEIOS VWsIs KAWOS. Inscriptions on B 
are senseless. 

A. Herakles and Telamon in combat with five Amazons. 
Illegible inscription (six letters.) TO<«sls TEVAMON 
HEPAKVES KVAOIME (retr.) VOSEIVVE (retr.) OPASO 
(retr.) TEISIPVVE. 

B. Four Amazons hastening to the assistance of those on A. 
OIWIAAES! KAVOS +SENOKA\VOS. ‘Traces of another 
inscription. 


17. ATHENS CC. 1166 (1666). Formerly in possession of Miss 
Trikoupis. Kylix: h. 0.085, d. 0.22. 


1 It is quite certain that it is not DEIAIAAES as in Klein: 2. F.R. ii, p. 8. 


L 406 ] 


Cat. p. 361: Harrison, JHS. 1889, pp. 231ff., pl. i (attr. 
to Douris): Deltion, 1859, p. 238, no. 45: F.R. il, p. 174, 
fig. 59 (A): Hartwig, p. 124 (attr. to Euphronios): Klein, 
LI. p. 92, no. 8: Harrison and MacColl, pl. 24: AJA. 
1888, p. 494: Gardiner, Greek Ath. Sp. p. 446, fig..161 
(A): Wernicke, p. 30, no. 5. 

I. Youth pouring libation on altar. AOENOAOTOS KAVOS 
(retr.). On kylix OAOPI. 

A. Herakles and Antaios. KAVOS AQENOAOTOS. 

B. Theseus and Prokrustes. KA\OS. 


18. ATHENS B 20. Fragment. From Acropolis. 
Beazley, no. 13. 
Herakles in Olympos. 


18 bis. ATHENS. Kylix (fragment). Formerly in Schliemann 
Coll. 
Wolters, Athen. Mitt. 1888, p. 104 (attr. to Euphronios): 
Hartwig, p. 250 (attr. to Peithinos): Beazley, no. 11 (attr. 
to Euphronios). 
Athena and Hephaistos. HEOAISTOS (r.). 


19. BERLIN 2270. Kylix: h. 0.09, d. 0.21. Much painted and 
restored. 

Cat. p. 545: Jahn, Philologus, xxvi, p. 230: Hartwig, 
jgieee 

I. Silen with wine-skin. H- PA-S KA\VOS. On skin 
| VOFU (veoivea ?) 

A. Symposium. .-.VOs K.. KINA. 

B. Same. KAVOS KA. 


20. BERLIN (Inv. 3232). Kylix. Formerly in Ancona Coll. in 
Milan: h. 0.088, d. 0.22. 

Arch. Anz. 1893, p. 88, no. 32: Hartwig, p. 702, no. 2 
(assigned to the late period of Chachrylion): idem, 
Jahrb. 1893, pp. 165 ff. pl. ii (A and J): Klein, Jahrb. 
1892, p. 142, note 5; LI. p. 84, no. 9: Radford, JHS. 
1915, p. 118 (attr. to Euphronios): Nicole, Corpus, no. 
71, attributions (attr. to Chachrylion). 


[ 407 ] 


215 


22> 


22. 


24. 


Although Chachrylion uses the name Epidromos, the vase 
is more probably from the hand of Euphronios. 

I. Herakles and silen making libation before burning altar. 
ETIAOPOMOS KA\Os. 

A. Herakles, Hermes, and Kerberos. EPIAOMOS KA\OSs. 

B. Silen surprising a nude, sleeping maenad. ETIAOPOMOs 
KAVOS. 


BosTON 10.196. Kylix (fragmentary). Formerly in Bourgui- 
gnon Coll., Naples. From Cumae. The vase is in a 
very fragmentary condition. | ” 

Ann. Rep. Mus. F.A. 1910, p. 63 (attr. to Euphronios): 
Hartwig, pp. 107-109, pl. x (attr. to early period of Eu- 
phronios): Beazley, VA. p. 87, denies the Euphronian 
origin, without attributing the vase to any artist. 

I. Hoplite and archer. Os KAV\OS. 

A. Two youths with horses. . EAAROS. 

B. Combat, four figures. 


BrussEts, Mus. RoyatE H 15. Kylix: h. 0.12, d. 0.265. 
Hartwig, pp. 96 ff, pl. vii: Klein, LJ. p. 90: Wernicke, 
Pp. 73- 

I. Silen sitting on wine-skin. KRATES KAVOS. On skin 
same inscription. 

A. Komos. KRATES KAV\OS (three times: last KA\VOS 
on krater). 

B. Silens, one riding a phallos bird. KRATES KA\VOs 
KAVOSs. 


CorNETO. Kylix (fragment). 
Beazley, no. 14. 
Ext. Warrior and Amazon shooting arrow. TOKSAPIS. 


Lonpon, Brit. Mus. D1. Kylix (fragments). From Nau- 
kratis. The vase is in a very fragmentary condition. 
Cat. ili, pp. 383, 71 (note to E45): Naukratis, i, p. 52: 
Class. Rev. 1888, p. 233: Hartwig, p. 494, pl. 50 (fragment 
with Apollo’s head not included in the plate): Radford, 
JAS TOUR ae 7 


[ 408 |] 


25. 


20. 


27. 


28. 


I. Europa and bull ? 
A. Contest of Herakles and Apollo for the tripod. [ATOV- 
VJON (retrograde). 


B. Combat. 
Brit. Mus. E45 (820). Kylix. From Vulci: h. 0.086, 
aes Bo Nie 


Cat. ii, p. 70: Durand Coll. 293: Murray, Designs, p. 11, 
fig. 5 (A), no. 28 (1): Ann. d. Inst. 1884, p. 276: Corey, 
pp. 30, 56, 74: CIG. 7577: Gerhard, Aus. Vas. ii, p. 61, 
note 21 c: Hartwig, pp. 118, 608, pl. xiii: Nicole, Corpus 
pomece- 3. adtord, JHS. 1915, p. 118. 
The interior is very similar to the Baltimore kylix (Hart- 
wig, pl. 22, 2), and the Boston kylix (Hartwig, pl. 10). 
I. Two Amazons. H[IPP]JOVWWTE OEPO. Both names 
retrograde. 

A. Herakles in combat with Hippolyta and Amazon. HE- 
PAKVES (retr.) HITO (retr.) ANAPOMA+ E. 

B. Three Amazons with a horse coming to the assistance of 
Hippolyta. EVOME (retr.) KAVIFOPE]. 


Brit. Mus. E 816. Kylix: h. 0.089, d. 0.226. 
ermeeep. 250. CIG. 7341: Mus. dr: 1510: Klein, LL. 
p. 73, no. 14: Hartwig, pp. 109-111. 

I. Symplegma. Old man and hetaira. VEAAROS KA\VOSs. 


Mounicu (Jahn 272). Kylix. Formerly Candelori Coll. no. 
1292: h. 0.085, d. 0.225. The vase is in bad condition. 
Cat. (Jahn), p. 79: Jahn, Philologus, 26, p. 225, pl. ill, 1-2: 
Hartwig, pp. 128-131, fig. 18 (2), pl. xv, 1 (ext.): F-.R. 
li, p. 17, note 1: Jacobsthal, Gott. Vas. p. 51, fig. 74 (A). 
I. Nude hetaira on couch. TOITEN (r.). 
A and B. Symposium. K...S El EVE. 


(oarp.3rc. Plate: d. 0.10. 
(aio, pl. 13, 1: Klein, LI.’p. 87, fe. 22: Studniczka, 
Jhb. 1891, p. 239: Winter, ibid. 1893, pp. 135 ff.: Hart- 
wig, p. 10, note 1: Helbig, Siizber. Bayer. Akad. 1897, 
fie27 4s beazley, no. 8. 

Persian rider. MIVTIAAES KAVOS. 


[ 409 ] 


29. 


30. 


Bie 


Paris, LouvrE G30. Neck amphora (twisted handles). 
From Vulci: h. 0.47. 

Cat. ili, p. 902: Album, ii, p. 140, pl. 90: CIG. 7844: De- 
Witte, Notice, 1843, p. 13, no. 50: Panofka, Ezgenn. 
Pp. 41, note 182: Studniczka, Jhb. 1887, p. 162: Pottier, 
Gaz. Arch. 1888, p. 173: Girard, Educ. Athén. p. 1409, 
note 3: Klein, p. 133, no. 17; LI. p. 80, no. 41: Wernicke, 
p. 41, no. 22: Kretschmer, p. 86: Hartwig, p. 93 (attr. 
to Euthymides), 257, note, no. 7: Beazley, no. 5. 

Decoration on neck only. © 

A. Youthful symposiast playing lyre. VEAAPOS KA\Os 
(r.). Around his head MAME KA [POTEO.! 

B. Youthful symposiast playing kottabos. [AIS (r.) VEAA- 
POS KAVOs. 


Louvre G106. Nolan amphora (twisted handles). From 
Nola: h. 0.43. 

Cat. 11, p. 944: Beazley, VA. p. 82: Hartwig pmrsee 
Klein, Euphron. p. 261: Corey, p. 55: Nicole, Corpus 79, 
sec. 3, no. 6: Radford, JHS. 1915, p. 115. 

The Amazon on A is a duplicate of the one on Louvre 
G 107 though the workmanship of the vase is not as good. 
It is uncertain whether the name of Euphronios was fol- 
lowed by the verb. 

A. Amazon. EVOPONIOS. 

B. Same. Figure largely restored. ANTO+SENOS. 


Louvre G 107. Nolan amphora (twisted handles): h. 0.48. 
Cat. ili, p. 945: Per. and Chip. x, p, 522:3 Gaspar ase 
Piot, ix, p. 32, figs. 4, 6-8 (attr. to Smikros): F-.R. ii, p. 9, 
figs. 3-5: Nicole, Corpus 79, sec. 3, no. 7: Radford, JHS. 
1915, p. 115: Corey, p. 32: Beazley 2) Amos 

Figures of Herakles and Amazon are duplicates of those on 
the Arezzo krater. 


1 Studniczka (loc. cit.) considers this inscription as the beginning of an ode 
attributed to Sappho (Bergk, P. L. Gr.‘ p. 97, frag. 25 ‘‘udouat Kal robéw ’’). 


L410 ] 


A. Herakles on a statue-base ? On the statue-base AOKEI : 
SMIKOI:INAI. Above Herakles [HEPA ]KVEES.’ 

B. Amazon. BAPKIAA. 

Graffito on foot VAIA). 


32. Louvre Grio. Kalyx krater (fragment). 
Cat. iii, p. 950: Beazley, no. 2. 


A. Ephebos. EAP [KVEOM]EVOS. 


33. PETROGRAD 615. Pelike. Formerly in Coll. Gourieff. 

Cat. (W.) p. 87, pl. 3 (A): Mon. d. Inst. ii, pl. 24 = Rei- 
nach, i, pp. 95-96: CIG. 7842: Panofka, Bild. Ant. Leb. 
pl. 17, 6 (A), ii, 1 (B); Gr. u. Griechin. pl. i, 14, (An): 
Jahn, Arch. Aufs. p. 116: Baumeister, il, p. 1435, fig. 1589 
(B), 198s, fig. 2128 (A): Ann. d. Inst. 1835, p. 238: Klein, 
p. 133, no. 18; LI. p. 80, no. 43: Kretschmer, p. 91, 66: 
Milani, Mus. Ital. iii, p. 218, note 8 (attr. to Chachrylion) : 
Wernicke, p. 42, no. 24: Sitzber. Berl. Akad. May 18809, 

_ p. 11: Reinach, Rev. Arch. 1916, i, p. 311: Beazley, no. 0: 
Hartwig, p. 94 (attr. to Euthymides): Duruy, Hist. Tenia 
360 (A): Saglio, iii, p. 1342, fig. 4617 (B): Keller, Tiere, 
p. 309, fig. 53 (A): Schreiber, Bélderatl. pl. 64, 10 (A). 

A. Man, youth, and boy gazing at a swallow. IAO XEVI- 
AON NE TON HEPAKVEA TANTEI! EAP EAE. 

B. Two wrestlers. VEAAPOS HO TAls KAVOS. 


34. 2? Kylix. Formerly in Campana Coll. 

Jahn, AZ. 1861, pls. 149 (Avand B),150(2)) pp. 161 f, = 
Reinach, i, p. 392, 1, 2: Kliigmann, Ann. d. Inst. 1878, 
p. 35: Hartwig, p. 125 (attr. to Euphronios): Roscher, 1, 
p. 2231: Saglio, iii, p. 100, fig. 3773 (B). 

I. Maiden before table with oinochoé. HEMAIS KAVE HO 
PAIS KAVOS. 

A. Herakles and Antaios. HO PAIS KAVOS. 

B. Herakles in vineyard of Syleus. Same inscription‘as on A. 


1 Perrot believes that the inscription reads “‘doxet Zuixpw elvae’”’ and that it con- 
stitutes a complimentary reference to Smikros. 


[411] 


Bete teed sdb | 
Klein, LI. pp. 73-74, fig. 13; (description by Braun; draw- 
ing in the Apparatus of the German Institute in Rome): 
Radford, JHS. 1915, p. 116. 
The Amazon drawing the bow is a duplicate of the figures 


on the Arezzo krater, Louvre 106 and 107. 


I. Two Amazons. 


35 bis. ? 
Camposcala. 


Formerly in Depoletti’s possession. Kylix. 


From 


Wernicke, AZ. 1885, pp. 256-258, pl. 17 (attr. to Euphro- 
nios): drawing in the Apparatus of the Berlin Mus. 
NN 68: Hartwig, p. 276, note 1, no. 9. 

I. Youthful warrior blowing trumpet. 

A. Symposium: youth and hetaira. 


B. The same. 


SUBJECTS 

Myth., 18, 18 bés, 24. 

Heroic, 142". 6" anor 
II™, 16, 17,20, 23, 244258 403 
31, 34, 35. 

Epic, 35671 

Bacchic, 19, 20, 22. 

Military, 21, 24, 28, 35 bes. 

Athletic, 15*, 33. 

Komastic, 5*, 22. 

Symposium, 14”, 19, 26, 27, 20, 
35 ots. 

Genre, aa; Be LO, ey 32, 33) 
34. 


Youth and hetaira playing flutes. 


SHAPES 


Nolan, 30, 31. 
h ? ) 
Amp Neck, 209. 


Pelike, 33. 
Kalyx, 10" 32 

per Volute, 16. 
Psykter, 14*. 
Kylix, Ivey, 1135 15", 17, 

18 bis, 1927, 34, 35, 35 bis. 
Plate, 28. he: 
as coe 


OTHER ATTRIBUTIONS 


Brygos, 68, 108. 
Euthymides, 6. 
Euxitheos, 2*. 

Pamphaios, o*. 


Peithinos, 2. 
Phintias, 9. 
Sosiass1-. 


[412] 


ONESIMOS 


Hartwig, pp. 503-562. 
Beazley, VA. pp. 88-89. 


Of the signed vases of Euphronios, no. 12” bore the signature 
of [Ones]imos as painter. As Onesimos uses the name Lykos 
he is practically Hartwig’s Lykos Painter. Both Hartwig and 
Furtwangler assigned 13* to his hand, but that vase seems better 
attributed to another painter whom Buschor has called the 
Perugia Master. 


- 1*, y, Euphronios 12". 


ATTRIBUTED VASES 


2. BOSTON 95.29. Kylix. From Chiusi: h. 0.08, d. 0.222. 
Ann. Rep. Mus. F. A. 1895, p. 20, no. 16 (Onesimos ?): 
Beazley, no. 8 (attr. to Onesimos). 

I. Komast with pot (silen, acc. to Ann. Rep.). 
A and B. Youths and horses. 


3. BOSTON 10.211. Kylix (fragment). 
Ann. Rep. Mus. F. A. 1910, p. 64 (‘style of Brygos’): 
Beazley, no. 9, fig. 55 (Z). : 
-I. Komast. 
A and B. Komos. 


4. Brussets A889. Kylix. Formerly in Van Branteghem 
Coll. From Chiusi: d. 0.24. 
Van Branteghem Sale Cat. no. 77, pl. 28: Hartwig, p. 374, 
no. 14 (in list of vases allied to.the style of Brygos): Per. 
and Chip. x, p. 647, fig. 356: Tonks, no. 62 (attr. to Bry- 
gos): Bull. d. Mus. Roy. 1908, p. 83, fig. 2 (attr. to Brygos): 
Six, Jhb. 1915, p. 91, fig. 12: Beazley, no. 26 (attr. to 
Onesimos). 
I. Nude girl in front of a basin. HE PAIS KAVOS (!) 
On the pail KAVE. | 


C413 J 


5. Bryn Mawr. Kylix (fragments). 
Swindler, AJA. 1916, p. 342, nos. 20-21, p. 343, fig. 21. 
I. Dog seated on ground full front. 
A and B. Horses and riders. 


6. EpinpurcH. Kylix. From Italy: h. 0.12, d. 0.30. 
Cat. pls. i, ii: Hartwig, pp. 515-519, pls. 55, 56, 1 (attr. 
to Onesimos): Radford, JH'S. 1915, p. 129 (attr. to Bry- 
gos Painter). 
I. Hoplite and barbarian: 
A. Hoplites and barbarians. 
B. Same. 


7. FLORENCE 4220 (2036). Kylix (cut down to a plate): d. 
01183. 

Heydemann, Mittheil. a. d. Antik. Ober- u. Mittelital. (iii 

Halle Winckel. Progr.), p. 96, no. 52: Hartwig, p. 561, pl. 

62, 3 (attr. to Lykos Painter): Wernicke, p. 44, 6: Klein, 

D140, Sale? spre Piero: 

I. Athlete with strigil and dog. KAVOsS WKOs. 


8-10. HEIDELBERG B47, B57, B70. Kylix (fragments). 
Three kylixes attributed by Beazley (VA. p. 89) to Onesi- 
mos. Nos. 9 and ro are fragmentary. 3 
B 47 (Beazley, no. 22). J. Athlete. A. Youths with 
horses. 
B 57 (Beazley, no. 13). Ext. Riders. 
B 70 (Beazley, no. 14). Ext. Men. 


11. Lerpzic. Kylix. 
Beazley, no. 2. 
I. Athlete with pick. 
A. Athlete. 
B. Athlete with akontion. One figure on each side. 


12. LONDON, COLL. RICKETTS-SHANNON. Kylix. 
Beazley, no. 25. 
I. Nude youth. 


Lars 


LEE. 


T4. 


15. 


MunicH 2640 (Jahn 368). Kylix. From Vulci: h. 0.135, 
d. 0.305. 

Cat. (Jahn) p. 114: graffito on pl. x: Res. éir. p. 26, 
no. 25: Hartwig, pp. 542-548, pls. 59, 2,60 (attr. to 
Onesimos): Harrison and MacColl, p. 25, pl. 39 (J): 
FR. ui, pp. 132-135, pl. 86 (attr. to Panaitios Painter): 
Jhb. d. Kunsthist. Samml. d. Oesterr. Katserh. 1890, pp. 
Ag-52, figs. 152-153: Buschor, p. 167, fig. 119 (J), (attr. to 
the Perugia Painter): Radford, JHS. 1915, p. 128 (attr. 
to the Perugia Painter). 

I. Warrior and centaur. 

A and B. Centaurs and Lapiths. 


Graffito I2IIPV. 


MunicH 2639 (Jahn 515). Kylix. From Vulci: h. 0.085, 
d. 0.222. The vase is much restored. 

Cat. (Jahn), p. 173: P. J. Meier, AZ. 1885, p. 179, pl. 11 = 
Reinach, i, p. 460, 2 (attr. to Euphronios): Girard, Educ. 
Athén. pp. 214-15, figs. 29-30: Klein, Euphronios, p. 287 
with fig.: Hartwig, p. 528: Gardiner, Greek Ath. Sp. p. 474, 
fig. 174: Radford, JHS. 1915, p. 124 (attr. to Panaitios P.): 
Beazley, no. 5 (attr. to Onesimos): Saglio, iv, p. 422, 
fig. 5611 (head of youth on J). 

I. Youthful hunter. HO PAI= KAVO8. 

A and B. Youths with horses. HO PAIS KAVOS. NAIKI 
KAVOS. 


ORVIETO, FainA Cott. 44. Kylix. From Orvieto: h. 0.135, 
d? 0.32. 

Cardella, Mus. etr. Faina, p. 42: Helbig, Ann. d. Inst. 
1877, p. 145: Hartwig, pp. 550-553, figs. 64 a-c (attr. to 
Onesimos): Beazley, VA. p. 95,no. 2 (attr. to Paris 
Gigantomachy Painter). 

I. Two warriors. 

A. Centaurs and Lapiths. 

B. Same. 


Senseless inscriptions throughout except K[AV]OS on B. 
[415 ] 


16. OrviETO, Farina Cor. 65. Kylix (fragment). From 
Orvieto. 
Cardella, Mus. etr. Faina, p. 45: Nicole, Corpus, no. 
74, 29 (wrongly classed as a signed vase): Loewy, Jhb. 
1888, pp. 139 ff. pl. 4 (attr. to Douris): Korte, Amn. d. 
Inst. 1877, p. 139: Milani, Mus. Ital. ili, p. 218, note 4: 
Wernicke, p. 44, no. 7: Klein, LI. p. 112, no, 4: Hartwig, 
pp. 513 ff. (attr. to Onesimos). 
I. Archer on horseback. TORI! KA[VOS] WWKOS NAI+[1]. 
17. OXFORD 1914.729. Kylix. Formerly in Canino Coll.: also in 
Bassegio’s possession, Rome. 
Gerhard, Aus. Vas. iv, p. 44, pl. 271 = Reinach, ii, p. 134, 
1-4: Cat. Canino, 562: Stuart, Archaeologia, 23, p. 183: 
CIG. 7808: Baumeister, i, p. 612, fig. 671: Panofka, 
Eigennam. p. 24: Girard, Educ. Athén. pp. 197, 205, 211 
(figs. 20, 24, and 28): Duruy, Hist. i, p. 318: P. J. Meier, 
AZ. 1883, p. 12 (attr. to Douris): Roulez, Mém. d. 
lV’ Acad. Roy. d. Bruxelles, xvi, pls. 1-3: Wernicke, p. 62, 2: 
Klein, LI. p. 101, 2 (agrees with Meier): Hartwig, p. 334 
(attr. to Diogenes P.): Beazley, no. 20 (attr. to Onesi- 
mos): Jiithner, p. 40, fig. 35 (J): Gardiner, Greek Ath. Sp. 
p. 473, fig. 173: idem, JHS. 1903, p. 277, fig. 6: Saglio, 
ii, p. 1702, figs. 3679-80 (ext.), 3681 (7); iii, p. 1341, fig. 
4616 (wrestlers): Schreiber, Bilderatl. pl. 23, 4-5 (ext.): 
Hauser, F.R. iii, p. 86 (attr. to same artist as the Foundry 
vase). 
I. Athlete and trainer. AIOAENES KA\VOS. 
A and B. Athletes. HO PAIS KA\VOS (twice). 
18. PALERMO 1480. Kylix. From Chiusi. Formerly Casuccini 
Coll’ nor asad o.oe- 
AZ. 1871, p. 57, pl. 48 (ext.) = Reinach, 1, p. 411, 2-3: 
Hartwig, pp. 538-542, figs. 63 a-c. 
I. Warrior. 
A. Achilles, Troilos, and Trojan. 
B. Three warriors in combat. 


1 Loewy suggests that the T may have been written by mistake for the A and 
that we have a real signature by Douris. There is, however, no room for the verb 
and:the style does not seem to be that of Douris. 


[ 416 ] 


19. Paris, Cas. D. MED. 537. Kylix (fragmentary). 
Cat. p. 404: Mon. d. Inst. ii, pl. 11, 3 = Reinach, i, p. go, 
3: DeWitte, Ann. d. Inst. 1834, p. 297: Hartwig, p. 554: 
Saglio, ii, p. 1431 fig. 3396 (head of Ajax). 
I. Ajax with body of Achilles. [HO PAI]s K[A\VOSs]. 
A and B. Gigantomachia. 


20. Cas. D. MED. 538. Kylix (fragments). 

Cat. p. 405: Mon. d. Inst. ii, pl. 11, 1-2 = Reinach, 1, 
p. 90: DeWitte, Ann. d. Inst. 1834, p. 296: Diimmler, 
Pee id.p. 67: Overbeck, HG. p. Sor, no, 12, pl. 
a1, 7 (1): Hartwig, pp. 553-554 (attr. to Onesimos): 
Beazley, VA. p. 97, no. 8 (attr, to Douris). 

I. Achilles and Penthesilea. HO TAI[s] KA\VOs. 

A. Theseus and Medea ? HO PAIS [K]JAVLOS] HLO PAIS] 
K[AVOS]. 

B, Warrior and woman. OHON. 


21-22. CAB. D. MED. 604 and 659. Kylix (fragments). 
Two fragments of kylixes, both of which are attributed 
toOnesimos. Beazley, VA. p. 89, nos. 12 and a1. 
21. (604) Cat. p. 444. Archer on one knee. 
Combat. 
Same. 
Athlete. 
Athletes. 
Same. 


22. (659) Cat. p. 451. 


NN 


23. Paris, LOUVRE G 263. Kylix: h. 0.10, d. 0.23. 
Cat. iii, p. 1030: Beazley, no. 19. 
I. Youth with net. ---NAIAES. 
A. Herakles and Cretan bull. HO [PAl. 
B. Herakles and Kerynitian doe. .O PAIS. 
Graffito on foot J¢. 


24. Louvre G 288. Eye kylix (fragment). 
Cat. iii, p. 1036: Beazley, no. 4. 
Pe ead. 
A and B. On each side an athlete between eyes. 


C417] 


25 a-e. Louvre. Kylix (fragments).! 
G 296 (Beazley, no. 16). Int. Young victor. Ext. Athletes. 
G 207 (Beazley, no. 10). Int. Nude man at washbowl. Ext. 
Apoxyomenol. 
G 2098 (Beazley, no. 11). Ext. Apoxyomenos. 
S 1427 (Beazley, no. 18). Ext. Athletes. 
S 1429 (Beazley, no. 17). Ext. Youth leaning on stick. 


26. Paris, PETIT PAtars. Kylix (fragment). 
Beazley, no. 15: drawing in the Berlin Apparatus, 16.10.2. 
I. Youth with akontion. 
A and B. Athletes. 


26 bis. PETROGRAD 656 (St. 888). Kylix: h. 0.08, d. 0.31. 
Cat. i, p. 390: (W.) p. 83: Beazley, no. 7. 


I. Athlete. 
A. Athletes and trainer. 
B. Athletes. 


27. ROME, AUG. CASTELLANI COLL.: Kylix. From Caere: 
hie. 1b Sdeoma se | 
Hartwig, pp. 509-513, pl. 54 (attr. to Onesimos): Rad- 
ford, JHS. 1915, p. 134 (attr. to Brygos Painter). 
I. Rider. , 
A and B. Warriors and horses. 


28. Rome, Mus. ARTISTICO INDUSTRIALE. Kylix. Formerly in 
Castellani Coll. From Corneto: h. 0.09, d. 0.22. 
Ber. d. Sachs. Ges. 1878, pl. v, p. 144 (Heydemann): 
Beazley, no. 23: Benndorf, Bull. d. Inst. 1866, p. 236, 
iii: Saglio, iv, p. 780, fig. 5891: Duruy, Hist. ii, p. 457. 
I. Athlete at well. HO PAIS KAVOS. 


29. ROME, VATICAN 586 (194). Kylix: h. 0.10, d. 0.20. 
Mus. Greg. ii, pl. 72, 1 a-c (76, 1): Helbig-Reisch, Fiihrer, 
i, p. 348: Hartwig, pp. 548-549. 
I. Warrior and centaur. HO PAIS KAV\OS. 
A. Herakles and centaurs: H.-..- ¥V-S. 
B. Four centaurs. 


1 Series of fragments in the Louvre. G 296-298 are mentioned on p. 1037 of 
Louvre Cat.; the other two are not listed. 


[ 418 ] 


30. 


a0 


eo. 


33: 


34. 


35: 


Rome, VILLA GIULIA 3577. Psykter. From Falerii. 
Helbig-Reisch, Fiihrer, ii, p. 364, no. 1793 h: Petersen, 
Rom. Mitt. 1891, p. 228: Hartwig, p. 553, note x (attr. to 
Onesimos): F.R. i, pp. 72-75, pl. 15 (artist unknown): 
Saglio, iv, p. 41, fig. 5296 (fig. of centaur with nebris). 

A and B. Centauromachy. 


SCHWERIN 1307. Kylix. 

Beazley, no. 6: Klein, LJ. p. 97. 
I. Youth. ARISTARXO2 KAVO8&. 
A. Youths with horses. NAI+I. 
B. Same. ARISTAR+ O8. 


STUTTGART, HAUSER’S CoLL. Kylix (fragment). 
Hartwig, p. 557, pl. 62, 1. 
I. Hoplitodromos. PA KAY. On shield WKO. 


STUTTGART, HAUSER’S Cott. Kylix: h. 0.085, d. 0.235. 
Hartwig, pp. 525-528, figs. 62 a-b. 

I. Youthful warrior. 

A and B. Warriors in combat. 

Inscriptions are incomplete but 6 wats xaNés is certainly in- 
troduced on all three sides. 


VIENNA, HormusEum. Kylix. 
Beazley, no. 24, fig. 56. 
I. Nude youth. 


VIENNA, UNIVERSITY CoLL. Kylix. 
Beazley, no. 3. 

I. Athlete with halteres. 

A. Youth with horse. 

B. Same. 


35 bis. ? Kylix. Formerly in Bassegio’s possession, Rome. From 


Vulci. 
Gerhard, Aus. Vas. pl. 166 = Reinach, ii, p. 84, 5-8: 
Matz, Ann. d. Inst. 1872, p. 297, note 1: Diimmler, Rém. 
Mitt. 1887, p. 189: Hartwig, p. 519 (attr. to Onesimos). 
I. Greek killing barbarian. 
A and B. Greeks and barbarians in combat. 


[419 ] 


SUBJECTS SHAPES 


Myth., ro. Kylix, 1*, 2-23, 25-20, 31— 
Heroic, 13, 15, 19, 20, 23, 20, 30. 35 bts. 
Epic, 18, 19, 20. Eye kylix, 24. 


Military, 6, 15, 16, 18, 21, 27, Psykter, 30. 
32; 33, 35 bis. 


Athletic, 7, 8, 11, 17, 22, 24, OTHER ATTRIBUTIONS 
25 aC, 20,20 UIs to, ae Brygos, 20. 
Komastic, 2, 3. Penthesilea P. 36. 


Genre, 1*, 2, 4, 5, 8, 9, 10,22, LULy ego 
14, 23, 25 b, 25 €, 27, 31, 34, 
35: 


[420] 


THE PANAITIOS PAINTER 
Beazley, VA. pp. 82-88. 


As stated above, nos. 5*, 6*, 8*, 9*, and 11* of the vases signed 
by Euphronios are now generally regarded as the work of a 
nameless assistant who has been called the Panaitios Painter. 
The most complete list of vases attributed to him is given by 
Beazley. 


36.1 BartimorE. Kylix. From Chiusi: h. 0.08, d. 0.20. 


37: 


38. 


Inghirami, Mus. Chiusino, i, pl. 48: CIG. 7458: Hartwig, 
Rom. Mitt. 1887, p. 167: AJA. 1888, p. 385: Klein, p. 144, 
no. 3; Euphronios, p. 278; LI. p. 107, no. 4: Hartwig, 
p. 448, pl. 44, 1: Wernicke, p. 80, no. 5: Beazley, VA. 
p. 87. 

I. Silen on wine-skin (askoliasmos). PANAITIO KALYV]OS. 
On skin K-.\OS$. 


Battrmore. Kylix. From Caere: h. 0.09, d. 0.22. 
Klein, LI. p. 107, no. 5: AJA. 1888, p. 385: Hartwig, 
pp. 450-452, pl. 45: Wernicke, p. 81, no. 12: Hartwig, 
Rom. Mitt. 1887, p. 168, iv: Beazley, no. 14, fig. 53 (A). 

I. Silen carrying wine-skin. PANAIT-.- ---: Os. On skin 
KAVOSs. 

A and B. Silens assaulting sleeping maenads. 


BERLIN 2321. Kyathos. From Vulci: h. 0.125. 
Cat. p. 618: Mus. ér. 1725: Res. ér. 31, 4: CIG. 7457: 
Stuart, Archaeologia, xxiii, p. 247: Gerhard, Aus. Vas. 1, 
pl. 51, 2-4 = Reinach, ii, p. 36, 8-9: Gerhard, Rapp. 
Volc. note 828 a: Klein, p. 145, no. 8; Euphronios, p. 282, 
with fig.; LI. p. 111, no. 16: idem, AZ. 1878, pp. 69 ff.: 
Panofka, Eigenn. p. 61, pl. iii, 12: Hartwig, pp. 478 ff.: 
Wernicke, p. 80, no. 10. 

A. Dionysos in combat with giants. PANAITIO. KAVOS. 


1 Tn the original arrangement the Panaitios Painter followed immediately after 


Euphronios and the numbering of the vases was continued without any break. 
_ Later it was decided to place Onesimos there but the numerical system could not 
be changed. 


[ 421 ] 


39- 


4O. 


AT; 


42. 


BERLIN 2322. Kyathos. From Vulci: h. 0.105. 

Cat. p. 619: Micali, Storia, iii, pl. 103, 1, p. 196: Duruy, 
Hist. ii, p. 628 (A): Panofka, Eigennam. p. 60, pl. iii, 11: 
Bild. ant. Leb. pl. 1, 11: Griech. u. Griechin. pl. 1, 12: 
DeWitte, Cat. éir. p. 31, no. 5: Jahn, Ztschr. f. Alt. 1843, 
no. 28: Bull. d. Inst. 1849, pp. 82 ff.: Michaelis, AZ. 1849, 
Pp. 35: 1873, p. 3: Klein, AZ. 1878, p. 69: Wernicke, p. 17 
(attr. to Douris): Klein, p. 146, no. 9; Euphronios, p. 283; 
LI, p. 111, no. 17: Hartwig, p. 478: Kretschmer, p. 83: 
Beazley, no. 23: Saglio; ii, p. 460, fig. 2600. 

School scene. Youth reading to two listeners. Before him 
case for rolls on top of a stand. TANAITIOS (retr.) 
KAVO. (retr.) KAVOS. On stand KAVE. On roll +IPE- 
NEIA. 


BERLIN (Inv. 3139). Kylix: h. 0.11, d. 0.24. 
Jhb. 1888, p. 252: Hartwig, pp. 458-461, pl. 46: Nicole, 
Corpus 79, sec. 3: Klein, LI. p. 109, no. 13, fig. 29 (J): 
Radford, JHS. 1915, p. 124: Pottier, Douris, fig. 23: Beaz- 
ley, no. 13: Gardiner, Greek Ath. Sp. p. 350, fig. 101 (detail 
of A): Bulle, Der schéne Mensch, pl. 303, 4 (I). 

I. Schoolmaster. PFANITIOS KAVOS. 

A. Athletes. PANIIT... 

B. Same. Both sides fragmentary. 


BosTON 98.876. Kylix: h. 0.076, d. 0.233. 
Ann. Rep. Mus. Fine Arts 1898, p. 70, no. 43: Handbook, 
p. 86: Klein, LJ. p. 92, no. 6: Beazley, VA. p. 87. 
I. Nude athlete with halteres. AQOENOAOTOS KAV\OS. 
A. Athletes. 
B. Same. HO PAIS KAVOs KAVOs HO PAIS. 


Boston 98.877. Kylix (fragment). 
Ann. Rep. Mus. Fine Aris 1898, p. 70, no. 44: Klein, LI. 
p. 92, no. 7: Beazley, no. 12. 

I. Head of athlete. AO[ENOAOTOS KA\OS]. 

A or B. Remains of two athletes. 


[ 422 ] 


43. Boston o1.8018. Kylix. Formerly in Bourguignon Coll., 
Naples. From Orvieto: h. 0.00, d. 0.255. 

Ann. Rep. Mus. Fine Arts 1901, p. 33, no. 10: Hartwig, pp. 

PeremaietA 2, . 105, note 1; no: 4: Klein, LI: p. 84, 

Ron eieezo: FR. il, p. 22, fig: 9: Per. and Chip. x, p. 386, 

fig. 231: Beazley, VA. p. 87: Radford, JHS. 1915, p. 118. 

I. Komasts on couch, one vomiting, the other playing the 
flutes. EFIA7OMOs KAV\VOs. 


44. BosToN o1.8020. Kylix. Formerly in Bourguignon Coll., 
Naples. From Orvieto: h. 0.10, d. 0.225. 

Ann. Rep. Mus. F. A. 1901, p. 33, no. 11: Saglio, iil, p. 5, 
fig. 3691 (B); iv, p. 1055, fig. 6083 (B): P. J. Meier, AZ. 
1884, p. 243, pl. 16, 2 = Reinach, i, p. 454, 1, 5, 6: Klein, 
p. 145, no. 6; Euphronios, pp. 285-286; LI. p. 109, no. 11: 
Reisch, Rim: Mitt. 1890, p. 333 (attr. to Douris): Not. d. 
Scav. 1884, p. 185: Milani, Mus. Ital. ili, p. 216, note 4: 
Hartwig, p. 461: Wernicke, p. 80, no. 8: Radford, JHS. 
IQI5, p. 126: Jiithner, p. 15, fig. 14 (A): Beazley, no. 8, 
fig. 51: Gardiner, Greek Ath. Sp. pp. 305, fig. 66 (ext.), 326, 
fig. 80 (I): idem, JHS. 1907, p. 20, fig. 9 (diskobolos): 
Girard, Peinture, p. 145, fig. 79 (J): idem, Educ. Athén. 
pp. 201, 207, figs. 22 (A), 27 (B). 

I. Diskobolos. TANAITIOS KAVOS. 

A. Scene in palaistra. Diskobolos. 

Beeoame. jump. 


45. Boston 01.8021. Kylix. Formerly in Bourguignon Coll., 
Naples. From Orvieto: h. 0.085, d. 0.235. 

Ann. Rep. Mus. F. A. 1901, p. 33, no. 12: Hartwig, pp. 
115-117, pl. xii: Beazley, no. 6: Klein, LI. p. 92, no. 9: 
Nicole, Corpus 79, sec. 3, nO. 2. — 

I. Athlete with rope. AQENOAOTOS KAVOS KA\VOS 
KAVOS (the last retr.). | 

A and B. Combats. Rather fragmentary. TAI. -AVOS. 
HO PAIS. 


[ 423] 


46. 


47. 


48. 


49. 


Boston 10.179. Kylix. Formerly in Bourguignon Coll., 
Naples. From Orvieto: d. 0.246. 

P. J. Meier, AZ. 1885, p. 179, pl. x = Reinach, i, p. 460, 
no. 1: Klein, p. 132, no. 8; Euphronios, p. 279; LI. p. 73, 
no. 12; Gesch. d. Griech. Kunst, i, p. 305: Hartwig, p. 
126: Buschor, p. 163, fig. 116 (detail of J): Wernicke, p. 
29, no. 4: Beazley, no. 19, p. 82, fig. 50 bts: Milani, Mus. 
Tial. iii, p. 218, note 8 (attr. to Euphronios). 

I. Silen sitting on a pointed amphora. VEAAPOS KA\OSs 
AOQENOAOTOS KA\VOS. On amphora KA\OS. 


BosTon 10.207. Kylix. Formerly in Bourguignon Coll., 
Naples. From Orvieto. 
Ann. Rep. Mus. F. A. 1910, p. 63: Hartwig, pp. 119-124, 
pl. 14, 1; p. 120, fig. 17 (detail of A): Klein, LI. p. 91, 
no. 2: Beazley, no. 7. 
I. Twoarchers. KAVOS AQEN...... 
A. Scenes in palaistra, 


BRUSSELS, R. 347. Kylix. 
Pottier, Gaz. Arch. 1887, p. 112, fig. 4: Wernicke, p. 81, 
no. 11: Hartwig, p. 465: Klein, LJ. p. 108, no. 9: Per. and 
Chip. x, p. 373, fig. 220: Beazley, no. 21. 

I. Nude athlete with pick. [[A]N[A]ITIOS KAVOS. 


Cracow, Mus. Czartoryski. Kylix. From Vulci: h. 0.00, 
d. 0.222. 

DeWitte, Cat. éir. 166: Mus. étr. 1471: CIG. 7788: 
Panofka, Eigennam. p. 61: Bourgeois-Thierry Sale Cat. 
(1855), no. 215: Janzé Sale Cat. (1866), 440: Klein, p. 174; 
Euphrontos, p. 279; LI. p. 91, no. 5: Furtwangler, BPW. 
1888, p. 1517: Class. Rev. 1888, p. 234: Hartwig, pp. 
112-114, pl. rr: Nicole, Corpus 79, sec. 3, no. 2; ibid. toa, 
sec. 2 (attr. to Peithinos): Wernicke, p. 29, no. 3: Beazley, 
no. 16. 

I. Drunken komast. KAVOS AOENOAOTOS. 

A..Komos. . KA TA. 

B. Same. AQENOAOTOS. 


[ 424 ] 


50. 


nie 


52. 


53> 


FLORENCE 3917 (2031). Kylix. The vase is very fragmentary. 
Milani, Mus. Arch.i, p. 152: Hartwig, p. 453, pl. 44, 2, and 
fig. 58 (detail of ext.): Klein, LJ. p. 109, no. 12: Beazley, 
no. 15: Nicole, Corpus 79, sec. 3, 11 per. no. I. 

I. Komast playing flutes. 

A and B. Silens assaulting sleeping maenads. [TANAIT ]lOs 
KAVO[S]. 

LEWES, WARREN COLL. Kylix (fragmentary). Female pend- 

ant to the kylix in Cracow. 
Beazley, no. 22, p. 86, fig. 54. 

I. Nude woman with kotyle. .....- lOs KAVOs. On 

kotyle AOPIs. 


Lonpon, Brit. Mus. E46. Kylix. Formerly in Van Bran- 
teghem Coll. From Caere: h. 0.094, d. 0.230. 
Cat. iii, p. 71: Burlington Cat. 1888, p. 15, no. 12: Van 
Branteghem Sale Cat. no. 53, pls. 15, 16: Nicole, Corpus 
79, sec. 3, no. 1: Harrison and MacColl, pl. 16 (J): Klein, 
LI. pp. 74, 75, no. 19, figs. 14, 15: Wernicke, p. 41, no. 18: 
Hartwig, pp. 102-104, pl. 8: Pottier, Gaz. Arch. 1888, 
p. 173: Beazley, no. 3: Buschor, p. 162, fig. 115 (Z): 
Bulle, Der schéne Mensch, pl. 303, 1 (1): Saglio, iv, p. 1580, 
fig. 6694 (A): Hoeber, Griech. Vas. fig. 52 (I). 
I. Youth chasing a hare. 
A. Komos, three youths. B. Same. 
VEAA . — HO [Als 
Fer, 
KAVOS KAVOS 
Gee AAR-7. B, KA[V]OS. 
Brit. Mus. E47. Kylix (fragmentary). From Orvieto: 
iO 20, cd. 0.317. 
Cat. iii, p. 72 (attr. to Euphronios): Hartwig, Athen. Mzitt. 
1894, p. 155: Beazley, no. 4. 

I. Gigantomachia. Hermes and giant. Band separating 
figures from the exergue. AOENOA[OTOS]. On the band 
KA[VOS]. 

A. Same. Hephaistos, Ares, Euryalos and another giant. 
HEOAISTOS [E]VPVA[VOS] APES (retr.). 

B. Same. Two giants. 0--QOVRIO.- 


L425 J] 


54. MuNIcH 2637 (Jahn 795). Kylix. From Vulci. Formerly 
in Candelori Goll:: h:.0.125, d.6;343 

Cat. p. 248: CIG. 7871: Gerhard, Rapp. Volc. no. 828 b: 
AZ. 1855, p. 113: AZ. 1878, p. 66, plat eeimaeeee 
p. 422, 2: Klein, p. 144, 5; Euphronios, p. 284; LI. p. 108, 
10: Hartwig, p. 462 ff.: Girard, Educ. Athén. p. 195, fig. 
19: Schreiber, Bzlderatl. pl. 21, 3: Baumeister, 1, p. 613, 
fig. 672: Gardiner, JHS. 1907, p. 26, fig. 14 (detail), 
p. 264, fig. 12 (1); Gr. Ath. Sp. p. 105, fig. 17: Wernicke, 
p. 80, no. 7: Jiithner, p. 31, fig. 25 (diskobolos): Rad- 
ford, JHS. 1915, p. 126: Beazley, no: 9 saeho;a pn 

fig. 2715 (ext.), p. 1452, fig. 3478 (detail of B), p. 1701, fig. 
3678 (1); iii, p. 600, fig. 4120 (1); iv, p. 1056, fig. 6086 
(detail of B). : 

I. Diskobolos and jumper. TANAITIOS KA\VOS. 

A. Wrestlers and diskobolos. 

B. Jumper and akontist. HO PAIS KAVOS NAI+I. On 
the sack KA\VOS. 


55. Municu 2638. Kylix. From Caere: h. 0.10, d.o.29. Vase 
in bad preservation. | 
Harrison, JHS. 1887, pp. 439-445, figs. 1-2 (bad repro- 
duction): Helbig, Buil. d. Inst. 1878, p. 204: Brunn, Arch. 
Anz. 1889, p. 96: Klein, p. 145, no. 7; LI. p. 100, no. 14: 
Heydemann, 12 Halle Winck. Pr. p. 80: Hiller v. Gartrin- 
gen, de Graec. fab. ad Thracos pertinent. pp. 47 fi.: Roscher, 
ii, p. 572, no. 2 (s.v. Itys): Harrison and MacColl, p. 
19, pl. 13: Beazley, VA. p. 87, no. 5: Harrison, Myth. 
Int. fig. 17 (7). 
I. Aedon slaying Itys. ITVS AEAONAI L-.NA.-. 1058. 
A and B. Maenads and silens. 


56. Municu 2641. Kylix. 
F.R. ii, pp. 133-135, figs. 35-37 (attr. to the Panaitios P.): 
Radford, JHS. 1915, p. 128 (attr. to the Perugia Painter). 
I. Youth arming. 
A and B. Centauromachy. 


[ 426 ] 


57. OXFORD 302. Kylix. From Gela: d. 0.16. 
Cat. p. 29, no. 302: Beazley, no. 1. 


I. Komast. TFANAITIOS KAVOM. 


58. Paris, Cas. D. M&D. 523. Kylix. From Vulci: h. 0.117, 
1.70.33" 

Cat. ii, p. 391, Cat. di Scelte Antichité etrusche (1645) 84: 
Mus. étr. (Canino 1829), 1645, pl. 36: Res. éir. no. 27: 
Cat. Canino 1843, 219, pp. 60-61: Notice, p. 60, no. 214: 
K. O. Miiller, Gétt. Gel. Anz. 1831, p. 1334: Gerhard, 
Ann. d. Inst. 1831: Rapp. Volc. p. 187, no. 778: Stuart, 
Archaeologia, 23, pp. 238 ff.: CIG. 7892: Klein, LI. 
pp. 105-106:! Saglio, s.v. Lucta: Wernicke, p. 30, no. 3: 
Kretschmer, pp. 126, 142: Hartwig, pp. 132-142, pls. 
15,2, 16: Hauser, Jhb. 1895, p. 189, 13: Jiithner, Kom. 
Mitt. 18095, p. 122 (detail of A): De Ridder, BCH. 1897, 
pp. 216-217: Hoppin, Euthymides and his Fellows, p. 32: 
Beazley, VA. p. 87, no. 4: Girard, Rev. Etud. Grecs. 1894, 
p. 363, 4: Gardiner, Greek Ath. Sp. pp. 286, fig. 54 (ext.), 
38s, fig. 115 (1): idem, JHS. 1903, p. 278, fig. 7. 

I. Two wrestlers and a trainer. ASOPOKVES (retr.) AN- 
TIMA+[O]s. 

A and B. Scenes in palaistra. Very extensively restored. 
bOIN SOENE. KE¢ISOb [KA]VO[S] [KA]VOS. 


1 The fact that the vase described in the Mus. éir. had a number of names at- 
tached to the figures caused Klein (LI. 1st ed. p. 56) to assume the existence of two 
kylixes. Owing to the restorations almost all the names have been lost while even 
the number of figures on the exterior is uncertain. 

The names were originally: 


I. ASOPOKVES ANTIMA+ 08 BEV ENO 

A. VJEAAPOS KAVOS OINEIS KVIBOVVOS KVEON 
TIMON (the defeated boxer crying aiat and zaicaz) EV[A ]AO PAs 
+\IisObOS EPI+APES EPATOSOENES BLAT ]PA- 
+Os ?OPMOS. 

B. ANBPOSIOS ANTIAS KE?ISOSO%ON KAVOS AO- 
POOEOS KAVOS (K on shield) BATPA+0Os OVVM?PIO- 
AOPOs KAVOS. 


L427 J 


59: 


60. 


61. 


62. 


63. 


Paris, Louvre G 25. Kylix. Formerly in Van Branteghem 
Coll. From Chiusi: h. 0.075, d. 0.24. 

Cat. ili, p. goo; Album, ii, p. 139: Van Branteghem Sale 
Cat. no. 54, pls. 17-18: Hartwig, pp. 104 ff. pl. 9 (attr. 
to Euphronios): Klein, LI. pp. 77, no. 24, fig. 16 (I), 78, 
fig. 17 (ext.): Beazley, VA. p. 87, no. 2. 

I. Komast vomiting with dog. VEAAROS. 

A. Three warriors in ambush. VEAIROS KA\OS. 

B. Same. VEA:30S K \OS. 


Louvre G 287. Kylix (fragmentary, cut down to a plate). 
Cat. ili, p. 1036 (‘beau style, encore archaique, de lépoque 
de Phintias’): Beazley, no. 11, fig. 52 (J). 

I. Diskobolos and trainer. 

A and B. Athletes. 


PETROGRAD 651. Kylix. From Capua: h. 0.125, d. O25. 
Cat. (W.) p. 109: P. J. Meier, Bull. d. Inst. 1884, pp. 40-46 
(attr. to Brygos): Klein, p. 176: Hartwig, pp. 105, note 
I, no. 5; 470-478, pls. 48,2, 49: Per. and Chip. x, pp. 
773-775, fig. 414 (J), 415-416 (ext.): Arch. Anz. 1913, 
p. 93 (fig. from photographs with the restorations removed, 
I and A): Radford, JHS. 1915, p. 124 (attr. to Panaitios 
P.): Beazley, no. 18 (attr. to Panaitios P.). 

I. Komast vomiting, assisted by boy. 

A and B. Komos. On A, five men and hetaira and the in- 
scription HO PAIS KAVOS; on B, five men and a boy. 


SYRACUSE 22479. Kylix (fragmentary). From Gela: d.o.105. 
Orsi, Due vast Gelesi, p. 81, fig. 2: Beazley, no. 20: N icole, 
Corpus 104, sec. 2. 

I. Archer stringing his bow. AQENOAOTOS. 


? Kylix. Formerly in Van Branteghem Coll.: h. 0.028, 
d. 0.195. 

Van Branteghem Sale Cat. no. 55: Hartwig, pp. 456-458, 

pl. 44,3: Klein, LI. pp. 107, no. 7, 108, fig. 28: Hauser, 

Oesterreich. Jahresheft. 1909, p. 86, fig. 51: Stoll, Das 


«0428 ] 


Geschlechtsleben in der Volker psychologie, p. 938: Crusius, 
Herondas, 128. 


I. Nude hetaira with phallos. PTANAITIOS KAVOS. 


64. 2? Kylix. Formerly in Magnoncourt Coll. 

DeWitte, Cat. Magnoncourt, no. 20: Panofka, Eigennam. 
pl. iv, 7 (J): Klein, p. 144, 4; Euphronios, p. 280 VEE JHE 
p. 107, no. 6: Wernicke, p. 80, no. 6: Hartwig, p. 454: 
Beazley, VA. p. 87, no. 6. 

I. Silen embracing maenad. TANAITIOS KAVOS. 

A. Dionysos in quadriga with maenad and three silens. 

B. Ariadne in quadriga, two maenads and two silens. 


SUBJECTS SHAPES 
Myth., 38, 53. Kyathos, 38, 39. 
Heroic, 55, 56. Kylix, 36, 37, 40-64. 


Bacchic, 36, 37, 46, 50, 55, 64. 
Military, 45, 56, 59, 62. 
Athletic, 40, 41, 42, 44, 45,47, Onesimos, 13, 14. 


OTHER ATTRIBUTIONS 


48, 54, 58, 60. 
Komastic, 43, 49, 5°, 52, 57; 
59, 61. 


Genre, 39, 40, 51, 52, 63. 


L 429 ] 


EUTHYMIDES 


Hoppin, Euthymides; Euthymides and his Fellows: 

Robert in Pauly-Wissowa, s.v. Euthymides. 

Sauer in Thiemes Lexikon, s.v. Euthymides. 

Furtwangler, F.R. i, pp. 63-71, 173-179; ‘ii, Pp-o75-0ne 
Iog-111; idem, BPW. 1894, p. 113. 

Klein, pp. 193-108) as | 

Perrot and Chipiez, x, pp. 455-450. , 

Beazley, VA. p. 32-33; JHS. 1917, pp. 2339378 

Pottier, Gaz. d. Beaux Arts, 1917, pp. 433-446. 

Nicole, Corpus 80. 


Euthymides ranks next after Euphronios as the great painter 
of the Euphronian cycle, but evidently counted himself as his 
superior, judging from the celebrated inscription ds évdérore 
Evgpovos on 2*. He is the only artist of the time with the 
exception of Kleophrades and Hieron who adds the patronymic 
to his signature. 

Only four vases exist today with his signature, the fifth (5*) 
formerly in the Museo Bocchi at Adria having now disappeared. 
Three out of the five signatures use the aorist and the other two 
the imperfect case of the verb, thus placing the beginning of 
his activity in the Epiktetan cycle. There is good reason to 
believe that he was the partner of Phintias and the master of 
the Kleophrades Painter. 

The following names are used by him: Megakles, 1*; Smiky- 
thos, 1™. 


* References to Hoppin alone are to Euthymides and his Fellows. 


[ 430 ] 


1*. BoNnN (Inv. 70). Kalpis. From Nola: h. 0.44. 

Kekulé, AZ. 1873, pp. 95, 86, pl. 9 = Reinach, 1, p. 415. 
AZ inst p. 74. 
Brunn, Bull. d. Inst. 1851, p. 121; KG. il, p. 687. 
Klein, no. 4. 
Hoppin, p. 23, pl. 6; Euthymides, p. 2, C. 
Wernicke, pp. 56. 2, 76. 2. 
Nicole, Corpus 80, no. 3. 
Folzer, p. 115, no. 176. 
Beazley, no. 10. 

Shoulder picture only; two youths on couches. [SM]l- 
KVOOS ME/AKVES KAVOS EVO[VMIAES] EAPAOE. 


Be keed 


2*. MUNICH 2307 (Jahn 378). Amphora. From Vulci: h. 0.60. 
Cat. (Jahn), p. 123. 
Gerhard, Aus. Vas. 188 = Reinach, ii, p. 94; idem, Rapp. 
Vole. 751. 
Mus. étr. 1386. 
Kes tir: 9. 13,33: 
Stuart, Archaeologia, xxiii, p. 217. 
CIG. 8108. | 
F.R2i, pp: 03-7n, pie 44. 
Wernicke, p. 53. 
Hoppin, pp. 11-13, pl. 1; Euthymides, p. 3, E. 
Perrot and Chipiez, x, p. 456, figs. 260, 261. 
Klein, no. 2. 
Brunn, KG. ii, p. 686, no. 1. 
AZ. 1884, p. 252. 
Panofka, Vasenb. pl. 4, 1, 2; idem, Bull. d. Inst. 1820, 
p. 140. 
Hackl, p. 25; xit, 100; 
Nicole, Corpus 80, no. 5. 
Buschor, p. 150, fig. 106 (A). 
Hoeber, Griech. Vas. fig. 54 (A). 
Beazley, no. tr. 
Pottier, Gaz. d. Beaux Arts, pp. 436 (A) 4309 (B). 
Luckenbach, p. 542. 

A. Warrior arming between old man and woman. HEKTOP 
HEKABE IPIAMOS : EAPAOQSEN EVOVMIAES HO 
POvViO. 

B. Komos. KOMAP+0Os EVEAEMOS TEVES EVEOr! 
HOS OVAEPOTE EVOPONIOS. 


Graffito on foot. 


L 432 ] 


3°. Municu 2308 (Jahn 374). Amphora.. From Vulci. 
Gai-p.- 120. 
CIG. 8199. 
Res. éir. p. 10, 31: Cat. ér. 845. 
AZ. 1884, p. 252. 
Perrot and Chipiez, p. 457, fig. 262 on 459 (A). 
F.R. ii, pp. rog—111, pl. 81. 
Hoppin, pp. 13-15, pl. 2; mane c's p: 2;,D;plsaiem. 
Klein, no. 3. 
Beazley, no. 2. 
Brunn, KG. ii, p. 686, no. 2. 
Pernice, Jhb. 1908, p. 99 (B); 1916, p. 130, fig. 12 (B). 
Nicole, Corpus 80, no. 4. ; 

A. Warrior arming between two Scythians. Similar scene 
to Munich 2307. OOPVKION EVOVBOV[Os] H[O fO- 
VIJO E[APAJOSEN EVOVMIAESEs (!) 

B. Diskobolos, another athlete, and trainer. OAV\VOS OP- 
SIMENES PENTAQV[O]S EVOVMPIJAES HO Povio. 


[ 434] 


TuRIN. Formerly in the Bazzichelli Coll., Viterbo. Psykter. 

From Vulci: h. 0.343, d. 0.272. 

Kliigmann, Ann. d. Inst. 1870, pp. 267-271, pls. O, P. 

Klein, no, 7. 

Hoppin, pp. 18-22, pls. 4-5; Euthymides, p. 2, B; idem, 
JHS. 1916, pp. 189-195, pls. v, vi. 

Fabretti,. I] Mus. d. Antichité della R. Univ. di Torino 
Pp. 35: 

Hartwig, p. 258, no. 15. 

Saglio, ili, p. 1343, fig. 4623 (B). 

Nicole, Corpus 80, no, 2. 

‘Beazley, no. 11. 

Schreiber, Bilderail. pl. 24, 10 (A). 

A. Theseus and Kerkyon ? OESEVS K\V.--.ON [KVP- 
KVON?] EVAE NAI+!1 EVOVMIAES EAPAOSEN HO 
rOvio. 

B. Phayllos and another athlete. OAVWOS O....... O- 
PA [OWMMIOAOPA(?)] EVOVMIAE[S] EAPAOSEN 
HO FVIO (!) : 


L 436 ] 


Ah ee NI NN 


5*. Disappeared. Formerly in the Mus. Bocchi, Adria. Plate 
(fragments).! 
Schone, Mus. Bocchi, pl. iv, 2, no. 372. 
CIG. 8197. 
Klein, -no. 1. 
Hoppin, p. 23, fig. 5; Euthymides, p. 1, A. 
Nicole, Corpus 80, no. 1. 
Beazley, no. 14. 
Two fragments. Warrior holding helmet ? EVOVMI[AES] 
EAPAOE. . 


1 The light squares of the checker-board rim are in applied white. 


[ 438] 


ATTRIBUTED VASES* 


6. BERLIN 2180. Kalyx krater (form, Furtw. 40). From 
Capua: h. 0.35, d. 0.44. 

east; Klein, no. 43° LI; p.-70, no. 38; idem, AZ. 
Popo. stu. pl. iv: Wernicke, pp. 34, not€ 1, 40, 12: 
Zielinski, Rhein. Mus. 1884, pp. 106, 116: Robert, Arch. 
Zeit. 1878, p. 76 (attr. to Euphronios): Hoppin, pp. 68- 
72, pls. 20-21; Euthymides, p. 22, viii: Gardiner, Greek 
Ath. Sp. p. 476, fig. 176 (A): F.R. ii, p. 177 (attr. to Eu- 
phronios): Baumeister, iii, p. 1990, fig. 2134: Milani, Mus. 
Ttal. iii, p. 219, note 8: Saglio, ii, p. 1700, fig. 3677 (A): 
Girard, Educ. Athén. p. 191, fig. 17 (A): Duruy, Hist. ii, 
p- 627 (B): Beazley, VA. p. 31 (attr. to Euphronios). 

A. Palaistra. Three groups of athletes. VEAAPOS [K]A- 
vOs. HO PAIS (retr.) ANTIOON HIPP+Os (retr.) 
FOWWOS (retr.) 

B. Same. Two groups. HITTOMEAON TPA[LNIJON EAE- 
SIAS VVKON (retr.) VEAAPOS KA\VOS. 


* Mention may be made here of the following attribution 
though it is not a vase and cannot be classed as such: 


ATHENS. Pinax. From Acropolis: h. 0.39, d. 0.52. 
Benndorf, Ephem. Arch. 1887, pp. 115-130, pl. 6= 
Reinach, i, p. 513: Miller, AJA. 1886, p. 64 (wrong read- 
ing of inscriptions): Jones, JHS. 1891, p. 380: Walters, 
i, p. 428: Springer-Michaelis, Handb.’ p. 156, fig. 296: 
Studniczka, Jahrb. 1887, pp. 149 ff. note 49; 161: Winter, 
Jahrb. 1887, p. 229, note 43 (comments on resemblance to 
style of Euthymides): Saglio, iv, p. 460, fig. 5645: Girard, 
Peinture, p. 151, fig. 83: Hoppin, pp. 90, 91, fig. 16; 
Euthymides, pp. 23, X; 37: Klein, LI. p. 120, no. 4: AJA. 
iv, p. 358: Class. Rev. 1888, p. 188: Bulle, Der schéne 
Mensch, pl. 300, p. 612: Per. and Chip. ix, p. 259, pl. 13. 

Upper part of a youthful warrior with a helmet, and a 
cloak draped around his waist, with shield (dev. dancing 
silen) and spear in hisr. Originally the inscription read 
MEAAKVES KAVOz. At some later period the name of 
Megakles was erased and that of AAAV[K]V[T JES added. 


L 439 J 


7. BERLIN 2304. Kylix. From Corneto: h. 0.09, d. 0.2265. 

Cat. p. 605: Gerhard, TG. p. 56, pls. 6-7, 5: Rapp. Volc. 
no. 817: CIG. 7892, 7794 ?: Nicole, Corpus 106, no. 5 
(wrongly included among the vases signed by Phintias): 
Panofka, Eigennam. pl. iv, 4: Wernicke, p. 30, 2: Hart- 
wig, pp. 186-188, pl. 18, 2 (attr. to Phintias)!: Benndorf, 
Ephem. Arch. 1887, p. 123: Chase, p. 109, CXXxvi, no. Io: 
Klein, LI. p. 97, 1: Hoppin, p. 82, fig. 12. 

f. Youthful warrior running. O[IJNTIAS KA[VOs]. Furt- 
wangler reads ANTIAS KAVOS. | 


8. BosTON 00.335. Plate (form, Furtw. no. 202). From 
Vulci ?: -d. o47, 
Ann. Rep. Mus. Fine Arts, 1900, p. 35, no. 4: Hoppin, 
p. 86, pl. 24: Beazley, VA. p. 5, fig. 1 bés (attr. to Menon 
Painter). 7 
I. Female figure tor. Four dolphins in field. @ETES, in- 
cised, and probably added to the vase at some later period. 


9. Boston 10.203. Kylix (fragment). From Italy ? 
Hoppin, p. 87, fig. 14: Beazley, VA. p. 32, fig. 16, no. 15. 
Head and both arms of a youth holding a wreath while lying 
on the ground. 


10. BOSTON 13.193. Plate: h. 0.187. 
Ann. Rep. Mus. F. A. 1913, p. 89 (‘style of Epiktetos’): 
Beazley, VA. p. 31, fig. 15, no. 13 (attr. to Euthymides): 
Hoppin, p. 91 (attribution denied). 
I. Crouching silen. HESTIAIOS KAVOS. 


11. BrussELts R 227. Kalpis. Formerly in Coll. Ravestein. 

Mus. Ravestein, i, pp. 216-217, no. 227: Klein, LI. p. 124, 
fig. 34: Mus. éir. 533: Cat. éir. 14: Nicole, Corpus 106, 
sec. I, no. 3 (attr. to Phintias): Kretschmer, p. 209: F.R. 
li, p. 71, pl. 71 (attr. to Phintias): Buschor, p. 153, fig. 
109: Hoppin, p. 75, pl. 28 (below): CIG. 8070. 

Shoulder only. Two pairs of lovers on couch. POWVA[OS] 
EAIV.VJA SEKVINE KVEOKPATES (all retrograde). 


1 Hartwig only notes that the vase is not complete. 


[ 440 ] 


I2. 


13. 


4. 


Es: 


16. 


DRESDEN. Kalpis (upper part only). Formerly in Faldi 
Coll., Florence. 
Arch. Anz. 1892, p. 165, no. 31 (Hermann): Klein, LI. 
p. 80, no. 39: Hoppin, p. 73, fig. 9; Euthymides, p. 37, 1x: 
Hauser, Jahrb. 1895, p. 112. 
Shoulder picture only. Akontist to 1. and female flute-player. 
VEAAPOS (retr.) KAVOS ANTIAS KAVOS. 


FLORENCE 3985. Pelike. 
Milani, Mus. Ant. Class. Ital. iii, p. 245, pl. iv = Reinach, 
i, p. 530: Amelung, Piihrer, p. 237: Benndorf, Bull. d. 
Fort toes pp, 150 fi: no. 1: F.R. ii, p. 81, fig. 44: Ely, 
JHS. 1888, pp. 272 fi. no. 6: Milani, Mus. Arch. i, p. 152: 
Wernicke, Jhb. 1892, pp. 211-213, no. 9, 8: Hoppin, 
p. 79, pl. 23: Beazley, no. 7: Roscher, iv, p. 1012: Wulff, 
p. 46, j: W. Miiller, Theseusmetopen, p. 17, no. 69. 

A. Theseus slaying the Minotaur. OESEVs. 

B. Theseus and Skiron. KAWISTOS NVAE.! 


Lerezic. Kylix. Formerly in Hauser’s Coll.: h. 0.065, 
d. 0.10. 
Hartwig, pp. 184-186, pl. 18, 1 (attr. to Phintias): Hop- 
pin, p. 83, fig. 13: Saglio, ii, p. 1364, fig. 3326. 
I. Youthful athlete with sling. Illegible inscription probably 
intended for 6 rats xaNos. 


Leiezic. Amphora (fragments). 
Beazley, VA. p. 33, no. 5 (attr. to Euthymides): Hoppin, 
Pp. OI. | 

A. Lower parts of Dionysos, maenad and silen, and head of 
youth. IEIV. 


LEYDEN (case 23, no. 36). Amphora. From Vulci. 
Cat. no. 36, p. 106 (spoken of as ‘ fragments put together ’): 
Roulez, Vases de Leyde, p. 52, pl. 13 (B)?= Reinach, ui, 
p. 273, 1: Hartwig, p. 80,3 (attr. to Oltos): Robert, 


1 Furtwingler (loc. cit. p. 81, note 1) reads KAVE which is wrong. 
2 Owing to faulty restoration both the youths in Roulez’s plate are represented 


as females. 


[441 J 


Bild u. Lied, p. 214: Hoppin, pp. 57-60, pls. 13-14; Euthy- 
mides, p. 22, Vi. 
A. Dionysos between two maenads. 
B. Bearded warrior between two groups, each composed of 
a warrior (the one on the r. bearded) and a youth. The 
. subject has not yet been explained satisfactorily. Possibly 
it represents Ajax and Odysseus in contest for the arms 
of Achilles. 
17. Lonpon, Brit. Mus. E 254 (792). Amphora. From Vulci: 
| h. 0.634. 
Cat. ili, p. 192: Klein, Amn. d. Inst. 1881, p. 81: Hartwig, 
p. 168 (attr. to Phintias): Hoppin, p. 47, pls. 7, 10 (above); 
Euthymides, p. 21, iii, pls. iii and iv. 
A. Warrior with dog, between Scythian and bearded man. 
B. Kitharist between two youths. Imitation inscriptions 
on both sides. 


18. Brit. Mus. E 255 (793). Amphora. From Vulci: h. 0.813. 
Cat. ili, p. 192: Archaeologia, 23, p. 209: CIG. 7620: Ger- 
hard, Aus. Vas. ii, p. 147, note 17, c; idem, Rapp. Volc. 
p. 182, no. 735: Hartwig, pp. 168, 191 (attr. to Phintias): 
Ann. d. Inst. 1830, p. 208: Klein, ibid., 1881, p. 81: 
Overbeck, KM. (Apollon), p. 402, no. 13: Corey, p. gr: 
Miller, Comment. Soc. Gotting. vii, p. 101: Hoppin, p. 48, 
pls. 8, 10 (below); Euthymides, p. 29, iv, pls. v, vi (A 
attr. to Phintias, B to Euthymides). 

A. Contest for the tripod. Athena, Herakles, Apollo, and 
Artemis. AQENAA AI///UVON APTEMIS. 

B. Warrior and dog between Scythian and bearded man. 
Cf. Brit. Mus. E 254 (A). Senseless inscription. 


19. Brit. Mus. E 256 (791). Amphora. From Vulci: h. 0.7009. 
Cai. ili, p. 193, pl. ro (A): Gerhard, Aus. Vas. i, p. go, 
note 78: CIG. 7423: Klein, Ann. d. Inst. 1881, p. 81: 
Wernicke, p. 74, note 1: Hartwig, p. 168 (attr. to Phin- 
tias): Kretschmer, p. 79, note 5: Hoppin, p. 49, pls. 9, 11 
(above); Euthymides, p. 30, iv, pl. vii (B): Gardiner, JHS. 


[ 442 ] 


1907, pl. 19 (B); idem, Gardiner, Greek Ath. Sports, p. 
348, fig. 99 (B): Saglio, iii, p. 815, fig. 4257 (head of Ar- 
temis). 

A. Apollo, Artemis, and Leto. AMOVONOS. 

B. Palaistra: akontist, diskobolos, and boxer. VAAAMAS 
[OJAVWOS KAVOS. 


20. Brit. Mus. E767. Psykter. Formerly in Magnoncourt 
Gus. ..0,3 3. 
Cat. iii, p. 362: Jahn, Dichter a. Vasenb. pl. v: Genick, 
Griech. Ker. pl. 23, 1 (A): Baumeister, p. 1989, fig. 2133 
(A): Wernicke, p. 73, no. 1: Stephani, CR. 1864, p. 115: 
Milani, Mus. Ital. iii, p. 251: Klein, p. 197, no. 3; Euph- 
ronios, p. 264: Kretschmer, p. 151: CIG. 7857: Hoppin, 
pls. ty-19, pp. 64-68; Euthymides, pp. 22, vii, 35: Beazley, 
| UR gee © 
A. Komos, two bearded men. [NI]+AP+ON (?) KAPTA 
AIKAIOS. 
B. The same. ‘Two bearded men and a boy. KVAIAS 
Sentence ALPE. 


21. MuNIcH 2309 (410). Amphora. From Vulci. Although 
the vase is unsigned there has never been any doubt 
of its authorship. 

Cat. p. 141: Gerhard, Aus. Vas. pl. 168 = Reinach, ii, p. 
86: Res. étr. 28: Cat. étr. 110: Roscher, i, p. 1934 (A very 
badly given): F.R. i, pp. 173-181, pl. 33: Klein, p. 196, 
no. 1: Robert, Scenen d. Ilias, p. 11, fig. 16 (Theseus and 
Korone): Hoppin, p. 15, pl. 3; Euthymides, p. 20, I: 
Kretschmer, p. 192: Perrot and Chipiez, p. 459, note 1, 
455, 595, fig. 338 (Theseus and Korone): Hackl, p. 47, 
Ixv, 547; 40, xlvi a, 408: Welcker, Alt. Denk. iii, pl. 22, 
2 (B): Buschor, p. 151, fig. 107 (group of Theseus and 
Korone): Beazley, no. 3: Pottier, Gaz. d. Beaux Aris 1917, 
p. 437 (A): CIG. 7737. 

A. Rape of Korone by Theseus. Helene and -Perithous. 
The name Korone has been used for Helene. OESEVS 
KOPONE HEVENE PEPIOOVs HEPES. 


[ 443 J 


22. 


23; 


B. Antiope, a male and a female figure. EIAONOEMEN 
ANTIOPEIA +AIPE+OESEVS. 


Graffito on foot 


Paris, LouvRE G31. Pelike (fragment). A second frag- 
ment, S 1317, from some large vessel, perhaps a psykter, 
has the torso of a nude youth to r. 
Beazley, no. 8: Hoppin, p. 88, fig. 15. 
Torso of nude youth with halter. ROS. 


Louvre G44. Amphora. From Vulci ?: h. 0.60. 
Cat. ili, p. 914 (attr. to Andokides or some one in that 
school): Album, ii, p. 144, pl. 92: Klein, LJ. p. 125, no. 1: 
Mus. étr. 1756: Barthélemy, no. 88: Beazley, VA. p. 33; 
fig. 17, no. 4: Hoppin, p. 60, pls. 15-16, fig. 6 (B). 


The Catalogue calls the central figure of B male but it may 


possibly be female. 

A, Warrior’s departure. Quadriga, charioteer, warrior and 
boy. AA[M]AS +Al..-202IS +A0O+S. 

B. Woman, or youth in female dress, holding a wreath 
between bearded man and youth. +AIP (retr.) E T | 
[+ AIPESTPATOS?] 2A. 


Graffito on foot FNS 


24. PETROGRAD 624 (St. 1624). Hydria kalpis: h. 0.35. 


Cat. (Stephani) ii, p. 234; (W. p. 109): Beazley, no. 9 (attr. 
to Euthymides): Hoppin, p. g1 (attribution questioned). 
A. Dionysos, silen, and maenad. Senseless inscriptions. 


[444 ] 


25. VIENNA 333. Pelike: h. 0.35. 

Cat. p. 50: Mon. d. Inst. viii, pl. 15, 1 = Reinach, i, p. 169: 
Girard, Peinture, p. 169, fig. 91 (A): WV.i, 1: Robert, 
Bild u. Lied, p. 154: Benndorf, Ann. d. Inst. 1865, p. 212: 
Brunn, Troische Misc. iv, p. 264: Milani, Mus. Ital. Class. 
iii, p. 249, 2: Hartwig, p. 191 ff. iii (attr. to Phintias): 
Roscher, iii, p. 971; cf. ii, p. 1241, 1: Brunn, Bull. d. Inst. 
feeceprerA. Hackl, p. 36, no. 357: F-R. i, pp-75-81, pl. 
72: Baumeister, ii, p. 1114, fig. 1311: Hoppin, p. 77, pl. 22: 
Beazley, no. 6: Saglio, iv, p. 233, fig. 5426. 

A. Murder of Aegisthus by Orestes in presence of Chryso- 
themis. KPVSOOEMIS (retr.) OPESTES AlAISOOS. 
B. Klytemnaistra hastening with Talthybios to the assist- 

ance of Aegisthus. KVVTAIMESTPA OAVOVBIOS. 


Graffito on foot 


26. WiirzBuRG 300. Amphora. From Vulci: h. 0.637. 

Cat. iii, p. 61, cover no. 222: Gerhard, Aus. Vas. pl. 
267 = Reinach, ii, p. 133: Campanari, Vast Feolt, no. 
99: Duruy, Hist. i, p. 500 (frieze on cover): Ann. d. 
Inst. 1843, p. 219; 1863, p. 238 (DeWitte): Robert, in 
Pauly-Wiss. v, 1513: Saglio, ii, p. 297, fig. 2471 (central 
group on A): Hartwig, p. 413 (attr. to Amasis): F.R. ii, 
pp. 222-226, pl. 103 (Hauser): Beazley, JHS. 1910, p. 40, 
no. 2 (attr. to Kleophrades): Hoppin, p. 54, pl. 12; 
Euthymides, p. 21, ii, p. 32: Per. and Chip. x, Pp. 597, 
fig. 339 (fig. of dog). 

A. Warrior’s departure. Warrior, dog, Scythian, woman, 
and boy. 

B. Komos. Two bearded men and a female flute-player. 

Senseless inscriptions on both sides. 


[445 J 


SUBJECTS 

Myth., 8, 10. 
Heroic, 4*; 13, 18;21. 
Epic,:16; 25. 
Bacchic, 10, 15, 16, 24. 
Military, zp 3e cr 7> 17; 18 

23, a0! 
Komastic, 2*, 17, 20, 26. 


) 


Athletics3s) 4°) O,l2.1 19229 


Genre, 23: 
Symposium, 1*, 9 ?, 11. 


SHAPES 
Amphora, b.f. form, 2*, 3*, 
L510; 21, 2aeon 
Pelike; 12,222: 
Hydria Kalpis, 1*, 11, 12, 24. 
Krater, Kalyx, 6. 
Psykter, 4*, 20. 
Kylix, 7, 9, 14. 
Plate,-5*, G2: 


OTHER ATTRIBUTIONS 


Chachrylion, 20. 
Kleophrades, 24. 
Nikoxenos P. ro. 


Oltos, 12. 


Phintias, 19. 
Troilos P. 4. 


[ 446] 


EUXITHEOS 


Klein, p. 137. 
Perrot and Chipiez, x, p. 468. 
Beazley, VA. p. 9. 


Euxitheos is best known to us as the potter who employed the 
painter Oltos. Two vases, however, bear his signature alone, but 
as the style is very similar to that of Oltos it may well be, as 
suggested by Perrot, that both were painted by him. Beazley, 
however, attributes only one of them (1*) to Oltos and the other 
to Euphronios. 

As 3 is most probably by the same hand as 2 it has been in- 
cluded in the list below; 4 and 5 are attributed to Euxitheos by 
Nicole. 

The name Leagros is used by him. 


[447 J 


1*, Lonpon, Brit. Mus. E258 (803). Amphora (hybrid). 
Formerly Durand Coll. 386. From Vulci: h. o.40. 
The amphora is a cross between the regular shape and 
that of a Panathenaic amphora. Much repainted. 

Calis peio0s: 
Panofka, Nam. d. Vasenb. p. 17 (169). 
Overbeck, HG. p. 386, no. ro. 
CIG. 8201. } 
Brunn, KG. il, p. 688. 
Gerhard, Aus. Vas. iii, p. 75, pl. 187 = Reinach, ii, p. 
94, 1, 5: Rapp. Volc. no. 400. 
Klein, p. 137, no. 3; Euphronios, p. 245. 
Saglio, iv, p. 286, fig. 5462 (B). 
Heydemann, Jlsupersis, p. 27, note 5: Comm. Momm- 
sent, p. 175. 
Duruy, Hist. i, p. 166 (A). 
Hartwig, p. 71 (attr. to Oltos). 
Baumeister, p. 691, fig. 748 (B). 
Beazley, VA. p. 9, fig. 4, no. 3 (attr. to Oltos). 
Nicole, Corpus 81, no. 3. 
A. Achilles. A+IVEVS. 
B. Briseis. BPISEIS. 
Signatures painted on handles; on one EV+SIOEOS on 
other (retr.) ETOIESEN. 


[ 448 ] 


“AS : 


( 


SSP 


2*, Paris, LouvRE G33. Krater. From Etruria: h. 0.43, 
d:0.505. | 

Cat. ill, p. 904: Album, ii, p. 140, pl. or. 

Cat. Campana, ser. iv—vii, no. 871. 

Heydemann, Satyr- und Bakchennam. p. 31, 0. 

Hartwig, p. 71, no. 2. 

Wernicke, p. 39, no. 9. 

Nicole, Corpus 81, no. 4. 

Klein, p. 137, no. 4. 

Beazley, VA. p. 30, no. 3 (attr. to Euphronios). 

The vase has been very largely restored. One side is 
entirely modern and on the other only one maenad, 
upper part of silen Peon, and bits of the other figures 
are ancient. 


A. Silens and maenads. \. .POS KAVOS (retr.) PEON or 
TEOs. -. > -OEOSe25 OES Ere 


2* bis. 
v. Oltos 1*. 


2* ter. 
‘vy. Oltos 2*. 


L 450 ] 


ATTRIBUTED VASES 


3, LouvRE G34. Kylix. From Etruria: h.o0.12,d.0.32. The 
kylix is most certainly by the same hand as G33. One 
handle does not belong to the vase. 

Cat. ili, p. 905: Album, ii, p. 140: Cat. Campana, ser. v1, 
no. 691: Hartwig, pp. 71-79, pl. vi (attr. to Oltos): 
Klein, p. 135 (attr. to Oltos): Harrison and MacColl, 
pl. 31 (2): Th. Reinach, Rev. Arch. 1899, i, p. 336 (ins. 
Terpon): Heydemann, Satyr- und Bakchennam. p. 31, 
n: Nicole, Corpus 81, sec. I, I. 

I. Silen and maenad. TEPOMON HEPAIs. 

A. Dionysos, silens, and quadriga. 

B. Maenads and silens. H.- -Als.! 


eer Oipe” hh, 0.26. 
Longperier, Rev. Arch. 1868, p. 349, no. 8: DeWitte, 
Hotel Lambert, p. 75, pl. 23: Nicole, Corpus 81, sec. 1, 
no. 2 (attr. to Euxitheos). 
A. Diskobolos. 
IT. +AIPE PAI! SV (r.) KAVOS NAI (r.). 


Renee ipes hh o.26. 
DeWitte, Hétel Lambert, p. 76, pl. 24: Longperier, Rev. 
Arch. 1868, p. 349, no. 9: Girard, Educ. Athén. p. 207, 
fig. 26: Nicole, Corpus 81, sec. 1, no. 2 (attr. to Euxi- 
theos).. : 
A. Akontist. KAAX= MEAIEYS. 


SUBJECTS SHAPES 
epics I. Amphora (hybrid), 1°. 
Bacchic, 2*, 3. Krater, 2™. . 
Athletic, 4, 5. Kylix: 
Olpe, 4, 5. 


1 So Hartwig; Pottier does not mention any inscription. 


Last ] 


THE FLYING-ANGEL PAINTER 
Beazley, VA. pp. 57-59. 


The Boston hybrid amphora 98.882 on which a silen is repre- 
sented with a small silen standing on his shoulders was painted 
by an artist of the ripe archaic period to whom Beazley has 
assigned the name. The expression is not a happy one, for the 
term, which is unknown to American ears, gives an entirely false 
idea of the subject. 


1. Boston 98.882. Hybrid amphora: h. 0.406. 
Ann. Rep. Mus. F. A. 1808, p. 73, no. 49: Beazley, no. 4, 
Hips 37. 
A. Silen holding small silen on shoulders: 
B. Silen with phallos oculatus. 


2. DEEPDENE.! Column krater. 
Sale Cat. p. 11, no. 46: Tischbein, iv, pls. 37 and 44 (bad 
reproduction) = Reinach, ii, pp. 329, 2; 330, 4: Beazley, 
no. Q. | 
A. Dionysos resting with two silens. 
B. Two athletes. 


3. Lonpon, Brit. Mus. E 259 (723). Amphora (Panathenaic 
shape). Formerly in Hamilton Coll.: h. 0.356. 
Cat. ili, p. 196 (‘style after Phintias or Euthymides ’): 
Beazley, no. 6. 
A. Komast. 
B. Same. 


4. Brit. Mus. E 583. Lekythos. From Gela. Formerly in 
Dennis Coll.: h. 0.262. 
Cat. ili, p. 327: Beazley, no. 10. 
A. Silen with flutes. KA\VOs. 


* Acquired at the recent sale by the Ashmolean Museum, Oxford. 


[452] 


Io. 


Paris, PETIT PALAIS 328. Hybrid amphora. 
Michaelis, Arch. Anz. 1864, p. 264: Heydemann, Pariser 
Antiken, p. 86 (Coll. Piot, no. 1): Beazley, no. 2. 

A. Nude woman holding phallos-bird and lifting cover of a 
basket with two phalloi in it. 

B. Nude woman with phallos. 


PETROGRAD 603 (St. 1593). Hybrid amphora: h. 0.40. 
Cat. ii, p. 217; (W. p. 86): Hackl, p. 42, no. 459: Beazley, 
NO; 1. 

A. Athlete with akontion leaning on pillar. 3B. Man. 


Grafhito [-". 


PETROGRAD 604 (St. 1601). Hybrid amphora: h. 0.37. 
Cat. ii, p. 223; (W. p. 86): Beazley, no. 5, fig. 38 (A). 
A. Silen holding pantheress. B. Silen. 


PETROGRAD 619 (St. 1208). Pelike: h. 0.50. 
Gane. 71; (W. p: 87): Beazley, no. 7. 
A. Warrior’s departure. B. Same. 


PHILADELPHIA MS 246s. Column krater: h. 0.398. 
Beazley, no. 8. 
A. Boxers and trainer. B. Two komasts. 


VIENNA, OESTERR. Mus. 332. Hybrid amphora. Formerly 
in Castellani Coll.: h. 0.43. 
Cat. p. 49, pl. vi (A): Beazley, no. 3. 
meeyvartior.  B. Man. 


Graffito IIA. 
SUBJECTS | SHAPES 
Baceuctel. 2, 4,7. { Panathenaic, 3. 
Military, 8, 10. Amphora 3 Hybrid, 1, 5, 6, 7, 
Komastic, 3. IO. 
Athletic, 2, 6, 9. Pelike, 8. 
Genre, 5. Krater, Column, 2, 9. 


Lekythos, 4. 
[ 453 J 


THE FOUNDRY PAINTER 


Hartwig, pp. 381 ff. 
Hauser, F.R. ili, pp. 81-86. 
Buschor, p. 176. 

Beazley, VA. pp. 93-94. 


The kylix in Berlin (2294) on which the interior of a bronze 
foundry is represented, was for many years regarded as the work 
of either Douris or Brygos. Hartwig first classified the vase cor- 
rectly by assigning it to a master whom he called the Diogenes 
Painter. Beazley agrees with the majority of Hartwig’s attri- 
butions but prefers to call the artist by the name of the Foundry 
Painter and adds materially to the list of attributions. 

The style of the painter is very similar to that of Brygos and 
many of Beazley’s attributions have heretofore been regarded 
as the work of that master. 


1. BERLIN 2294. Kylix. From Vulci: h. 0.12, d. 0.305. 
Cat. p. 593: CIG. 7809: Panofka, Bild. Ant. Leb. pl. viii, 
5: Per. and Chip. x, pp. 653, 655, 657, figs. 300 (A), 36% 
(B): Hartwig, p. 381 (attr. to Diogenes Master): Ger- 
hard, Trinkschalen, pls. ix, 2; xii and xiii: Buschor, p. 178, 
fig. 128 (part of A): Overbeck, HG. pl. xviii, 6 (interior 
only), p. 433, no. 63: F.R. iii, pp. 81-86, pl. 135 (Hauser), 
(attr. to an artist allied to Brygos): Diimmler, Bonn. 
Stud. p. 83 (attr. to Douris): Klein, LI. p. 101, x (attr. to 
Douris): Beazley, VA. p. 94 (attr. to Foundry Master): 
Bliimner, Technologie iv, p. 330, pl. 5, fig. 50 (ext.); idem, 
Athen. Mitt. 1886, p. 150: Baumeister, i, p. 506, fig. 547 
(ext.): Jahn, Sachs. Bericht. 1867, p. 106, pl. v, 4: Murray, 
Hist. Greek Sculp. (I as vignette on title page): Saglio, i, 
P. 790, figs. 937-939 (various groups); ii, p. 327, fig. 2484 
(ext.); iv, p. 1490, fig. 6609; fig. 6613: Lloyd, Shield of 
Achilles (I as vignette on title page): Bull. d. Inst. 1835, 
pp. 166 ff.: Duruy, Hist. ii, p. 191 (A): Rossbach, Rom. 


L454 ] 


Mitt. 1888, p. 67: Wernicke, p. 62: Schreiber, Bilderatl. 
pl. 8, 6 (ext.). 

I. Thetis and Hephaistos. 

A and B. Bronze Foundry. 

A. HO FAIZ KAVOS NAIXI. 

B. AIOAENES KAVOS NAIXI. 


. BERLIN 2296. Kylix. From Orvieto: livo.1Esed.0.205; 
ieee resor pp. 177-11. pl. 15 = Reinach, i, p. 428, 1-2: 
Hartwig, p. 116, no. 2, p. 389 (attr. to Diogenes Master): 
Schreiber, Bilderatlas, pl. 40, 7,13: Duruy, Hist. ii, p. 177: 
Tonks, Brygos, p. 116, no. 2 (considers the attribution to 
Brygos doubtful): Saglio, ii, p. 761, fig. 6721 (ext.). 

I. Scythian and horse. 

A. Riders. 


_ BERLIN (Inv. 3198). Kylix (foot restored): d. 0.27. 
Furtwangler, Arch. Anz. 1892, pp. TOI, 102 (drawing), 
(style allied to Brygos): Frohner, Coll. Jules Greau, Paris, 
1891, no. 113: Tonks, Brygos, no. 19 (attr. to Brygos): 
Beazley, VA. p. 94 (attr. to Foundry Master). 

I. Man urinating into a jug. HO PAls KAVOS. 

A and B. Komos. HO PAls KAVO8. 7 


. Owing to an error no. 3 was listed again as no. 4. 


- Botocna, Pat. 321. Lekythos. From Etruria (probably) : 
fh 0-318. 

Cat. (Pal.), p. 54, figs. 43-45: Hartwig, p. 387: Heyde- 
mann, iii Halle Winck. Progr. p. 58, no. 1402: Klein, 
Ef p.-102,-no. 4. 

Shoulder. Lion. 

A. Nike and youth. AIOAENES KAVO[S]. On: the rim 
MENON KA\VOS. 


_ Boston 01.8034. Kylix. Formerly in Bourguignon Coll.: 
h. 0.117, d. 0.298. 

Ann. Rep. Mus. Fine Arts, 1901, P. 33, RO- 16 (‘style of 

Brygos’): Tonks, Brygos, no. 52 (attr. to Brygos): Beazley, 

VA. p. 93, fig. 62 (detail: attr. to Foundry Master). 


Cass 


10. 


Il. 


I. Man and youth playing flutes on couch. HO PAIs 
KAVOS KAVOS. 

A. Men and youths on couches with nude boys as pourers. 
HO PAIS KAVOS. 

B. Same scene, without the boys. HO PAIS KA\VOs. 


BosTon 10.195. Kylix (fragmentary). Formerly in Bour- 
guignon Coll.: h. 0.117, d. 0.31. 
Beazley, VA. p. 94. 
I. Youthful warrior. 
A and B. Arming scenes. 


BOSTON 13.204. Kylix: d. 0.24. 
Ann. Rep. Mus. F. A. 1913, p. 90 (style of Brygos): Beaz- 
ley, VA. p. 94. 

I. Maenad. 


-A and B. Silens and maenads. Senseless inscriptions. 


Brunswick, ME., BOwDOIN COLL. Kylix. 
Beazley, VA. as Q4. 

I. Two athletes (cf. Louvre G 290). 

A. Athletes with akontia. 

B. The same. 


CAMBRIDGE, HARVARD 1642.95. Kylix: h. 0.095, d. 0.23. 
Beazley, VA. p. 94. 

I. Warrior with spear and shield. 

A. Three warriors arming. 

B. Three warriors in combat. 


CorNETO, Mus. TARQUINIENSE 5291. Kylix. From Cor- - 
neto: h. 0.117, d. 0.288. 
Mon. d. Inst. xi, pl. 20 = Reinach, i, p. 222, 6-8: WV. 
D, pl. 8, 1: Hartwig, p. 390 (attr. to Foundry Master): 
Heydemann, Amn. d. Inst. 1885, p. 154 (wrong interpre- 
tation of group as Theseus and Ariadne): Buschor, p. 173, 
fig. 124 (B): Walters, i, pl. 39, 2 (B): Tonks, Brygos, no. 47 
(Brygos): Harrison and MacColl, pl. 35 (B): Harrison, 
Myth. Int. fig. 35 (B): idem, Prolegomena, p. 633, fig. 


[ 456 |] 


169 (B), (follows Heydemann): Beazley, VA. p. 94 (attr. 
to Foundry Master). 


I. Menelaos leading Helena ? 
A. Helena, pursued by Menelaos, takes refuge in the temple 


of Aphrodite, where the goddess is sitting. 


B. Peleus, sandals in hand, approaching the sleeping Thetis 


in the presence of Hermes and Eos. 


12. Lonpon, Brit. Mus. D123. Oinochoé. From Locri: 


rie 


ie 2222. 
Cat. ill, p. 394: Guide to Greek and Roman Life, p. 156: 
Tonks, Brygos, no. 54 (attr. to Brygos): Beazley, VA. p. 
94 (attr. to Foundry Painter). 


I, Vase has a white ground. A woman holding distaff. 


HE RAI= KAVE. 


Brit. Mus. E 78 (971). Formerly in Braun Coll. Kylix. 


From Vulci: h. 0.12, d. 0.31. 

Cat. iii, p. 104: graffito in old Cat. pl. B: Hartwig, p. 392, 
fig. 53 (A), (wrongly given as E 46; attributed to the 
Diogenes Master): Murray, Des. pl. xiv, 55: Gardiner, Greek 
Ath. Sp. p. 406, fig. 134 (J), p. 436, fig. 151: idem, JHS. 
1906, p. 6, fig. 53 (A): Braun Sale Cat. (Christie, Feb. 21, 
1850, no. 40; May 15, 1852, no. 306): Tonks, Brygos, no. 
ai (attr. to Brygos): Jiithner, p. 72, fig. 58 (J): Frost, 
JHS. 1906, p. 220, pl. 13: Hauser, F.R. iii, p. 86 (attr. to 
same artist as Foundry vase): Beazley, VA. p. 94: Saglio, 
iv, p. 755, fig. 5855 (boxer); 759, fig. 5861 (group of pan- 
kratiasts). 


I. Boxer and trainer. 
A and B. Boxers, pankratiasts and trainer. Imitation in- 


scriptions in all three scenes. 


Graffito 434. 


14. Municu 2649 (279). Kylix. Formerly in Candelori Coll.: 


hy 0.125, d. 0.285. 
Cat. (Jahn), p. 81: P. J. Meier, AZ. 1884, p. 251 (attr. to 
Brygos): Hartwig, p. 395 (Diogenes Master): Klein, 


[457] 


Ties 


16. 


7 


p. 178: Beazley, VA. p. 95, no. 4 (attr. to the Paris 
Gigantomachy Painter). 

I. Man and girl playing flutes. 

A. Boxers and trainer. 

B. The same. 


MUNICH 2650 (400). Kylix: h. 0.118, d. 0.312. 
Cat. p. 132: Res. ér. p. 25, 22: Mus. étr. 794: Overbeck, 
HG. pl. 25, 3, p. 608, no. 83: Gerhard, Aus. Vas. pls. 
2290-230 = Reinach, ii, p. 116, 1-3: Hartwig, p. 338 
(attr. to Diogenes Master): Tonks, Brygos, no. 6 (attr. to 
Brygos): Beazley, VA. p. 94 (attr. to Foundry Master): 
Roscher, i, p. 1279 (A). 

I. Two bearded men. HO PAls KAVOS. 

A. Epeios and the Trojan horse, Athena, two old men. HO 
PAIS. 

B. Old man and youth. Same SS as on J. 

Graffito on foot A. 


OxFORD, CorpUS CHRISTI COLLEGE, LEWES CoLL. Kylix. 
Formerly in Lecuyer Coll.: d. 0.29. 
Coll. Lecuyer, ii, pl. E 5: Sale Cat. Coll. Lecuyer, pp. 63, 
fig. 381 (J), 64 (A): Beazley, VA. p. 94. 
I. Boy dancing and bald man on couch playing flutes. 
A and B. Symposium. 


PETROGRAD 637 (St. 1723). Kalyx krater. From Caere: h. 
0.41. 
Cat. ii, p. 281 (according to Stephani there is absolutely 
no trace of the inscription on B with the name of Akrisios 
as stated by Tonks); (W. p. 88): Welcker, Ali. Denk. v, 
pls. 16 and 17: Baumeister, i, p. 406, figs. 447 and 448: 
Gerhard, Danae (14 Berl. Winckelmanns Pr.): Overbeck, 
KM. (Zeus) p. 406, no. 1, pl. vi, 2: Harrison and MacColl, 
pl. 34, 1-2: Roscher, iii, p. 2046: R. Rochette, Choix de 
peint. p. 181, 225: Hartwig, pp. 396 ff. (attr. to Diogenes 
Master): Tonks, Brygos, no. 24 (repeats this vase under 
his no. 56 and calls it wrongly a kylix in both places): 
Hauser, F.R. ii, p. 281 (considers vase allied to the Kroisos 


[458 ] 


18. 


10. 


20. 


21. 


amphora v. under Myson): Knatz, p. 6, A, 1: Saglio, iu, 
p. 706, fig. 4229 (A), p. 1018, fig. 4388 (A): Schreiber, 
Bilderatl. pl. 73,6 (B): Beazley, VA. p. 94 (attr. to Foundry 
Master). , 

A. Danae and the golden rain. AANAE (acc. to Cat.). 

B. Danae with infant Perseus, Akrisios, workman and chest. 
HO PAIS KAVOS. 


PETROGRAD 663. Kylix. 
Cat. (W.) p. 85: Beazley, VA. p. 94. 
I. Youth and boy. 
A. Youths, men, and horses. 
doje cer hints 


Taranto. Alabastron (white ground). 
Klein, LI. p. 102, no. 5, figs. 26a-b: Hartwig, p. 386 
(attr. to Diogenes P.): Hauser, F.R. il, p. 86 (denies 
attribution): Riezler, Weissgr. Alt. Lek. pp. 54-59, figs. 
31-36: Beazley, VA. p. 88: Pottier, Mon. Piot, xii, p. 103. 

I. On the rim in large letters HI- - - -+O2 KAVOS: 

A. Man leading horse. AIOAENE2 KAVOS. 

B. Youth between twomen. KAV\VOS AIOAE--- KAVOS. 


? Kylix. From Athens: h. 0.10, d. 0.25. 
Sale Cat. Coll. ME. 2-4 juin, 1904, pl. 10, no. 225: 
Beazley, VA. p. 94. 

I. Komast. 

A and B. Komos. 


to Ky lex. . 
Only known from a drawing in Berlin App. xxi, 82. Hart- 
wig, p. 394 (attr. to the Diogenes P.): Jahrbuch. 1895, 
p. 190 (Hauser): Beazley, VA. p. 95, no. 6 (attr. to 
Paris Gigantomachy P.). 

I. Two hoplitodromoi. 

A. Four hoplitodromoi. 

B. Five athletes with akontia and flute-player. 


[4590 ] 


} - SUBJECTS 
Myth., a Go 
Heroic, 17. 
Epica 117 s 
Bacchic, 8. 
Military, 7, ro. 


Athletic, 9, 13, 14, 2. 
Genrer 1,212 10. 191. 


onesce 3, 20. 


Symposium, 6, 16. 


* 
s = 
* * 
’ 
’ at ee . ~ 
ae 
- i > 
7 
F 
- < ™ 
- 
~ 
a - #% : 
s ¥ 2 : 
ta, - 
* 
2 2 
e 
Pe re “ * 
‘ “ 
} 
J 
ew 
. 


1S * 
4 
2 . 
w< -& . a 
vag 
as 
* 
ae 
” —_ 
y k 2, 
< oy Ad 
-~s — = 
4 ath. 
a 
“oe 
% 
- 
Be 
~ 
t * 
P 
5 Pa 
5 2 
’ 
7 
‘, < 
Lal 
” ee 
co > 
‘ 
: 


 Krater, Kalyx, 1° 
~*\“Lekythos,:5: oem 
Oinochoé, 12. 
Kylix, 1- — om 
21. 2 eo eee te 


Niabadaen 


THE ‘FRAU MEISTERIN’ 
Hauser, F.R. li, pp. 308 ff. 


Hauser’s theory that one of the vase painters of the Free Style 
was a woman has not met with general acceptance, in fact it 
has been denied by most scholars. The painter of the vases 
given in Hauser’s list is practically identical with Beazley’s Nio- 
bid Painter and most of them will be given under that artist. 

The Munich psykter holder, however, happens to be the only 
one in the list which has not been attributed elsewhere (except 
by Perrot who assigned it to the Berlin Amphora Painter, but 
the vase seems too late in style for that artist) and hence it has 
been listed below under Hauser’s creation. 

1. Municu (Jahn 753). Psykter holder ? From Girgenti: h. 
an 3: 
Cat. (Jahn), p. 235: Panofka, Eigennam. p. 13, pl. 1, 11: 
CIG. 7759: Jahn, Dichter auf Vasen. p. 706, pl. 1: Mil- 
lingen, AUM. i, pls. 33, 34: F.R. ii, pp. 20-23, pl. 64 
(attr. to Brygos): Baumeister, iii, p. 1543: Lau, Griech. 
Vas. pl. 30, 1: Saglio, iii, p. 394, fig. 3963 (A), p. 1440, 
fig. 4707 (A): Hauser, F.R. ii, p. 308, 335 (Zusatz to p. 20, 
attr. to Frau Meisterin): Von Christ, Gesch. d. Griech. 
Lit. fig. 6 (B): Walters, ii, p. 152, fig. 133 (B): Stein- 
biichel, Sappho and Alkaios (Vienna 1822): Per. and Chip. 
X, p. 624, pl. xv (attr. to Berlin Amphora Ps Panoika, 
Bild. Ant. Leb. pl.iv, 7; Griech. u. Griechin. plate on no. to: 
Dubois-Maisonneuve, Int. pl. 81: Mus. Ital. ii, pl. iv = 
Reinach, i, p. 525, no. 2: Welcker, Alt. Denk. ui, p. 226, 
pl. 12, 21: Gerhard, Amn. d. Inst. 1831, Pp. 155: Haute- 
roche, Sappho, p. 19: Klein, p. 162: Wernicke, p. 69, 7. 
A. Dionysos and maenad. KAVOS KAVOS. 
B. Sappho and Alkaios. AVKAIOS sA®O AAMA KAVOS. 


SHAPES OTHER ATTRIBUTIONS 
Psykter holder ? 1. Altamura P. 11, 19. 
SUBJECTS Niobid Ps Ss. 0 711,324, 25--20; 
28, 35- 


Historical, 1. 


Peeenic ©. Villa GP. 37, 30; 


[ 461 | 


GALES 


The signature of Gales is preserved on two lekythoi in Boston 
and Syracuse. His painter was an indifferent artist of the ripe 
archaic period. 


1*, BOSTON 13.195. Lekythos: h. 0.31. 
Ann. Rep. Mus. Fine Arts, 1913, p. 90. 
Arch. Anz. 1914, p. 496. 
Beazley, VA. p. 26. 
Nicole, Corpus 82, no. 2. 
Sacrificial procession. AAVES EfOIESEN. 


L 462 ] 


2*, SYRACUSE 26967. Lekythos.! From Gela. 


Orsi, Mon. Ant. Linc. 1909 (xix), pp. 102-115, figs. 9, 10, 
pl. iii. 
Beazley, VA. p. 26. 
Nicole, Corpus 82, no. I. 
Anakreon and two youths. HO IAIS ANAKPEON KA\Os 
IXKAAON. 
Signature on rim AAVES EMOIESEN. 


SHAPES SUBJECTS 
Lekythos, 1*, 2*. Sacrificial, 1”. 
Historical, 2*. 


1 Orsi does not give the height of the vase. 


[ 464] 


[ 465 ] 


THE GERAS PAINTER 
Beazley, VA. pp. 56-57. 


A minor artist of the ripe archaic period has been called by 
Beazley the Geras Painter from a pelike in the Louvre on which 
Herakles and Old Age are represented. - 


1. ATHENS CC. 1172 (1176, C 541). Kalpis. From Athens: 
hai. 
Cat. (CC.) p. 367: Beazley, no. 10: Félzer, p. 116, no. 200. 
Man with dog offering lyre to boy. 


2. ATHENS CC. 1176 (1413, 5923). Pelike. From Atalante: 
h. 0.36. 
Cat. (CC.) p. 369: Praktika, 1892, p. 102: Beazley, no. 2. 
A. Man offering hare to boy. 
B. Man. 


37 BERLIN 2171. Pelike: sho, 23: 

Cat. p. 493: El. Cér. iii, pp. 127, 162, pl. 47 (bad reproduc- 
tion): Panofka, Mus. Bart. p. 131, 69: Overbeck, KM. 
(Demeter), p. 534, 8, pl. 15, 7: Gerhard, Prodrom. p. 84, 
no. 88: Gargiulio, Raccolia, ii, 66: Stephani, CR. 18509, p. 
84, no. 24: Beazley, no. 4. 

A. Triptolemos in car with Demeter. [TO=EK. 

B. Man and youth. 


4. BERLIN 2173. Pelike. From Vulci7 hoo 
Cal. p44 Beazley, noo: 
A. Woman at fountain. 
B. Silen running to fountain. 


5. New York GR 578. Formerly in De Morgan Coll. Pelike. 
From Magna Graecia: h. 0.286. 
De Morgan Sale Cat. 1901, p. 36: Beazley, no. 5. 
A. Dionysos. KAVOS. 
B. Silen. 


L 466 |] 


6. OxForD 283. Pelike. From Serignano: h. 0.22. The ob- 
verse is a replica of no. 11 (Rome, Castellani Coll.). 
Cat. Castellani Sale, no. 60: Cat. p. 26: Beazley, no. 8. 
A. Man with helmet. 
B. Silen in himation. 


Grafhto B 


7, Paris, CAB. D. MED. 391. Pelike: h. 0.37. 

Cat. p. 286: DeWitte, Cat. Canino, 17, p. 5: Froehner, 
Mus. de France, p. 26, pl. 8: Stephani, CR. 1867, p. 173: 
Mayer, Giganten u. Titanen, p. 323: Winter, Jiing. Ait. 
Vas. p. 59, 2: Roscher, i, p. 1106: Saglio, i, p. 610, note 
614: Beazley, no. 3. 

A. Dionysos arming with silen. 

B. Man and youth. 


8. Paris, CaB. D. MEp. 415. Column krater. From Vulci: h. 
0.385. The reverse of the vase is entirely modern. 
Cat. p. 305, figs. 69 (A), 70 (B): Heydemann, Pariser 
Antik. 40, p. 76: Beazley, no. 11. 
A. Herakles and Athena. 


9. Paris, LouvRE G 224. Pelike: h. 0.355. 
Cat. iii, p. 1026: Beazley, no. 1. 
A. Death of Aktaion. 
B. Ganymede pouring wine for Zeus. 


10. Louvre G 234. Pelike. From Capua: h. 0.35. 
Cat. iii, p. 1027: Hartwig, Philologus (50), 1891, p. 185, 
pl. x: Roscher, i, s.v. Herakles, p. 2234; iii, p. 2083, fig. 2: 
Beazley, no. 6: Smith,! JHS. 1883, p. 104. 
A. Herakles clubbing Old Age. AEPAS (r.). 
B. Poseidon. 


1 There is a confusion about this vase for which I cannot account. Loeschcke 
(AZ. 1881, p. 40) mentions a black figured pelike with identically the same subject 
and inscription seen by him in the collection of Sig. Doria in Capua and Cecil Smith 
remarks that he has endeavored vainly to trace its whereabouts. M. Pottier in- 
forms me that no. 10 is from the Doria Collection in Capua. The only possible 
conclusion is that this vase is that seen by Loeschcke but erroneously described by 
him as black figured. 


L 467 ] 


11, Romer, Cott. Auc. CasTELLANI 94. Pelike: 
Beazley, no. 7. 3 


“A. Man'with helmet; - * = "2% 
B. Youth. 


; SUBJECTS a 
Myth:s:3) 9) 101.) 1) 2sPelike, aaa 


Heroic, 8.9, 10; cg ere byniae Kalpis, 1. ‘ , 
Bacchic, 4, 5, 6, 7. _ Krater, Column, 8. ae 5 
‘Military, 6,11. ee 


Genre;al 5 25 eee 


* 
” + 
- - We oF 
~ ef 
< * 
= Peeke 
: 
“A Ce Fee SS 
% tS Se ae 
- ae as 
a baat ari 
= 4 ¢ A . ' 
oO * > -~ < 
a . 
ns & ~ < 
# 4 
> : "4 
2 
- 
y 1 
a . 
* 
» 
\ 
a 
’ 


THE PAINTER OF THE GIRGENTI KALYX KRATER 


To another mannerist of the group contemporaneous with the 


Pan Painter, Beazley (VA. pp. 120-121) has given the name 
of the Girgenti Krater Painter from the unpublished kalyx 
krater in the Museo Civico of that place. 


I. 


ATHENS CC. 1597 (2976, 1489). Deinos: h. 0.18, d. 0.18. 
Cat. (CC.), p. 511: Beazley, no. 109. 
Boar hunt. 


. ATHENS N. 1085 (12492). Pelike: h. 0.34. 


Cat. (N.), p. 237 (description of reverse omitted): Beazley, 
No. 22. 

A. Amazonomachy. 

B. Boy between two youths, 


. Botocna 194 VF. Column krater. From Certora: h. 0.47. 


Cat. p. 73, fig. 44 (A): Beazley, no. 15. 
A. Return of Hephaistos. 
B. Three youths. 


. Botocna 258 VF. Column krater (fragmentary). 


Cat. p. 103, fig. 61 (A): Not. d. Scav. 1888, p. 51, no, 1: 
Beazley, no. 5. 


A. Maenads. 
B. Four male figures. 


. BOULOGNE 177. Stamnos. 


Beazley, no. 18. 
A. Theseus and Minotaur. 
B. Youth between two men. 


. CoRNETO, BRuscHI Co1t. Pelike. 


Beazley, no. 21. 


A. Theseus and Minotaur. 
B. Boy between man and youth. 


[ 469 J 


Io. 


Il. 


I2. 


13% 


GIRGENTI, Mus. Civico. Kalyx krater. 
Beazley, no. I. 

A. Herakles and Nessos. 

B. Youths and boys. 


Lonpon, Brit. Mus. E171. Kalpis. From Cameiros, 
Tomb F 236: h. 0.309. 

Cat. iii, p. 154: Ann. d. Inst. 1878, p. 286, pl. P = Reinach, 
i, p. 341: Saglio, li, p. 470, fig. 2602: Girard, Educ. Athén. 
p. 111, fig. 8: Keller, Tiere, p. 146 (calls squatting figure a 
monkey): Hartwig, p. 443, note 1 (considers vase allied 
to style of Bald-head Painter): Beazley, no. 25. 

A. Music lesson. Several figures including a monkey (?) 
panther or cat and a dog. KAVOS KAVOS (r.). 


NaPLes (H 3156). Column krater: h. 0.35. 
Cat. p. 484: Beazley, no. 8. 

A. Theseus and Minotaur. 

B. Three youths. 


New York 15.27. Column krater: h. 0.446, d. 0.375. 
Beazley, no. 2: Bull. Metr. Mus. 1915, p. 123, fig. 3: 

A. Herakles and Busiris. 

B. Three Egyptians. 


Paris, LOUVRE G 348. Column krater. 
Not described in Cat.: Beazley, no. 11. 

A. Dionysos, maenad, and silen. 

B. Maenad between silens. 


Louvre G 369. Bell krater (with lugs). 
Cat. iii, p. 1092: Beazley, no. 17. 
A and B. Komos. 


PETROGRAD 8o1 (St. 1626). 1 Column krater. From Sicily: 
h. 0.39. 
Cat. ii, p. 235; (W. p. 95): Beazley, no. 7. 
A. Theseus and Minotaur. 
B. Boy between two youths. 


1 Beazley erroneously gives the number as 289. 


[ 470 ] 


4. 


Ts. 


16. 


ae 


18. 


IQ. 


20. 


21. 


PETROGRAD 797 (St. 1273). Column krater: h. 0.49. 
Cat. ii, p. 105; (W. p. 97): Beazley, no. ro. 

A. Departure of youth. 

B. Three youths. 


PETROGRAD (St. 1529). Pelike: h. 0.34. 
Cat. ii, p. 197: Beazley, no. 24. 
A and B. Komos; two youths on each side. 


Graffito on base N ie * 


PETROGRAD. Column krater. 

Beazley, no. 9. 
A. Apollo, Artemis, Hermes, and Muse. 
B. Three youths. 


PETROGRAD. Pelike. 

Beazley, no. 23. 
A. Youth offering lyre to boy. 
B. Same. 


Rome, VATICAN. Column krater. 
Beazley, no. 13. 
A. Symposium. 


Be 


Rome, Vitta Grutia HR. 1795 g. Column krater. 
Beazley, no. 3: Helbig-Reisch, Fiihrer ii, p. seer 
Dionysos, silens, and maenads. 


Rome, Vitta GruLia 14217. Column krater: h. 0.46. 
Beazley, no. 6: Mon. Ant. Linc. 1917, p. 364, pl. to, fig. 
23 (A). 

A. Theseus and Minotaur. 

B. Boy between two youths. 


Syracuse. Column krater: h. 0.435. 
Beazley, no. 4: Mon. Ant. Linc. 1904, p. 858, fig. 65, 
pl. 53 (A). 

A. Komos. 

B. Three figures. 


[471] 


22. TURIN 3029. Column krater. 
Beazley, no. 14. 
A. Dionysos between silen and maenad. 
Rey 
23. ? Formerly London market (Day). Column krater. 
Beazley, no. 16. 
A and B. Komos. 
24. ? Formerly in Lusieris’ possession, Athens. Pelike. 
Stackelberg, pl. 22: Beazley, no. 20. 
A. Pyrrhic dance. 
B. Boy and youth. 
25. ? Formerly in Naples market (Barone). Column krater. 
Minervini, Mon. Barone, pl. 10: Beazley, no. 12. 
A. Sphinx and men. 
B. Male figures. 
SUBJECTS SHAPES 
Myth., 3, 16. Bell, 12. 
Heroic, 2 Ray) Gz 10,. 13520: eodter Kalyx, 7. | 
Bacchices, 11, 10,22. Column, 3, 4, 9-11, 13, 
Epic, 25. 14,10, [0-24,65. 
Genre, 1, 8, 14, 17, 24. Pelike, 2, 6,153 17, 24: 
Komastic, 12, 15, 21, 23. Deinos, 1. 
Symposium, 18. Stamnos, 5. 
Kalpis, 8. 


[472] 


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